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10
122
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Contributors
Contributor
An individual, collective, or corporate entity.
Surname or Business Name
De Rijke / De Rooij
Years Affiliated
Year range (starting year/ending year) affiliated with NTU CCA Singapore, or leave blank if not applicable.
For date range with year only: YYYY/YYYY, e.g., 2014/2015
For date range with year and month: YYYY-MM/YYYY-MM, e.g., 2014-07/2015-06
2019-2021
Birthplace
Netherlands
Occupation
Professional title or identity
Artist
Biographical Text
Long-form biography for the Contributor (no character count). A short-form biography (no more than 240 characters) should be added to the Contributor's Description
Jeroen de Rijke and Willem de Rooij were a collaborative artist duo creating video installations, performances, TV programmes and 16mm film shorts. They met while attending the Gerrit Rietveld Academie in Amsterdam and worked together from 1994 until de Rijke’s passing in 2006. They chose film as a medium to engage their audience for a longer period and with greater intensity. An efficient use of the inherent time and light qualities of the film medium in their static camera work gives their subjects an almost meditational quality. Their work has been shown worldwide, most notably at the 2005 Venice Biennale. They were also nominated for the 2005 Hugo Boss Prize.
Country of Practice
At least one country of practice should be listed for each Contributor, up to three countries of practice.
Netherlands
Public Resource Centre Affiliation
Artist Research Platform
Library
Video Resource Platform
None
None
Contributor Type
Artist
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Climates. Habitats. Environments.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
De Rijke / De Rooij
Subject
The topic of the resource
Politics
Ways of Seeing
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Southeast Asia
Contributor
An entity responsible for making contributions to the resource
De Rijke / De Rooij
De Rijke
De Rooij
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Contributors
Contributor
An individual, collective, or corporate entity.
First Name
Ming
Surname or Business Name
Wong
Years Affiliated
Year range (starting year/ending year) affiliated with NTU CCA Singapore, or leave blank if not applicable.
For date range with year only: YYYY/YYYY, e.g., 2014/2015
For date range with year and month: YYYY-MM/YYYY-MM, e.g., 2014-07/2015-06
2014/2018
Birthplace
Singapore
Occupation
Professional title or identity
Artist
Biographical Text
Long-form biography for the Contributor (no character count). A short-form biography (no more than 240 characters) should be added to the Contributor's Description
Ming Wong is a Singapore-born, Berlin based artist who builds layers of cinematic language, social structure, identity, and introspection through re-telling world cinema and popular culture in videos, installations, and performances. He often “mis-casts” himself in multiple roles in a foreign language, interconnecting concepts of gender, representation, culture, and identity. Wong represented Singapore at the 53rd Venice Biennale (2009). He has had solo exhibitions at leading institutions worldwide and has participated in international biennials, including Performa, New York; Asia Pacific Triennial of Contemporary Art, Brisbane; and Sydney Biennale, among others.
Country of Practice
At least one country of practice should be listed for each Contributor, up to three countries of practice.
Germany
Public Resource Centre Affiliation
Artist Research Platform
Library
Video Resource Platform
None
None
Contributor Type
Speaker
Performer
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Place.Labour.Capital.
Climates. Habitats. Environments.
Birth Date
1971
Personal Website
Leave blank if not applicable
<a href="http://www.mingwong.org">http://www.mingwong.org</a>
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Ming Wong
Subject
The topic of the resource
Theatre
Performance
History
Ways of Seeing
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Asia
Contributor
An entity responsible for making contributions to the resource
Ming Wong
-
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130ea148e9eb9b28b2f1e2f3e00af314
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Contributors
Contributor
An individual, collective, or corporate entity.
First Name
Tamara
Surname or Business Name
Weber
Years Affiliated
Year range (starting year/ending year) affiliated with NTU CCA Singapore, or leave blank if not applicable.
For date range with year only: YYYY/YYYY, e.g., 2014/2015
For date range with year and month: YYYY-MM/YYYY-MM, e.g., 2014-07/2015-06
2016/2018
Occupation
Professional title or identity
Artist
Biographical Text
Long-form biography for the Contributor (no character count). A short-form biography (no more than 240 characters) should be added to the Contributor's Description
Tamara Weber is an artist. She explores formal questions (light, space, figuration, portraiture, temporality) and the possibilities of multidisciplinary collaboration. Between October and December 2016, Weber was Artist-in-Residence at NTU CCA Singapore. As part of her residency, she produced the unbound book <i>Close Readings</i> that features a series of photographic reinterpretations of the iconic hotel PARKROYAL on Pickering in Singapore, designed by WOHA, an impressive building that merges the rigorousness of abstraction and unruliness of tropical greenery.
Country of Practice
At least one country of practice should be listed for each Contributor, up to three countries of practice.
United States
Public Resource Centre Affiliation
Artist Research Platform
Library
Video Resource Platform
None
Artist Research Platform
Contributor Type
Artist-in-Residence
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Place.Labour.Capital.
Birth Date
1976
Birthplace
United States
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Tamara Weber
Subject
The topic of the resource
Ways of Seeing
Performance
Description
An account of the resource
Tamara Weber is an artist. She explores formal questions (light, space, figuration, portraiture, temporality) and the possibilities of multidisciplinary collaboration.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
North America
Contributor
An entity responsible for making contributions to the resource
Tamara Weber
-
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7e48a9a50461792364bc59ec9abcf4ca
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Contributors
Contributor
An individual, collective, or corporate entity.
Surname or Business Name
SHIMURAbros
Years Affiliated
Year range (starting year/ending year) affiliated with NTU CCA Singapore, or leave blank if not applicable.
For date range with year only: YYYY/YYYY, e.g., 2014/2015
For date range with year and month: YYYY-MM/YYYY-MM, e.g., 2014-07/2015-06
2016/2018
Affiliation
Company, organization, or institution name
Studio Olafur Eliasson
Occupation
Professional title or identity
Artist
Biographical Text
Long-form biography for the Contributor (no character count). A short-form biography (no more than 240 characters) should be added to the Contributor's Description
<span>SHIMURAbros are a brother/sister artist duo composed of Yuka (b. 1976, Japan) and Kentaro Shimura (b. 1979, Japan). </span>Since 2014, they have been working as researchers at the Studio Olafur Eliasson in Berlin, Germany. Film is a catalyst for their works wherein the equilibrium between light and matter and the material representation of film become a focal point. Between November and December 2016, SHIMURAbros were Artists-in-Residence at NTU CCA Singapore. During the residency, the duo continued their investigations on the archaeology of film and its structural components, focusing on light as the power source in the cinematic process and the essential condition for seeing.
Country of Practice
At least one country of practice should be listed for each Contributor, up to three countries of practice.
Japan
Germany
Public Resource Centre Affiliation
Artist Research Platform
Library
Video Resource Platform
None
Artist Research Platform
Contributor Type
Artist-in-Residence
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Place.Labour.Capital.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
SHIMURAbros
Subject
The topic of the resource
Ways of Seeing
Geopolitics
Urbanism
Description
An account of the resource
SHIMURAbros is a moving-image artist duo and since 2014, have been researchers at the Studio Olafur Eliasson in Berlin, Germany.
Contributor
An entity responsible for making contributions to the resource
SHIMURAbros
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Contributors
Contributor
An individual, collective, or corporate entity.
First Name
Pratchaya
Surname or Business Name
Phinthong
Years Affiliated
Year range (starting year/ending year) affiliated with NTU CCA Singapore, or leave blank if not applicable.
For date range with year only: YYYY/YYYY, e.g., 2014/2015
For date range with year and month: YYYY-MM/YYYY-MM, e.g., 2014-07/2015-06
2014/2018
Occupation
Professional title or identity
Artist
Biographical Text
Long-form biography for the Contributor (no character count). A short-form biography (no more than 240 characters) should be added to the Contributor's Description
<span>Pratchaya Phinthong (b. 1974, Thailand) creates situations as an invitation made to the visitor to share an experience with him. His projects (without any specific or pre-defined form) suggest a crack in which the spectators are invited to fill the gaps. He builds a set, a fiction, or a process where he can test our perceptions. He proposes to his audience a story with multiple paths. A trip down memory lane combined with subjective perceptions. His projects are often constructed in a dialogue between the artist and the others, making the artist‚ movement glide towards the social field. Beyond any artistic or formal experience, the artist is looking to find his place and his identity playing on the economic representations and cultural existences. The ‚Äògallery‚ space becomes a free area.Therefore, Phinthong works in a dynamic area in between different realities underlining the space and distance that separates them: two geographical points, two societies, two economic systems.</span><br /><br />Phinthong was Artist-in-Residence at NTU CCA Singapore between October and December 2014. As part of his residency, Phinthong explored the idea of airspace as monitored and ambiguous, researching into the histories and negotiations of airspace between Singapore and its neighbours, with particular attention given to Thailand.
Country of Practice
At least one country of practice should be listed for each Contributor, up to three countries of practice.
Thailand
Public Resource Centre Affiliation
Artist Research Platform
Library
Video Resource Platform
None
Artist Research Platform
Contributor Type
Artist-in-Residence
Speaker
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Place.Labour.Capital.
Birth Date
1974
Birthplace
Thailand
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Pratchaya Phinthong
Subject
The topic of the resource
Ways of Seeing
Fiction
Description
An account of the resource
Pratchaya Phinthong is an artist. His works often test individuals’ perception and invite visitors to share their experiences.
Contributor
An entity responsible for making contributions to the resource
Pratchaya Phinthong
-
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0ed8f3405f7bfd435a23f36dcf216d79
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Contributors
Contributor
An individual, collective, or corporate entity.
First Name
Nguyên Phan
Surname or Business Name
Thảo
Years Affiliated
Year range (starting year/ending year) affiliated with NTU CCA Singapore, or leave blank if not applicable.
For date range with year only: YYYY/YYYY, e.g., 2014/2015
For date range with year and month: YYYY-MM/YYYY-MM, e.g., 2014-07/2015-06
2017/2018
Birth Date
1987
Birthplace
Vietnam
Occupation
Professional title or identity
Artist
Biographical Text
Long-form biography for the Contributor (no character count). A short-form biography (no more than 240 characters) should be added to the Contributor's Description
Thao-Phan Nguyen focuses on historical events, traditional narratives through a combination of painting, video, performance, and installation. She has the ability to condense the manifold references to history, literature, philosophy, and theory that always frames her research into poetic works that open up new spaces for reflection. In 2016, she is the protégé of American artist Joan Jonas within the Rolex Mentor and Protégé Arts Initiative, a programme which pairs gifted young artists with internationally recognised masters, sponsoring them to spend a year in a one-to-one mentoring relationship. Her recent exhibitions include <i>Poetic Amnesia </i>(2017), the Factory Contemporary Art Centre, Ho Chi Minh City, Vietnam and Nha San Collective, Hanoi, Vietnam; <i>Concept Context Contestation, Art and the Collective in South East Asia</i>, Goethe Institut, Hanoi, Vietnam (2016); <i>Haunted Thresholds: Spirituality in Contemporary Southeast Asia</i>, Kunstverein Göttingen, Germany, (2014). and <i>Tâm Tã</i>, Hanoi Fine Arts Museum, Vietnam (2014). In 2018, she was the Grand Prize winner of the APB Foundation Signature Art Prize, organised by Singapore Art Museum. Nguyen founded the collective Art Labor together with artist Truong Cong Tung and curator Arlette Quynh-Anh Tran Phan in 2012.
Country of Practice
At least one country of practice should be listed for each Contributor, up to three countries of practice.
Vietnam
Public Resource Centre Affiliation
Artist Research Platform
Library
Video Resource Platform
None
Library
Contributor Type
Artist
Artist-in-Residence
Speaker
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Place.Labour.Capital.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Thảo Nguyên Phan
Subject
The topic of the resource
History
Ways of Seeing
Description
An account of the resource
Thao-Phan Nguyen focuses on historical events, traditional narratives through a combination of painting, video, performance, and installation.
Contributor
An entity responsible for making contributions to the resource
Thảo Nguyên Phan
Thao Nguyen Phan
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Southeast Asia
-
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e7fa3c636fa3adff8eb17d4ad6b48a78
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Contributors
Contributor
An individual, collective, or corporate entity.
First Name
Song Nian
Surname or Business Name
Ang
Years Affiliated
Year range (starting year/ending year) affiliated with NTU CCA Singapore, or leave blank if not applicable.
For date range with year only: YYYY/YYYY, e.g., 2014/2015
For date range with year and month: YYYY-MM/YYYY-MM, e.g., 2014-07/2015-06
2019
Birthplace
Singapore
Occupation
Professional title or identity
Artist
Biographical Text
Long-form biography for the Contributor (no character count). A short-form biography (no more than 240 characters) should be added to the Contributor's Description
Through photography and installation, Ang Song Nian (b. 1983, Singapore) scrutinises traces of human presence in the landscape. Intrigued by the power of the photographic image to convey complex and layered narratives, he favours a microscopic approach that unleashes the imperceptible and ideological potential embedded in small details. His most recent solo exhibitions are <i>As They Grow Older and Wiser</i>, <i>Objectifs</i>, and <i>Hanging Heavy On My Eyes</i>, DECK, both Singapore (2017). He has participated in group exhibitions at Bangkok University Gallery, Thailand (2016) and Photo España Festival, Spain (2012) amongs others. Ang is currently lecturer in Photography at the School of Art, Design and Media at Nanyang Technological University, Singapore.
Country of Practice
At least one country of practice should be listed for each Contributor, up to three countries of practice.
Singapore
Public Resource Centre Affiliation
Artist Research Platform
Library
Video Resource Platform
None
Artist Research Platform
Contributor Type
Artist-in-Residence
Speaker
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Climates. Habitats. Environments.
Birth Date
1983
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Ang Song Nian
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Southeast Asia
Contributor
An entity responsible for making contributions to the resource
Ang Song Nian
Subject
The topic of the resource
Ways of Seeing
-
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80fc450db8c00f62c1a494aad566ebdc
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Contributors
Contributor
An individual, collective, or corporate entity.
First Name
Lêna
Surname or Business Name
Bùi
Years Affiliated
Year range (starting year/ending year) affiliated with NTU CCA Singapore, or leave blank if not applicable.
For date range with year only: YYYY/YYYY, e.g., 2014/2015
For date range with year and month: YYYY-MM/YYYY-MM, e.g., 2014-07/2015-06
The residency of Lêna Bùi was scheduled for April - June 2020, but the COVID-19 pandemic outbreak rendered international travel impossible.In order to continue to support artistic research and foster collaborations beyond borders, the NTU CCA Residencies Programme initiated <a href="https://ntuccasingapore.omeka.net/admin/items/show/2924"><em>Residencies Rewired</em></a>, a project that trailblazes new pathways to collaboration.
Birthplace
Vietnam
Occupation
Professional title or identity
Artist
Biographical Text
Long-form biography for the Contributor (no character count). A short-form biography (no more than 240 characters) should be added to the Contributor's Description
The practice of Lêna Bùi (b. 1985, Vietnam) is deeply drawn to the intangible aspects of life, such as faith, death, and dreams and the ways in which they influence our behaviours and perceptions. Through the incorporation of anecdotes and personal stories, her works articulate intimate reflections upon the impact of rapid development and the relationship between humans and nature. Bùi’s works have been included in group exhibitions and presentations at Sharjah Art Foundation, United Arab Emirates (2018); Mansfield Freeman Center for East Asian Studies, Wesleyan University, Middle Town, United States (2018); Haus der Kulturen der Welt, Berlin, Germany (2017); The Factory Contemporary Arts Centre, Ho Chi Minh City, Vietnam (2016); and Carré d’Art, Nîmes, France (2014) amongst other venues.
Country of Practice
At least one country of practice should be listed for each Contributor, up to three countries of practice.
Vietnam
Public Resource Centre Affiliation
Artist Research Platform
Library
Video Resource Platform
None
Artist Research Platform
Contributor Type
Artist-in-Residence
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Climates. Habitats. Environments.
Birth Date
1985
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Lêna Bùi
Subject
The topic of the resource
Nature
Ways of Seeing
Fiction
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Southeast Asia
Contributor
An entity responsible for making contributions to the resource
Lêna Bùi
Lena Bui
-
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36e26bfc3d2fc116c558122f3ea22787
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Contributors
Contributor
An individual, collective, or corporate entity.
First Name
Luke Willis
Surname or Business Name
Thompson
Years Affiliated
Year range (starting year/ending year) affiliated with NTU CCA Singapore, or leave blank if not applicable.
For date range with year only: YYYY/YYYY, e.g., 2014/2015
For date range with year and month: YYYY-MM/YYYY-MM, e.g., 2014-07/2015-06
2014-2015
Birthplace
New Zealand
Occupation
Professional title or identity
Artist
Biographical Text
Long-form biography for the Contributor (no character count). A short-form biography (no more than 240 characters) should be added to the Contributor's Description
Luke Willis Thompson’s (b. 1988, New Zealand) objects are typically both curios drawn from historical blind-spots and markers of, or stand-ins for, very particular personal lived experience. Thompson’s recent projects have focused on politics around the circulation and repatriation of artefacts, and the class-bound art world’s mode of distribution. <br /><br />Thompson holds an MFA (2010) and a BFA (2009) from the ELAM School of Fine Arts, University of Auckland. Selected exhibitions include: Surround Audience, the New Museum Triennial (2015); Foreign Exchange (or the stories you wouldn’t tell a stranger), Weltkulturen Museum, Frankfurt, Germany (2014); The 5th Auckland Triennial, Auckland Art Gallery, New Zealand (2013). Thompson won the acclaimed Auckland Art Gallery’s Walters Prize in 2014.
Country of Practice
At least one country of practice should be listed for each Contributor, up to three countries of practice.
United Kingdom
Public Resource Centre Affiliation
Artist Research Platform
Library
Video Resource Platform
None
Artist Research Platform
Contributor Type
Artist-in-Residence
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Place.Labour.Capital.
Birth Date
1988
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Luke Willis Thompson
Subject
The topic of the resource
Capitalism
Ways of Seeing
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Europe
Oceania
Contributor
An entity responsible for making contributions to the resource
Luke Willis Thompson
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49bbda0c5a1519203358059d4cbdd0ee
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Contributors
Contributor
An individual, collective, or corporate entity.
First Name
Manon
Surname or Business Name
de Boer
Years Affiliated
Year range (starting year/ending year) affiliated with NTU CCA Singapore, or leave blank if not applicable.
For date range with year only: YYYY/YYYY, e.g., 2014/2015
For date range with year and month: YYYY-MM/YYYY-MM, e.g., 2014-07/2015-06
2017
Affiliation
Company, organization, or institution name
NTU CCA Singapore
Birthplace
India
Occupation
Professional title or identity
Artist
Biographical Text
Long-form biography for the Contributor (no character count). A short-form biography (no more than 240 characters) should be added to the Contributor's Description
Personal narration and/or musical interpretation define both the method and the subject of Manon de Boer’s practice. Working primarily with the moving image, over twenty years she has composed a series of “portrait films” that explore the intimate relationship between language, memory, sound, and time while continuously interrogating truth claims, biographical narratives, and the medium of film itself. <br /><br />Manon de Boer (b. 1966) is a Dutch artist based in Brussels. She completed her artistic education at the Akademie Van Beeldende Kunsten, Rotterdam, and at the Rijksakademie van Beeldende Kunsten, Amsterdam, Netherlands. Her work has received wide international recognition. Her most recent solo shows include presentations at Secession, Vienna, Austria (2016), Van Abbemuseum, Eindhoven, Netherlands (2013), Philadelphia Museum of Art, United States (2012); Contemporary Art Museum St. Louis, United States (2011).
Country of Practice
At least one country of practice should be listed for each Contributor, up to three countries of practice.
Belgium
Public Resource Centre Affiliation
Artist Research Platform
Library
Video Resource Platform
None
Artist Research Platform
Contributor Type
Artist-in-Residence
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Place.Labour.Capital.
Birth Date
1966
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Manon de Boer
Subject
The topic of the resource
Knowledge Production
Ways of Seeing
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Southeast Asia
Contributor
An entity responsible for making contributions to the resource
Manon de Boer