Browse Items (19 total)

Ade Darmawan, Tuban, 2019, multimedia installation. Arus Balik – From below the wind to above the wind and back again (2019), NTU Centre for Contemporary Art Singapore. Courtesy NTU CCA Singapore.
NTU Centre for Contemporary Art Singapore is pleased to present Arus Balik – From below the wind to above the wind and back again, an exhibition project that initiated from a conversation between Belgian curator Philippe Pirotte and Jakarta-based…

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Developed during his residency at NTU CCA Singapore, Creatif Compleks (2018) is the culmination of Michael Lee’s reflection on the function of the artist’s studio within the arts ecology of a city. The work takes the form of a diagram about a…

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Interested in the “semiotic thickness” of Geylang, an area located on the east-central side of Singapore where bustling street life, covert activities, information technologies, and data mining protocols are increasingly intertwined, Luca Lum has…

Installation shots of No Country: Contemporary Art for South and Southeast Asia, the inaugural touring exhibition of the Guggenheim UBS MAP Global Art Initiative, at the Centre for Contemporary Art Singapore, a national research centre of the Nanyang Technological University (NTU), May 10, 2014 – July 20, 2014.
No Country: Contemporary Art for South and Southeast Asia is part of the Guggenheim UBS MAP Global Art Initiative which was launched in April 2012, a multi-year collaboration that charts contemporary art practice in three geographic regions—South and…

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Interested in the contiguities and frictions between the natural and urban environment, Izat Arif has conducted experiential and erratic fieldwork in various landscapes in Singapore observing plants, soil, insects, and traces of human presence. This…

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Confounding ordinary notions of legibility, the work of Sonya Lacey addresses the politics of communication by tampering with the concrete textures of language. Specifically conceived for The Vitrine, Speed Reading combines two bodies of work that…

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The mixed-media selection presented in The Vitrine stems from Railtrack Songmaps, a project exploring competing claims to nature and culture that resound along the former Malaysian railway tracks at Tanglin Halt. For at least five decades, birds,…

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Engaging The Vitrine as a site imbricated with complex histories and practices of display, Fyerool Darma complicates our understanding of Telok Blangah, the area where Gillman Barracks is located and where the artist recently moved, through objects…

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Expanding his ongoing enquiry into the historical narratives of power structures and their geopolitical reverberations onto the present, Anthony Chin will dedicate his residency to research the ramifications of Singapore’s colonial past. Expanding…

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In the past few years, Anthony Nsofor has been researching conflicts arising from land management, urban-rural migration, and population growth in his native Nigeria as well as in other African countries. This interest in how land ownership and land…
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