1
10
102
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Programmes
Programme
A non-persistent, time-based occurrence. Examples include symposia and conferences, public talks and performances, tours, workshops, open studios.
Programme Type
Talk and Lecture
Screening
Programme Series
None
Location
Onsite (CCA)
Offsite
Online
Onsite (CCA)
Collaboration
No
Commissioned Work
No
Education
No
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Place.Labour.Capital.
Audience
General
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Screen & Space and Performance & Place – A talk by Mark Nash and Zai Kuning
Description
An account of the resource
<span>6 Dec 2013, Fri 7:30pm - 9:00pm</span><br /><br />A talk by Mark Nash in conjunction with a screening of excerpts from artist Zai Kuning’s work-in-progress documentary project on the Mak Yong.
Date
A point or period of time associated with an event in the lifecycle of the resource
2013-12-06
Contributor
An entity responsible for making contributions to the resource
Mark Nash
Zai Kuning
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Southeast Asia
Audience
A class of entity for whom the resource is intended or useful.
General
Subject
The topic of the resource
Ways of Seeing
Performance
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Programmes
Programme
A non-persistent, time-based occurrence. Examples include symposia and conferences, public talks and performances, tours, workshops, open studios.
Short Description
Thinking through the exhibition as an architectural ruin where residue remains and resonance cannot evaporate, the artworks in this selection try to make sense of traces in an on-going reflection on the old and the new.
Programme Type
Screening
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Place.Labour.Capital.
Audience
General
Location
Onsite (CCA)
Offsite
Online
Onsite (CCA)
Collaboration
No
Commissioned Work
No
Education
No
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Screening programme: The Tear Down curated by Anca Rujoiu & Vera Mey
Description
An account of the resource
5 Apr 2014, Sat 2:00pm - 3:30pm<i><br /></i>6 Apr 2014, Sun 2:00pm - 3:30pm<i><br /><br />The tear down </i>refers to that period of change after the exhibition has finished – the moment of de-installation and erasure. Thinking through the exhibition as an architectural ruin where residue remains and resonance cannot evaporate, the artworks in this selection try to make sense of traces in an on-going reflection on the old and the new. <br /><br />With works by Cyprien Gaillard, Mona Vatamany & Florin Tudor, Malak Helmy, Deigo Tonus, Marie Shannon <br /><br />Cyprien Gaillard, <i>Desniansky Raion</i> (2007) is a three-part meditation on the failed utopias of the past and present with reference to the Eastern Bloc. The first section of the video navigates from a monumental triumphal arch in Belgrade, Serbia to a battle between two hooligan gangs in the suburbs of Saint Petersburg. The second part captures the façade of a high-rise block in Paris with lights projected on. <br /><br />This grandiose staging, usually saved for historical buildings, ends abruptly with the building collapsing. The last section wanders through Desniansky Raion, a district in the suburbs of Kiev where the circular arrangement of communist blocks recalls the megalithic monument of Stonehenge, England. Desniansky Raion unwinds to an electro-lyrical composition by artist and musician Koudlam.<br /><br /><span>In the filmed performance of </span><em>Vacaresti </em><span>(2006) by Mona Vatamanu and Florin Tudor, “Florin Tudor traces, with string and small wooden sticks, the outline of the church from the Vacaresti Monastery in Bucharest, Romania demolished by the communist regime in 1986. Retracing the shape of the lost building functions as symbolic recuperation and gains resonance in relation to current plans to build a commercial mall on the same site, situating the work between an unclear ‘then’ and a problematic ‘now’, pointing at loss and at the entropy that architecture ‘constructs’ while it seeks to embody power, be it political or economic.” (Mihnea Mircan)</span><br /><br /><span>Malak Helmy, </span><em>Keyword searches for dust</em><span> (2009) is a narrative of dust in its mutable forms investigates and it, itself, gets caught in a symptom. A condition. A form sheds its properties and characteristics, becoming contagious: an avalanche razes a populated residential plateau; spontaneous combustions erupt in both a people’s assembly archive and a national theatre, in the countryside a home-bound train catches fire.</span><br /><br /><span>Diego Tonus, </span><em>Hour of the wolf</em><span> (2010) is a film disclosing the backstage of </span><em>The Collectors</em><span>, a project curated by Michael Elmgreen & Ingar Dragset for the Danish and Nordic Pavilions at the 53rd Venice Biennale of Art, 2009. The video shows the exhibition’s dismantling and demolition, the fictional dimension of the set design as well as the collapse of illusion between the staged objects, suggesting a different vision of them.</span><br /><br />Marie Shannon, <em>What I am looking at</em> (2011), takes its title from Julian Dashper’s work, <em>What I am reading at the moment</em> (1993)- a library chair with a pile of every issue of Art Forum to 1993. The video uses rolling text with simultaneous voiceover to describe the contents of an artist’s studio and the work that needs to be done to make sense and create order once the artist is no longer there. The text describes categories and lists of objects: the precious, the mundane and the baffling.<br /><p><br />A public programme of <em>The Disappearance</em>.</p>
Date
A point or period of time associated with an event in the lifecycle of the resource
5 - 6 April 2014
Contributor
An entity responsible for making contributions to the resource
Anca Rujoiu
Vera Mey
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Europe
Middle East
Oceania
Subject
The topic of the resource
Cultural Production
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Programmes
Programme
A non-persistent, time-based occurrence. Examples include symposia and conferences, public talks and performances, tours, workshops, open studios.
Short Description
Rescue Archaeology presents the selected artists and works within the framework of multiple inquiry: into nascent and overlapping practices in performance and video in Cambodia.
Programme Type
Screening
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Place.Labour.Capital.
Audience
General
Location
Onsite (CCA)
Offsite
Online
Onsite (CCA)
Collaboration
No
Commissioned Work
No
Education
No
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Screening programme Phnom Penh: Rescue Archeology The Body and the Lens in the City curated by Erin Gleeson (Artistic Director, Sa Sa Bassac, Phnom Penh, Cambodia)
Description
An account of the resource
5 Apr 2014, Sat 7:30 - 9:30 pm<i><span><br /></span><br />Phnom Penh: Rescue Archaeology, The Body and the Lens in the City</i>, brings together single-channel video works of performance by seven artists born and living in Cambodia. In archaeological practice, a rescue archaeologist is required to react urgently, yet carefully, to a transitional moment in which there is a threat of change and irrevocable loss, aside from the archaeologist’s efforts to document. During a critical time of rapid urban, social, economic and cultural change and continuity in Phnom Penh, artists in Cambodia have been working with a sense of timeliness, inspired by or in response to memory, place, and the fluctuating urban present. Rescue Archaeology presents the selected artists and works within the framework of multiple inquiry: into nascent and overlapping practices in performance and video in Cambodia, and the relationships between these practices and their relation to the city.<br /><br />Khvay Samnang, <em>Untitled </em>(2011), filmed throughout 2010, as the Cambodian government quietly partnered with private companies to in-fill and develop Phnom Penh’s lakes, Khvay Samnang made nine precarious performances in five of the capital’s largest water bodies. He entered the lakes, among refuse, vegetation, or families dismantling their homes, searching for an unknown anchor on which he could balance his body. It is from these landscapes that <em>Untitled</em> begins and ends as Khvay pours one bucket of sand over his head. This quiet and succinct act was for posterity: a marker of change, and a gesture of solidarity for the increasing number of evictees country-wide.<br /><br />Lim Sokchanlina, <em>The Rock (White Building)</em> (2011), was created in response to the private encroachment on the historical Front du Bassac, an area developed in the 1960s as Phnom Penh’s cultural district by Cambodia’s iconic urban planner and architect Vann Molyvann. Atop the bustling and now dilapidated apartment complex known as the White Building which today remains home to many of Cambodia’s artists, Lim Sokchanlina’s performance forecasts the fate of the architecture and its residents. The artist silently asks what forces will determine the future of the White Building in a context in which many residents regard its destruction as inevitable, or even imminent.<br /><br /><span>Anica Yoeu Ali, </span><em>Spiral Cyclo</em><span> (2012), is part of Anida Yoeu Ali’s ongoing </span><em>The Buddhist Bug Project</em><span>, </span><em>Spiral Cyclo</em><span> seeks to map a new spiritual and social landscape through its surreal existence amongst ordinary people and everyday environments</span><em>. The Bug</em><span><span> is fantastical saffron-colored creature conceived as an autobiography exploration of identity, especially spiritual turmoil between Islam and Buddhism. In a typical neighbourhood alley new Phnom Penh’s Central Market, an unlikely visitor dropped off by a cyclo driver provokes questions around belonging and displacement.<br /></span></span><br />Leang Seckon, <em>Goodbye Boeung Kak</em> (2010, 2014). Once a longtime resident at the former lake Boeung Kak, artist Leang Seckon choreographed and recorded a performance shortly before eviction from his home in 2010. <em>Goodbye Boeung Kak</em> documents the artist’s critique of the sand in-filling at the lake by staging a Khmer funerary ritual. As a group of fishermen attempt to rescue a ceremonial flag adorned with symbolic scales, they discover it dead and immediately proceed to dress themselves, the flag and the soon-toperish home in white. After enacting a calling of the souls with ritual objects including the popil and candles, they hold a cremation ceremony at sunset atop another in-filled site.<span><span><br /></span></span>
<p>Sok Chanrado, <em>Memory</em> (2012), reverses footage of his childhood friend Rada who is reciting memories from the site of their former home known as “Small Building”. The building was originally used as a practice venue for traditional folk dance and music in the 1960s before its residents were evicted during the Khmer Rouge era. Resettled by many families following the war, including those of Rado and Rada, Small Building was forcibly emptied again in 2009 during the Dey Krahom evictions.</p>
<span></span><span>Tith Kanitha, </span><em>Heavy Sand</em><span> (2012), is a film of a performance event title </span><em>Reclamation Recreation: An Urban Beach Party</em><span>, where artist Tith Kanitha staged diurnal ritual: a shower as is taken in a humble household, manually, with buckets of water. Her only covering was a bikini and a clinical facemask normally associated with protection from pollution but also more recently used to conceal protestors’ identities. At the time a resident of Boeung Kak lakeside, Tith’s performance brings to bear aspects of life experienced there since 2008, where people risked their lives to protest evictions; women and children at the front lines.</span><br /><br /><span>Svay Sareth, </span><em>Mon Boulet</em><span> (2011), documents a 5-day durational performance in which the artist dragged a cumbersome reflective metal sphere 250 kilometers from the ancient capital of Angkor to the present capital Phnom Penh, carrying with him a few basic amenities known to refugees worldwide. The public aspect of Sisyphean futility was intended to confront conditions of the artist’s and ‘audiences’ pasts as a cathartic move into the future. In the artist’s words, “The heart is marked forever by the atrocities of the war. The mind – the seat of the body’s creative power – is a force of alchemy able to transform the difficulty, the fear, the suffering, the discouragement, into energy and creative freedom. And the body, finally, is used for resistance.”<br /><br />A public programme of <em>The Disappearance</em>.</span>
Date
A point or period of time associated with an event in the lifecycle of the resource
2014-04-05
Contributor
An entity responsible for making contributions to the resource
Erin Gleeson
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Southeast Asia
Subject
The topic of the resource
Cultural Production
Displacement
Urbanism
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Programmes
Programme
A non-persistent, time-based occurrence. Examples include symposia and conferences, public talks and performances, tours, workshops, open studios.
Short Description
In the selection of video works by Filipino artists, Planting Rice brings to the fore questions involved in Philippine contemporary art practice that opens up to further queries on the global and the local.
Programme Type
Screening
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Place.Labour.Capital.
Audience
General
Location
Onsite (CCA)
Offsite
Online
Onsite (CCA)
Collaboration
Yes
Commissioned Work
No
Education
No
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Screening programme: Everything but…. Curated by Planting Rice in collaboration with The Drawing Room
Description
An account of the resource
<span>6 Apr 2014, Sun 2:00 - 4:00 pm<br /></span><br />Attention has been given to everything but the event. Conditions, such as planning, theory, negotiation, framework, lead to the definition of context while intended results become an afterthought. To highlight this particular issue, Planting Rice brought together a series of works addressing everything else but the end point. For this screening programme, the event and the absent end are the means of inquiry. In the selection of video works by Filipino artists, Planting Rice brings to the fore questions involved in Philippine contemporary art practice that opens up to further queries on the global and the local. <br /><br />Planting Rice is the curatorial banner of Manila-based Lian Ladia and Sidd Perez.<br /><br /><span>Shireen Seno, </span><em>Fine Times</em><span> (2011), is the artist’s guerilla documentation of a site-specific project in an exhibition site. The video explores the relationship of viewership and authorship, with the exhibiting subject in focus being ephemeral in nature.</span><br /><br /><span>Mark Salvatus, </span><em>Haiku</em><span> (2012), transforms the artist’s collection of graffiti tags photographed from his residency stints in Japan, New York, Australia, Indonesia and the Philippines into poetic configurations of what seems to be a universal code.</span><br /><br /><span>Yason Banal, </span><em>Untitled / again (Marienbad)</em><span> (2008-2010), is a film-performance-installation inspired by Alain Resnais’ seminal film </span><em>Last Year at Marienbad</em><span> (1961). Yason Banal forms a contemporary constellation around etiquette, modernity and desire by transporting “Marienbad” to different sites (Manila, Hong Kong, Singapore, Jakarta, San Francisco, Berlin, London), inhabited by human figurines, sculptural garments, gallery artifacts and exhibition attendees.</span><br /><br /><span>Juan Alcazaren, </span><em>Cube descending staircase</em><span> (2010), is turned into an object travelling within the exhibition site. The animation video work refers to the seminal Duchamp work by means of stop-motion in providing a recall to the discourse on spatial continuity and constructs that art objects succeed to in their exhibiting sites.</span><br /><br /><span>Gaston Damag, </span><em>Nature Culture</em><span> (2009), addresses the gestures the artist takes in deconstructing the relationship of exhibiting sites and the main aspect of his practice – the wooden anthromorphic figure “bulul”: guardians of rice and objects of ritual and territorial indication.<br /><br />A public programme of <em>The Disappearance</em>.</span>
Date
A point or period of time associated with an event in the lifecycle of the resource
2014-04-06
Contributor
An entity responsible for making contributions to the resource
Planting Rice
The Drawing Room
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Southeast Asia
Subject
The topic of the resource
Globalisation
Cultural Production
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Programmes
Programme
A non-persistent, time-based occurrence. Examples include symposia and conferences, public talks and performances, tours, workshops, open studios.
Short Description
The Margins of Exhibition is a selection of artist-made videos gathered in response to the curatorial proposition of The Disappearance.
Programme Type
Screening
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Place.Labour.Capital.
Audience
General
Location
Onsite (CCA)
Offsite
Online
Onsite (CCA)
Collaboration
No
Commissioned Work
No
Education
No
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Screening programme: The Margins of Exhibition curated by David Teh
Description
An account of the resource
6 Apr 2014, Sun 4:00 -6:00 pm<i><span><br /></span><br />The Margins of Exhibition</i> is a selection of artist-made videos gathered in response to the curatorial proposition of <i>The Disappearance</i>. The programme displaces our focus from the main game – the artwork, the exhibition or in cinema, the pro-filmic or a feature presentation – in favour of what is peripheral. Neither inside nor outside, there is much more to the frame than meets the eye.<br /><br /><i>Anthea Behm, Adorno / Bueller</i> (2011), is based around two scripts: one adapted from Frankfurt School Philosopher Theodor Adorno’s <i>Aesthetic Theory </i>(1970), and the other from John Hughes’ Hollywood movie <i>Ferris Bueller’s Day Off </i>(1986). Filmed on location in the Art Institute of Chicago, the video stages a dynamic encounter between both texts via a series of performances that presents and merges the two scripts. Simultaneously dramatizing and destabilizing the categories that continue to inform our conceptions of social, cultural and artistic production, the video formally manifests the contradictions embedded in such categorical divisions, and the possible ways in which they are necessarily maintained or dissolved. The resulting critical intervention into the accepted ‘sense’ of each text is at once confounding yet clarifying.<br /><br />A public programme of <em>The Disappearance</em>.
Date
A point or period of time associated with an event in the lifecycle of the resource
2014-04-06
Contributor
An entity responsible for making contributions to the resource
David Teh
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Europe
North America
Subject
The topic of the resource
Cultural Production
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Programmes
Programme
A non-persistent, time-based occurrence. Examples include symposia and conferences, public talks and performances, tours, workshops, open studios.
Short Description
<em>Caesium Forest</em><span> is a feature-length video essay by artist </span>Arjuna Neuman<span> that visits five reverential sites of ‘big technology’.</span>
Programme Type
Screening
Programme Series
Residencies Insights
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Place.Labour.Capital.
Audience
General
Location
Onsite (CCA)
Offsite
Online
Onsite (CCA)
Collaboration
No
Commissioned Work
No
Education
No
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Residencies Insights: Artists’ Presentation: Caesium Forest by Artist-in-Residence, Arjuna Neuman
Description
An account of the resource
<span>1 Apr 2015, Wed 7:30pm - 9:00pm</span><br /><br /><em>Caesium Forest</em><span> is a feature-length video essay by artist </span>Arjuna Neuman<span> that visits five reverential sites of ‘big technology’. The project moves fluidly between nuclear, neoliberal and ecological histories through documenting space shuttles, techno raves, TED talks and a World War II re-enactment inside a nuclear weapons facility. This two-part presentation includes a viewing of the documentary followed by a question and answer session with the artist.</span>
Date
A point or period of time associated with an event in the lifecycle of the resource
2015-04-01
Contributor
An entity responsible for making contributions to the resource
Arjuna Neuman
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
North America
Subject
The topic of the resource
Technology
History
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Programmes
Programme
A non-persistent, time-based occurrence. Examples include symposia and conferences, public talks and performances, tours, workshops, open studios.
Short Description
For this special day event at Gillman Barracks, NTU CCA Singapore has put together a line-up of programmes encompassing open studios, film screenings and performances.
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Place.Labour.Capital.
Programme Type
Talk and Lecture
Screening
Performance
Audience
General
Programme Series
OPEN Studios
Location
Onsite (CCA)
Offsite
Online
Onsite (CCA)
Collaboration
No
Commissioned Work
No
Education
No
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<p class="event_single_title">Art Day Out at Gillman Barracks, Saturday 25 July</p>
Description
An account of the resource
<span>25 Jul 2015, Sat 11:00am - 9:00pm</span><br /><br />For this special day event at Gillman Barracks, NTU CCA Singapore has put together a line-up of programmes encompassing open studios, film screenings and performances.<br /><br />Residencies: <em>OPEN</em><br /><p>NTU CCA Singapore, <em>Studios</em>, Block 37 & 38 Malan Road, 11.00am – 3.00pm</p>
<p>Featuring Artists-in-Residence, <strong>Yason Banal</strong> (The Philippines), <strong>Bani Haykal</strong> (Singapore), <strong>Amanda Heng</strong> (Singapore), <strong>Alex Murray-Leslie</strong> (Australia), <strong>Gary Ross Pastrana</strong> (The Philippines), <strong>Jeremy Sharma</strong> (Singapore), <strong>Shooshie Sulaiman</strong> (Malaysia) and <strong>Erika Tan</strong> (Singapore).</p>
<div>
<p>For this special day event at Gillman Barracks, NTU CCA Singapore has put together a line-up of programmes encompassing open studios, film screenings and performances. For full details of Art Day Out, visit <a href="http://www.gillmanbarracks.com/">www.gillmanbarracks.com.</a></p>
<p><strong>Residencies: <em>OPEN</em></strong><br />NTU CCA Singapore, <em>Studios</em>, Block 37 & 38 Malan Road, 11.00am – 3.00pm</p>
<p>Featuring Artists-in-Residence, Yason Banal (The Philippines), Bani Haykal (Singapore), Amanda Heng (Singapore), Alex Murray-Leslie (Australia), Gary Ross Pastrana (The Philippines), Jeremy Sharma (Singapore), Shooshie Sulaiman (Malaysia) and Erika Tan (Singapore).</p>
<p><strong>Artist Resource Platform</strong><br /><em>The Seminar Room</em>, Block 43 Malan Road, 11.00am – 9.00pm</p>
<p>Highlights include selected documentation from NTU CCA Singapore’s residencies.</p>
<p><strong>Film Screenings in collaboration with the Asian Film Archive</strong><br /><em>The Single Screen</em>, Block 43 Malan Road</p>
<p><em>Punggok Rindukan Bulan</em> (This Longing) by Azharr Rudin (Malaysia), 12.30pm – 2.30pm<br /><em>Return to Burma</em> by Midi Z (Myanmar/Taiwan), 7.30pm – 9.00pm</p>
<p><strong>Erika Tan, Halimah-the-Empire-Exhibition-weaver-who-died-whilst-performing-her-craft</strong><br /><em>The Lab</em>, Block 43 Malan Road, 3.00pm – 4.30pm</p>
<p>Live “broadcast” debate</p>
<p><em><strong>Special Project: Faculty of Listening</strong></em>, Bani Haykal – Performance #2<br />Block 38 Malan Road, #01-07, 5.00 – 7.00pm</p>
<p></p>
</div>
<p></p>
Date
A point or period of time associated with an event in the lifecycle of the resource
2015-07-25
Contributor
An entity responsible for making contributions to the resource
Yason Banal
Bani Haykal
Amanda Heng
Alex Murray Leslie
Gary Ross Pastrana
Jeremy Sharma
Shooshie Sulaiman
Erika Tan
Asian Film Archive
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Southeast Asia
Subject
The topic of the resource
Artistic Research
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Programmes
Programme
A non-persistent, time-based occurrence. Examples include symposia and conferences, public talks and performances, tours, workshops, open studios.
Short Description
In response to NTU CCA Singapore’s overarching research framework, PLACE.LABOUR.CAPITAL, Madhusree Dutta will introduce the remarkable Project Cinema City: Research Art and Documentary Practices (2008 – 2012).
Programme Type
Talk and Lecture
Screening
Related Countries
Singapore
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Place.Labour.Capital.
Location
Onsite (CCA)
Offsite
Online
Onsite (CCA)
Collaboration
No
Commissioned Work
No
Education
No
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Lecture by Madhusree Dutta – Project Cinema City: Research Art and Documentary Practices
Description
An account of the resource
<div class="event_single_dates text__exhibitions">26 Aug 2015, Wed 7:30pm - 9:00pm</div>
<div class="event_single_venue">The Single Screen</div>
<br />In response to NTU CCA Singapore’s overarching research framework, PLACE.LABOUR.CAPITAL, the Indian filmmaker, curator and pedagogue, Madhusree Dutta will introduce the remarkable <i>Project Cinema City: Research Art and Documentary Practices</i> (2008 – 2012). This expansive project addressed the intertwined relation between cinema and city in a place that produces cinema on an industrial scale, namely Bombay/Mumbai. A multidisciplinary research project that has been presented in various contexts from Berlin International Film Festival to the National Gallery of Modern Art (Mumbai), Project Cinema City explored the production strategies, labour structure, viewing conventions and materiality of cinema highlighting the inseparable relation between cinema and city.<br /><br />The lecture will include a screening of Dhananjay Kulkarni “Chandragupt” (2009) directed by Rrivu Laha (India), a film that explores the character portrayal of a nocturnal citizen with a Bollywood aspiration.
Date
A point or period of time associated with an event in the lifecycle of the resource
2015-08-26
Contributor
An entity responsible for making contributions to the resource
Madhusree Dutta
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Asia
Subject
The topic of the resource
Cultural Production
Labour
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Programmes
Programme
A non-persistent, time-based occurrence. Examples include symposia and conferences, public talks and performances, tours, workshops, open studios.
Short Description
Students and faculty staff are invited to take part into a film seminar led by the filmmaker, curator and pedagogue, Madhusree Dutta.
Programme Type
Screening
Talk and Lecture
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Place.Labour.Capital.
Audience
Educators
Graduate/Post-Graduate
Location
Onsite (CCA)
Offsite
Online
Onsite (CCA)
Collaboration
No
Commissioned Work
No
Education
No
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Imaginary Land / Tactile Dream: Film Seminar by Madhusree Dutta
Description
An account of the resource
Sat 29 Aug 2015, 11:00 am - 1:30 pm<br />Blk 43 Malan Road, The Single Screen<br /><br />Students and faculty staff are invited to take part into a film seminar led by the filmmaker, curator and pedagogue, Madhusree Dutta. Filmmaking, theatre, visual arts, text productions; students' movement, feminist movement, movement against communalism, movement for demoratisation of art practices; cutural literacy, art pedagogy; interfaces between genres, movements and disciplines from the trajectories of Madhusree's journey. She is the founder and executive director of Majlis, a centre for rights discourse and mutli-disciplinary art initiatives in Mumbai, India. <br /><br />The film seminar will be introduced by Madhusree Dutta and include a series of screenings focused on South Asian cinema.
Date
A point or period of time associated with an event in the lifecycle of the resource
2015-08-29
Contributor
An entity responsible for making contributions to the resource
Madhusree Dutta
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Asia
Audience
A class of entity for whom the resource is intended or useful.
Graduate/Post-Graduate
Educators
Subject
The topic of the resource
Cultural Production
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Programmes
Programme
A non-persistent, time-based occurrence. Examples include symposia and conferences, public talks and performances, tours, workshops, open studios.
Short Description
This programme of video works curated by NTU CCA Singapore Visiting Research Fellow Marc Glöde and Visiting Associate Professor Mark Nash centres around the rapid changes of urban environments and its impact on communal life.
Programme Type
Screening
Programme Series
None
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Place.Labour.Capital.
Audience
General
Location
Onsite (CCA)
Offsite
Online
Offsite
Collaboration
No
Commissioned Work
No
Education
No
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
NTU CCA Singapore presents: VeloCity as part of Art Stage Singapore
Description
An account of the resource
<div class="event_single_dates text__research">21 Jan 2016, Thu</div>
<div class="event_single_venue">Marina Bay Sands Expo & Convention Centre, 10 Bayfront Avenue</div>
<br />This programme of video works curated by NTU CCA Singapore Visiting Research Fellow Marc Glöde and Visiting Associate Professor Mark Nash centres around the rapid changes of urban environments and its impact on communal life. The presented video/films explore different features of the urban ranging from built environments to architecture(s) to rural zones within cities. <i>VeloCity</i> refers to the vast changes in urban planning and development and how communities transform in different parts of the world. <br /><br />Works by Ute Adamczewski, Louidgi Beltrame, Dionisio Gonzålez, Taweewit Kijtanasoonthorn, Cocoy Lumbao, Yusuf Radjamuda, Taiki Sakpisit, and Tintin Wulia.
Date
A point or period of time associated with an event in the lifecycle of the resource
2016-01-21
Contributor
An entity responsible for making contributions to the resource
Marc Glöde
Marc Glode
Mark Nash
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Southeast Asia
Asia
Europe
Audience
A class of entity for whom the resource is intended or useful.
General
Subject
The topic of the resource
Ways of Seeing
Urbanism