2
10
53
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Contributors
Contributor
An individual, collective, or corporate entity.
First Name
Giuliana
Surname or Business Name
Bruno
Years Affiliated
Year range (starting year/ending year) affiliated with NTU CCA Singapore, or leave blank if not applicable.
For date range with year only: YYYY/YYYY, e.g., 2014/2015
For date range with year and month: YYYY-MM/YYYY-MM, e.g., 2014-07/2015-06
2016
Affiliation
Company, organization, or institution name
Harvard University
Birth Date
1957
Birthplace
Italy
Occupation
Professional title or identity
Professor in the Department of Visual and Environmental Studies at Harvard University
Biographical Text
Long-form biography for the Contributor (no character count). A short-form biography (no more than 240 characters) should be added to the Contributor's Description
Giuliana Bruno is a professor in the Department of Visual and Environmental Studies at Harvard University. She is internationally known for her research on the intersections of the visual arts, architecture, film, and media. Her seminal body of work <i>Atlas of Emotion: Journeys in Art, Architecture, and Film</i> (2002) is an intellectual journey into cinematic spaces, providing new directions for visual studies. In her latest book, <i>Surface: Matters of Aesthetics, Materiality, and Media</i> (2014), she revisits the concept of materiality in the contemporary world. She has contributed to numerous monographs on contemporary artists, including Isaac Julien’s <i>Riot </i>(2014), <i>The Imaginary Landscapes of Jesper Just </i>(2013), Chantal Akerman’s <i>Too Far, Too Close</i> (2012), and <i>Jane and Louise Wilson: A Free and Anonymous Monument</i> (2004), among others. <span>She was a contributing writer for NTU CCA Singapore publication </span><em>Theatrical Fields: Critical Strategies in Performance, Film, and Video</em><span>.</span>
Country of Practice
At least one country of practice should be listed for each Contributor, up to three countries of practice.
United States
Italy
Public Resource Centre Affiliation
Artist Research Platform
Library
Video Resource Platform
None
Library
Contributor Type
Scholar
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Place.Labour.Capital.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Giuliana Bruno
Subject
The topic of the resource
Theatre
Description
An account of the resource
Giuliana Bruno <span>was a contributing writer for NTU CCA Singapore publication </span><em>Theatrical Fields: Critical Strategies in Performance, Film, and Video</em><span>.</span>
Contributor
An entity responsible for making contributions to the resource
Giuliana Bruno
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Contributors
Contributor
An individual, collective, or corporate entity.
First Name
Jacques
Surname or Business Name
Derrida
Years Affiliated
Year range (starting year/ending year) affiliated with NTU CCA Singapore, or leave blank if not applicable.
For date range with year only: YYYY/YYYY, e.g., 2014/2015
For date range with year and month: YYYY-MM/YYYY-MM, e.g., 2014-07/2015-06
2016
Birth Date
1930
Birthplace
France
Death Date
2004
Occupation
Professional title or identity
Semiotic theorist
Philosopher
Biographical Text
Long-form biography for the Contributor (no character count). A short-form biography (no more than 240 characters) should be added to the Contributor's Description
Jacques Derrida was a French semiotic theorist and philosopher. Celebrated as the founder of deconstructionist thought, Derrida examined and rejected traditional binary forms of analysis, asserting that duality is in fact always hierarchical. He wrote over forty books, which include his seminal <i>Speech and Phenomena</i> and <i>Writing and Difference</i>, both from 1967. Derrida applied his theory of deconstruction to works in the philosophy of art, while also demonstrating how artworks themselves could be deconstructive of historical discourses on art. His writings on visual arts include his explorations of representation in <i>The Truth in Painting </i>(1978) and later in <i>Memoirs of the Blind: The Self-Portrait and Other Ruins</i> (1993). Throughout his work, Derrida expressed strong interest in the radicality of Artaud’s theater, aligning the practice of deconstruction with Artaud’s projected new theater.
Country of Practice
At least one country of practice should be listed for each Contributor, up to three countries of practice.
France
Public Resource Centre Affiliation
Artist Research Platform
Library
Video Resource Platform
None
Library
Contributor Type
Scholar
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Place.Labour.Capital.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Jacques Derrida
Subject
The topic of the resource
Theatre
Description
An account of the resource
Jacques Derrida was a French semiotic theorist and philosopher.<br /><br />His essay, The Theater Of Cruelty And The Closure Of Representation is featured in NTU CCA Singapore's first publication, <em>Theatrical Fields: Critical Strategies in Performance, Film, and Video</em> (2016).
Contributor
An entity responsible for making contributions to the resource
Jacques Derrida
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Contributors
Contributor
An individual, collective, or corporate entity.
First Name
Régis
Surname or Business Name
Durand
Years Affiliated
Year range (starting year/ending year) affiliated with NTU CCA Singapore, or leave blank if not applicable.
For date range with year only: YYYY/YYYY, e.g., 2014/2015
For date range with year and month: YYYY-MM/YYYY-MM, e.g., 2014-07/2015-06
2016
Birth Date
1941
Birthplace
France
Occupation
Professional title or identity
Art critic
Curator
Biographical Text
Long-form biography for the Contributor (no character count). A short-form biography (no more than 240 characters) should be added to the Contributor's Description
Regis Durand is an art critic and independent curator based in Paris. He has served as the artistic director of the <i>Printemps de Cahors Festival</i>, director of the Centre National de la Photographie, and director of the Galerie Nationale du Jeu de Paume in Paris. He was written extensively on contemporary art, with a focus on the practice of photography, and has co-authored monographs on the work of Cindy Sherman, Thomas Demand, and Orlan, among others.
Country of Practice
At least one country of practice should be listed for each Contributor, up to three countries of practice.
France
Public Resource Centre Affiliation
Artist Research Platform
Library
Video Resource Platform
None
Library
Contributor Type
Scholar
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Place.Labour.Capital.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Régis Durand
Subject
The topic of the resource
Theatre
Description
An account of the resource
Régis Durand is an art critic and independent curator based in Paris.<br /><br />His essay, The Disposition Of The Voice ws featured in NTU CCA Singapore's first publication, <em>Theatrical Fields: Critical Strategies in Performance, Film, and Video</em> (2016).
Contributor
An entity responsible for making contributions to the resource
Régis Durand
Regis Durand
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Contributors
Contributor
An individual, collective, or corporate entity.
First Name
Josette
Surname or Business Name
Féral
Years Affiliated
Year range (starting year/ending year) affiliated with NTU CCA Singapore, or leave blank if not applicable.
For date range with year only: YYYY/YYYY, e.g., 2014/2015
For date range with year and month: YYYY-MM/YYYY-MM, e.g., 2014-07/2015-06
2016
Affiliation
Company, organization, or institution name
Université du Québec à Montréal
European Association for the Study of Theatre and Performance
Birth Date
1949
Birthplace
Canada
Occupation
Professional title or identity
Professor in the Drama Department of the Université du Québec à Montréal
Biographical Text
Long-form biography for the Contributor (no character count). A short-form biography (no more than 240 characters) should be added to the Contributor's Description
Josette Féral is a professor in the Drama Department of the Université du Québec à Montréal, where she has taught since 1981. She was vice president of the International Federation for Theatre Research from 1995 until 1999 and its president from 1999 to 2003. Her publications include <i>Teatro, teoría y práctica: Más allá de las fronteras; Mise en scène et Jeu de l’acteur, volumes I and II</i>, which deal with many European as well as North American stage directors; <i>Rencontres avec Ariane Mnouchkine</i> (1995) and <i>Trajectoires du Soleil </i>(1999) on Mnouchkine’s work; and <i>La culture contre l’art: Essai d’économie politique du théâtre</i> (1990).
Country of Practice
At least one country of practice should be listed for each Contributor, up to three countries of practice.
Canada
Public Resource Centre Affiliation
Artist Research Platform
Library
Video Resource Platform
None
Library
Contributor Type
Scholar
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Place.Labour.Capital.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Josette Féral
Subject
The topic of the resource
Theatre
Description
An account of the resource
Josette Féral is a professor in the Drama Department of the Université du Québec à Montréal, where she has taught since 1981.<br />Her essay, Performance and Theatricality: The Subject Demystified was featured in NTU CCA Singapore's first publication, <em>Theatrical Fields: Critical Strategies in Peformance, Film, and Video </em>(2016)
Contributor
An entity responsible for making contributions to the resource
Josette Féral
Josette Feral
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Contributors
Contributor
An individual, collective, or corporate entity.
First Name
Jean-François
Surname or Business Name
Lyotard
Years Affiliated
Year range (starting year/ending year) affiliated with NTU CCA Singapore, or leave blank if not applicable.
For date range with year only: YYYY/YYYY, e.g., 2014/2015
For date range with year and month: YYYY-MM/YYYY-MM, e.g., 2014-07/2015-06
2016
Birth Date
1924
Birthplace
France
Death Date
1998
Occupation
Professional title or identity
Philosopher
Biographical Text
Long-form biography for the Contributor (no character count). A short-form biography (no more than 240 characters) should be added to the Contributor's Description
Jean-Francois Lyotard was a French philosopher. His influential book <i>The Postmodern Condition</i> (1979) would come to define postmodernism. He introduced the concept of “master narrative” as a critique of hegemonic forms of knowledge that attempt to construct and make sense of history. His writings span philosophy, politics, and aesthetics, all unified by a persistent view that reality consists of singular events that cannot be accurately represented. Lyotard made a substantial contribution in theatrical theory where he opposed the analytic rigidity of semiotics. Lyotard’s vision of a “theater of energies,” rather than of signs, was particularly relevant in the theoretical grounding of the concept of performance.
Country of Practice
At least one country of practice should be listed for each Contributor, up to three countries of practice.
France
Public Resource Centre Affiliation
Artist Research Platform
Library
Video Resource Platform
None
Library
Contributor Type
Scholar
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Place.Labour.Capital.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Jean-François Lyotard
Subject
The topic of the resource
Theatre
Description
An account of the resource
Jean-François Lyotard was a French philosopher.<br /><br />His essay, The Tooth, The Palm, was featured in NTU CCA Singapore's first publication, <em>Theatrical Fields: Critical Strategies in Performance, Film, and Video </em>(2016).
Contributor
An entity responsible for making contributions to the resource
Jean-François Lyotard
Jean-Francois Lyotard
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Contributors
Contributor
An individual, collective, or corporate entity.
First Name
Timothy
Surname or Business Name
Murray
Years Affiliated
Year range (starting year/ending year) affiliated with NTU CCA Singapore, or leave blank if not applicable.
For date range with year only: YYYY/YYYY, e.g., 2014/2015
For date range with year and month: YYYY-MM/YYYY-MM, e.g., 2014-07/2015-06
2014/2016
Affiliation
Company, organization, or institution name
Cornell University
Birthplace
United States
Occupation
Professional title or identity
Director of the Society for the Humanities
Biographical Text
Long-form biography for the Contributor (no character count). A short-form biography (no more than 240 characters) should be added to the Contributor's Description
Timothy Murray is director of the Society for the Humanities, curator of the Rose Goldsen Archive of New Media Art, professor of Comparative Literature and English at Cornell University, and codirector of the Cornell/East China Normal University Center for Comparative Culture. His publication <i>Mimesis, Masochism & Mime: The Politics of Theatricality in Contemporary French Thought </i>(1997) brought together essays by leading French thinkers, highlighting the political importance of theatricality and its contribution to continental theory. His interest in the theatrical and cinematic has been explored in other publications including <i>Digital Baroque: New Media Art and Cinematic Folds </i>(2008); <i>Drama Trauma: Specters of Race and Sexuality in Performance, Video, Art </i>(1997); and <i>Like a Film: Ideological Fantasy on Screen, Camera, and Canvas</i> (1993).
Country of Practice
At least one country of practice should be listed for each Contributor, up to three countries of practice.
United States
Public Resource Centre Affiliation
Artist Research Platform
Library
Video Resource Platform
None
Library
Contributor Type
Scholar
Speaker
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Place.Labour.Capital.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Timothy Murray
Subject
The topic of the resource
Theatre
Description
An account of the resource
Timothy Murray is director of the Society for the Humanities, curator of the Rose Goldsen Archive of New Media Art and professor of Comparative Literature and English at Cornell University.
Contributor
An entity responsible for making contributions to the resource
Timothy Murray
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Contributors
Contributor
An individual, collective, or corporate entity.
First Name
Katharina
Surname or Business Name
Sykora
Years Affiliated
Year range (starting year/ending year) affiliated with NTU CCA Singapore, or leave blank if not applicable.
For date range with year only: YYYY/YYYY, e.g., 2014/2015
For date range with year and month: YYYY-MM/YYYY-MM, e.g., 2014-07/2015-06
2016
Birth Date
1955
Birthplace
Germany
Occupation
Professional title or identity
Curator
Professor of Art History at Braunschweig University of the Arts
Biographical Text
Long-form biography for the Contributor (no character count). A short-form biography (no more than 240 characters) should be added to the Contributor's Description
Katharina Sykora is a curator and professor of Art History at Braunschweig University of the Arts and author of <i>Die Tode der Fotografie</i> (vol. I, 2009; vol. II, 2015). She was the Max Kade Visiting Professor at Bloomington University, Indiana, research fellow at the Rockefeller Foundation’s Bellagio Center, and an Opus Magnum Research Fellow, a joint venture between the VolkswagenStiftung, Fritz Thyssen Stiftung, Bucerius Stiftung, and Deutscher Wissenschaftsverband. Since 2013 she has been the head of the Photographic Dispositif PhD program funded by the Deutsche Forschungsgemeinschaft.
Country of Practice
At least one country of practice should be listed for each Contributor, up to three countries of practice.
Germany
Public Resource Centre Affiliation
Artist Research Platform
Library
Video Resource Platform
None
Library
Contributor Type
Scholar
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Place.Labour.Capital.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Katharina Sykora
Subject
The topic of the resource
Theatre
Description
An account of the resource
Katharina Sykora is a curator and professor of Art History at Braunschweig University of the Arts and author of Die Tode der Fotografie (vol. I, 2009; vol. II, 2015)
Contributor
An entity responsible for making contributions to the resource
Katharina Sykora
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Contributors
Contributor
An individual, collective, or corporate entity.
First Name
Marina
Surname or Business Name
Warner
Years Affiliated
Year range (starting year/ending year) affiliated with NTU CCA Singapore, or leave blank if not applicable.
For date range with year only: YYYY/YYYY, e.g., 2014/2015
For date range with year and month: YYYY-MM/YYYY-MM, e.g., 2014-07/2015-06
2016
Affiliation
Company, organization, or institution name
Royal Society of Literature
Birth Date
1946
Birthplace
United Kingdom
Occupation
Professional title or identity
Professor of English and Creative Writing at Birkbeck College, University of London
Biographical Text
Long-form biography for the Contributor (no character count). A short-form biography (no more than 240 characters) should be added to the Contributor's Description
Marina Warner has written several studies in cultural history, as well as novels and short stories. Much of her work explores symbols and figures in myth and fairy tales, from Catholic cults to the Arabian Nights. Her books include <i>Alone of All Her Sex: The Myth and the Cult of the Virgin Mary </i>(1976), <i>Monuments and Maidens: The Allegory of the Female Form</i> (1985), and <i>Stranger Magic: Charmed States and the Arabian Nights </i>(2011). Warner has also curated exhibitions and contributed to a range of contemporary art matters, exploring new ways of seeing and connections with our cultural heritage. She is professor of English and Creative Writing at Birkbeck College, University of London. She was awarded the Holberg Prize in 2015 and made a Dame the same year.
Country of Practice
At least one country of practice should be listed for each Contributor, up to three countries of practice.
United Kingdom
Public Resource Centre Affiliation
Artist Research Platform
Library
Video Resource Platform
None
Library
Contributor Type
Scholar
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Place.Labour.Capital.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Marina Warner
Subject
The topic of the resource
Theatre
Description
An account of the resource
Marina Warner has written several studies in cultural history, as well as novels and short stories.
Contributor
An entity responsible for making contributions to the resource
Marina Warner
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Contributors
Contributor
An individual, collective, or corporate entity.
First Name
Brigitte
Surname or Business Name
Oetker
Years Affiliated
Year range (starting year/ending year) affiliated with NTU CCA Singapore, or leave blank if not applicable.
For date range with year only: YYYY/YYYY, e.g., 2014/2015
For date range with year and month: YYYY-MM/YYYY-MM, e.g., 2014-07/2015-06
2016
Affiliation
Company, organization, or institution name
Institut für Kultur und Medienmanagement der Hochschule für Musik und Theater Hamburg
Birthplace
Germany
Occupation
Professional title or identity
Professor for Creative Processes at KMM, Institut für Kultur- und Medienmanagement
Biographical Text
Long-form biography for the Contributor (no character count). A short-form biography (no more than 240 characters) should be added to the Contributor's Description
Brigitte Oetker was a Professor for Creative Processes at KMM, Institut für Kultur- und Medienmanagement, Hamburg, Germany, from 2008 to 2016. She has been the editor of <i>Jahresring—Annual of Fine Arts</i> since 1989. Since 1988 she has been a member of the board of Villa Romana Residency in Florence, which gives grants to young artists, and assumed the mantle of chairwoman from 2019. She also serves on the board of the Friends of the German Pavilion of the Biennale di Venezia. She is a member of the International Council of MoMA, New York and of the International Council of Centre Pompidou, Paris.
Country of Practice
At least one country of practice should be listed for each Contributor, up to three countries of practice.
Germany
Public Resource Centre Affiliation
Artist Research Platform
Library
Video Resource Platform
None
Library
Contributor Type
Scholar
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Place.Labour.Capital.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Brigitte Oetker
Subject
The topic of the resource
Spaces of the Curatorial
Description
An account of the resource
Brigitte Oetker was a Professor for Creative Processes at KMM, Institut für Kultur- und Medienmanagement, Hamburg, Germany, from 2008 to 2016.
Contributor
An entity responsible for making contributions to the resource
Brigitte Oetker
-
https://d1y502jg6fpugt.cloudfront.net/57163/archive/files/8981df8d7dbc12a6a3737ea382b05ca8.png?Expires=1712793600&Signature=ch4AzkD0zyTakxeP24fN%7E0xe0lxg36UwcXDUopzzydZ-STA5Dd0jzWlrB2v11cqR-85G6jwXaixNRWyrGnHJrTmXxg92M4ERpk6pghPtZ1i1WHlUJA3R6LsQ-FHNk8qi8aSHepLAmVMh8oukGG564Wy-bKZzXuPXGO%7EFWMhxmvKqSegZsU95wwX9USuUrSZSehoXfzvy3ks66WtUoOvIxYBsg6gbAwPC3Eo9TE0q412Z0B1QAfTlANdHwoWQyB33TjZFNvrs35-Vt%7EWsMekcf2fRpFSlK%7ESa2Au1j9RLvMjljJQsfwX-9c3PlAGUOyE-gJTErPxseQJnB-qOhzVmGA__&Key-Pair-Id=K6UGZS9ZTDSZM
9fb56ce6484a1dfc058ee9e2c962b204
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Contributors
Contributor
An individual, collective, or corporate entity.
First Name
Weng Choy
Surname or Business Name
Lee
Years Affiliated
Year range (starting year/ending year) affiliated with NTU CCA Singapore, or leave blank if not applicable.
For date range with year only: YYYY/YYYY, e.g., 2014/2015
For date range with year and month: YYYY-MM/YYYY-MM, e.g., 2014-07/2015-06
2013/2014/2015/2016
Birth Date
1963
Birthplace
Malaysia
Occupation
Professional title or identity
President of the Singapore Section of the International Association of Art Critics
Biographical Text
Long-form biography for the Contributor (no character count). A short-form biography (no more than 240 characters) should be added to the Contributor's Description
Lee Weng Choy is president of the Singapore Section of the International Association of Art Critics, and a part-time consultant with A+ Works of Art in Kuala Lumpur. Previously, Lee was Artistic Co-Director of The Substation, Singapore; he has taught at the School of the Art Institute of Chicago, the Chinese University of Hong Kong, and the Sotheby’s Institute of Art—Singapore. His essays have appeared in journals such as <i>Afterall</i>, and anthologies such as <i>Modern and Contemporary Southeast Asian Art: An Anthology </i>(Cornell SEAP, 2012), <i>Over Here: International Perspectives on Art and Culture </i>(MIT Press, 2004), and <i>Theory in Contemporary Art since 1985</i> (Wiley-Blackwell, 2012). He writes the “Ask a Critic” column for <i>Plural Art Mag</i>.
Country of Practice
At least one country of practice should be listed for each Contributor, up to three countries of practice.
Singapore
Malaysia
Public Resource Centre Affiliation
Artist Research Platform
Library
Video Resource Platform
None
Library
Contributor Type
Scholar
Speaker
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Place.Labour.Capital.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Lee Weng Choy
Subject
The topic of the resource
Curatorial Practice
Geopolitics
Description
An account of the resource
Lee Weng Choy is president of the Singapore Section of the International Association of Art Critics, and a part-time consultant with A+ Works of Art in Kuala Lumpur.
Contributor
An entity responsible for making contributions to the resource
Lee Weng Choy
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Southeast Asia