1
10
122
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Videos
Video
A series of visual representations imparting an impression of motion when shown in succession. Examples include animations, movies, television programs, videos, zoetropes, or visual output from a simulation.
Based on DMCI MovingImage type (https://www.dublincore.org/specifications/dublin-core/dcmi-terms/#http://purl.org/dc/dcmitype/MovingImage)
Video
Embedded video or link to video hosted outside of Omeka
<a href="https://vimeo.com/ntuccasingapore/passages-opening?share=copy">https://vimeo.com/ntuccasingapore/passages-opening?share=copy</a>
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
00:04:13
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Passages: SEA - AiR Studio Residencies for Southeast Asian Artists in the European Union Cycle 2 Exhibition Opening Reception
Subject
The topic of the resource
Artistic Research
Ways of Seeing
Cultural Production
Date
A point or period of time associated with an event in the lifecycle of the resource
28 November 2023
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Southeast Asia
Description
An account of the resource
<strong>Opening reception: </strong><br /><span>28 November 2023, 5–8pm<br /><br /><strong>Location:</strong><br />NTU CCA Singapore Residencies Studios<br />Block 38 Malan Road<br />Gillman Barracks<br />Singapore 109441<br /></span>
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Programmes
Programme
A non-persistent, time-based occurrence. Examples include symposia and conferences, public talks and performances, tours, workshops, open studios.
Short Description
he Eye of Silence suggests a hallucinatory blurring of cosmic and the chthonic. Evoking critical moments in the Earth’s evolution, the work explores a series of antinomies: passages between creation and destruction, expansion and contraction, intrusion and extrusion, within and without, microcosm and macrocosm.
Programme Type
Screening
Audience
General
Location
Onsite (CCA)
Offsite
Online
Onsite (CCA)
Collaboration
Yes
Commissioned Work
No
Education
No
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Charles Stankievech: The Eye of Silence
Subject
The topic of the resource
Ways of Seeing
Description
An account of the resource
<p>Wednesday, 10<sup>th</sup> May 2023<br />The Screening Room, Block 38 Malan Road, #01-06<br />7:00pm – 8:30pm</p>
<p><em>The Eye of Silence</em><span> </span>is a newly commissioned video marshalling high atmospheric footage of the Albertan Badlands, the Utah Salt Flats, Icelandic and Japanese volcanoes, and a meteorite crater and cave paintings located within a region of the Namibian desert long closed off to visitors because of diamond mining. A field of stars becomes a point map of a lidar scan of a cave. At every polarity, the suggestion of a mystical inversion obtains, wherein a horizon or vanishing point unfolds to offer new vistas. An abyss, such as outer space, or some geological fissure, delivers a new world. Combining static camera, drone footage, and a mirrored screen, a churning mass of clouds, lava, and stone provides receptive viewers with ample grounds to project their own associations. Is that a face in the mist? In such moments, another antinomy is revealed—between subject and object; evidence and speculation.<em><span> </span>The Eye of Silence<span> </span></em>both depicts and implies metamorphosis on every level.<br /><br /><span>Mediating between stellar and subterranean motifs, fog, mist, clouds and smoke venting from a fresh lava flow spill across the screen. At times it softens tough terrain, while elsewhere stimulating a trance-like pareidolia, or roiling within volcanic craters. The visual dynamism of air recapitulates not only the ‘invention of the concept of atmosphere in the history of meteorology,’ but also the formation of the earth’s atmosphere back in deep geologic time—in a word, to </span><em>creation</em><span> itself. </span><em>The Eye of Silence</em><span> calls forth otherworldly experience from within the depths and heights of </span><em>this</em><span> world, at the same time cultivating an aesthetic disposition to receive them. <br /><br /></span>An introduction to the work will be given by the artist himself. The screening will be followed by a conversation between Charles Stankievech and Professor Ute Meta Bauer.</p>
<p><em>The Eye of Silence</em><span> </span>is a film by Charles Stankievech<br />Producer: Ala Roushan<br />Produced by The VEGA Foundation</p>
<p><span></span></p>
Date
A point or period of time associated with an event in the lifecycle of the resource
2023-05-10
Contributor
An entity responsible for making contributions to the resource
Charles Stankievech
Ute Meta Bauer
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Africa
South America
Asia
Europe
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Videos
Video
A series of visual representations imparting an impression of motion when shown in succession. Examples include animations, movies, television programs, videos, zoetropes, or visual output from a simulation.
Based on DMCI MovingImage type (https://www.dublincore.org/specifications/dublin-core/dcmi-terms/#http://purl.org/dc/dcmitype/MovingImage)
Video
Embedded video or link to video hosted outside of Omeka
<a href="https://vimeo.com/777993166">https://vimeo.com/777993166</a>
Video ID
Platform ID number for video hosted online (e.g., Vimeo)
777993166
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
00:02:29
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
On AiR with Min-Wei Ting
Subject
The topic of the resource
Ways of Seeing
Spaces of the Curatorial
Description
An account of the resource
<span>In this episode of On AiR, Min-Wei invites us into his studio and shares about his filmic practice that’s preoccupied with the changing landscape, and how they reflect his exploration into the politics of space. He also contemplates upon his current investigation into the latent and the salient ramifications of climate change on the Singaporean terrain.</span>
Date
A point or period of time associated with an event in the lifecycle of the resource
2022
Contributor
An entity responsible for making contributions to the resource
Min-Wei Ting
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Southeast Asia
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Contributors
Contributor
An individual, collective, or corporate entity.
First Name
Viknesh
Surname or Business Name
Kobinathan
Years Affiliated
Year range (starting year/ending year) affiliated with NTU CCA Singapore, or leave blank if not applicable.
For date range with year only: YYYY/YYYY, e.g., 2014/2015
For date range with year and month: YYYY-MM/YYYY-MM, e.g., 2014-07/2015-06
2022
Affiliation
Company, organization, or institution name
Asian Film Archive, Singapore
Birthplace
Singapore
Occupation
Professional title or identity
Film Programmer
Biographical Text
Long-form biography for the Contributor (no character count). A short-form biography (no more than 240 characters) should be added to the Contributor's Description
<span>Viknesh Kobinathan is a film programmer at the Asian Film Archive (AFA), where he curates film screenings and discursive events that examine issues affecting Asian societies, explore the art of Asian cinema, and furthers the preservation mission of the AFA. He oversees the execution of the commissioning project, Monographs, a series that features critical text-based and audio-visual essays on the moving image. </span>
Public Resource Centre Affiliation
Artist Research Platform
Library
Video Resource Platform
None
None
Contributor Type
Speaker
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Viknesh Kobinathan
Subject
The topic of the resource
Curatorial Practice
Ways of Seeing
Contributor
An entity responsible for making contributions to the resource
Viknesh Kobinathan
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Southeast Asia
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Contributors
Contributor
An individual, collective, or corporate entity.
First Name
Rosa
Surname or Business Name
Barba
Years Affiliated
Year range (starting year/ending year) affiliated with NTU CCA Singapore, or leave blank if not applicable.
For date range with year only: YYYY/YYYY, e.g., 2014/2015
For date range with year and month: YYYY-MM/YYYY-MM, e.g., 2014-07/2015-06
2023
Birth Date
1972
Birthplace
Italy
Occupation
Professional title or identity
Artist and Filmmaker
Biographical Text
Long-form biography for the Contributor (no character count). A short-form biography (no more than 240 characters) should be added to the Contributor's Description
Rosa Barba is an artist and filmmaker who balances conceptualism with a distinctly personal vision in her work. She merges films, sculptures, installations, live-performances, text pieces, and publications that are grounded in the material and conceptual qualities of cinema. She also creates installations and site-specific interventions to analyse the ways space is articulated and reflected by Time, placing the work and the viewer in a new relationship. Her work has been exhibited internationally at prestigious institutions and biennials worldwide including Tate Modern, London (2023), PICA, Australia (2023), Neue Nationalgalerie, Berlin (2021/2022), Cukrarna, Ljubljana (2022), Museo Reina Sofia, Madrid (2017), the 56th, 53rd, 52nd Biennale di Venezia, Italy and the 7thBeaufort Triennial, Belgium. In 2020, Rosa Barba was awarded the Calder Prize by The Calder Foundation. Her work is part of numerous public and private collections and has been widely published, most recently, in the monograph Rosa Barba: On the Anarchic Organization of Cinematic Spaces – Evoking Spaces beyond Cinema (2021).
Personal Website
Leave blank if not applicable
<a href="https://www.rosabarba.com">https://www.rosabarba.com</a>
Country of Practice
At least one country of practice should be listed for each Contributor, up to three countries of practice.
Italy
Public Resource Centre Affiliation
Artist Research Platform
Library
Video Resource Platform
None
None
Contributor Type
Filmmaker
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Rosa Barba
Subject
The topic of the resource
Ways of Seeing
Contributor
An entity responsible for making contributions to the resource
Rosa Barba
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Europe
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Contributors
Contributor
An individual, collective, or corporate entity.
First Name
Kathrin
Surname or Business Name
Albers
Years Affiliated
Year range (starting year/ending year) affiliated with NTU CCA Singapore, or leave blank if not applicable.
For date range with year only: YYYY/YYYY, e.g., 2014/2015
For date range with year and month: YYYY-MM/YYYY-MM, e.g., 2014-07/2015-06
2016
Affiliation
Company, organization, or institution name
Kunsthochschule Kassel, Germany
Nanyang Technological University, Singapore
Birthplace
Germany
Occupation
Professional title or identity
Professor for Animation
Bibliography
<p>Kathrin Albers has been a professor of animation at the Kunsthochschule Kassel since March 2021. While still studying “Illustration and Communication Design” at HAW Hamburg, she specialized in the field of stop frame animation, in which she has been active as an independent animator ever since. During these almost 20 years, she was the second half of the studio Stoptrick, with which she realized her own short films, trailers, and commissioned works. She also held a professorship in digital animation at Nanyang Technological University, School of Art, Design and Media in Singapore from 2012 to 2018.</p>
<p>Her research areas at NTU were on the digital extension of analogue animation techniques and engaged with the work of artist Ronald Searle. These themes continue to be part of her work alongside her own narrative film projects. She lives and works as a freelance animator in Hamburg.</p>
Personal Website
Leave blank if not applicable
<a href="https://kathrinalbers.com">https://kathrinalbers.com</a>
Country of Practice
At least one country of practice should be listed for each Contributor, up to three countries of practice.
Germany
Singapore
Public Resource Centre Affiliation
Artist Research Platform
Library
Video Resource Platform
None
None
Contributor Type
Collaborator
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Place.Labour.Capital.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Kathrin Albers
Subject
The topic of the resource
Ways of Seeing
Education
Contributor
An entity responsible for making contributions to the resource
Kathrin Albers
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Europe
Southeast Asia
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Programmes
Programme
A non-persistent, time-based occurrence. Examples include symposia and conferences, public talks and performances, tours, workshops, open studios.
Short Description
We have an array of exciting activities planned for the upcoming Art Day Out! x The School Holidays at Gillman Barracks on Saturday, 25 June. From exhibition tours of SEA STATE, animation screenings by NTU ADM students, to creating your own fizzy drinks in a workshop by Artist-in-Residence Julian ‘Togar’ Abraham – there is something for all ages!
Programme Type
Screening
Workshop
Tour
Audience
General
Location
Onsite (CCA)
Offsite
Online
Onsite (CCA)
Collaboration
Yes
Commissioned Work
No
Education
No
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Place.Labour.Capital.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
NTU CCA Singapore at Art Day Out! x The School Holidays
Subject
The topic of the resource
Experiential
Ways of Seeing
Description
An account of the resource
25 Jun 2016, Sat 2:00pm - 7:00pm Gillman Barracks<br /><br /><span>We have an array of exciting activities planned for the upcoming </span><em><strong>Art Day Out! x The School Holidays</strong></em><span> at Gillman Barracks on </span><u>Saturday, 25 June</u><span>. From exhibition tours of </span><span>SEA STATE</span><span>, animation screenings by </span><span>NTU ADM</span><span> students, to creating your own fizzy drinks in a workshop by Artist-in-Residence </span><span>Julian ‘Togar’ Abraham</span><span><span> – there is something for all ages!<br /></span></span><em><strong><br />anime</strong></em><span><span><br /></span></span>
<p><strong>2.00 – 7.00pm<br /></strong><strong><em>The Seminar Room</em>, Block 43 Malan Road<br /></strong><br />For Gillman Barracks’ <em>Art Day Out! x The School Holidays</em>, NTU CCA Singapore presents a variety of short animations made by the students of Nanyang Technological University’s <span>School of Art, Design and Media (NTU ADM)</span>, selected by <span>Kathrin Albers</span>, Assistant Professor, NTU ADM.</p>
<p>Screening list:</p>
<p><strong>1. <em>Princess</em> (2014)</strong><br />2D Hand-drawn Animation, Mandarin with English Subtitles, 7:07 mins.<br />By Andre Quek, Abdul Hadi Bin Abdul Wahab and Vivien Tan. Courtesy of the artists and NTU ADM.<br /><br /></p>
<p><strong>2. <em>MiMo</em> (2014)</strong><br />Abstract Animation, No Dialogue, 1:43 mins.<br />By Chang Pei Yee and Oon Qian Yi Shannon. Courtesy of the artists and NTU ADM.</p>
<p><strong>3. <em>Hand-Made</em> (2012)</strong><br />Stopmotion Paper cut Animation, No Dialogue, 2:18 mins.<br />By Goh Wei Choon and Jiahui. Courtesy of the artists and NTU ADM.</p>
<p><strong>4. <em>Innocent Memory</em> (2012)</strong><br />2D Hand Drawn and Painted Animation, No Dialogue, 3:24 mins.<br />By Nguyen Thi Nam Phuong. Courtesy of the artist and NTU ADM.</p>
<p><strong>5. <em>Bubble</em> (2014)</strong><br />3D Animation, No Dialogue, 5:40 mins.<br />By Lam Yee Shing, Quek Yu Lin and Poh Ya Ching. Courtesy of the artists and NTU ADM.</p>
<p><strong>6. <em>1997</em> (2014)</strong><br />2D Flash Animation, No Dialogue, 7:32 mins.<br />By Goh Wei Choon and Jia Hui Wee. Courtesy of the artists and NTU ADM.</p>
<p><strong>7. <em>The Octopus Lady</em> (2015)</strong><br />2D Animation, No Dialogue, 3:34 mins.<br />By Amanda Wang Ziyan. Courtesy of the artist and NTU ADM.<br /><br /><strong>8. <em>La Laine Des Moutons</em> (2012)</strong><br />2D Animation, French with English Subtitles, 5:53 mins.<br />By Kapie and Tran Nguyen Tuan Anh. Courtesy of the artists and NTU ADM.</p>
<p><strong>9. <em>Autogenic</em> (2014)</strong><br />Abstract 3D Animation to music, 3:45 mins.<br />By Prakash. Courtesy of the artists and NTU ADM.</p>
<p><span><strong>Curator Tours of SEA STATE<br /></strong></span><strong>2.00pm:</strong> Led by Syaheedah Iskandar, Curatorial Assistant, NTU CCA Singapore<br /><strong>4.00pm:</strong> Led by Shabbir Hussain Mustafa, curator, SEA STATE and Senior Curator, National Gallery Singapore<br /><strong><em>The Exhibition Hall</em>, Block 43 Malan Road</strong></p>
<p>Join our curator-led tours of the exhibition <span>SEA STATE</span> by artist Charles Lim Yi Yong. Commissioned for the Singapore Pavilion for the 56th Venice Biennale, SEA STATE examines the biophysical, political and psychic contours of Singapore through the visible and invisible lenses of the sea. It is an in-depth inquiry by an artist that scrutinises both man-made systems, opening new perspectives on our everyday surroundings, from unseen landscapes and disappearing islands to the imaginary boundaries of a future landmass.<br /><br /></p>
<p><strong><span>Workshop for kids and teens: <em>Make your own Soda Pop</em></span><br />3.00 – 4.00pm<br /><em>Studio #01-02</em>, Block 37 Malan Road</strong></p>
<p>Learn to make your own Soda Pop in a workshop with Artist-in-Residence <span>Julian ‘Togar’ Abraham</span>. Open to ages nine and above, concoct your very own fizzy drink using fruits in a healthy, organic fermentation process!</p>
<p>Please RSVP to <span><a href="mailto:NTUCCAResidencies@ntu.edu.sg">NTUCCAResidencies@ntu.edu.sg</a></span> and bring some fruit to flavour your Soda Pop!</p>
Date
A point or period of time associated with an event in the lifecycle of the resource
2016-06-25
Contributor
An entity responsible for making contributions to the resource
Julian 'Togar' Abraham
Julian Togar Abraham
Syaheedah Iskandar
Shabbir Hussain Mustafa
Kathrin Albers
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Southeast Asia
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Programmes
Programme
A non-persistent, time-based occurrence. Examples include symposia and conferences, public talks and performances, tours, workshops, open studios.
Short Description
Residencies: OPEN offers a rare insight into the often introverted sphere of the artists’ studio. Through showcasing discussions, performances, research and works-in-progress, Residencies: OPENprofiles the diversity of contemporary art practice and the divergent ways artists conceive artwork with the studio as a constant space for experimentation and contemplation.
Programme Type
Talk and Lecture
Audience
General
Programme Series
OPEN Studios
Location
Onsite (CCA)
Offsite
Online
Onsite (CCA)
Collaboration
No
Commissioned Work
No
Education
No
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Place.Labour.Capital.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Residencies OPEN as part of Art Day Out! at Gillman Barracks
Subject
The topic of the resource
Artistic Research
Architecture
Ways of Seeing
Cultural Heritage
Description
An account of the resource
<div class="event_single_dates text__residencies">19 Mar 2016, Sat 2:00pm - 7:00pm</div>
<div class="event_single_venue">Studios, Blocks 37 & 38 Malan Road<br /><br /><strong>Residencies: <em>OPEN</em></strong><span> offers a rare insight into the often introverted sphere of the artists’ studio. Through showcasing discussions, performances, research and works-in-progress, Residencies: </span><em>OPEN</em><span>profiles the diversity of contemporary art practice and the divergent ways artists conceive artwork with the studio as a constant space for experimentation and contemplation.</span><br /><span style="text-decoration:underline;"><strong><br />Zul Mahmod, Block 37, Studio #01-01</strong></span><br /><strong>Zul Mahmod</strong><span>’s (Singapore) practice investigates the aural architecture of spaces in order to explore the emotional, behavioural and visceral responses of its inhabitants. While in residence, Zul will explore the aural relationship between readymade sound sculptures and the architecture of space. Sonic characteristics, forms and textures of everyday objects will be examined in order to compose an orchestra of sonic sculptures.</span><br /><p><span style="text-decoration:underline;"><strong><br />Guo-Liang Tan, Block 37, Studio #01-03</strong></span><br />How does one speak of abstraction and what can the abstract say? As part of his residency, <strong>Guo-Liang Tan</strong> (Singapore) has initiated a number of conversations with other artists, writers and curators around the operation of abstraction as an artistic strategy today. This panel will gather part of this ongoing investigation to situate abstraction beyond its usual formal discourse and reconsider its relevance to the fields of semiotics, socio-politics and phenomenology. Tan is a visual artist working primarily in painting and text. In his work, the painterly and the textual act as surfaces for performing affect that can conjure a haunting or a promise.</p>
<p>Moderated by <strong>Guo-Liang Tan</strong>, speakers include <strong>Dr Kevin Chua</strong>, art historian; <strong>Joleen Loh</strong>, Assistant Curator, National Gallery Singapore; and <strong>Ian Woo</strong>, artist.<br /><br /><span><strong><span style="text-decoration:underline;">Saleh Husein, Block 37, Studio #01-04</span><br /></strong></span><strong>Saleh Husein</strong><span>’s (Indonesia) current research looks at Arabic descendants in Indonesia. This research crosses borders between art, politics, economy, and also science and centres around how they see themselves in the contemporary. Through themes of identity, transition and journeys, he is exploring the story of the Arabic society in Singapore, seeking artefacts and archives that look at the relationship and histories between the two groups from the perspective of its citizens. Husein will present new work developed whilst in residence at NTU CCA Singapore that considers the temporality and asynchrony of migration.</span><br /><br /><span style="text-decoration:underline;"><strong>Zac Langdon-Pole, Block 38, Studio #01-05</strong></span><br /><strong>Zac Langdon-Pole</strong><span>’s (New Zealand) work straddles cross-cultural experience and with it he seeks to investigate procedures of cultural exchange. The implications of such investigations are to reveal often overlooked, lyrical relationships between broader socio-cultural processes, objects, images and individual people. Langdon-Pole will present the film, </span><em>Pieces of 8</em><span> (2015), which depicts a yellow canary bird in a cage. The film references the historical usage of canaries in mining, where they would accompany miners in a small cage, their death serving as a warning signal if conditions became unsafe to consider broader notions of danger or anxiety.<br /><br /><span style="text-decoration:underline;"><strong>Dennis Tan, Block 38, Studio #01-07</strong></span><br /><strong>Dennis Tan</strong> (Singapore) will present the work-in-progress construction of a traditional Indonesian <em>Kolek</em> sailboat. Through construction of the boat, Tan will investigate ideas of self-organisation and the transmission of skills and knowledge through generations of oral history in the Riau Archipelago and how this enables the continuity of cultural communities. Tan’s practice suspends conceptualism, tinkers with found objects and the environment as a gestural structure upon which the loop closes with the behaviour of its recipients. To date, this inclination sets the tone of his evolving practice.</span></p>
</div>
Date
A point or period of time associated with an event in the lifecycle of the resource
2016-03-19
Contributor
An entity responsible for making contributions to the resource
Zul Mahmod
Guo-Liang Tan
Saleh Husein
Zac Langdon-Pole
Dennis Tan
Kevin Chua
Joleen Loh
Ian Woo
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Southeast Asia
Asia
Oceania
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Programmes
Programme
A non-persistent, time-based occurrence. Examples include symposia and conferences, public talks and performances, tours, workshops, open studios.
Programme Type
Screening
Audience
General
Location
Onsite (CCA)
Offsite
Online
Onsite (CCA)
Collaboration
No
Commissioned Work
No
Education
No
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Place.Labour.Capital.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
The Artist’s Cut: Sunday Film Screenings -《黄土地》 Yellow Earth | China | 1984 | 89mins | Mandarin with English subtitles Directed by Chen Kaige
Subject
The topic of the resource
Ways of Seeing
Politics
Description
An account of the resource
<span>15 Feb 2015, Sun 2:00pm<br /><br />Set in 1939 in Shaanxi province, China, during a period when the Chinese Communist Party (CCP) and the Kuomingtang (KMT) have joined forces against Japanese invaders, <em>Yellow Earth</em> follows the journey of Gu Qing, a soldier from the propaganda department of the CCP Eighth Routh Army who learns about the hardship of peasant life. <em>Yellow Earth</em> was Chen Kaige’s directorial debut and featured cinematography by Zhang Yimou.<br /><br />A public programme of <em>Yang Fudong: Incidental Scripts</em>.</span>
Date
A point or period of time associated with an event in the lifecycle of the resource
2015-02-15
Contributor
An entity responsible for making contributions to the resource
Chen Kaige
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Asia
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Programmes
Programme
A non-persistent, time-based occurrence. Examples include symposia and conferences, public talks and performances, tours, workshops, open studios.
Programme Type
Screening
Audience
General
Location
Onsite (CCA)
Offsite
Online
Onsite (CCA)
Collaboration
No
Commissioned Work
No
Education
No
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Place.Labour.Capital.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
The Artist’s Cut: Sunday Film Screenings -《青春祭》Sacrifice of Youth | 1985 | China | 105mins | Mandarin with English subtitles Directed by Zhang Nuanxin
Subject
The topic of the resource
Ways of Seeing
Labour
Politics
Description
An account of the resource
8 Feb 2015, Sun 2:00pm<br /><br />Set in the period of the Cultural Revolution in China, the film follows the story of a young girl as she is sent to the countryside for re-education. Adapted from a novel by Zhang Manling, the film reflects the kind and warm-hearted characteristics of the Dai folk despite living in a tumultuous period. Through the experience of a young girl, Sacrifice of Youth appeals in its dreamy portrayal of a youthful awakening.<br /><br />A public programme of <em>Yang Fudong: Incidental Scripts</em>.
Date
A point or period of time associated with an event in the lifecycle of the resource
2015-02-08
Contributor
An entity responsible for making contributions to the resource
Zhang Nuanxin
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Asia