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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Exhibitions
Description
An account of the resource
NTU CCA Singapore’s exhibitions focus on contemporary artistic production that provides a critical platform for reflection and discussion.
Exhibition
Curated group or solo shows that happen over a period of time, usually a few months, supported by auxiliary programmes. Examples include exhibition hall presentations, lab presentations, vitrine presentations, curated film programmes, and festivals.
Short Description
CITIES FOR PEOPLE offers a platform to contemplate the possibilities for our shared space, reformulate our demands accordingly, and project solutions and desires for the future.
Exhibition Mode
Festival
Show Type
Individual Artist (solo show)
Thematic Presentation (group show)
Thematic Presentation
Exhibition Space
Exhibition Hall
Location
Onsite (CCA)
Offsite
Online
Onsite (CCA)
Exhibition Start Date
2016-11-13
Exhibition End Date
2017-01-22
Collaboration
No
Commissioned Work
No
Related Countries
Singapore
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Place.Labour.Capital.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<i>CITIES FOR PEOPLE NTU CCA Ideas Fest 2016/7</i>
Subject
The topic of the resource
Knowledge Production
Public Sphere
Urbanism
Ecology
Spaces of the Curatorial
Architecture
Environmental Crisis
Description
An account of the resource
<i>CITIES FOR PEOPLE</i> is the pilot edition of the annual NTU CCA Ideas Fest, a platform to catalyse critical exchange of ideas and encourage thinking “out of the box”. It is a bottom-up approach linking the artistic and academic community with grassroots initiatives. This pilot edition expands artistic interventions and engages contemporary issues such as air, water, food, environment, and social interaction in connection to artistic and cultural fields, academic research, and design applications. <br /><br />The 10-day programme, coinciding with Singapore Art Week 2017 and Art After Dark at Gillman Barracks, comprises a conglomerate of performances, public installations, participatory projects and social experiment, urban farming initiatives, public dialogues, and a variety of workshops. It cumulates in a three-day summit that brings together a prominent group of architects, theorists, researchers, curators, and community groups to discuss and exchange ideas about urbanism, modes of exchange, critical spatial practice, and to envision a future city. <i>CITIES FOR PEOPLE</i> offers a platform to contemplate the possibilities for our shared space, reformulate our demands accordingly, and project solutions and desires for the future. <br /><br /><i>CITIES FOR PEOPLE</i>, borrowing the title from a book by eminent Singapore architect William S. W. Lim published in 1990, expands on some of the ideas Lim developed, particularly in relation to tropical environments and recycling, as well as his call for a humanistic architecture. Organised on the occasion of the exhibition <i>Incomplete Urbanism: Attempts at Critical Spatial Practice</i>, this event is an invitation to share and engage in cooperative projects and collective experiences that critically reflect on current challenges in urban and social development.
Contributor
An entity responsible for making contributions to the resource
Ute Meta Bauer
Khim Ong
indieguerillas
Lulu Lutfi Labibi
Ari Wulu
Lucy + Jorge Orta
Foodscape Collective
Marjetica Potrč
Laura Anderson Barbata
Brooklyn Jumbies
Misso Russell Keith
Post-Museum
Xu Tan
Edible Garden City
Michelle Lai
Dan Susman
Victoria Marshall
Medium
The material or physical carrier of the resource.
Performance
Sound
Installation
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Southeast Asia
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Alexandra Pirici, Re-Collection, 2018, performative exercise with performers. Stagings. Soundings. Readings. Free Jazz II (2018), NTU Centre for Contemporary Art Singapore. Courtesy NTU CCA Singapore.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Alexandra Pirici, Re-Collection, 2018, performative exercise with performers. Stagings. Soundings. Readings. Free Jazz II (2018), NTU Centre for Contemporary Art Singapore. Courtesy NTU CCA Singapore.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Alexandra Pirici, Re-Collection, 2018, performative exercise with performers. Stagings. Soundings. Readings. Free Jazz II (2018), NTU Centre for Contemporary Art Singapore. Courtesy NTU CCA Singapore.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Alexandra Pirici, Re-Collection, 2018, performative exercise with performers. Stagings. Soundings. Readings. Free Jazz II (2018), NTU Centre for Contemporary Art Singapore. Courtesy NTU CCA Singapore.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Carlos Casas in collaboration with Phill Niblock and Brian O’Reilly, Avalanche XIV, 2018. Free Jazz II. Stagings. Soundings. Readings. (2018), NTU Centre for Contemporary Art Singapore. Courtesy NTU CCA Singapore.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Carlos Casas in collaboration with Phill Niblock and Brian O’Reilly, Avalanche XIV, 2018. Free Jazz II. Stagings. Soundings. Readings. (2018), NTU Centre for Contemporary Art Singapore. Courtesy NTU CCA Singapore.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Carlos Casas in collaboration with Phill Niblock and Brian O’Reilly, Avalanche XIV, 2018. Free Jazz II. Stagings. Soundings. Readings. (2018), NTU Centre for Contemporary Art Singapore. Courtesy NTU CCA Singapore.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Carlos Casas in collaboration with Phill Niblock and Brian O’Reilly, Avalanche XIV, 2018. Free Jazz II. Stagings. Soundings. Readings. (2018), NTU Centre for Contemporary Art Singapore. Courtesy NTU CCA Singapore.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Cally Spooner, DRAG DRAG SOLO, 2016, single-channel projection and Bedtime Beats, 2016, sound installation, with choreographies by Maggie Segale, 2018. Stagings. Soundings. Readings. Free Jazz II (2018), NTU Centre for Contemporary Art Singapore. Courtesy NTU CCA Singapore.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Cally Spooner, DRAG DRAG SOLO, 2016, single-channel projection and Bedtime Beats, 2016, sound installation, with choreographies by Maggie Segale, 2018. Stagings. Soundings. Readings. Free Jazz II (2018), NTU Centre for Contemporary Art Singapore. Courtesy NTU CCA Singapore.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Cally Spooner, DRAG DRAG SOLO, 2016, single-channel projection and Bedtime Beats, 2016, sound installation, with choreographies by Maggie Segale, 2018. Stagings. Soundings. Readings. Free Jazz II (2018), NTU Centre for Contemporary Art Singapore. Courtesy NTU CCA Singapore.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Cally Spooner, DRAG DRAG SOLO, 2016, single-channel projection and Bedtime Beats, 2016, sound installation, with choreographies by Maggie Segale, 2018. Stagings. Soundings. Readings. Free Jazz II (2018), NTU Centre for Contemporary Art Singapore. Courtesy NTU CCA Singapore.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Carlos Casas in collaboration with Phill Niblock and Brian O’Reilly, Avalanche XIV, 2018. Free Jazz II. Stagings. Soundings. Readings. (2018), NTU Centre for Contemporary Art Singapore. Courtesy NTU CCA Singapore.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Carlos Casas in collaboration with Phill Niblock and Brian O’Reilly, Avalanche XIV, 2018. Free Jazz II. Stagings. Soundings. Readings. (2018), NTU Centre for Contemporary Art Singapore. Courtesy NTU CCA Singapore.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Carlos Casas in collaboration with Phill Niblock and Brian O’Reilly, Avalanche XIV, 2018. Free Jazz II. Stagings. Soundings. Readings. (2018), NTU Centre for Contemporary Art Singapore. Courtesy NTU CCA Singapore.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Carlos Casas in collaboration with Phill Niblock and Brian O’Reilly, Avalanche XIV, 2018. Free Jazz II. Stagings. Soundings. Readings. (2018), NTU Centre for Contemporary Art Singapore. Courtesy NTU CCA Singapore.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Carlos Casas in collaboration with Phill Niblock and Brian O’Reilly, Avalanche XIV, 2018. Free Jazz II. Stagings. Soundings. Readings. (2018), NTU Centre for Contemporary Art Singapore. Courtesy NTU CCA Singapore.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Carlos Casas in collaboration with Phill Niblock and Brian O’Reilly, Avalanche XIV, 2018. Free Jazz II. Stagings. Soundings. Readings. (2018), NTU Centre for Contemporary Art Singapore. Courtesy NTU CCA Singapore.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Maria Loboda, This Work is Dedicated to an Emperor, 2012–ongoing, installation with 10 Eugenia oleina trees. Stagings. Soundings. Readings. Free Jazz II (2018), NTU Centre for Contemporary Art Singapore. Courtesy NTU CCA Singapore.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Maria Loboda, This Work is Dedicated to an Emperor, 2012–ongoing, installation with 10 Eugenia oleina trees. Stagings. Soundings. Readings. Free Jazz II (2018), NTU Centre for Contemporary Art Singapore. Courtesy NTU CCA Singapore.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Exhibitions
Description
An account of the resource
NTU CCA Singapore’s exhibitions focus on contemporary artistic production that provides a critical platform for reflection and discussion.
Exhibition
Curated group or solo shows that happen over a period of time, usually a few months, supported by auxiliary programmes. Examples include exhibition hall presentations, lab presentations, vitrine presentations, curated film programmes, and festivals.
Short Description
Stagings. Soundings. Readings. employs an open, multidisciplinary structure that challenges traditional modes of presentation and re-presentation through a range of artistic practices and formats.
Exhibition Mode
Festival
Show Type
Individual Artist (solo show)
Thematic Presentation (group show)
Thematic Presentation
Exhibition Space
Exhibition Hall
Location
Onsite (CCA)
Offsite
Online
Onsite (CCA)
Offsite
Exhibition Start Date
2018-09-21
Exhibition End Date
2018-11-06
Collaboration
No
Commissioned Work
No
Related Countries
Singapore
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Climates. Habitats. Environments.
Dublin Core
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Title
A name given to the resource
<i>Stagings. Soundings. Readings. Free Jazz II</i>
Subject
The topic of the resource
Body
Performance
Identity
Institutional Critique
Description
An account of the resource
<i>Stagings. Soundings. Readings. Free Jazz II</i> reviews the performative format that marked NTU CCA Singapore’s inauguration in 2013. <i>Free Jazz</i> 2013 was a series of talks and performances where participants of various disciplines were invited to imagine and envision a new institution and its potential. On its five-year anniversary, the Centre continues advocating for free spaces, celebrating the practice of improvisation, as well as of collective and performative approaches. Discussing ethical values with an expanded sense of community, territorial, and environmental concerns, <i>Stagings. Soundings. Readings.</i> employs an open, multidisciplinary structure that challenges traditional modes of presentation and re-presentation through a range of artistic practices and formats. <br /><br />Situated within a complex and contemporary understanding of the Centre’s current overarching research topic CLIMATES. HABITATS. ENVIRONMENTS., the featured works link theory and practice, emphasising collectiveness. Today, the planet is witnessing a moment of unprecedented loss of biodiversity, habitat destruction, and cultural transformations. In the face of such agitated times juxtaposed with advanced communicative tools, contemporary social and environmental issues require responses from a collective body, through establishing processes of instigation, negotiation, and collaboration. <br /><br />Can we learn from what we see as opposed to being merely seduced by images, becoming active participants instead of only passive observers? <i>Stagings. Soundings. Readings.</i> is an enactment between the artists and the audience. The invited artists engage with a less prescribed environment, reflecting on history, collective action, and human interaction. <br /><br />Located outside the Centre, <b>Maria Loboda</b>‘s sculptural installation is grounded in historical narratives as a reminder that things can change and be taken down overnight, especially by the invisible mechanisms of power. In the Centre’s foyer, <b>Tyler Coburn</b> addresses forms of labour and examines the notion of writing in the 21st century by engaging with complexities of our legal, technological, and geopolitical networks, while <b>Heman Chong</b> analyses motifs of exchange and its boundaries, embracing the space of inter-human connections. <br /><br />Unfolding in the exhibition space, <b>Cally Spooner</b> brings to Singapore an exercise in building new vocabulary and knowledge through bodily means. Using the space as a laboratory, the work investigates new ways of organising and working together. <b>Alexandra Pirici</b>’s choreography explores the possibility of collectively assembling memories of human and non-human presence on the planet. <b>Carlos Casas</b> presents his long-term multi-format ethnographic research based on the human ecology and richness of one of the world’s highest inhabited villages, Hichigh, located in the Pamir mountain range in Tajikistan. Together with composer <b>Phill Niblock</b>, they will create an audio-visual experience, traversing landscape, soundscape, and contemporary music that changes with every iteration. <br /><br />In response to the five-year anniversary and by taking the topic of its celebration <i>Free Jazz</i> literally, <b>Ming Wong</b> will stage an improvisational performance. Similarly, <b>Boris Nieslony</b> (Germany), Co-founder of the artist collective Black Market International, will engage with pioneering Singaporean artist <b>Lee Wen</b> with a discussion and performance. <br /><br />Further probing conventional formats, the accompanying programmes include readings by curator <b>Anca Rujoiu</b> (Romania/Singapore) and poets <b>Peter Sipeli</b> and <b>1angrynative</b> (both Fiji), as well as Behind the Scenes conversations with contributing artists. In The Single Screen, works by <b>Anton Ginzburg</b> (Russia/United States), <b>Mariana Silva</b> (Portugal/United States), <b>Luke Fowler</b> (United Kingdom), <b><b><b>Justin Shoulder </b></b></b>and <b><b><b>Bhenji Ra </b></b></b>(both Philippines/Australia), and others, will add a filmic perspective to the dialogue. <br /><br />This multitude of celebratory events instigates an active engagement with the now, following a conscious desire to become truly present. <br /><br />Curated by <strong>Ute Meta Bauer</strong>, Founding Director, NTU CCA Singapore, and Professor, School of Art, Design and Media, Nanyang Technological University, and <strong>Magdalena Magiera</strong>, Curator, Outreach and Education, NTU CCA Singapore.
Contributor
An entity responsible for making contributions to the resource
Heman Chong
Maria Loboda
Cally Spooner
Maggie Segale
Jesper List Thomsen
Tyler Coburn
Richard Roe
Carlos Casas
Phill Niblock
Ming Wong
Alexandra Pirici
Ying Cai
Weixin Chong
Chloe Chotrani
Nina Djekic
Farid Fairuz
Adam Lau
Je Leung
Loo Zihan
Yue Ru Ma
Hanna Mikosch
Yulin Ng
Rachel Nip
Isabel Phua
Jamil Schulze
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Asia
Medium
The material or physical carrier of the resource.
Performance
Sound
Installation
-
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Dublin Core
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Title
A name given to the resource
The Disappearance, 5 April –6 April 2014, Laure Prouvost, Eva 43 years old (2002). Photograph by Clare Bottomley.
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Dublin Core
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Title
A name given to the resource
The Disappearance, 5 April –6 April 2014, Shubigi Rao, Visual snow (2014), Performance. Photograph by Clare Bottomley.
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Dublin Core
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Title
A name given to the resource
The Disappearance, 5 April –6 April 2014, Still from Desniansky Raion (2007), Cyprien Gaillard; part of the screening programme The tear down curated by Anca Rujoiu & Vera Mey. Photograph by Clare Bottomley.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
The Disappearance, 5 April –6 April 2014, Still from Untitled (2011), Khvay Samnang; part of the screening programme Phnom Penh: Rescue Archaeology The Body and The Lens in the City curated by Erin Gleeson presented in collaboration with Sa Sa Bassac, Phnom Penh, Cambodia. Photograph by Clare Bottomley.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
The Disappearance, 5 April –6 April 2014, I feel their pane (2014), Sonya Lacey, Performance. Photograph by Clare Bottomley.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
The Disappearance, 5 April –6 April 2014, I feel their pane (2014), Sonya Lacey, Performance. Photograph by Clare Bottomley.
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Dublin Core
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Title
A name given to the resource
T H E P A R A D I S E = L O S T B O D Y (2014), Nigel Rolfe, Performance, Part 1 & 2. Photograph by Clare Bottomley.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
CCA – Centre for Contemporary Art, Singapore; The Disappearance, 5 April –6 April 2014, Stills from the screening programme The Margins of Exhibition curated by David Teh.With works by: Anthea Behm, Sherman Ong, Wok the Rock, Emile Zile, Nitipong Thinthubthai. Photograph by Clare Bottomley.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
CCA – Centre for Contemporary Art, Singapore; The Disappearance, 5 April –6 April 2014, Stills from the screening programme The Margins of Exhibition curated by David Teh.With works by: Anthea Behm, Sherman Ong, Wok the Rock, Emile Zile, Nitipong Thinthubthai. Photograph by Clare Bottomley.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
CCA – Centre for Contemporary Art, Singapore; The Disappearance, 5 April –6 April 2014, Stills from the screening programme The Margins of Exhibition curated by David Teh.With works by: Anthea Behm, Sherman Ong, Wok the Rock, Emile Zile, Nitipong Thinthubthai. Photograph by Clare Bottomley.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
CCA – Centre for Contemporary Art, Singapore; The Disappearance, 5 April –6 April 2014, Stills from the screening programme Phnom Penh: Rescue Archaeology The Body and The Lens in the City curated by Erin Gleeson presented in collaboration with Sa Sa Bassac, Phnom Penh, Cambodia. With works by: Khvay Samnang, Lim Sokchanlina, Anida Yeou Ali, Sok Chanrado, Leang Seckon, Tith Kanitha and Svay Sareth. Photograph by Clare Bottomley.
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Title
A name given to the resource
CCA – Centre for Contemporary Art, Singapore; The Disappearance, 5 April –6 April 2014, Stills from the screening programme Phnom Penh: Rescue Archaeology The Body and The Lens in the City curated by Erin Gleeson presented in collaboration with Sa Sa Bassac, Phnom Penh, Cambodia. With works by: Khvay Samnang, Lim Sokchanlina, Anida Yeou Ali, Sok Chanrado, Leang Seckon, Tith Kanitha and Svay Sareth. Photograph by Clare Bottomley.
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Title
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Nigel Rolfe, T H E P A R A D I S E = L O S T B O D Y (2014), Performance Part 2
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Dublin Core
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Title
A name given to the resource
Nigel Rolfe, T H E P A R A D I S E = L O S T B O D Y (2014), Performance Part 2
Dublin Core
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Title
A name given to the resource
Exhibitions
Description
An account of the resource
NTU CCA Singapore’s exhibitions focus on contemporary artistic production that provides a critical platform for reflection and discussion.
Exhibition
Curated group or solo shows that happen over a period of time, usually a few months, supported by auxiliary programmes. Examples include exhibition hall presentations, lab presentations, vitrine presentations, curated film programmes, and festivals.
Short Description
The Disappearance acknowledges the inherent changes into an exhibition space and its continuous rewriting. What happens after an exhibition is over? What we remember? How we remember?
Exhibition Mode
Exhibition
Curated Film Programme
Show Type
Individual Artist (solo show)
Thematic Presentation (group show)
Thematic Presentation
Exhibition Space
Exhibition Hall
Location
Onsite (CCA)
Offsite
Online
Onsite (CCA)
Exhibition Start Date
2014-04-05
Exhibition End Date
2014-04-06
Collaboration
No
Commissioned Work
No
Related Countries
Singapore
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Place.Labour.Capital.
Dublin Core
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Title
A name given to the resource
<i>The Disappearance</i>
Subject
The topic of the resource
Experiential
Embodiment
Spaces of the Curatorial
Description
An account of the resource
<i>The Disappearance</i> situates itself in the architectural setting of a previous exhibition <i>Paradise Lost</i>. It works with what is left out: the traces of the show in the space; its echoes in our memory, <i>The Disappearance</i> conceals and reveals: what has happened before and what will follow. Subject to operations of installation and de-installation, an exhibition space if continuously edited: we erase one text to inscribe another. <i>The Disappearance</i> acknowledges the inherent changes into an exhibition space and its continuous rewriting. What happens after an exhibition is over? What we remember? How we remember? <br /><br />Curated by Anca Rujoiu (Curator for Exhibitions) and Vera Mey (Curator for Residencies), <i>The Disappearance</i> is conceived as a durational event unfolding over two days including a continuous series of manifestations from live performances to film screenings.
Contributor
An entity responsible for making contributions to the resource
Anca Rujoiu
Vera May
Cyprien Gaillard
Malak Helmy
Sonya Lacey
Manuel Pelmus
Laure Prouvost
Shubigi Rao
Nigel Rolfe
Marie Shannon
Diego Tonus
Mona Vătămanu & Florin Tudor
Erin Gleeson
Planting Rice
David Teh
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Asia
Medium
The material or physical carrier of the resource.
Performance
Film
-
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Title
A name given to the resource
Theatrical Fields, 22 August – 2 November 2014, Installation view: Constanze Ruhm, X Characters / RE(hers)AL (2003/4). Courtesy NTU Centre for Contemporary Art Singapore.
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Title
A name given to the resource
Theatrical Fields, 22 August – 2 November 2014, Installation view: Constanze Ruhm, X Characters / RE(hers)AL (2003/4). Courtesy NTU Centre for Contemporary Art Singapore.
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Title
A name given to the resource
Theatrical Fields, 22 August – 2 November 2014, Installation view: Constanze Ruhm, X Characters / RE(hers)AL (2003/4). Courtesy NTU Centre for Contemporary Art Singapore.
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Dublin Core
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Title
A name given to the resource
Theatrical Fields, 22 August – 2 November 2014, Installation view: Eva Meyer and Eran Schaerf, She might belong to you (2007), She might (combination #1) (2007/14). Courtesy NTU Centre for Contemporary Art Singapore.
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Dublin Core
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Title
A name given to the resource
Theatrical Fields, 22 August – 2 November 2014, Installation view: Eva Meyer and Eran Schaerf, She might belong to you (2007), She might (combination #1) (2007/14). Courtesy NTU Centre for Contemporary Art Singapore.
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Dublin Core
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Title
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Theatrical Fields, 22 August – 2 November 2014, Installation view: Eva Meyer and Eran Schaerf, She might belong to you (2007), She might (combination #1) (2007/14). Courtesy NTU Centre for Contemporary Art Singapore.
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Dublin Core
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Title
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NTU Centre for Contemporary Art Singapore; Theatrical Fields, 22 August – 2 November 2014, Exhibition View.
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Dublin Core
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Title
A name given to the resource
NTU Centre for Contemporary Art Singapore; Theatrical Fields, 22 August – 2 November 2014, Exhibition View.
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Dublin Core
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Title
A name given to the resource
Theatrical Fields, 22 August – 2 November 2014, Installation view: Isaac Julien, Vagabondia (2000). Courtesy NTU Centre for Contemporary Art Singapore.
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Dublin Core
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Title
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Theatrical Fields, 22 August – 2 November 2014, Installation view: Isaac Julien, Vagabondia (2000). Courtesy NTU Centre for Contemporary Art Singapore.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Theatrical Fields, 22 August – 2 November 2014, Installation view: Isaac Julien, Vagabondia (2000). Courtesy NTU Centre for Contemporary Art Singapore.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Theatrical Fields, 22 August – 2 November 2014, Installation view: Joan Jonas, Lines in the Sand (2002). Courtesy NTU Centre for Contemporary Art Singapore.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Theatrical Fields, 22 August – 2 November 2014, Installation view: Joan Jonas, Lines in the Sand (2002). Courtesy NTU Centre for Contemporary Art Singapore.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Theatrical Fields, 22 August – 2 November 2014, Installation view: Joan Jonas, Lines in the Sand (2002). Courtesy NTU Centre for Contemporary Art Singapore.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Theatrical Fields, 22 August – 2 November 2014, Installation view: Joan Jonas, Lines in the Sand (2002). Courtesy NTU Centre for Contemporary Art Singapore.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Theatrical Fields, 22 August – 2 November 2014, Installation view: Joan Jonas, Lines in the Sand (2002). Courtesy NTU Centre for Contemporary Art Singapore.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Theatrical Fields, 22 August – 2 November 2014, Installation view: Joan Jonas, Lines in the Sand (2002). Courtesy NTU Centre for Contemporary Art Singapore.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Theatrical Fields, 22 August – 2 November 2014, Installation view: Judith Barry, Voice off (1999). Courtesy of NTU Centre for Contemporary Art Singapore.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Theatrical Fields, 22 August – 2 November 2014, Installation view: Judith Barry, Voice off (1999). Courtesy of NTU Centre for Contemporary Art Singapore.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Theatrical Fields, 22 August – 2 November 2014, Installation view: Judith Barry, Voice off (1999). Courtesy of NTU Centre for Contemporary Art Singapore.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Theatrical Fields, 22 August – 2 November 2014, Installation view: Judith Barry, Voice off (1999). Courtesy of NTU Centre for Contemporary Art Singapore.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Theatrical Fields, 22 August – 2 November 2014, Installation view: Judith Barry, Voice off (1999). Courtesy of NTU Centre for Contemporary Art Singapore.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Theatrical Fields, 22 August – 2 November 2014, Installation view: Stan Douglas, Suspiria (2003). Courtesy NTU Centre for Contemporary Art Singapore.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Theatrical Fields, 22 August – 2 November 2014, Installation view: Stan Douglas, Suspiria (2003). Courtesy NTU Centre for Contemporary Art Singapore.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Exhibitions
Description
An account of the resource
NTU CCA Singapore’s exhibitions focus on contemporary artistic production that provides a critical platform for reflection and discussion.
Exhibition
Curated group or solo shows that happen over a period of time, usually a few months, supported by auxiliary programmes. Examples include exhibition hall presentations, lab presentations, vitrine presentations, curated film programmes, and festivals.
Short Description
Theatrical Fields introduces theatricality as a critical strategy in performance, film and video.
Exhibition Mode
Exhibition
Show Type
Individual Artist (solo show)
Thematic Presentation (group show)
Thematic Presentation
Exhibition Space
Exhibition Hall
Location
Onsite (CCA)
Offsite
Online
Onsite (CCA)
Exhibition Start Date
2014-08-22
Exhibition End Date
2014-11-02
Collaboration
No
Commissioned Work
No
Related Countries
None
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Place.Labour.Capital.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<i>Theatrical Fields</i>
Subject
The topic of the resource
Embodiment
Experiential
Theatre
Ritual
Description
An account of the resource
<i>Theatrical Fields</i> introduces theatricality as a critical strategy in performance, film and video. This exhibition presents six video installations shown for the first time in Southeast Asia: <i>Voice off</i> by Judith Barry (USA),<i> Suspiria</i> by Stan Douglas (Canada), <i>Lines in the Sand<i> by Joan Jonas (USA), </i>Vagabondia</i> by Isaac Julien (UK), <i>She Might Belong to You</i> by Eva Meyer & Eran Schaerf (Germany / Israel), <i>X Characters Re(hers)AL</i> by Constanze Ruhm (Austria). Situated in juxtaposition, the works generate temporal spaces for experimental action, creating unfamiliar proximities and encounters. <br /><br /><i>Theatrical Fields</i> was curated by Ute Meta Bauer (Founding Director) with Anca Rujoiu (Curator for Exhibitions), and was first presented and commissioned by the Bildmuseet, Umea in Sweden (2013). <br /><br />As a collaboration, Bildmuseet Umea and NTU Centre for Contemporary Art Singapore will publish a catalogue including keynotes from the symposium and additional commissioned essays.
Contributor
An entity responsible for making contributions to the resource
Judith Barry
Stan Douglas
Joan Jonas
Isaac Julien
Eva Meyer
Eran Schaerf
Constanze Ruhm
Ute Meta Bauer
Anca Rujoiu
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Europe
Medium
The material or physical carrier of the resource.
Video
Multimedia Installation
Object
Performance
-
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Residencies
Description
An account of the resource
The studio-based Residencies programme is dedicated to facilitating the research of established and emerging artists. It serves as a forum for cultural and artistic exchange in Southeast Asia.
Residency
A research residency programme bringing together local and international artists, curators, and researchers. Metadata description should include research focus of residents, while individual bios will be housed within each contributor's record.
Short Description
Alex Murray-Leslie is part of Chicks on Speed, a multidisciplinary art group and pioneers in the cross pollination of Pop Music, Performance Art, Fashion and New Media.
Cycle
Cycle 2 (2015 – 2016)
Location
Onsite (CCA)
Offsite
Online
Onsite (CCA)
Collaboration
No
Commissioned Work
No
Related Countries
Australia
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Place.Labour.Capital.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Alex Murray Leslie
Description
An account of the resource
Alex Murray-Leslie is part of Chicks on Speed, a multidisciplinary art group and pioneers in the cross pollination of Pop Music, Performance Art, Fashion and New Media. Murray-Leslie will research into computational footwear in live art <i>The BipedShoe Project</i>, acoustic shoe tools for performance), through the production of new knowledge via experimental research and new collaborations with local Singaporean arts practitioners, curators and academics. She will integrate her experiences while in residence into a new body of performative work around the BipedShoes, which is at the core of her ongoing research into <i>Objectinstruments</i> and their effects on dramaturgie in artformances (live art performances).
Date
A point or period of time associated with an event in the lifecycle of the resource
9 May – 7 August 2015
Contributor
An entity responsible for making contributions to the resource
Alex Murray Leslie
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Southeast Asia
Medium
The material or physical carrier of the resource.
Sound
Performance
Subject
The topic of the resource
Performance
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Residencies
Description
An account of the resource
The studio-based Residencies programme is dedicated to facilitating the research of established and emerging artists. It serves as a forum for cultural and artistic exchange in Southeast Asia.
Residency
A research residency programme bringing together local and international artists, curators, and researchers. Metadata description should include research focus of residents, while individual bios will be housed within each contributor's record.
Short Description
Amanda Heng has championed the representation of women within exhibitions in Singapore through examining notions of the female body through her performances, her work with WITAS (Women in the Arts Singapore) and through various artists’ initiatives in the early 1990s.
Cycle
Cycle 2 (2015 – 2016)
Location
Onsite (CCA)
Offsite
Online
Onsite (CCA)
Collaboration
No
Commissioned Work
No
Related Countries
Singapore
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Place.Labour.Capital.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Amanda Heng
Description
An account of the resource
Amanda Heng has championed the representation of women within exhibitions in Singapore through examining notions of the female body through her performances, her work with WITAS (Women in the Arts Singapore) and through various artists’ initiatives in the early 1990s.Heng's recent work is focused on the issues of history, memory, communication and human relationships in urban conditions.
Date
A point or period of time associated with an event in the lifecycle of the resource
1 April – 30 September 2015
Contributor
An entity responsible for making contributions to the resource
Amanda Heng
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Southeast Asia
Medium
The material or physical carrier of the resource.
Performance
Subject
The topic of the resource
Activism
Feminism
Performance
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Residencies
Description
An account of the resource
The studio-based Residencies programme is dedicated to facilitating the research of established and emerging artists. It serves as a forum for cultural and artistic exchange in Southeast Asia.
Residency
A research residency programme bringing together local and international artists, curators, and researchers. Metadata description should include research focus of residents, while individual bios will be housed within each contributor's record.
Short Description
Amy Lien & Enzo Camacho’s residency research focuses on employees of financial institutions in Singapore
Cycle
Cycle 2 (2015 – 2016)
Location
Onsite (CCA)
Offsite
Online
Onsite (CCA)
Collaboration
No
Commissioned Work
No
Related Countries
Philippines
Singapore
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Place.Labour.Capital.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Amy Lien & Enzo Camacho
Description
An account of the resource
Amy Lien & Enzo Camacho’s residency research focuses on employees of financial institutions in Singapore. It fixates on the college graduates who have recently entered the field, and who are becoming biologically shaped by the dominating but fraught system of globalized financial capital. This artistic research began after hearing stories about the extreme work routines and social lives of these fresh recruits in Singapore. The best stories were about Enzo Camacho’s sister, a beautiful, young third-year analyst at a prominent investment bank in this city.
Date
A point or period of time associated with an event in the lifecycle of the resource
2 November – 27 November 2015
Contributor
An entity responsible for making contributions to the resource
Amy Lien & Enzo Camacho
Medium
The material or physical carrier of the resource.
Installation
Performance
Subject
The topic of the resource
Ecosystems
Globalisation
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Southeast Asia
-
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Residencies
Description
An account of the resource
The studio-based Residencies programme is dedicated to facilitating the research of established and emerging artists. It serves as a forum for cultural and artistic exchange in Southeast Asia.
Residency
A research residency programme bringing together local and international artists, curators, and researchers. Metadata description should include research focus of residents, while individual bios will be housed within each contributor's record.
Short Description
In her videos, services, concoctions and drawings, Ana Prvacki uses a gently pedagogical and comedic approach in an attempt to reconcile etiquette and erotics.
Cycle
Cycle 1 (2014 – 2015)
Location
Onsite (CCA)
Offsite
Online
Onsite (CCA)
Collaboration
No
Commissioned Work
No
Related Countries
United States
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Place.Labour.Capital.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<span>Ana Prvački</span>
Description
An account of the resource
In her videos, services, concoctions and drawings, Ana Prvacki uses a gently pedagogical and comedic approach in an attempt to reconcile etiquette and erotics. Prvacki’s practice also centres around the human negotiation involved in endeavours such as hospitality, team efforts through music or questioning our normative cultural codes around ways of being in and navigating a contemporary life.
Date
A point or period of time associated with an event in the lifecycle of the resource
6 July – 28 August 2014
Contributor
An entity responsible for making contributions to the resource
Ana Prvački
Ana Prvacki
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Southeast Asia
Medium
The material or physical carrier of the resource.
Performance
Video
Drawing
Subject
The topic of the resource
Performance
Body
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Residencies
Description
An account of the resource
The studio-based Residencies programme is dedicated to facilitating the research of established and emerging artists. It serves as a forum for cultural and artistic exchange in Southeast Asia.
Residency
A research residency programme bringing together local and international artists, curators, and researchers. Metadata description should include research focus of residents, while individual bios will be housed within each contributor's record.
Short Description
While in residence, anGie seah will investigate this ineffable expression into a series of expressive notions; creating moments in curious site-specific rituals and making instructional tools and activities for uplifting purposes.
Cycle
Cycle 2 (2015 – 2016)
Location
Onsite (CCA)
Offsite
Online
Onsite (CCA)
Collaboration
No
Commissioned Work
No
Related Countries
Singapore
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Place.Labour.Capital.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
anGie seah
Description
An account of the resource
While in residence, anGie seah will investigate this ineffable expression into a series of expressive notions; creating moments in curious site-specific rituals and making instructional tools and activities for uplifting purposes. Her research will focus on reflecting upon existential questions on the meaning of fear, death, loss and being human. Fascinated by the splendour of the everyday and against all the depressing and chaotic evidence to the contrary, Seah will investigate intrinsic values of living.
Date
A point or period of time associated with an event in the lifecycle of the resource
17 August – 18 December 2015
Contributor
An entity responsible for making contributions to the resource
anGie seah
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Southeast Asia
Medium
The material or physical carrier of the resource.
Drawing
Installation
Performance
Sound
Subject
The topic of the resource
Ritual
Performance
-
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Residencies
Description
An account of the resource
The studio-based Residencies programme is dedicated to facilitating the research of established and emerging artists. It serves as a forum for cultural and artistic exchange in Southeast Asia.
Residency
A research residency programme bringing together local and international artists, curators, and researchers. Metadata description should include research focus of residents, while individual bios will be housed within each contributor's record.
Short Description
Art Labor will recreate a Hammock Café serving traditional Vietnamese coffee, akin to the many itinerant roadside-resting spots of the Central Highlands of Vietnam.
Cycle
Cycle 2 (2015 – 2016)
Location
Onsite (CCA)
Offsite
Online
Onsite (CCA)
Collaboration
No
Commissioned Work
No
Related Countries
Vietnam
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Place.Labour.Capital.
Climates. Habitats. Environments.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Art Labor
Description
An account of the resource
Art Labor will recreate a Hammock Café serving traditional Vietnamese coffee, akin to the many itinerant roadside-resting spots of the Central Highlands of Vietnam. The café will be a place for visitors to sit together, chat, rest, observe, think or simply pass time, alluding to the café culture central to Vietnamese daily life. The name <i>Jarai Dew Hammock Café</i> is an introduction into Art Labor’s long-term project. That takes inspiration from the Jarai people of Vietnam's Central Highlands and their philosophy on the cycle of life. After death, humans will go through many stages to get back to their origins of existence. The final stage is that they transform into dew (ia ngôm in Jarai language) evaporating into the environment – a state of non-being – the beginning particles of a new existence.
Date
A point or period of time associated with an event in the lifecycle of the resource
1 December – 13 December 2015
Contributor
An entity responsible for making contributions to the resource
Art Labor
Medium
The material or physical carrier of the resource.
Installation
Performance
Subject
The topic of the resource
Experiential
Indigenous Knowledge
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Southeast Asia