Ways of Seeing]]> Trevor Yeung]]> Southeast Asia]]> Ways of Seeing]]> Weixin Chong]]> Southeast Asia]]> Artistic Research]]> Ways of Seeing]]> Ambitious Lovers. Artists’ Films and Moving Images are Modern Classics, Still. discussing strategies for displaying time-based media in contemporary art.]]> Andrea Lissoni]]> Film]]> Video]]> Southeast Asia]]> Ways of Seeing]]> Instructions on Viewing the Landscape is an long-term exercise in seeing the bigger picture, literally and figuratively, which subtly challenges notions of national identity and colonialism. Articulated through a complex set of rules, this conceptual work is an investigative device aimed to unpack the history of late 19th century Filipino art – a period of significant political changes propelled by the revolutions against the Spanish rule. In re-examining and reviewing the landscapes of celebrated painters Juan Luna (1857 – 1899) and Félix Resurrección Hidalgo (1855 – 1913), the artist locates their vanishing points and brings to the fore unexpected tensions between the viewer and the artwork. Over the course of his residency, Calubayan will extend the scope of the project in order to pinpoint the metaphorical vanishing points in Singapore’s landscape, locating their historical, economic, and religious coordinates.]]> Buen Calubayan]]> Writing/Text]]> Southeast Asia]]> Materiality]]> Ways of Seeing]]>
The artist was scheduled to be in-residence from July – Sept 2020. Due to the COVID-19 virus outbreak and international travel restrictions, the artist was unable to participate in the residency programme physically.]]>
Dana Awartani]]> Installation]]> Painting]]>
Ways of Seeing]]> The World of Suzie Wong (1960) to contemporary East Asian dramas. The fabrication of feelings and the normalization of romance in the mass media is the subject of a series of works which, through subtle gestures of over-layering, inscription, and re-imagining, reflect on the universal currency of romantic clichés, the subtle traps of translation, and the entanglement of desire and exoticism in the representation of the “East.”]]> Susie Wong]]> Installation]]> Painting]]> Southeast Asia]]> Thảo Nguyên Phan (Thao-Nguyen Phan)]]> Ways of Seeing]]> Thao Nguyen Phan]]> Thảo Nguyên Phan]]> Installation]]> Painting]]> Southeast Asia]]> Ways of Seeing]]> Trevor Yeung]]> Mixed Media]]> Southeast Asia]]> Ways of Seeing]]> Weixin Chong]]> Object]]> Print]]> Southeast Asia]]> Ways of Seeing]]> Performance]]> 6 Dec 2013, Fri 7:30pm - 9:00pm

A talk by Mark Nash in conjunction with a screening of excerpts from artist Zai Kuning’s work-in-progress documentary project on the Mak Yong.]]>
Mark Nash]]> Zai Kuning]]> Southeast Asia]]>