Performance]]> Kartik Sood]]> Installation]]> Object]]> Southeast Asia]]> History]]> Oceans & Seas]]> Kin Chui]]> Film]]> Object]]> Southeast Asia]]> History]]> Politics]]> Luke Willis Thompson]]> Object]]> Southeast Asia]]> Botany]]> Labour]]> Marvin Tang]]> Installation]]> Object]]> Southeast Asia]]> Architecture]]> Urbanism]]>
Informed by several theories in the fields of film studies, linguistics, and graphic design, Lee regards cutaways as a method of investigation, a concealment device that can open up a different understanding of urban processes and anxieties as well as provide a penetrating insight into the deep-seated desires of the city.]]>
Michael Lee]]> Curating]]> Object]]> Southeast Asia]]>
Architecture]]> Miguel Andrade Valdez]]> Object]]> Sculpture]]> Southeast Asia]]> Animals]]> Nature]]> The Museum of Disappearance, sets out to unravel the dormant narratives embedded in the photographs in order to shed a different light onto the complex history of our relationship with nature. Further expanding on his interest in the interaction between humans and the natural environment, he plans to conduct extensive fieldwork in the backwoods behind his studio, a patch of secondary forest stretching from Malan Road to Henderson Road, documenting its trees and natural habitat.]]> Robert Zhao Renhui]]> Robert Zhao]]> Zhao Renhui]]> Object]]> Photography]]> Southeast Asia]]> Tradition]]> Knowledge Production]]> Fiction]]> Saleh Husein]]> Object]]> Painting]]> Southeast Asia]]> Ways of Seeing]]> Weixin Chong]]> Object]]> Print]]> Southeast Asia]]> Performance]]> Body]]> Impro Committe collaboration project (2014, Beijing).

The Living Room Tour project has to takes place at someone’s home, a place while he/she lives. whatever the size is, with or without speakers, has or has no electricity; at least one audience is required and the owner of the home is encouraged to invite audiences. The performers may use furniture, kitchenware or anything available. The initial idea of this project came from feeling tired about low-end speakers and wanting to create a sonic space without the expense or formalities which go with this. He says the concert is a temporary mandala, a metaphor for the world. Within this environment is a destabilisation of hierarchy and there is no difference between large and small or professional and amateur. The quality of listening is from participants’s devotion.]]>
Yan Jun]]> Object]]> Sound]]> Southeast Asia]]>