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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
The Vitrine
Exhibition
Curated group or solo shows that happen over a period of time, usually a few months, supported by auxiliary programmes. Examples include exhibition hall presentations, lab presentations, vitrine presentations, curated film programmes, and festivals.
Short Description
Loose Leaves offers a foray into hand-embroidered silk panels and recordings of Arabic poems recited by modern-day Saudi women to confront issues of silencing, and gendered divisions of space in the cultural fabric of the Middle East.
Exhibition Mode
Research Presentation
Show Type
Individual Artist (solo show)
Thematic Presentation (group show)
Individual Artist
Exhibition Space
The Vitrine
Exhibition Start Date
2020-11-01
Exhibition End Date
2021-01-03
Collaboration
No
Commissioned Work
No
Related Countries
Saudi Arabia
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Place.Labour.Capital.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<i>Loose Leaves. Process, materials, sounds from Listen to my words</i> by Dana Awartani
Subject
The topic of the resource
Feminism
Indigenous Knowledge
Tradition
Materiality
Description
An account of the resource
By disclosing rarely-seen preparatory drawings, sketches, and embroidery tests from the artist’s archive, <i>Loose Leaves</i> offers an intimate foray into the process of making <i>Listen to my words</i> (2018). An immersive installation by Dana Awartani, <i>Listen to my words<i> combines hand-embroidered silk panels and recordings of Arabic poems recited by modern-day Saudi women to confront issues of silencing, invisibility, and gendered divisions of space deeply entrenched in the cultural fabric of the Middle East. <br /><br />Drawn from the significant but scarcely documented tradition of female poets in the Arab world from the pre-Islamic era to the 12th century, the poems selected by the artist express feelings of love, yearning, and pride. They relay modes of awareness, stances of resistance, and acts of empowerment often centred on the female body. <br /><br />The distinct visual language articulated by the geometric patterns—bearers of sacred values in Islamic culture—references the ornamental motifs found on <i>jali</i> (or <i>mashrabiya</i>), lattice screens used in traditional Islamic architecture to control the circulation of air and light as well as to shield women from the male gaze. <br /><br />Presented alongside the original audio recording, <i>Loose Leaves</i> layers a selection of preparatory studies in the enclosed space of The Vitrine to provide a glimpse of the subtle negotiations that inform Awartani’s creative journey across different techniques and materials. </i></i>
Contributor
An entity responsible for making contributions to the resource
Dana Awartani
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Africa
Medium
The material or physical carrier of the resource.
Installation
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Contributors
Contributor
An individual, collective, or corporate entity.
First Name
Arin
Surname or Business Name
Rungjang
Years Affiliated
Year range (starting year/ending year) affiliated with NTU CCA Singapore, or leave blank if not applicable.
For date range with year only: YYYY/YYYY, e.g., 2014/2015
For date range with year and month: YYYY-MM/YYYY-MM, e.g., 2014-07/2015-06
2016/2017/2019/2020
Affiliation
Company, organization, or institution name
NTU CCA Singapore
Birthplace
Thailand
Occupation
Professional title or identity
Artist
Biographical Text
Long-form biography for the Contributor (no character count). A short-form biography (no more than 240 characters) should be added to the Contributor's Description
The artistic practice of Arin Rungjang (b. 1974, Thailand) is deeply intertwined with Southeast Asian histories, symbols, memories and addresses the ways in which social and economic transformations affect individuals‚ lives. Exploring power relations embedded in traditional practices and daily objects, he creates works that stand on the threshold between the public and the private and recast collective histories through personal narratives. Regarded as a pioneer of installation art in Thailand, his work spans across different media and often engage collaborative practice. Arin Rungjang has recently received a solo exhibition at the Jim Thompson Art Center in Bangkok, Thailand (2015). He has participated to the 18th Biennale of Sydney, Sydney, Australia (2012), the Bandung Pavilion at the Shanghai Biennale, Shanghai, China (2012) and the Asia Triennial, Manchester, United Kingdom (2011). He represented Thailand at the 55th Venice Biennale, Venice, Italy (2015).<br /><br /><span>Between October and November 2016, Rungjang was Artist-in-Residence at NTU CCA Singapore, where he focused on unofficial stories that circulate by word of mouth while connecting them to the politics of governance and notions of historical truth. During his residency, Rungjang conducted an interview with Johnston, who offered a poignant account of the difficulties of growing up as an albino man in Singapore. Based on an agreement with him, the artist decided to limit the work to a fully washed-out still from the recording, a symbolic indication of how such narratives circulate at the margins of visibility.</span>
Country of Practice
At least one country of practice should be listed for each Contributor, up to three countries of practice.
Thailand
Public Resource Centre Affiliation
Artist Research Platform
Library
Video Resource Platform
None
Artist Research Platform
Contributor Type
Artist-in-Residence
Speaker
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Place.Labour.Capital.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Arin Rungjang
Subject
The topic of the resource
History
Identity
Tradition
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Southeast Asia
Description
An account of the resource
Arin Rungjang is an artist. His practice is deeply intertwined with Southeast Asian histories, symbols, and memories.
Contributor
An entity responsible for making contributions to the resource
Arin Rungjang
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Residencies
Description
An account of the resource
The studio-based Residencies programme is dedicated to facilitating the research of established and emerging artists. It serves as a forum for cultural and artistic exchange in Southeast Asia.
Residency
A research residency programme bringing together local and international artists, curators, and researchers. Metadata description should include research focus of residents, while individual bios will be housed within each contributor's record.
Short Description
Hamra Abbas has a versatile artistic practice that straddles a wide range of media, from paper collage and painting to ephemeral soft plasticine sculpture and video.
Cycle
Cycle 2 (2015 – 2016)
Location
Onsite (CCA)
Offsite
Online
Onsite (CCA)
Collaboration
No
Commissioned Work
No
Related Countries
Kuwait
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Place.Labour.Capital.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Hamra Abbas
Description
An account of the resource
Hamra Abbas has a versatile artistic practice that straddles a wide range of media, from paper collage and painting to ephemeral soft plasticine sculpture and video. Her works often take a humorous look towards widely accepted traditions, appropriating culturally loaded imagery and religious iconography and transforming them into new works that are experienced in space and time. <br /><br />Abbas takes various cultural references and recontextualises them using appropriated artistic techniques. For her residency she is learning the courtly Chinese painting style of Gongbi and conducting portrait studies of her various interactions of people in the lively inner city suburb of Little India in Singapore.
Date
A point or period of time associated with an event in the lifecycle of the resource
4 May 2015 – 5 June 2015
Contributor
An entity responsible for making contributions to the resource
Hamra Abbas
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Asia
Subject
The topic of the resource
Tradition
Artistic Research
-
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d3f40c92ef9f90d7ccec7be350c91196
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Residencies
Description
An account of the resource
The studio-based Residencies programme is dedicated to facilitating the research of established and emerging artists. It serves as a forum for cultural and artistic exchange in Southeast Asia.
Residency
A research residency programme bringing together local and international artists, curators, and researchers. Metadata description should include research focus of residents, while individual bios will be housed within each contributor's record.
Short Description
While in residence Kuswidananto will continue to research how voices are valued, performed and spectated, in Indonesia and beyond.
Cycle
Cycle 2 (2015 – 2016)
Location
Onsite (CCA)
Offsite
Online
Onsite (CCA)
Collaboration
No
Commissioned Work
No
Related Countries
Indonesia
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Climates. Habitats. Environments.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Jompet Kuswidananto
Description
An account of the resource
Jompet Kuswidananto has long been interested in matters related to the spaces in between the binary oppositions within society. In his previous series, the intersections of past and present, tradition and modernity, magical and mechanical, memory and projections of the future formed the dominant narrative in the presentation of his work. While in residence Kuswidananto will continue to research how voices are valued, performed and spectated, in Indonesia and beyond.
Date
A point or period of time associated with an event in the lifecycle of the resource
7 December 2015 – 5 February 2016
Contributor
An entity responsible for making contributions to the resource
Jompet Kuswidananto
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Southeast Asia
Medium
The material or physical carrier of the resource.
Installation
Multimedia Installation
Performance
Subject
The topic of the resource
Tradition
Mythology
-
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b61d1d2baa14ee714f8d0bbdd04e3daf
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Residencies
Description
An account of the resource
The studio-based Residencies programme is dedicated to facilitating the research of established and emerging artists. It serves as a forum for cultural and artistic exchange in Southeast Asia.
Residency
A research residency programme bringing together local and international artists, curators, and researchers. Metadata description should include research focus of residents, while individual bios will be housed within each contributor's record.
Short Description
Husein will explore the story of Arabic society in Singapore, seeking artefact and archives through the stories from the citizens.
Cycle
Cycle 2 (2015 – 2016)
Location
Onsite (CCA)
Offsite
Online
Onsite (CCA)
Collaboration
No
Commissioned Work
No
Related Countries
Indonesia
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Saleh Husein
Description
An account of the resource
Everything begins from small steps. That was the first thing that came through History of Merchant, a solo exhibition of Husein’s work in 2012. A small-intimate approach to his family journeys, from Hadramaut, in Middle East to South East in Indonesia. By collecting, archiving, and listening to the elders stories, the work started to build a strong foundation that led him to one project and then another project. Since that, he started to further seek and question Arabic descendants in Indonesia. The ideas go across the border between art, politics, economy, and also science. What did they do? Why are they doing that? How do they live and adapt? How they see themselves now? As Arabic-Indonesian or Indonesian-Arabic? These questions about identity, adaptation, survival, daily life culture, and also originality are evoked. While doing research for that project, Husein found stories about the transition, from Hyderabad to Singapore. These descendants were supposed to go directly to Indonesia through the Malaya Peninsula but stopped and stayed in Singapore for two years due to the critical situation that happen between British and the Dutch thus it has been said, to have developed a new community. This is the point of entry into Husein’s research for the NTU CCA Residencies Programme. The topic is simplified into three aspects: Identity, Transition, and Journeys. By using those as the main core Husein will explore the story of Arabic society in Singapore, seeking artefact and archives through the stories from the citizens.
Date
A point or period of time associated with an event in the lifecycle of the resource
4 January – 1 April 2016
Contributor
An entity responsible for making contributions to the resource
Saleh Husein
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Southeast Asia
Medium
The material or physical carrier of the resource.
Object
Painting
Subject
The topic of the resource
Tradition
Knowledge Production
Fiction
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Programmes
Programme
A non-persistent, time-based occurrence. Examples include symposia and conferences, public talks and performances, tours, workshops, open studios.
Short Description
In this talk, Spielmann will discuss the contexts underlying the development of modern and contemporary arts in Indonesia, and how Indonesian art newly interprets traditional techniques and materials and marries them with Western influences and pop culture.
Programme Type
Talk and Lecture
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Place.Labour.Capital.
Audience
General
Location
Onsite (CCA)
Offsite
Online
Onsite (CCA)
Collaboration
No
Commissioned Work
No
Education
No
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Contextualising Indonesian modern and contemporary arts: A talk by Visiting Research Fellow Yvonne Spielmann (Germany)
Description
An account of the resource
<div class="event_single_dates text__research">9 Mar 2016, Wed 7:30pm - 9:00pm</div>
<div class="event_single_venue">The Single Screen, Block 43 Malan Road</div>
<br />Contemporary Indonesian art production is distinctive in its thematic and formal diversity, a trait that has resulted from the dynamic processes of colonial and postcolonial structures of power. Visiting Research Fellow Yvonne Spielmann is interested in how Indonesian arts of the present have emerged from a syncretistic mixing of ethnic elements and are strongly imbued with cultural and religious references. In this talk, Spielmann will discuss the contexts underlying the development of modern and contemporary arts in Indonesia, and how Indonesian art newly interprets traditional techniques and materials and marries them with Western influences and pop culture.
Date
A point or period of time associated with an event in the lifecycle of the resource
2016-03-09
Contributor
An entity responsible for making contributions to the resource
Yvonne Spielmann
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Southeast Asia
Subject
The topic of the resource
Materiality
Cultural Production
Tradition
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Programmes
Programme
A non-persistent, time-based occurrence. Examples include symposia and conferences, public talks and performances, tours, workshops, open studios.
Short Description
In the course of the (de)Tour, Dean will elaborate on how Chinese religion deals with ghosts through rituals and traditions.
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Place.Labour.Capital.
Programme Type
Talk and Lecture
Audience
General
Programme Series
Exhibition (de)Tour
Location
Onsite (CCA)
Offsite
Online
Onsite (CCA)
Collaboration
No
Commissioned Work
No
Education
No
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Exhibition (de)Tour with Kenneth Dean, Head of Chinese Studies Department, National University of Singapore (United States/Singapore)
Description
An account of the resource
<div class="event_single_dates text__exhibitions">30 Mar 2016, Wed 7:30pm - 9:00pm</div>
<div class="event_single_venue">The Single Screen, Block 43 Malan Road</div>
<br />Kenneth Dean will confront questions like “What happens in the afterlife?” “Do ghosts get bored and lonely?” and “Can we plan what happens to our spirits when we die?” In the course of the <i>(de)Tour</i>, Dean will elaborate on how Chinese religion deals with ghosts through rituals and traditions. <br /><br />This Exhibition (de)Tour is part of the Education and Public Programme of Joan Jonas: <i>They Come to Us without a Word</i>.
Date
A point or period of time associated with an event in the lifecycle of the resource
2016-03-30
Contributor
An entity responsible for making contributions to the resource
Kenneth Dean
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Asia
Subject
The topic of the resource
Ritual
Tradition
Supernatural
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Programmes
Programme
A non-persistent, time-based occurrence. Examples include symposia and conferences, public talks and performances, tours, workshops, open studios.
Short Description
Transcommunality presents the artist’s work with the Brooklyn Jumbies—an African diasporic stilt dancing performance group—with stilt-dancing communities from Mexico, the West Indies and Brooklyn and master artisans from Trinidad and Tobago, Mexico, and the United States.
Programme Type
Workshop
Talk and Lecture
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Place.Labour.Capital.
Audience
General
Location
Onsite (CCA)
Offsite
Online
Onsite (CCA)
Collaboration
Yes
Commissioned Work
No
Education
No
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Talk and Workshop: Transcommunality: Collaboration Beyond Borders by Laura Anderson Barbara and the Brooklyn Jumbies, part of CITIES FOR PEOPLE NTU CCA Ideas Fest 2016/17
Description
An account of the resource
<div class="event_single_dates text__exhibitions">17 Jan 2017, Tue 12:00 PM - 04:30 PM</div>
<div class="event_single_venue">Studio #01-02, Block 37 Malan Road</div>
<br />12.30 – 1.30pm Talk: <b><i>Transcommunality: Collaboration Beyond Borders by Laura Anderson Barbata</i></b> <br /><br />For over 20 years, transdisciplinary artist Laura Anderson Barbata has worked on long-term, participatory art initiatives in many parts of the world (Venezuela, Mexico, Trinidad and Tobago, Norway and Brooklyn, New York) that merge art practice with social action. <i>Transcommunality</i> presents the artist’s work with the Brooklyn Jumbies—an African diasporic stilt dancing performance group—with stilt-dancing communities from Mexico, the West Indies and Brooklyn and master artisans from Trinidad and Tobago, Mexico, and the United States. <br /><br />Laura Anderson Barbata and the Brooklyn Jumbies have worked together for over 10 years in Trinidad and Tobago, Mexico, Jamaica and New York creating public presentations for Carnival and performance ¨interventions¨ that combine social commentary, dance, music, sculpture, and costuming. <i>Transcommunality</i> highlights the vitality of the moko jumbie stilt walking tradition and demonstrates the possibility of using this storied art form as a platform for social contemporary performance, group participation and protest. The project combines community participation in construction, development, and presentation of the work. <br /><br />2.00 – 4.30pm Workshop: <b><i>Transcommunality: Collaboration Beyond Borders</i></b> by Laura Anderson Barbata and the Brooklyn Jumbies <br /><br />In this workshop, the participants (individual or groups) share about their practices and traditions, while Anderson Barbara and the Brooklyn Jumbies present the history of stilt dancing in Mexico, West Africa, and the Caribbean. The session will focus on the exchange of history, traditions, and knowledge through images, talking, and demonstration. This workshop is open to anyone interested in dance, performance, and movement. <br /><br />
Date
A point or period of time associated with an event in the lifecycle of the resource
2017-01-17
Contributor
An entity responsible for making contributions to the resource
Laura Anderson Barbata
Brooklyn Jumbies
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
North America
South America
Subject
The topic of the resource
Performance
Tradition
Cultural Heritage
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Programmes
Programme
A non-persistent, time-based occurrence. Examples include symposia and conferences, public talks and performances, tours, workshops, open studios.
Short Description
What is artistic research? Which are the material and immaterial aspects that constitute contemporary art practices? Within the context of The Making of an Institution, Artist-in-Residence siren eun young jung addresses the process of artistic research that lies behind her long-term project on Yeosung Gukgeuk, a form of Korean theatre featuring only female actors that flourished between the 1940s and the 1960s.
Programme Type
Talk and Lecture
Screening
Related Countries
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Place.Labour.Capital.
Audience
General
Location
Onsite (CCA)
Offsite
Online
Onsite (CCA)
Collaboration
No
Commissioned Work
No
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
The Making of an Institution – Artistic Research. Talk and screening by siren eun young jung (South Korea), Artist-in-Residence
Description
An account of the resource
<div class="event_single_dates text__residencies">22 Feb 2017, Wed 07:30 PM - 09:00 PM</div>
<div class="event_single_venue">The Single Screen, Block 43 Malan Road</div>
<br />What is artistic research? Which are the material and immaterial aspects that constitute contemporary art practices? Within the context of The Making of an Institution, Artist-in-Residence siren eun young jung addresses the process of artistic research that lies behind her long-term project on Yeosung Gukgeuk, a form of Korean theatre featuring only female actors that flourished between the 1940s and the 1960s. Over almost a decade, jung has produced a multiplicity of works around this subject challenging the interpretation of tradition and gender politics in contemporary Korean society. The artist will introduce the screening of <i>Act of Affect (2013) and I am not going to sing</i> (2015), positioning <i>Yeosung Gukgeuk</i> at the intersection between issues of affect, gender structures, and performativity. <br /><br />This talk is part of the public programme of <i>The Making of an Institution.</i>
Date
A point or period of time associated with an event in the lifecycle of the resource
2017-02-22
Contributor
An entity responsible for making contributions to the resource
siren eun young jung
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Asia
Subject
The topic of the resource
Artistic Research
Tradition
Theatre
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Programmes
Programme
A non-persistent, time-based occurrence. Examples include symposia and conferences, public talks and performances, tours, workshops, open studios.
Short Description
The lecture addresses Asia as a region in-between becoming and unravelling. Referencing images of resistance and spirituality, Hyunjin Kim will discuss works that observe, and excavate unarticulated modern and contemporary realities that pervade the (East) Asian region today.
Programme Type
Talk and Lecture
Location
Onsite (CCA)
Offsite
Online
Onsite (CCA)
Collaboration
No
Commissioned Work
No
Education
No
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Place.Labour.Capital.
Audience
General
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<p class="event_single_title">Symposium: <i>Ghosts and Spectres – Shadows of History</i></p>
Session II: <em>Ghosts and Spectres</em><br />Lecture: “Contested Modernity and the Image of History in East Asia” by Hyunjin Kim, curator, writer, and researcher
Description
An account of the resource
<div class="event_single_dates text__exhibitions">28 Oct 2017, Sat 02:30 - 03:15 PM</div>
<div class="event_single_venue">The Single Screen, Block 43 Malan Road</div>
<br />The lecture addresses Asia as a region in-between becoming and unravelling. Referencing images of resistance and spirituality, Hyunjin Kim will discuss works that observe, and excavate unarticulated modern and contemporary realities that pervade the (East) Asian region today. Part of the lecture proposes ways to rethink the radicality of tradition as an "ungovernable" apparatus, in contrast to the brutal adaptation of Western modernisation and to the rise of nationalism. The following examination looks at the discourse of "Asianism," engaging with Sun Ge's idea of "Homecoming" and Takeuchi Yoshimi's notion of <em>zengzha</em>. Understanding the region as a space of anomalous events, the speaker will demonstrate how the complicated historical relations and hegemonic struggles endemic to the region can accelerate the production of discourse.
Date
A point or period of time associated with an event in the lifecycle of the resource
2017-10-28
Contributor
An entity responsible for making contributions to the resource
Hyunjin Kim
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Asia
Audience
A class of entity for whom the resource is intended or useful.
General
Subject
The topic of the resource
Modernity
Identity
Tradition
History