2
10
19
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<span>Taloi Havini, </span><em>Habitat I: Konawiru</em><span>, 2016, HD single channel video. Courtesy the artist.</span>
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Contributors
Contributor
An individual, collective, or corporate entity.
First Name
Taloi
Surname or Business Name
Havini
Years Affiliated
Year range (starting year/ending year) affiliated with NTU CCA Singapore, or leave blank if not applicable.
For date range with year only: YYYY/YYYY, e.g., 2014/2015
For date range with year and month: YYYY-MM/YYYY-MM, e.g., 2014-07/2015-06
2020-2021
Birth Date
1981
Birthplace
Autonomous Region of Bougainville
Biographical Text
Long-form biography for the Contributor (no character count). A short-form biography (no more than 240 characters) should be added to the Contributor's Description
<span>Ranging from photography and sculpture to mixed-media installations, the diverse practice of </span>Taloi Havini<span>(b. 1981, Autonomous Region of Bougainville/Australia) explores sites of political conflicts ensuing from colonial occupations unravelling narratives of nation building within the Pacific. In positing personal responses within contested sites and histories of Oceania, her work recalibrates dominant histories and structures of representation. Havini’s solo exhibitions include </span><i>Reclamation, </i><span>Artspace, Sydney, Australia (2020) and </span><i>Habitat, </i><span>Palais de Tokyo, Paris, France (2017). Her works have been selected as part of group shows such as Dhaka Art Summit, Bangladesh (2020); </span><i>A beast, a god, and a line, </i><span>Kunsthall Trondheim, Norway (2019); and the 9</span><sup>th</sup><span> Asia Pacific Triennial of Contemporary Art, Queensland, Australia (2018).</span>
Country of Practice
At least one country of practice should be listed for each Contributor, up to three countries of practice.
Australia
Public Resource Centre Affiliation
Artist Research Platform
Library
Video Resource Platform
None
Artist Research Platform
Contributor Type
Artist-in-Residence
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Climates. Habitats. Environments.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Taloi Havini
Subject
The topic of the resource
Politics
History
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Oceania
Medium
The material or physical carrier of the resource.
Photography
Sculpture
Mixed Media
Contributor
An entity responsible for making contributions to the resource
Taloi Havini
-
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Residencies
Description
An account of the resource
The studio-based Residencies programme is dedicated to facilitating the research of established and emerging artists. It serves as a forum for cultural and artistic exchange in Southeast Asia.
Residency
A research residency programme bringing together local and international artists, curators, and researchers. Metadata description should include research focus of residents, while individual bios will be housed within each contributor's record.
Short Description
During the residency, the artist will expand this line of inquiry by studying governance protocols and management solutions adopted in land-scarce Singapore to accommodate population gorwth and allow for the coexistence of a diversity of ethnic groups.
Cycle
Cycle 6 (2019 – 2020)
Location
Onsite (CCA)
Offsite
Online
Onsite (CCA)
Collaboration
No
Commissioned Work
No
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Climates. Habitats. Environments.
Related Countries
Africa
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Anthony Nsofor
Subject
The topic of the resource
Technology
Sustainability
Coexistence
Description
An account of the resource
In the past few years, Anthony Nsofor has been researching conflicts arising from land management, urban-rural migration, and population growth in his native Nigeria as well as in other African countries. This interest in how land ownership and land use policies affect ideas of citizenship within ethnically diverse countries inspired his <em>Citizens of Nowhere</em> painting series. During the residency, the artist will expand this line of inquiry by studying governance protocols and management solutions adopted in land-scarce Singapore to accommodate population gorwth and allow for the coexistence of a diversity of ethnic groups. Based on these observations, he will expand <em>Citizens of Nowhere</em> by creating a new body of work influenced by the specificity of Singapore's distinctly vertical landscape and multicultural population. Nsofor also plans to address the pressures of technological development and climate change testing possibilities for collaboration and public participation around key issues such as waste disposal.
Date
A point or period of time associated with an event in the lifecycle of the resource
22 July - 30 September 2019
Contributor
An entity responsible for making contributions to the resource
Anthony Nsofor
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Southeast Asia
Medium
The material or physical carrier of the resource.
Mixed Media
-
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Residencies
Description
An account of the resource
The studio-based Residencies programme is dedicated to facilitating the research of established and emerging artists. It serves as a forum for cultural and artistic exchange in Southeast Asia.
Residency
A research residency programme bringing together local and international artists, curators, and researchers. Metadata description should include research focus of residents, while individual bios will be housed within each contributor's record.
Cycle
Cycle 10 (2023 - 2024)
Location
Onsite (CCA)
Offsite
Online
Onsite (CCA)
Collaboration
No
Short Description
Expanding his ongoing enquiry into material infrastructures, Ben Loong will spend his residency investigating the history of brick trade in Singapore and mapping out the networks underpinning the employment of this material in the local architectural landscape.
Commissioned Work
No
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Ben Loong
Subject
The topic of the resource
Materiality
Cultural Heritage
Description
An account of the resource
Expanding his ongoing enquiry into material infrastructures, Ben Loong will spend his residency investigating the history of brick trade in Singapore and mapping out the networks underpinning the employment of this material in the local architectural landscape. Propelled by an interest in the conceptual frictions between art and craftsmanship, artistic and industrial labour, the artist intends to develop this research into a comparative study of masonry and ceramics, two techniques that have significant affinities in terms of materials but carry different class connotations. Focusing on existing sites such as local brick factories and heritage buildings made of bricks, he will also codify the schemas of bricklaying in an attempt to delineate different morphologies of brick architecture. This research will potentially culminate in a series of material experimentations and pictorial mappings of brick trade, bringing to the forefront the overlooked history of this material in the context of Singapore.
Contributor
An entity responsible for making contributions to the resource
Ben Loong
Date
A point or period of time associated with an event in the lifecycle of the resource
3 April - 31 August 2023
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Southeast Asia
Medium
The material or physical carrier of the resource.
Sculpture
Mixed Media
Painting
-
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Residencies
Description
An account of the resource
The studio-based Residencies programme is dedicated to facilitating the research of established and emerging artists. It serves as a forum for cultural and artistic exchange in Southeast Asia.
Residency
A research residency programme bringing together local and international artists, curators, and researchers. Metadata description should include research focus of residents, while individual bios will be housed within each contributor's record.
Short Description
Building upon his ongoing research into the tropes and evolving definitions of Malayness, Zulkhairi Zulkiflee plans to unpack the implications of the word “world” as it is commonly employed in Singaporean-Malay, tracing the complex socio-political implications that linger in the mixture of desires and tensions oriented towards global belonging.
Cycle
Cycle 10 (2023 - 2024)
Location
Onsite (CCA)
Offsite
Online
Onsite (CCA)
Collaboration
No
Commissioned Work
No
Related Countries
Singapore
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Zulkhairi Zulkiflee
Subject
The topic of the resource
Race
Identity
Decolonialism
Description
An account of the resource
Building upon his ongoing research into the tropes and evolving definitions of Malayness, Zulkhairi Zulkiflee plans to unpack the implications of the word “world” as it is commonly employed in Singaporean-Malay, tracing the complex socio-political implications that linger in the mixture of desires and tensions oriented towards global belonging. In the Singaporean-Malay slang, “world” is used to signal boastful aspirations towards a social status higher than one’s own, often conveyed through self-aggrandising story-telling. Utilising this as an alternative framework to the postcolonial notion of “worlding”, whereby one’s conceptualisation of the world is devised through colonial attachments, the artist will spend his residency investigating the multitude of meanings behind the word’s usages as a way of unravelling sociolinguistic constructs and processes of identity formation. This research will ultimately result in lens-based explorations that engage with “world” through conceptual propositions and visual arrangements comprising archival photos and sociohistorical accounts.
Date
A point or period of time associated with an event in the lifecycle of the resource
3 April - 31 August 2023
Contributor
An entity responsible for making contributions to the resource
Zulkhairi Zulkiflee
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Southeast Asia
Medium
The material or physical carrier of the resource.
Video
Photography
Installation
Mixed Media
-
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Residencies
Description
An account of the resource
The studio-based Residencies programme is dedicated to facilitating the research of established and emerging artists. It serves as a forum for cultural and artistic exchange in Southeast Asia.
Residency
A research residency programme bringing together local and international artists, curators, and researchers. Metadata description should include research focus of residents, while individual bios will be housed within each contributor's record.
Short Description
As part of his interest in trauma and the potential of ritual healing through performance, during the residency Irfan Kasban intends to work on a long-term research project tentatively titled Port of Reciprocity, with a special focus on “Acoustic Sculptures and Communal Activations for the Burn-out Artist”.
Cycle
Cycle 10 (2023 - 2024)
Location
Onsite (CCA)
Offsite
Online
Onsite (CCA)
Collaboration
No
Commissioned Work
No
Related Countries
Singapore
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Irfan Kasban
Subject
The topic of the resource
Artistic Research
Displacement
Identity
Description
An account of the resource
As part of his interest in trauma and the potential of ritual healing through performance, during the residency Irfan Kasban intends to work on a long-term research project tentatively titled Port of Reciprocity, with a special focus on “Acoustic Sculptures and Communal Activations for the Burn-out Artist”. As part of his interest in trauma and the potential of ritual healing through performance, during the residency Irfan Kasban intends to work on a long-term research project tentatively titled Port of Reciprocity, with a special focus on “Acoustic Sculptures and Communal Activations for the Burn-out Artist”. Reacting to the tightly-knit architecture of Singapore’s public housing estates where the boundaries of individual and communal life are strictly compartmentalised and sound spillages are regarded as nuisances, the artist aims to unpack the socially-accepted notions that define noise pollution in the country. Irfan will experiment with building acoustic sculptures inspired by organic shapes that will augment the human voice without electronic intervention and enhance conscious listening through communal activations. Oscillating between different sonic dimensions, the human voice will be cast as a mode of disruption and forging connections. Throughout the residency, the artist also intends to conduct interviews and group discussions with fellow artists and creatives as a way of better understanding the causes of burnout and formulating strategies against it.
Date
A point or period of time associated with an event in the lifecycle of the resource
4 September 2023 - 31 January 2024
Contributor
An entity responsible for making contributions to the resource
Irfan Kasban
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Southeast Asia
Medium
The material or physical carrier of the resource.
Mixed Media
Multimedia Installation
Sound
Video
Performance
-
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Residencies
Description
An account of the resource
The studio-based Residencies programme is dedicated to facilitating the research of established and emerging artists. It serves as a forum for cultural and artistic exchange in Southeast Asia.
Residency
A research residency programme bringing together local and international artists, curators, and researchers. Metadata description should include research focus of residents, while individual bios will be housed within each contributor's record.
Short Description
Expanding his ongoing enquiry into the historical narratives of power structures and their geopolitical reverberations onto the present, Anthony Chin will dedicate his residency to research the ramifications of Singapore’s colonial past.
Cycle
Cycle 10 (2023 - 2024)
Location
Onsite (CCA)
Offsite
Online
Onsite (CCA)
Collaboration
No
Commissioned Work
No
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Anthony Chin
Subject
The topic of the resource
Decolonialism
History
Postcolonialism
Description
An account of the resource
Expanding his ongoing enquiry into the historical narratives of power structures and their geopolitical reverberations onto the present, Anthony Chin will dedicate his residency to research the ramifications of Singapore’s colonial past. Expanding his ongoing enquiry into the historical narratives of power structures and their geopolitical reverberations onto the present, Anthony Chin will dedicate his residency to research the ramifications of Singapore’s colonial past. Prompted by the history of Gillman Barracks—where the Residencies Studios are located—as the site of the last battle before Singapore was surrendered to the Japanese. Soon after the Fall of Singapore (1942), the Imperial Japanese Army established OKA 9420, a research centre where experiments on Bubonic plague pathogens were conducted. Addressing lesser-known histories as well as the growing awareness of pathogens due to global events such as the recent pandemic, Anthony seeks to develop a deeper understanding of pathogens while unpacking the ethical concerns surrounding the rapid advancements in science and technology. The research process will encompass both primary and secondary sources and it aims to grow through connections and collaborations with historians, researchers, and scientists so as to lay the foundations for a long-term artistic project that addresses the impact of biochemical weapons on society.
Date
A point or period of time associated with an event in the lifecycle of the resource
4 September 2023 - 31 January 2024
Contributor
An entity responsible for making contributions to the resource
Anthony Chin
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Southeast Asia
Medium
The material or physical carrier of the resource.
Installation
Mixed Media
Multimedia Installation
-
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d4cdfd1c207fd2d679b7e1a845137eef
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
VIRTUAL REVERIE: ECHOES OF A FORGOTTEN UTOPIA
Date
A point or period of time associated with an event in the lifecycle of the resource
2023
Contributor
An entity responsible for making contributions to the resource
Ngoc Nau
Nguyen Hong Ngoc
Creator
An entity primarily responsible for making the resource
Ngoc Nau
Nguyen Hong Ngoc
Format
The file format, physical medium, or dimensions of the resource
Video still
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Residencies
Description
An account of the resource
The studio-based Residencies programme is dedicated to facilitating the research of established and emerging artists. It serves as a forum for cultural and artistic exchange in Southeast Asia.
Residency
A research residency programme bringing together local and international artists, curators, and researchers. Metadata description should include research focus of residents, while individual bios will be housed within each contributor's record.
Cycle
SEA AiR Cycle 2 (2023 - 2024)
Location
Onsite (CCA)
Offsite
Online
Offsite
Collaboration
Yes
Commissioned Work
Yes
Related Countries
Vietnam
Lithuania
Short Description
During the residency, Ngoc Nau intends to research the impact of urbanisation and modernisation on contemporary living conditions, collective memories, traditional practices, and the natural landscape.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Ngoc Nau
Nguyen Hong Ngoc
Subject
The topic of the resource
Urbanism
Technology
Modernity
Description
An account of the resource
<div class="type-subtitle highlight-yellow"><b>12 April - 30 June 2023<br />Artist-in-Residence at Rupert (Vilnius)<br /></b><em><br />“I feel very grateful and proud to have been selected for the second edition of the SEA AiR programme and I am very excited about my upcoming residency in Vilnius. It will allow me to connect further with European culture and artists and to find new inspirations and materials to feed my research and thinking. I am very curious to see which bridges I will be able to establish between Northern Europe and Southeast Asia to foster my creative process. I look forward to engage in this opportunity and produce an innovative artwork for the exhibition in Singapore later this year.”</em><b><br /></b></div>
<div class="type-subtitle">
<p>The multimedia practice of Ngoc Nau encompasses photography, holograms, and Augmented Reality (AR) and she is currently working with 3D software and other open source technologies to create new possibilities for video installation. In Nau’s work, different materials and techniques attempt to capture the subtle ways in which new media shape and dictate our views of reality. Blending traditional culture and spiritual beliefs with modern technologies and lifestyles, her work often responds to Vietnam’s accelerated urban development. She has participated in several exhibitions across Asia, including the Thailand Biennale, Korat (2021) and the Singapore Biennale (2019) among others. She also participated in documenta 15, Kassel, Germany (2022) with Sa Sa Art Projects.</p>
<p>During the residency, Ngoc Nau intends to research the impact of urbanisation and modernisation on contemporary living conditions, collective memories, traditional practices, and the natural landscape. Situating herself within the creative community of Rupert will allow her to explore Lithuanian cultural landscape and to access a new trove of materials, including oral traditions, historical archives, and ritual ceremonies. Through encounters will the local community, she intends to unearth the traditional values and ancient practices that have been lost to industrial and technological advancements in order to come to a better understanding of how different communities configure their values and identities within the fast-changing landscape of today. Nau is particularly interested in the gaps created by modern development in the intergenerational transmission of knowledge and she plans to experiment with new media technologies to imagine modes of being that reconcile the past and the future.</p>
</div>
Date
A point or period of time associated with an event in the lifecycle of the resource
12 April - 30 June 2023
Contributor
An entity responsible for making contributions to the resource
Ngoc Nau
Nguyen Hong Ngoc
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Southeast Asia
Europe
Medium
The material or physical carrier of the resource.
Mixed Media
Video
Photography
-
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c1c8442cdbb7fab9c92372ac9d8b7a8b
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Sap Sonic
Date
A point or period of time associated with an event in the lifecycle of the resource
2023
Contributor
An entity responsible for making contributions to the resource
Priyageetha Dia
Description
An account of the resource
SCREENSHOT OF PRIYAGEETHA DIA’S WORK ON AN ARCHIVAL IMAGE FROM THE SUMATRA CAOUTCHOUC COMPANY PHOTO ALBUM (RIJKSMUSEUM, AMSTERDAM). THE IMAGE IS FURTHER PROCESSED BY MAKING DIRECT ‘GRAFFITI’ EDITS, WHICH MANIPULATES HOW THE SOUND NOTES ARE READ BETWEEN THE BRIGHT AND DARK AREAS OF THE IMAGE.
Creator
An entity primarily responsible for making the resource
Priyageetha Dia
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Residencies
Description
An account of the resource
The studio-based Residencies programme is dedicated to facilitating the research of established and emerging artists. It serves as a forum for cultural and artistic exchange in Southeast Asia.
Residency
A research residency programme bringing together local and international artists, curators, and researchers. Metadata description should include research focus of residents, while individual bios will be housed within each contributor's record.
Short Description
During her residency at Jan Van Eyck Academie, the artist is interested in delving deeper into the emergence and expansion of agro-industrial plantation projects, the dispossession and displacement of lands and communities in Southeast Asia, and their relation to The Netherlands through archival research.
Cycle
SEA AiR Cycle 2 (2023 - 2024)
Location
Onsite (CCA)
Offsite
Online
Offsite
Collaboration
Yes
Commissioned Work
Yes
Related Countries
Singapore
The Netherlands
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Priyageetha Dia
Subject
The topic of the resource
Migration
Labour
Capitalism
Description
An account of the resource
<div class="type-subtitle highlight-yellow"><b>17 April - 14 July 2023<br />Artist-in-Residence at Jan van Eyck Academie (Maastricht)</b></div>
<div class="type-subtitle">
<p><em>“To be given this opportunity to further my research and artistic practice at Jan van Eyck Academie is an incredible one. Being part of the SEA AiR residency in the EU will allow me to explore the potential for a deeper and broader comprehension beyond the Southeast Asian landscape and into the corners and crossings that ties its relation to the Netherlands. To be able to witness, engage in and respond to an interdisciplinary environment with the possibility to gather with other peers and cultural workers, access resources and facilities, and share knowledge is what I am really looking forward to.”<br /><br /></em>Priyageetha Dia is an arts practitioner who experiments with time-based media, 3D animation and game engine software. Her practice addresses the transnational migration of ethnic communities and the intersections of the colonial production with land, labour and capital in Southeast Asia through speculative methods and counter-narratives. She has been invited to participate in several exhibitions including the Kochi-Muziris Biennale, India (2022); Attention Seeker, La Trobe Art Institute, Bendigo, Australia (2022); An Exercise of Meaning in a Glitch Season, National Gallery Singapore (2020); 2219: Futures Imagined, ArtScience Museum Singapore (2019). She was a recipient of the IMPART Art Award in 2019.</p>
<p>The migratory movements of her ancestral lineage from Southern India to Malaysia, and later to Singapore, sparked Priyageetha’s deep-seated engagement in South Asian diasporic histories, the labour relations that underlie plantation agriculture in Malaya and the vast terrain of colonial narratives. Interweaving these research threads in her multimedia practice, her works figure alternative histories that empower subaltern forms of existence. </p>
<p>During her residency at Jan Van Eyck Academie, the artist is interested in delving deeper into the emergence and expansion of agro-industrial plantation projects, the dispossession and displacement of lands and communities in Southeast Asia, and their relation to The Netherlands through archival research. Moreover, the residency will provide her with a supportive environment to articulate critical viewpoints and counter-narratives through her ongoing and self-led experiments with computer-generated imagery (CGI), animation technologies and game engine software while also allowing her to gain an understanding of issues related to contemporary transnational interactions within Southeast Asia and Europe.</p>
<p><em> </em></p>
</div>
Date
A point or period of time associated with an event in the lifecycle of the resource
17 April - 14 July 2023
Contributor
An entity responsible for making contributions to the resource
Priyageetha Dia
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Southeast Asia
Europe
Medium
The material or physical carrier of the resource.
Mixed Media
Video
Installation
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Exhibitions
Description
An account of the resource
NTU CCA Singapore’s exhibitions focus on contemporary artistic production that provides a critical platform for reflection and discussion.
Exhibition
Curated group or solo shows that happen over a period of time, usually a few months, supported by auxiliary programmes. Examples include exhibition hall presentations, lab presentations, vitrine presentations, curated film programmes, and festivals.
Short Description
NTU Centre for Contemporary Art Singapore presents the second-cycle exhibition of SEA AiR – Studio Residencies for Southeast Asian Artists in the European Union (SEA AiR), a programme developed by NTU CCA Singapore and funded by the European Union. Titled Passages, this exhibition features new works by artists Priyageetha Dia (Singapore), Ngoc Nau (Vietnam) and Saroot Supasuthivech (Thailand), inspired by their three-month-long residencies in Europe.
Exhibition Mode
Exhibition
Show Type
Individual Artist (solo show)
Thematic Presentation (group show)
Thematic Presentation
Exhibition Space
Block 38
Location
Onsite (CCA)
Offsite
Online
Onsite (CCA)
Exhibition Start Date
28 November 2023
Exhibition End Date
28 January 2024
Collaboration
Yes
Commissioned Work
Yes
Related Countries
Singapore
Vietnam
Thailand
Germany
The Netherlands
Lithuania
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Passages
Subject
The topic of the resource
Decolonialism
Postcolonialism
Technology
Identity
Supernatural
Description
An account of the resource
<p><strong>NTU Centre for Contemporary Art Singapore</strong> presents the second-cycle exhibition of <strong>SEA AiR – Studio Residencies for Southeast Asian Artists in the European Union (SEA AiR)</strong>, a programme developed by NTU CCA Singapore and funded by the European Union. Titled <strong><em>Passages</em></strong>, this exhibition features new works by artists <strong>Priyageetha Dia</strong> (Singapore), <strong>Ngoc Nau</strong> (Vietnam) and <strong>Saroot Supasuthivech</strong> (Thailand), inspired by their three-month-long residencies in Europe. </p>
<p>As part of the SEA AiR programme, Dia had undertaken her residency at <strong>Jan van Eyck Academie</strong> (Netherlands), Nau at <strong>Rupert</strong> (Lithuania) and Supasuthivech at<strong> Künstlerhaus Bethanien</strong><span> </span>(Germany) through the summer. Bringing back their experiences from diverse contexts in the EU to Singapore for this exhibition,<span> </span><em>Passages</em><span> </span>speaks of the artists’ journeys across geographical and cultural boundaries from one continent to another; the cultural exchanges that take place during this time; and the continuous development of ideas as they return to their home countries to create new works for the exhibition.<br /><br /><em><span>Employing new media technologies to aid their storytelling, each artist creates speculative narratives that traverse time and space, shifting between the past and present. While distinct in their artistic research and practices, their works evoke memories and explore meanings in liminal spaces, reverberating in their journey from one passage to the next.</span><br /><br /></em><strong>Priyageetha Dia’s</strong><span> </span>research interest lies in the plantations of Southeast Asia and their colonial histories, including those of migrant labour and structures of production and power. She explores gaps in historical records that are not only text-based, but also non-textual ones such as photographs, artefacts and oral interviews. Her four-channel sound installation<span> </span><strong><em>Sap Sonic</em></strong><span> </span>is a sonification of images from the photo album of the Sumatra Caoutchouc Company, a rubber planting company, from the archives of Rijksmuseum, Amsterdam. Beyond their visual representations, the images bear witness to the power dynamics between the coloniser and its labourers as well as the hierarchy between nature and machine. Reframing this landscape from a visual to a sonic one,<span> </span><em>Sap Sonic<span> </span></em>serves as an aural gateway to the plantations as it delves into the lived yet unspoken lives of those who work on and inhabit the plantations, both human and nonhuman. Accompanying the work,<span> </span><em>Sap Script</em><span> </span>is a text installation in white latex paint, referencing rubber sap, on a black, obsidian-like background. Its typeface echoes the slender and linear structure of rubber trees, distorted to resemble the waveform of sound waves. Through the intangible, unseen nature of sound, Sap Sonic probes aspects of the visual world; expanding the agentive possibilities of the uncounted and the underheard.<br /><br /><span>Upon her arrival in Vilnius, Lithuania, for her residency, </span><strong>Ngoc Nau</strong><span> was drawn to Soviet-era architectural elements in the city, such as the Soviet brutalist architecture of the Vilnius Palace of Concerts and Sports. She also became intrigued with the iconic image of a Lenin statue being removed, with its legs severed, from the city centre square in 1991. This imagery became a point of departure for her exploration into multifaceted aspects of post-Soviet realities in her own country. Portraying contemporary life amidst the remnants of socialist architecture and monuments using 3D animation and visual effects, Nau’s video installation, </span><strong><em>Virtual Reverie: Echoes of a Forgotten Utopia</em></strong><span>, demonstrates the transformative power of technology in reshaping our perceptions of reality. Central to the work is a constructed representation of the Vietnam-Soviet Friendship Palace of Culture and Labour in Hanoi, Vietnam, that serves as a stage for five hip-hop dancers embarking on a symbolic journey. As they interact with elements drawn from historical references in Vietnam and Lithuania, the dancers bridge the gap between historical artifacts and contemporary experiences. Echoing the ebb and flow of ideologies, their passage brings about new meanings when past memories evolve in the face of shifting landscapes.<br /><br /><strong>Saroot Supasuthivech’s</strong> multimedia installation,<strong><em> Spirit-forward in G Major</em></strong>, charts the transformative journey experienced by Thai expatriates in Germany, told through a metaphoric cycle of life, death and rebirth. The work’s narrative unfolds in four parts. “New Beginnings” uses therapeutic dialogues to depict the initial migrant experience. “A Surreal Interlude”, based on interviews conducted with Thai monks and nuns in Berlin, transports viewers into a realm of magic and mortality inspired by Grimm’s fairy tales. The third segment focuses on a Thai music score <em>Sai Samon</em>, the oldest documented. Finally, “A Glimpse Beyond” dives into a poetic meditation on death and the afterlife, told from the viewpoint of the deceased. This poignant culmination is an exploration into a liminal reality between the familiar and the surreal, encapsulating the interplay of tradition, adaptation and preservation within an evolving cultural landscape.</span></p>
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<p><em>Passages </em>will be held through Singapore Art Week 2024, with a public programme taking place on 20 January 2024. Details of the public programme can be found<span> </span>here. </p>
<p>SEA AiR – Studio Residencies for Southeast Asian Artists in the European Union<em> </em>is made possible thanks to a generous grant of the European Union. </p>
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<p><strong><span>Dates</span><br />Opening reception: </strong><br />28 November 2023, 5–8pm<br />Refreshments will be served</p>
<p><strong>Public programme:</strong><br />20 January 2023, 4-5.30pm</p>
<p><strong>Opening Hours</strong>:<br />1 December 2023 – 14 January 2024: Friday – Sunday, 1–7pm<br />Closed on 24, 25, 31 December 2023 and 1 January 2024<br /><br />Singapore Art Week<br />19 – 28 January 2024: Monday – Sunday, 1–7pm<br />Late nights on 20 and 27 January 2024: Saturday, 1–9pm</p>
<p><strong><span>Location:</span></strong><br />NTU CCA Singapore Residencies Studios<br />Block 38 Malan Road<br />Gillman Barracks<br />Singapore 109441</p>
Date
A point or period of time associated with an event in the lifecycle of the resource
28 November 2023 - 28 January 2024
Contributor
An entity responsible for making contributions to the resource
Priyageetha Dia
Ngoc Nau
Nguyen Hong Ngoc
Saroot Supasuthivech
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Southeast Asia
Europe
Medium
The material or physical carrier of the resource.
Mixed Media
Multimedia Installation
Video
Sound