<i>The Ring of Fire (2014 – ongoing)</i> by Irwan Ahmett and Tita Salina
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Invisible to the human eye, geological kinships flow under the oceans and lay deep into the earth’s crust. When they manifest themselves, it is often in apocalyptic forms that disrupt existing ecosystems and the course of human life. In geography, The Ring of Fire denotes the volcanic belt and the collision zone of tectonic plates running around the edges of the Pacific Ocean, a deadly area where the majority of the world’s earthquakes and eruptions occur. For <b>Irwan Ahmett</b> and <b>Tita Salina</b>, this geologically unstable territory demarcates a field of artist inquiry. <br /><br />Since 2014, the Indonesian duo have embarked upon a journey that engages issues of social injustice, political struggles, colonial histories, and environmental crises encountered along erratic routes that stretch from Indonesia to New Zealand, from Taiwan and South Korea to Japan. <i>The Ring of Fire (2014–ongoing)</i> brings together for the first time the most significant works realised by the artists, either together or individually, since the inception of the project.
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Ana Prvački in collaboration with Joyce Bee Tuan Koh and Galina Mihaleva <i>Mouthful (masked duet)</i>
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How to breathe deeply and sing expressively in this moment when the mouth and nose embody danger? How to have pleasure in music when in its essences it is airborne and moist? <br /><br />Let us return power and agency to the mouth and voice while still protecting ourselves and others. Let us express our emotions freely into the air that we all share. The <i>Mouthful</i> mask is both conceptual and practical. It exposes the breath and gives us an earful and eyeful of air. <i>Mouthful</i> projects a new sound which follows the guidelines of our time while it overcomes and embraces the obstacles we face with poetry and humor. <br /><br /><i>Mouthful</i> is conceived by Ana Prvački, produced and manifested by Galina Mihaleva and activated by Reginald Jalleh and Zerlina Tan with original music by Joyce Bee Tuan Koh. A transdisciplinary, collaborative work, Mouthful is realized with two performative activations and as an installation and sound work in The Vitrine at NTU CCA Singapore, Block 43 Malan Road.
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Ato Malinda
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While in residence, Malinda will investigate Singapore’s history as a trading port, following the discovery of the Belitung shipwreck in 1998, 600 miles off the coast of Singapore that signifies the exchange of goods, ideas and cultures in the 9th century. She will work with Singaporean women to develop a collection of ceramic objects that will then enter the art market, highlighting notions of hybridity in cultural studies as well as the route of globalisation today that has existed in the region for more than a thousand years.
18 August – 15 October 2016
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Dennis Tan
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In 2015, Dennis Tan was hosted by a family in Kebau, Riau Islands of Indonesia where he honed skills in the construction of the traditional Kolek sailboat. On this journey Tan was introduced to three generations of all; Kolek named Pujangga, each built by a generation within the same family. <br /><br />Two of the boats were gifted to Tan, who is now its custodian, keeper and bearer. While in residence, Tan will attempt to reconstruct the Kolek whilst investigating ideas of self-organisation and the transmission of skills and knowledge through generations of oral history in the Riau Archipelago and how this enables the continuity of cultural communities.
1 February – 3 June 2016
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Diana Lelonek
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Research Interests: Landfill ecologies Post-consumer waste Ecological engagement Interspecies encounters Post-human and eco-feminist studies Diana Lelonek examines the complex interdependency between growing trends of overproduction and natural ecosystems. Since 2016, she has been gathering waste-derived specimens under the aegis of The Center for Living Things, a long-term artistic project shaped as an independent grassroots research institute. Classified in collaboration with botanists and other natural scientists, The Center for Living Things' collection includes discarded commodities and objects that, upon disposal, become part of the natural environment for a number of living organisms. Extending this fascination for how the ecosystems of landfills turn into fertile habitats and are reclaimed by non-human organisms, for her research in Singapore, Lelonek will focus on the offshore landfill Pulau Semakau and its own specific ecosystem. Together with the Liaison (Artistic Research), the artist will explore post-waste environments and the waste-derived specimens that come to life within those contexts. The Liaison should preferably have a strong interest in environmental issues, anthropocene studies, and/or botany. Research Liaison: Denise Lim Through photography, painting and three-dimensional explorations influenced by her background in architecture, Denise Lim examines narratives inherent to the human condition. Central to her research interests are circular design and co-creation with nature in the age of the Anthropocene.<br /><br />The residency of Diana Lelonek was scheduled for October – December 2020, but the COVID-19 pandemic outbreak rendered international travel impossible. In order to continue to support artistic research and foster collaborations beyond borders, the NTU CCA Residencies Programme initiated Residencies Rewired, a project that trailblazes new pathways to collaboration.
1 December 2020 – 28 February 2021
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Duto Hardono
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Whilst in residence, Hardono will draw from personal experiences, to inquire into the impact that societal changes, such as the affect of censorship, have had on popular culture, local music and literature. His research methodology will be based on observations of human behaviour, field records, filming and the gathering of daily objects and images in Singapore and the context of Southeast Asia. In line with his current practice, Hardono will also further explore various approaches towards collaborative performances.
13 June – 26 August 2016
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Erika Tan
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Unfolding over a period of three weeks is a special project by London based Singaporean Artist-in-Residence Erika Tan. <i>The Lab</i> will be used through multiple layers: as an exhibition space; a film studio; a working and meeting space as well as the site of a live “broadcast” performance debate. Focusing on the forgotten historical figure of the Malay weaver Halimah, Tan will reactivate through a series of footnotes instigating a process of collective labour towards the understanding that history should be an active effort created by many. Halimah lived and worked with 19 other Malayans in the 1924 British Empire Exhibition in London engaged in the production of woven material and as a physical representation of Britain’s “human” capital as a colonial subject. During the day Halimah demonstrated her craft selling products as a live object on one side of the British Empire Exhibition. At night she was behind the displays, cooking, eating and performing everyday life. Tan’s labour in The Lab is the (re)production of Halimah’s various conditions.
6 July – 3 August 2015
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Gary Ross Pastrana
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Gary Ross Pastrana will collect “Fifty Shared Words” as a response to the overlaps in histories and languages in the various parts of Southeast Asia. With these words he will write short descriptions, musings, meditations or anecdotes about each word, comparable in format with Primo Levi’s Periodic Table. Research will be kept to informal conversations with artists and other everyday people encountered during the residency to keep the whole experience direct, unmediated, and current. The aim is not to come up with an academic linguistic study but to encounter words in actual usage by real people and in the process learn through communication. Short stays in other neighboring countries like Malaysia and Indonesia, (to meet artists and visit artists communities) is also worked into the plan to expose to varying settings and the more subtle differences in context and usage of the words.
6 July – 2 October 2015
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Geraldine Kang
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Looking at the overlooked is the core of Geraldine Kang’s projects. She intends to use her residency as an incubatory period to think about the role of waste and its management in the context of urban living, a subject matter that is often regarded as invisible in Singapore. Throughout this project, she will focus on labour issues and investigate theoretical approaches towards the act and the politics of cleaning. Kang will reflect on alternative possibilities to the aesthetisation of waste in order to create cross-disciplinary dialogues that can lead to concrete action.
1 March – 30 June 2017
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Iris Touliatou
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Following her fascination for the unstable properties of matter and the ungraspable substance of the atmosphere, Iris Touliatou intends to pursue a research that goes under the provisional title of Animal Storms. The project approaches Singapore from “a climatic perspective,” it frames the weather as a metaphor of uncertainty, a form of language, and a space of collective resistance that allows us to talk about our futures, bodies, hopes, and fears. Through a combination of fieldwork and studio-based practice, the artist will mobilise diverse methodologies to expand the notion of air and water through physical, symbolic, imaginary, metaphorical associations as well as through states of movement. During the residency, the studio will become a laboratory to develop an open-ended body of works and activities, artistic interventions and temporary collective platforms that variously engage the irrational, the ambiguous, the performative, and the hallucinatory.
1 April – 1 July 2019
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