1
10
122
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Programmes
Programme
A non-persistent, time-based occurrence. Examples include symposia and conferences, public talks and performances, tours, workshops, open studios.
Short Description
Dr van Dongen will discuss the images through the lens of the changing economic, social, and cultural fabric of 1980s and 1990s China.
Programme Type
Talk and Lecture
Programme Series
Exhibition (de)Tour
Location
Onsite (CCA)
Offsite
Online
Onsite (CCA)
Collaboration
No
Commissioned Work
No
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Place.Labour.Capital.
Audience
General
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<p class="event_single_title">(de)Tour with Dr Els van Dongen (Belgium/Singapore) Assistant Professor, School of Humanities and Social Sciences, Nanyang Technological University (NTU), Singapore</p>
Description
An account of the resource
<div class="event_single_dates text__exhibitions">5 Jul 2017, Wed 07:30 PM - 09:00 PM</div>
<div class="event_single_venue">The Single Screen, Block 43 Malan Road</div>
<br />What can be glimpsed from Ulrike Ottinger’s images of China in the transitional period following the Cultural Revolution? Dr van Dongen will discuss the images through the lens of the changing economic, social, and cultural fabric of 1980s and 1990s China. Apart from reflecting on what we can gain from placing the images in their historical context, the presentation will also explore various other layers of the relation between art and history.<br /><br />A public programme of <em>Ulrike Ottinger: China. The Arts – The People: Photographs and Films from the 1980s and 1990s.</em>
Date
A point or period of time associated with an event in the lifecycle of the resource
2017-07-05
Contributor
An entity responsible for making contributions to the resource
Els van Dongen
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Asia
Audience
A class of entity for whom the resource is intended or useful.
General
Subject
The topic of the resource
Ways of Seeing
History
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Programmes
Programme
A non-persistent, time-based occurrence. Examples include symposia and conferences, public talks and performances, tours, workshops, open studios.
Short Description
The artist will share her experience travelling through China, as well as reflect on the different topics raised by her work, such as the intersection of documentary and fiction and notions of culture and cultural difference.
Programme Type
Talk and Lecture
Programme Series
Behind the Scenes
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Place.Labour.Capital.
Audience
General
Location
Onsite (CCA)
Offsite
Online
Onsite (CCA)
Collaboration
No
Commissioned Work
No
Education
No
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<p class="event_single_title">Behind the Scenes with artist Ulrike Ottinger (Germany), Professor Ute Meta Bauer, Founding Director, NTU CCA Singapore, and Professor, School of Art, Design, and Media (ADM), NTU, and Sophie Goltz, Deputy Director, Research and Academic Education, NTU CCA Singapore, and Assistant Professor, NTU ADM</p>
Description
An account of the resource
<div class="event_single_dates text__exhibitions">24 May 2017, Wed 07:30 PM - 09:00 PM</div>
<div class="event_single_venue">The Single Screen, Block 43 Malan Road<br /><br /></div>
A “behind the scenes” discussion with the acclaimed artist Ulrike Ottinger on her practice as photographer and filmmaker. The artist will share her experience travelling through China, as well as reflect on the different topics raised by her work, such as the intersection of documentary and fiction and notions of culture and cultural difference. <br /><br />A public programme of <em>Ulrike Ottinger: China. The Arts – The People: Photographs and Films from the 1980s and 1990s.</em>
Date
A point or period of time associated with an event in the lifecycle of the resource
2017-05-24
Contributor
An entity responsible for making contributions to the resource
Ute Meta Bauer
Sophie Goltz
Ulrike Ottinger
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Asia
Subject
The topic of the resource
Ways of Seeing
Cultural Production
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Programmes
Programme
A non-persistent, time-based occurrence. Examples include symposia and conferences, public talks and performances, tours, workshops, open studios.
Short Description
Accomplished artist and filmmaker Amar Kanwar will speak to curators Professor Ute Meta Bauer, and Dr June Yap about his unique cinematic vocabulary that opens up multiple layers of experience and comprehension. The conversation will revolve around politics of power, violence, and justice, looking at how political struggles are presented and represented as well as issues of development, misappropriation, and displacement.
Programme Type
Discussion - Conversation
Programme Series
In Conversation
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Place.Labour.Capital.
Audience
General
Location
Onsite (CCA)
Offsite
Online
Onsite (CCA)
Collaboration
No
Commissioned Work
No
Education
No
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<p class="event_single_title">Conversation between Amar Kanwar (India), artist, <i>The Sovereign Forest</i>; Professor Ute Meta Bauer (Germany/Singapore); and Dr June Yap (Singapore)</p>
Description
An account of the resource
<div class="event_single_dates text__exhibitions">30 Jul 2016, Sat 4:00pm - 5:30pm</div>
<div class="event_single_venue">The Single Screen, Block 43 Malan Road</div>
<br />Accomplished artist and filmmaker Amar Kanwar will speak to curators Professor Ute Meta Bauer, and Dr June Yap about his unique cinematic vocabulary that opens up multiple layers of experience and comprehension. The conversation will revolve around politics of power, violence, and justice, looking at how political struggles are presented and represented as well as issues of development, misappropriation, and displacement. When engaging in various ways of seeing and comprehending, a set of propositions given by Kanwar study the notion of “poetry as evidence”. <br /><br />This conversation is a public programme organised as part of <em>Amar Kanwar:</em> <i>The Sovereign Forest.</i> <i><i><br /><br /><br /></i></i>
Date
A point or period of time associated with an event in the lifecycle of the resource
2016-07-30
Contributor
An entity responsible for making contributions to the resource
Amar Kanwar
Ute Meta Bauer
June Yap
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Asia
Subject
The topic of the resource
Politics
Inequality
Displacement
Ways of Seeing
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Programmes
Programme
A non-persistent, time-based occurrence. Examples include symposia and conferences, public talks and performances, tours, workshops, open studios.
Short Description
The trans-disciplinary nature of Apichatpong Weerasethakul's practice, described by Dr May Adadol Ingawanij and Dr David Teh as "permeable," complicates these distinctions. By aligning these references with the implications of different media forms in the Thai context, this presentation considers the role of the photographic and the filmic to reveal and conceal, and how medium specificity is implicated in the visualisation of traumatic pasts that resist representation.
Programme Type
Talk and Lecture
Location
Onsite (CCA)
Offsite
Online
Onsite (CCA)
Collaboration
No
Commissioned Work
No
Education
No
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Place.Labour.Capital.
Audience
General
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<p class="event_single_title">Symposium: <i>Ghosts and Spectres – Shadows of History</i></p>
Session II: <em>Ghosts and Spectres</em><br />Presentation: “The Spectre of Photography in the works of Apichatpong Weerasethakul” by Dr Clare Veal, art historian, Lecturer, MA Asian Art Histories, LASALLE College of the Arts, Singapore
Description
An account of the resource
<div class="event_single_dates text__exhibitions">28 Oct 2017, Sat 03:35 - 03:55 PM</div>
<div class="event_single_venue">The Single Screen, Block 43 Malan Road<br /><br />The histories of photography and film in Thailand intersect in multiple ways. Yet the revelatory, iconic nature of photography in this context has meant that it has often been considered separate from filmic practice in which the "real" lacks weight. The trans-disciplinary nature of Apichatpong Weerasethakul's practice, described by Dr May Adadol Ingawanij and Dr David Teh as "permeable," complicates these distinctions. Despite Apichatpong's preference for cinema and video, the photographic is implied through the slow, rhythmic pace of his time-based works, as well as their reconstituion as stills. By aligning these references with the implications of different media forms in the Thai context, this presentation considers the role of the photographic and the filmic to reveal and conceal, and how medium specificity is implicated in the visualisation of traumatic pasts that resist representation.</div>
Date
A point or period of time associated with an event in the lifecycle of the resource
2017-10-28
Contributor
An entity responsible for making contributions to the resource
Clare Veal
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Southeast Asia
Audience
A class of entity for whom the resource is intended or useful.
General
Subject
The topic of the resource
Ways of Seeing
Mythology
Supernatural
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Programmes
Programme
A non-persistent, time-based occurrence. Examples include symposia and conferences, public talks and performances, tours, workshops, open studios.
Short Description
As part of overarching research theme PLACE.LABOUR.CAPITAL., the 2-day workshop <em>Darcy Lange: Hard</em>, <em>however, and useful</em> is <em>the small, day-to-day work</em> conducted by Curator Mercedes Vicente takes the video and photographic work of New Zealand Darcy Lange (1946-2005) as the starting point for discussions concerning the representation of labour.
Programme Type
Workshop
Programme Series
None
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Place.Labour.Capital.
Audience
General
Location
Onsite (CCA)
Offsite
Online
Onsite (CCA)
Collaboration
No
Commissioned Work
No
Education
No
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<p class="event_single_title">Workshop by Curator Mercedes Vicente – Darcy Lange: Hard, however, and useful is the small, day-to-day work</p>
Description
An account of the resource
<span>21 Sep 2015, Mon - 22 Sep 2015, Tue 1:00pm - 4:00pm</span><br /><br />As part of overarching research theme PLACE.LABOUR.CAPITAL., the 2-day workshop <i>Darcy Lange: Hard, however, and useful is the small, day-to-day work</i> conducted by Curator <b>Mercedes Vicente</b> takes the video and photographic work of New Zealand Darcy Lange (1946-2005) as the starting point for discussions concerning the representation of labour. During the 1970s, Lange developed a socially engaged video practice, with remarkable studies of people at work that draw from documentary traditions as well as conceptual and structuralist videomaking. Lange explored the issue of labour in Britain, New Zealand and Spain. Like Allan Sekula’s adherence to a critical realism in his photographic practice, Lange reintroduced too the social referentially in his photography and videomaking and stressed the “responsibility to keep questioning the nature and power of realism”. With his seminal style of real-time, unedited, without commentary, lengthy observations of workers that came to characterise his <i>Work Studies</i> series (1972-77), Lange aimed to “convey the image of work as work, as an occupation, as an activity, as creativity and as a time consumer”. <br /><br />Through a selection of videos based on thematic and aesthetic concerns, this workshop will address labour as a theme and examine its representation from its multiple phenomenological, socio-political, art historical and theoretical perspectives. It will consider the representation of labour in Lange’s studies of people at work in its manifold meanings, including work and the human body as an expression of class and identity, and work as a performative gesture and its choreographic dimension. It will address the politics of representation and Lange’s interest in exploring the political and critical potential of video and the relationship between the camera, subject and spectator. In his series Work Studies in Schools (1976-77), the studies of teachers’ performances were extended by the videotaping of the teachers’ and pupils’ reactions to the recordings, becoming an intrinsic part of the document. Subscribing to the Marxist ideals of the democratisation of culture, Lange saw in <i>Work Studies in Schools</i> another way of making documentaries that insisted on this democratic process, speaking of these tapes as “our collective truth”. Seen by the artist as “researches” and “an educational process” and by exposing the process, Lange’s videos become in themselves studies of videotaping as a work activity. Much of Lange’s work is an attempt to redefine the basis of his art activity and its function and social purpose. <br /><br />To register please RSVP to NTUCCAeducation@ntu.edu.sg <br /><br />In the framework of <i>Darcy Lange: Hard However, and useful is the small, day-to-day work</i> a workshop by Mercedes Vicente, Indonesian Visual Art Archive (IVAA) will give a presentation on archival work in Indonesia at Singapore Art Archive Project space by Koh Nguang How, former NTU CCA Singapore Artist-in-Residence.
Date
A point or period of time associated with an event in the lifecycle of the resource
2015-09-21
Contributor
An entity responsible for making contributions to the resource
Mercedes Vicente
Darcy Lange
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Oceania
Audience
A class of entity for whom the resource is intended or useful.
General
Subject
The topic of the resource
Labour
Ways of Seeing
-
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Residencies
Description
An account of the resource
The studio-based Residencies programme is dedicated to facilitating the research of established and emerging artists. It serves as a forum for cultural and artistic exchange in Southeast Asia.
Residency
A research residency programme bringing together local and international artists, curators, and researchers. Metadata description should include research focus of residents, while individual bios will be housed within each contributor's record.
Short Description
Thao-Nguyen Phan will expand her research on the introduction of the Latin alphabet as a writing system in Vietnam, exploring how the same transition occurred in other Southeast Asian countries such as Singapore, Malaysia, Indonesia, and the Philippines.
Cycle
Cycle 3 (2016 – 2017)
Location
Onsite (CCA)
Offsite
Online
Onsite (CCA)
Collaboration
No
Commissioned Work
No
Related Countries
Vietnam
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<span>Thảo Nguyên Phan (</span>Thao-Nguyen Phan)
Description
An account of the resource
Thao-Nguyen Phan will expand her research on the introduction of the Latin alphabet as a writing system in Vietnam, exploring how the same transition occurred in other Southeast Asian countries such as Singapore, Malaysia, Indonesia, and the Philippines. In Vietnam, the Romanised script was first introduced in the 17th century by catholic missionaries to spread Christianity, playing a significant role in the process of colonization of the country. While official accounts celebrate the adoption of the Latin alphabet as a symbol of modernity, the implications of this historical process are far more complex and tell stories of cultural loss and gain, national amnesia, and violence.
Date
A point or period of time associated with an event in the lifecycle of the resource
3 January – 26 January 2017
22 February – 24 March 2017
Contributor
An entity responsible for making contributions to the resource
Thao Nguyen Phan
Thảo Nguyên Phan
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Southeast Asia
Medium
The material or physical carrier of the resource.
Installation
Painting
Subject
The topic of the resource
Ways of Seeing
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Contributors
Contributor
An individual, collective, or corporate entity.
First Name
Andre
Surname or Business Name
Quek
Years Affiliated
Year range (starting year/ending year) affiliated with NTU CCA Singapore, or leave blank if not applicable.
For date range with year only: YYYY/YYYY, e.g., 2014/2015
For date range with year and month: YYYY-MM/YYYY-MM, e.g., 2014-07/2015-06
2020
Affiliation
Company, organization, or institution name
Finding Pictures, Singapore
Birthplace
Singapore
Occupation
Professional title or identity
Filmmaker
Biographical Text
Long-form biography for the Contributor (no character count). A short-form biography (no more than 240 characters) should be added to the Contributor's Description
<span>Andre Quek (Singapore) is a filmmaker who specialises in 2D hand-drawn animation. Quek graduated with honours from the School of Art, Design and Media, Nanyang Technological University (2014), and co-founded Finding Pictures in 2018, an animation studio in Singapore. He draws inspiration from all walks of life, believing that abstracting the details of reality enlivens his animations. Quek’s film Princess has been screened at over 50 international film festivals, winning multiple awards for best animation short film, including Best Animation Award at the National Youth Film Awards (NYFA) 2015, and Gold award in the Crowbar Awards 2015. He has since focused on directing commercial shorts and produced Automatonomy (2017) that won Best Animation at NYFA 2019.</span>
Professional Website
Leave blank if not applicable
<a href="https://www.finding.pictures">https://www.finding.pictures</a>
Country of Practice
At least one country of practice should be listed for each Contributor, up to three countries of practice.
Singapore
Public Resource Centre Affiliation
Artist Research Platform
Library
Video Resource Platform
None
None
Contributor Type
Speaker
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Climates. Habitats. Environments.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Andre Quek
Subject
The topic of the resource
Ways of Seeing
Contributor
An entity responsible for making contributions to the resource
Andre Quek
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Southeast Asia
-
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Residencies
Description
An account of the resource
The studio-based Residencies programme is dedicated to facilitating the research of established and emerging artists. It serves as a forum for cultural and artistic exchange in Southeast Asia.
Residency
A research residency programme bringing together local and international artists, curators, and researchers. Metadata description should include research focus of residents, while individual bios will be housed within each contributor's record.
Short Description
With a focus on the moving image and film, Andrea Lissoni seeks to discover alternative modes of presentation for these media in large-scale exhibitions and festivals.
Cycle
Cycle 6 (2019 – 2020)
Location
Onsite (CCA)
Offsite
Online
Onsite (CCA)
Collaboration
No
Commissioned Work
No
Related Countries
Italy
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Climates. Habitats. Environments.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Andrea Lissoni
Description
An account of the resource
With a focus on the moving image and film, Andrea Lissoni seeks to discover alternative modes of presentation for these media in large-scale exhibitions and festivals. During his residency, he will meet and connect with local artists, curators, and institutions in Singapore, and will also present a lecture titled <i>Ambitious Lovers. Artists’ Films and Moving Images are Modern Classics, Still</i>. discussing strategies for displaying time-based media in contemporary art.
Date
A point or period of time associated with an event in the lifecycle of the resource
9 December – 16 December 2019
Contributor
An entity responsible for making contributions to the resource
Andrea Lissoni
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Southeast Asia
Medium
The material or physical carrier of the resource.
Film
Video
Subject
The topic of the resource
Artistic Research
Ways of Seeing
-
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e7fa3c636fa3adff8eb17d4ad6b48a78
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Contributors
Contributor
An individual, collective, or corporate entity.
First Name
Song Nian
Surname or Business Name
Ang
Years Affiliated
Year range (starting year/ending year) affiliated with NTU CCA Singapore, or leave blank if not applicable.
For date range with year only: YYYY/YYYY, e.g., 2014/2015
For date range with year and month: YYYY-MM/YYYY-MM, e.g., 2014-07/2015-06
2019
Birthplace
Singapore
Occupation
Professional title or identity
Artist
Biographical Text
Long-form biography for the Contributor (no character count). A short-form biography (no more than 240 characters) should be added to the Contributor's Description
Through photography and installation, Ang Song Nian (b. 1983, Singapore) scrutinises traces of human presence in the landscape. Intrigued by the power of the photographic image to convey complex and layered narratives, he favours a microscopic approach that unleashes the imperceptible and ideological potential embedded in small details. His most recent solo exhibitions are <i>As They Grow Older and Wiser</i>, <i>Objectifs</i>, and <i>Hanging Heavy On My Eyes</i>, DECK, both Singapore (2017). He has participated in group exhibitions at Bangkok University Gallery, Thailand (2016) and Photo España Festival, Spain (2012) amongs others. Ang is currently lecturer in Photography at the School of Art, Design and Media at Nanyang Technological University, Singapore.
Country of Practice
At least one country of practice should be listed for each Contributor, up to three countries of practice.
Singapore
Public Resource Centre Affiliation
Artist Research Platform
Library
Video Resource Platform
None
Artist Research Platform
Contributor Type
Artist-in-Residence
Speaker
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Climates. Habitats. Environments.
Birth Date
1983
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Ang Song Nian
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Southeast Asia
Contributor
An entity responsible for making contributions to the resource
Ang Song Nian
Subject
The topic of the resource
Ways of Seeing
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Programmes
Programme
A non-persistent, time-based occurrence. Examples include symposia and conferences, public talks and performances, tours, workshops, open studios.
Short Description
The talk will focus on Judith Barry’s artistic practice spanning across several disciplines such as architecture, film/video, performance, installation, sculpture, photography and new media.
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Place.Labour.Capital.
Programme Type
Talk and Lecture
Audience
General
Location
Onsite (CCA)
Offsite
Online
Onsite (CCA)
Collaboration
No
Commissioned Work
No
Education
No
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Artist’s Talk: Judith Barry
Description
An account of the resource
<span>26 Sep 2014, Fri 7:30pm - 9:00pm</span><br /><br />The talk will focus on Judith Barry’s artistic practice spanning across several disciplines such as architecture, film/video, performance, installation, sculpture, photography and new media.<br /><br />A public programme of <em>Theatrical Fields: Critical strategies in performance, film and video</em>.
Date
A point or period of time associated with an event in the lifecycle of the resource
2014-09-26
Contributor
An entity responsible for making contributions to the resource
Judith Barry
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Southeast Asia
Subject
The topic of the resource
Ways of Seeing
Architecture
Technology