1
10
11
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Programmes
Programme
A non-persistent, time-based occurrence. Examples include symposia and conferences, public talks and performances, tours, workshops, open studios.
Short Description
This eight hour long documentary film is divided into 38 stations and depicts the daily life of the Darkhad and Sojon Urinjanghai nomads, as well as their ceremonies such as weddings, festivals and shamanistic practices.
Programme Type
Screening
Audience
General
Location
Onsite (CCA)
Offsite
Online
Onsite (CCA)
Collaboration
No
Commissioned Work
No
Education
No
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Place.Labour.Capital.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Screening: Taiga. A Journey to Northern Mongolia by Ulrike Ottinger, artist and filmmaker (Germany)
Subject
The topic of the resource
The Geocultural
Indigenous Knowledge
Tradition
Description
An account of the resource
<div class="event_single_dates text__exhibitions">24 Jun 2017, Sat 12:00 PM - 8:30 PM</div>
<div class="event_single_venue">The Single Screen, Block 43 Malan Road<br /><br />This eight hour long documentary film is divided into 38 stations and depicts the daily life of the Darkhad and Sojon Urinjanghai nomads, as well as their ceremonies such as weddings, festivals and shamanistic practices.<br /><p>Ottinger portrays particular characters, sometimes with their families, and documents gatherings, offerings, songs, dances, professions. The camera dwells on the different moments, mostly rendering the scene in real time and conveying a sense of being there. As we accompany the nomads preparing to move to their winter camp, or visit the children on their first day of school, we get familiar not only with the startling landscapes, but most importantly with the way of living of these nomadic peoples, their relationship to each other, to the animals, and to the land.</p>
<p>This screening is specially arranged to provide the opportunity for the audience to experience the work as a full film instead of the divided version installed in the exhibition space.</p>
<p>Presented on the occasion of <em>Art Day Out x School Holidays</em> at Gillman Barracks.</p>
A public programme of <em>Ulrike Ottinger: China. The Arts – The People, Photographs and Films from the 1980s and 1990s</em>.</div>
Date
A point or period of time associated with an event in the lifecycle of the resource
2017-06-24
Contributor
An entity responsible for making contributions to the resource
Ulrike Ottinger
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Asia
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Videos
Video
A series of visual representations imparting an impression of motion when shown in succession. Examples include animations, movies, television programs, videos, zoetropes, or visual output from a simulation.
Based on DMCI MovingImage type (https://www.dublincore.org/specifications/dublin-core/dcmi-terms/#http://purl.org/dc/dcmitype/MovingImage)
Short Description
Behind the Scenes: dancer and performer Maggie Segale, artist Cally Spooner, and artist and writer Jesper List Thomsen
Video
Embedded video or link to video hosted outside of Omeka
<a href="https://vimeo.com/529246460">https://vimeo.com/529246460</a>
Video ID
Platform ID number for video hosted online (e.g., Vimeo)
529246460
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Behind the Scenes: dancer and performer Maggie Segale, artist Cally Spooner, and artist and writer Jesper List Thomsen
Description
An account of the resource
2 Oct 2018, Tue 07:30 PM - 09:00 PM The Single Screen, Block 43 Malan Road <br /><br />Choreographer and artist Cally Spooner shares her fascination with language, politics, and philosophy and how societies’ orders and regimes are reflected in her work. She will elaborate on how subjectivity and its bodies are shaped by technological and performative conditions, where language undergoes damage. Together with her collaborators Maggie Segale and Jesper List Thomsen, they will discuss OFFSHORE, a philosophy school for embodied knowledge, its diverse aspects, forms, and the concept of the laboratory. Moderated by Magdalena Magiera, Curator, Outreach & Education, NTU CCA Singapore BIOGRAPHIES Maggie Segale (United States) is a dancer, artist, and teacher with a focus on performing and interdisciplinary, collaborative work. She graduated from the Juilliard School, where she received multiple awards and fellowships including the 2014 Entrepreneurship Fellowship for her writing on self-image and dance. Segale works with Helen Simoneau Danse, Bryan Arias, and artist Cally Spooner, having collaborated with A24 Films, Center for Innovation in the Arts, Roya Carreras in the upcoming Pussy Riot music video, composer Zubin Hensler, and Matilda Sakamoto. Segale choreographed the opera Role of Reason at the Interarts Festival 2018, and was an Artist-in-Residence at the New Jersey Dance Theatre Ensemble (2016). Cally Spooner’s (United Kingdom/Greece) spatialisations are continuously evolving in accordance to temporal contexts to render society’s orders and social regimes visible. Her projects look at “language-making” and alternative compositions of communication and movement in today’s context, where speech and attention are automated, the body is hired technology, and subjectivity and communication are consistently outsourced. Addressing the damage chrono-normativity can cause, she works with duration and rehearsals as alternative spaces. Appropriating and referencing genres such as the musical, the novel, or the radio play, Spooner builds a new sonic, literary, and living language to trigger public reaction towards the rapidly changing digital communication and how our understanding of the world changes along. Spooner’s work has been widely exhibited since 2008. Recent solo shows include Centre d’Art Contemporain Genève (2018); Whitechapel Gallery, London (2017); New Museum, New York (2016); and Stedelijk Museum, Amsterdam (2016). Recent group shows include Serpentine Gallery, London (2017) and the Geneva Moving Image Biennial (2016–17). Upcoming shows include Castello di Rivoli, Turin (2018); Swiss Institute, New York (2018); and Art Institute Chicago (2019). Spooner’s book Scripts was published by Slimvolume in 2016, and her novel Collapsing In Parts was published by Mousse in 2012. Jesper List Thomsen (Denmark/United Kingdom/Greece) is an artist and writer. Recent exhibitions and performances include Hollis and Money, ICA, London and Künstlerhaus, Stuttgart; Speak Through You, Hot Wheels Projects, Athens; A Social Body Event, Serpentine Gallery, London; Micro-Composition, Rozenstraat, Amsterdam; The body, the body, the tongue, Reading International; Hand and Mind, Grand Union, Birmingham; The boys the girls and the political, Lisson Gallery, London; and One Hour Exhibition, South London Gallery, London. A book-length collection of his texts will be published in Autumn 2018 by Juan de la Cosa (John of the Thing). He is also a part of the artist collective Am Nuden Da. <br /><br />Magdalena Magiera (Germany/Singapore) is Curator, Outreach & Education at NTU CCA Singapore. She was an independent curator, Managing Editor of frieze d/e, and currently Editor of mono.kultur, a quarterly interview magazine. She co-curated Based in Berlin (2011) as well as exhibitions for The Building and SPLACE in Berlin. Magiera was Project Manager of The Maybe Education and Other Programs at dOCUMENTA(13), Kassel (2012) and UNITEDNATIONSPLAZA, Berlin (2006–08). Prior to joining NTU CCA Singapore, she worked for e-flux exhibitions and public programmes in New York City. <br /><br /><br />A public programme of Stagings. Soundings. Readings. Free Jazz II.
Date
A point or period of time associated with an event in the lifecycle of the resource
2018-10-02
Contributor
An entity responsible for making contributions to the resource
Maggie Segale
Cally Spooner
Jesper List Thomsen
Subject
The topic of the resource
Politics
The Geocultural
Technology
Format
The file format, physical medium, or dimensions of the resource
Video
Language
A language of the resource
English
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Programmes
Programme
A non-persistent, time-based occurrence. Examples include symposia and conferences, public talks and performances, tours, workshops, open studios.
Short Description
The presentation draws attention to Blank Noise's vision and approach to ending sexual and gender based violence. The <em>I Never Ask For It</em> mission is a call to end victim blame by building testimonies of clothing.
Programme Type
Talk and Lecture
Location
Onsite (CCA)
Offsite
Online
Onsite (CCA)
Collaboration
No
Commissioned Work
No
Education
Yes
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Climates. Habitats. Environments.
Audience
General
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Action Sheroes, Heroes, Theyroes. Resonate #NeverAskForIt, Presentation by Jasmeen Patheja (India), Founder, Blank Noise
Description
An account of the resource
The presentation draws attention to Blank Noise's vision and approach to ending sexual and gender based violence. The <em>I Never Ask For It</em> mission is a call to end victim blame by building testimonies of clothing. Survivors of violence, i.e. women across varying degrees of such acts, are invited to bring a garment they wore when they experience sexual violence. The garment is a memory, witness, and voice to an experience of sexual assault. Blank Noise is working towards 2023, where 10,000 garments will stand united at sites of public significance. This project or mission is an invitation to collaborate and also and inquiry to respond to: How do we recognise sexual violence in an environment of normalised fear, warnings and victim blame? How do we spark conversation in a climate of denial? How do we work to bring a story to spotlight? How do we make meaning, intervention, resistance in a climate where women's bodies and identities are controlled by the state and patriarchy? How do we collaborate? How do we co-create? What is personal and collective healing? What is local and universal? Who does the practice speak to? Who is witness? How do we shift from community consciousness? These are questions, and thes questions are works in progress.<br /><br />Part of <em>Art, Urban Change, and the Public Sphere: Public Art Education Summit</em>, 17 - 19 October 2019
Date
A point or period of time associated with an event in the lifecycle of the resource
2019-10-18
Contributor
An entity responsible for making contributions to the resource
Jasmeen Patheja
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Asia
Subject
The topic of the resource
Materiality
The Geocultural
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Programmes
Programme
A non-persistent, time-based occurrence. Examples include symposia and conferences, public talks and performances, tours, workshops, open studios.
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Place.Labour.Capital.
Programme Type
Talk and Lecture
Audience
General
Location
Onsite (CCA)
Offsite
Online
Onsite (CCA)
Collaboration
No
Commissioned Work
No
Education
No
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Talk: Reflection and Response – Ahmad Mashadi
Description
An account of the resource
<span>18 Jul 2014, Fri 7:30pm - 9:00pm</span><br /><br />Ahmad Mashadi will give a tour of <em>No Country</em> and offer his interpretations of the exhibition’s art works and themes, and the exhibition in terms of larger historical and geographical contexts. The tour will take place in the CCA exhibition space.<br /><br />A public programme of <em>No Country: Contemporary Art for South and Southeast Asia</em>.
Date
A point or period of time associated with an event in the lifecycle of the resource
2014-07-18
Contributor
An entity responsible for making contributions to the resource
Ahmad Mashadi
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Southeast Asia
Asia
Subject
The topic of the resource
Identity
The Geocultural
History
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Programmes
Programme
A non-persistent, time-based occurrence. Examples include symposia and conferences, public talks and performances, tours, workshops, open studios.
Short Description
In this talk, No Country curator June Yap and Zoe Butt from Sàn Art, explore curatorial strategies in negotiating contemporary mappings and representations of Asia today.
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Place.Labour.Capital.
Programme Type
Talk and Lecture
Audience
General
Location
Onsite (CCA)
Offsite
Online
Onsite (CCA)
Collaboration
No
Commissioned Work
No
Education
No
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Curators' Talk: Zoe Butt and June Yap
Description
An account of the resource
<span>11 Jul 2014, Fri 7:30pm - 9:00pm</span><br /><br />The title of <i>No Country</i> draws from the opening line of a poem by William Butler Yeats, “Sailing to Byzantium” (1928), which was adapted into a contemporary thriller by Cormac McCarthy, <i>No Country for Old Men</i> (2005), and presented in filmic form by the Coen Brothers (2007). <i>No Country: Contemporary Art for South and Southeast Asia </i>appropriates the historical, geographic and intertextual traversal of Irish poem, American novel and film to an exhibition on Asia, and in so doing references the traces and overlaps in the exchanges and adaptations that are characteristic of the histories and cultures of the South and Southeast Asia. While appearing as if a negation of country and nation, <i>No Country </i>rather gestures to an exploration of the problematic nature of the cartography of nation and culture. In this talk, <i>No Country</i> curator June Yap and Zoe Butt from Sàn Art, explore curatorial strategies in negotiating contemporary mappings and representations of Asia today.<br /><br />This curators' talk is a public programme of <em>No Country: Contemporary Art for South and Southeast Asia</em>.
Date
A point or period of time associated with an event in the lifecycle of the resource
2014-07-11
Contributor
An entity responsible for making contributions to the resource
Zoe Butt
June Yap
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Southeast Asia
Asia
Subject
The topic of the resource
Curatorial Practice
Cultural Heritage
The Geocultural
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Programmes
Programme
A non-persistent, time-based occurrence. Examples include symposia and conferences, public talks and performances, tours, workshops, open studios.
Short Description
A forum featuring The Otolith Group, Marian Pastor Roces, T. K. Sabapathy and June Yap.
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Place.Labour.Capital.
Programme Type
Talk and Lecture
Audience
General
Location
Onsite (CCA)
Offsite
Online
Onsite (CCA)
Collaboration
No
Commissioned Work
No
Education
No
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Forum: The Attraction of Representation - The Otolith Group, Marian Pastor Roces, T.K. Sabapathy, June Yap
Description
An account of the resource
<span>21 Jun 2014, Sat 3:00pm - 5:30pm</span><br /><br />A forum featuring The Otolith Group, Marian Pastor Roces, T. K. Sabapathy and June Yap.<br /><br />The idea of “country” powerfully embodies notions of identity, belonging, community and genealogy. When viewers engage global contemporary art, there is often the reflex to locate the artist by ethnicity and geography. Today, many artists seem burdened, perhaps unduly, to represent their place in the world. An individual artist may always speak from a place, but must he or she always speak about it? While the title of the exhibition, <i>No Country</i> may appear as if to negate country and nation, the aim of the forum is not to make declarations but rather to raise questions for discussion and dialogue.<br /><br />A public programme of <em>No Country: Contemporary Art for South and Southeast Asia</em>.
Date
A point or period of time associated with an event in the lifecycle of the resource
2014-06-21
Contributor
An entity responsible for making contributions to the resource
The Otolith Group
Marian Pastor Roces
T. K. Sabapathy
June Yap
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Southeast Asia
Asia
Subject
The topic of the resource
Identity
Cultural Heritage
The Geocultural
-
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4e8103a0c851c315f6dbed9da03fc422
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Publications
Description
An account of the resource
A recipient and producer of knowledge, NTU CCA Singapore’s publishing activities contribute to its holistic approach, expanding the connections across the Centre’s exhibitions, residencies, public programming, and academic education.
Research Publication
A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text.
Based on DMCI Text type (https://www.dublincore.org/specifications/dublin-core/dcmi-terms/#http://purl.org/dc/dcmitype/Text)
Availability
Electronic (eBook)
Print
Print
Public Resource Centre Affiliation
Artist Research Platform
Library
Video Resource Platform
None
Library
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Place.Labour.Capital.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
NTU CCA Singapore’s Editorial Partnership with Afterall Journal
Subject
The topic of the resource
The Geocultural
Description
An account of the resource
NTU CCA Singapore is pleased to announce that it will join the editorial team of the Afterall journal through a three-year research and publishing partnership between the Nanyang Technological University (NTU) and the University of the Arts London (UAL).<br /><br />Initiated in 1998 by Afterall, a Research Centre of the UAL and based at Central Saint Martins, Afterall journal focuses on artistic and cultural production in relation to broader theoretical, social, and political contexts from which both emerge. The journal was founded by Charles Esche (Netherlands) curator, writer, current Director of the Van Abbemuseum, Eindhoven, and Mark Lewis (Canada/United Kingdom) artist and filmmaker.<br /><br />Afterall journal is widely acknowledged for its in-depth analysis of artistic practices, contextual essays, engagement with exhibition histories and curatorial practices within various geographical constituencies. Through this publishing partnership, NTU CCA Singapore strengthens its mission to connect artistic practice with critical discourse within and beyond Southeast Asia. The Centre will actively contribute to expand Afterall journal cultural conversations and research in a fast-changing region defined by multilayered narratives, discrepant conditions of production across its vast geography, and intertwined cultural histories and experiences transversing national borders. NTU CCA Singapore is committed to support the critical work of scholars, curators, and art critics who are engaging with contemporary art in the region from within the context filling the gaps in the cultural history of the region, providing alternatives to Western-driven narratives, exploring cultural production through theoretical and political frameworks, and embracing new forms of writing.<br /><br />Professor Ute Meta Bauer (Germany/Singapore), Founding Director of NTU CCA Singapore, will serve as co-editor and the Centre’s Publications team will work closely with the editorial teams of Afterall’s journal wider family of institutional partners (academic and non-academic) including Museum van Hedendaagse Kunst Antwerpen, Belgium, The John H. Daniels Faculty of Architecture, Landscape and Design, University of Toronto and the Art Gallery of Ontario, Toronto, Canada. The editorial team will pursue research, propose ideas, and select contributions shaping the content of the journal’s upcoming issues. Such research can feed also into other of Afterall’s publications: One Work, book series, focused on single artistic works and Exhibition Histories, likewise a monograph series offering critical analysis of influential exhibitions of contemporary art.<br /><br />The journal is published twice a year, it benefits from a large distribution with a worldwide subscription management system, and bookstore distribution in Europe and North America managed by The University of Chicago Press. While access to several articles is available online, the journal unpacks and explores its content beyond the print and digital platform through symposia and screenings hosted by important academic and art institutions. As an editorial member, NTU CCA Singapore will play also an active role in various manifestations that engage with the journal’s content contributing to its production and disemination of ideas across and beyond the region.
Publisher
An entity responsible for making the resource available
University of the Arts London
Contributor
An entity responsible for making contributions to the resource
University of the Arts London
Format
The file format, physical medium, or dimensions of the resource
Publication
Language
A language of the resource
English
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Asia
Europe
North America
Access Rights
Information about who can access the resource or an indication of its security status. Access Rights may include information regarding access or restrictions based on privacy, security, or other policies.
Available for browsing onsite at NTU CCA Singapore physical archive. Contact ntuccareseach@ntu.edu.sg to make an appointment.
-
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fe8a1548ee7f9548d9405bc22364ac32
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Contributors
Contributor
An individual, collective, or corporate entity.
First Name
Martha
Surname or Business Name
Atienza
Years Affiliated
Year range (starting year/ending year) affiliated with NTU CCA Singapore, or leave blank if not applicable.
For date range with year only: YYYY/YYYY, e.g., 2014/2015
For date range with year and month: YYYY-MM/YYYY-MM, e.g., 2014-07/2015-06
2018, 2021, 2022
Affiliation
Company, organization, or institution name
NTU CCA Singapore
Birthplace
Philippines
Occupation
Professional title or identity
Artist
Biographical Text
Long-form biography for the Contributor (no character count). A short-form biography (no more than 240 characters) should be added to the Contributor's Description
Working across video, sound, and installation, Martha Atienza (b. 1981, Philippines) explores a wide range of physical, sociological, and emotional connections with water focusing on the environment as well as the communities of her hometown Bantayan Island, situated in the northwestern end of Cebu. These observations have culminated into immersive installations and socially engaged projects that delve into economic, social, and environmental issues tackling the notion of vulnerability while also questioning the role of art as a tool for change. Recent exhibitions include Singapore Biennale (2016); Asia Pacific Triennial of Contemporary Art, Queensland, Australia (2016); Sharjah Biennale, United Arab Emirates (2013). She was most recently the recipient of the 19th Baloise Art Prize at Art Basel Statement 2017.
Country of Practice
At least one country of practice should be listed for each Contributor, up to three countries of practice.
Philippines
Public Resource Centre Affiliation
Artist Research Platform
Library
Video Resource Platform
None
None
Contributor Type
Artist-in-Residence
Filmmaker
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Climates. Habitats. Environments.
Birth Date
1981
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Martha Atienza
Subject
The topic of the resource
The Geocultural
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Southeast Asia
Contributor
An entity responsible for making contributions to the resource
Martha Atienza
-
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ff154ef9e01d8fa34522a6a154d9afac
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Contributors
Contributor
An individual, collective, or corporate entity.
First Name
Antariksa
Years Affiliated
Year range (starting year/ending year) affiliated with NTU CCA Singapore, or leave blank if not applicable.
For date range with year only: YYYY/YYYY, e.g., 2014/2015
For date range with year and month: YYYY-MM/YYYY-MM, e.g., 2014-07/2015-06
2016
Affiliation
Company, organization, or institution name
NTU CCA Singapore
Birthplace
Indonesia
Occupation
Professional title or identity
Artist
Biographical Text
Long-form biography for the Contributor (no character count). A short-form biography (no more than 240 characters) should be added to the Contributor's Description
Antariksa (b. 1975, Indonesia) is a researcher and co-founding member of KUNCI Cultural Studies Center, Yogyakarta, Indonesia. He has conducted research about Indonesian art, culture and history and is author of <i>Tuan Tanah Kawin Muda: Hubungan Seni Rupa-LEKRA</i> 1950–1965(The Linkage Between the Arts and the Institute of People‚ Culture in Indonesia 1950‚1965) (2005). He is currently working on his new book, <i>Art Collectivism in Japanese-Occupied Indonesia</i>.
Country of Practice
At least one country of practice should be listed for each Contributor, up to three countries of practice.
Indonesia
Public Resource Centre Affiliation
Artist Research Platform
Library
Video Resource Platform
None
None
Contributor Type
Artist-in-Residence
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Antariksa
Subject
The topic of the resource
The Geocultural
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Southeast Asia
Contributor
An entity responsible for making contributions to the resource
Antariksa
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Contributors
Contributor
An individual, collective, or corporate entity.
Surname or Business Name
University of the Arts London
Years Affiliated
Year range (starting year/ending year) affiliated with NTU CCA Singapore, or leave blank if not applicable.
For date range with year only: YYYY/YYYY, e.g., 2014/2015
For date range with year and month: YYYY-MM/YYYY-MM, e.g., 2014-07/2015-06
2016
Affiliation
Company, organization, or institution name
University of the Arts London
Biographical Text
Long-form biography for the Contributor (no character count). A short-form biography (no more than 240 characters) should be added to the Contributor's Description
University of the Arts London is a collegiate university in London, England, specialising in arts, design, fashion and the performing arts.
Country of Practice
At least one country of practice should be listed for each Contributor, up to three countries of practice.
United Kingdom
Public Resource Centre Affiliation
Artist Research Platform
Library
Video Resource Platform
None
Library
Contributor Type
Institutional Partner
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Place.Labour.Capital.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
University of the Arts London
Subject
The topic of the resource
The Geocultural
Description
An account of the resource
University of the Arts London is a collegiate university in London, England, specialising in arts, design, fashion and the performing arts.
Contributor
An entity responsible for making contributions to the resource
University of the Arts London