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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
The Lab
Exhibition
Curated group or solo shows that happen over a period of time, usually a few months, supported by auxiliary programmes. Examples include exhibition hall presentations, lab presentations, vitrine presentations, curated film programmes, and festivals.
Short Description
Artist Resource Platform Activate! negotiates with the limitations of an archive by initiating conversations and experimentations, offering the audience multiple access points to the resource materials and the artists’ practices.
Exhibition Mode
Research Presentation
Show Type
Individual Artist (solo show)
Thematic Presentation (group show)
Thematic Presentation
Exhibition Space
The Lab
Location
Onsite (CCA)
Offsite
Online
Onsite (CCA)
Exhibition Start Date
2016-05-10
Exhibition End Date
2016-08-07
Collaboration
No
Commissioned Work
No
Related Countries
Singapore
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Place.Labour.Capital.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<i>Artist Resource Platform Activate!</i>
Subject
The topic of the resource
Artistic Research
Regionalism
Geopolitics
Knowledge Production
Description
An account of the resource
<i>Artist Resource Platform: activate!</i> is an ongoing project that engages with and expands upon the Artist Resource Platform, a growing collection of visual and audio materials from over 90 artists and independent art spaces. The series will negotiate with the limitations of an archive by initiating conversations and experimentations, offering the audience multiple access points to the resource materials and the artists’ practices. <br /><br />This edition of <i>Artist Resource Platform: activate!</i> will feature three curators based in Singapore, providing a conceptual framework to understand their practices and how they are situated within the local and international contemporary art scene. <br /><br /><b>Public Programme</b> <br /><br />Artist Resource Platform: activate! I with Sidd Perez (The Philippines/Singapore), Assistant Curator, NUS Museum Wednesday, 18 May, 7.30 – 9.00pm <br /><br />Artist Resource Platform: activate! II with Selene Yap (Singapore), Programme Manager (Visual Arts), The Substation Friday, 27 May, 7.30 – 9.00pm <br /><br />Artist Resource Platform: activate! III with Melanie Pocock (United Kingdom/Singapore), Assistant Curator, Institute of Contemporary Arts Singapore, LASALLE College of the Arts Friday, 10 June, 7.30 – 9.00pm
Contributor
An entity responsible for making contributions to the resource
Sidd Perez
Melanie Pocock
Selene Yap
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Southeast Asia
Medium
The material or physical carrier of the resource.
Print
Photography
Video
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cd2298fe770354b4738d7bdfd157931a
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
The Lab
Exhibition
Curated group or solo shows that happen over a period of time, usually a few months, supported by auxiliary programmes. Examples include exhibition hall presentations, lab presentations, vitrine presentations, curated film programmes, and festivals.
Short Description
siren eun young jung presents materials from the Yeoseong Gukgeuk archives, offering an insight into the politics of recollecting, weaving together queer desires and patterns of resistance.
Exhibition Mode
Research Presentation
Show Type
Individual Artist (solo show)
Thematic Presentation (group show)
Individual Artist
Exhibition Space
The Lab
Location
Onsite (CCA)
Offsite
Online
Onsite (CCA)
Exhibition Start Date
2017-09-09
Exhibition End Date
2017-10-08
Collaboration
No
Commissioned Work
No
Related Countries
South Korea
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Place.Labour.Capital.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<i>Wrong Indexing: Yeoseong Gukgeuk Archive</i> by siren eun young jung
Subject
The topic of the resource
Identity
Description
An account of the resource
As a genre of theatre that features exclusively women actors, <i>Yeoseong Gukgeuk</i> reached the peak of popularity in the 1950s and 1960s, its success being tightly intertwined with the process of modernisation of South Korea. While today it lingers on the verge of extinction, in the post-colonial period <i>Yeoseong Gukgeuk</i> opened up a space for women to embody “other” identities and perform different subjectivities. Reinventing the traditional Korean theatre, they brought the process of gender-shifting to the limelight and subverted socially acceptable norms by blurring conventional gender binaries. Since 2008, <b>siren eun young jung</b> has investigated the public and private lives of <i>Yeoseong Gukgeuk</i> performers who, after the genre fell out of favour, went on to live disparate lives. This configuration of archival materials offers an insight into the artist’s research process and articulates the politics of recollecting, weaving together queer desires and patterns of resistance, affective matters and subversive subjectivities, gender fluidity and the performance of difference.<br /><br /><em>Wrong Indexing: Yeoseong Gukgeuk Archive</em><span> is curated by </span><strong>Dr Anna Lovecchio</strong><span>, Curator, Residencies.</span>
Contributor
An entity responsible for making contributions to the resource
siren eun young jung
Anna Lovecchio
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Asia
Medium
The material or physical carrier of the resource.
Photography
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
The Lab
Exhibition
Curated group or solo shows that happen over a period of time, usually a few months, supported by auxiliary programmes. Examples include exhibition hall presentations, lab presentations, vitrine presentations, curated film programmes, and festivals.
Short Description
The wind that cuts the body presents Choi Ka Fai's investigation into Butoh, which arose in Japan at the end of the 1950s, encompassing a diverse range of techniques from dance, theatre, and movement.
Exhibition Mode
Research Presentation
Show Type
Individual Artist (solo show)
Thematic Presentation (group show)
Individual Artist
Exhibition Space
The Lab
Location
Onsite (CCA)
Offsite
Online
Onsite (CCA)
Exhibition Start Date
2017-10-13
Exhibition End Date
2017-12-10
Collaboration
No
Commissioned Work
No
Related Countries
Japan
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Place.Labour.Capital.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<i>The wind that cuts the body </i>by Choy Ka Fai
Subject
The topic of the resource
Body
Performance
Description
An account of the resource
Driven by his interest in exploring the conditions of the human body, multi-disciplinary artist <b>Choy Ka Fai</b> focuses his research on choreographic practices in
Asia. <i>The wind that cuts the body</i> presents his current investigation into Butoh, which arose in Japan at the end of the 1950s, encompassing a diverse range of techniques from dance, theatre, and movement. Choy traces the legacy of one of the key founders, Tatsumi Hijikata (1928–1986) who sought a new form of physical expression he referred to as <i>ankoku butō</i> (“dance of darkness”), delving into imageries of the grotesque and sickness of the human form. The research presentation will feature a selection of reference materials from the Tatsumi Hijikata Archive in Tokyo and from the artist’s expeditions, interviews, and documentary sketches. In his pursuit, Choy went to the extent of interviewing the spirit of Hijikata through an <i>itako</i> (Japanese shaman) and to speculate on the technological possibilities of dancing with Hijikata again. <br /><br /><i>The wind that cuts the body</i> is curated by Khim Ong, Deputy Director, Curatorial Programmes.
Contributor
An entity responsible for making contributions to the resource
Choy Ka Fai
Khim Ong
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Asia
Medium
The material or physical carrier of the resource.
Print
Video
Photography
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
The Lab
Exhibition
Curated group or solo shows that happen over a period of time, usually a few months, supported by auxiliary programmes. Examples include exhibition hall presentations, lab presentations, vitrine presentations, curated film programmes, and festivals.
Short Description
The Institute of Critical Zoologists has been researching the escalating chain of events brought about by the human presence on Christmas Island gathering a varied collection of research materials that merge factual and fictional elements.
Exhibition Mode
Research Presentation
Show Type
Individual Artist (solo show)
Thematic Presentation (group show)
Individual Artist
Exhibition Space
The Lab
Location
Onsite (CCA)
Offsite
Online
Onsite (CCA)
Exhibition Start Date
2018-03-03
Exhibition End Date
2018-04-29
Collaboration
No
Commissioned Work
No
Related Countries
Australia
Singapore
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Place.Labour.Capital.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<em>The Institute of Critical Zoologists </em>by Robert Zhao Renhui
Subject
The topic of the resource
Ecosystems
Biodiversity
Geopolitics
Mythology
Nature
Postcolonialism
Description
An account of the resource
Since the establishment of the first human settlements in the late 19th century, the ecosystem of Christmas Island—a small volcanic outcrop in the Indian Ocean which was transferred from Singapore to Australia in 1958—underwent dramatic changes. Along with human settlers, several non-indigenous species alighted on the island disrupting the endemic biodiversity that had thrived undisturbed thanks to geographical remoteness and almost nil human interference. The accidental introduction of invasive species severely impacted a fragile ecosystem, imperilling the island’s wildlife and causing the extinction of a number of native species. As a result, extreme biocontrol strategies are currently being undertaken in an attempt to restore the island’s biodiversity. <br /><br />In the past two years, The Institute of Critical Zoologists has been researching the escalating chain of events brought about by the human presence on Christmas Island gathering a varied collection of research materials that merge factual and fictional elements. By surveying the impact of human beings on an endemic habitat, Final Report of the Christmas Island Expert Working Group maps out lines of invasion and retreat, it investigates dynamics of connectedness and isolation triggering reflections on states of vulnerability and conditions of survival in the age of globalisation. <br /><br />Curated by Anna Lovecchio, Curator, Residencies
Contributor
An entity responsible for making contributions to the resource
Robert Zhao Renhui
Robert Zhao
Anna Lovecchio
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Asia
Medium
The material or physical carrier of the resource.
Photography
Date
A point or period of time associated with an event in the lifecycle of the resource
3 March - 29 April 2018
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
The Lab
Exhibition
Curated group or solo shows that happen over a period of time, usually a few months, supported by auxiliary programmes. Examples include exhibition hall presentations, lab presentations, vitrine presentations, curated film programmes, and festivals.
Short Description
NTU CCA Singapore is presenting a selection of materials from Singapore’s Independent Archive (IA), a research and resource platform dedicated to time-based media, established by internationally-renowned artist Lee Wen (Singapore) in 2012.
Exhibition Mode
Research Presentation
Show Type
Individual Artist (solo show)
Thematic Presentation (group show)
Individual Artist
Exhibition Space
The Lab
Location
Onsite (CCA)
Offsite
Online
Onsite (CCA)
Exhibition Start Date
2018-09-15
Exhibition End Date
2018-11-25
Collaboration
Yes
Commissioned Work
No
Related Countries
Singapore
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Place.Labour.Capital.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<i>Journey of a Yellow Man. Selected Materials from the Independent Archive</i>
Subject
The topic of the resource
Performance
Activism
Politics
Identity
Artistic Research
Archival Practice
Description
An account of the resource
On the occasion of the launch of the Digital Resource Platform, NTU CCA Singapore is presenting a selection of materials from Singapore’s Independent Archive (IA), a research and resource platform dedicated to time-based media, established by internationally-renowned artist <b>Lee Wen</b> (Singapore) in 2012. For the past six years, the IA captured the zeitgeist of performance art in Singapore and larger (South-)East Asia through artistic collaborations. <br /><br />This presentation in The Lab is organised into five chapters —“Condition,” “Body,” “Formation / Gestalt,” “Absence,” and “Memory”—that look at the development of performance art as a new medium as well as its political conditions. <i>Journey of a Yellow Man.</i> takes visitors through the archive with photographs, videos, writings, sketchbooks, while simultaneously, introducing the digital archive. As of today, the Centre has digitalised 20,000 files from the IA. <br /><br />The practice of Lee Wen is motivated by social investigations that use art to interrogate stereotypical perceptions of culture and society. He became famous for his performance series <i>Journey of a Yellow Man</i> (1992—), where he embodied his Chinese descent and its relationship to oppressive systems. <br /><br />The presentation provides insight into a continuously expanding resource platform that highlights ephemeral moments in the history of performance art in Singapore. The project addresses the importance of providing historically significant source material for researchers and the wider public. The digitalised files will be integrated into NTU CCA Singapore’s Public Resource Platform and will be accessible at the Centre, the Independent Archive, and the Asia Art Archive, Hong Kong, a collaborative partner of this project. <br /><br />With IA, a series of public programmes will take place in both The Lab at the NTU CCA Singapore and in the IA. The programme highlights IA as a “living archive” that not only serves as a reference library and archive focusing on time-based and event-specific art, but is also a gathering space that offers dynamic programmes in a vibrant network of artists, musicians, and the public. <br /><br /><i>Journey of a Yellow Man</i> is curated by <b>Sophie Goltz</b>, Deputy Director, Research and Academic Programmes, NTU CCA Singapore, in collaboration with <b>Lee Wen</b>, artist and Founder, Independent Archive, Singapore, <b>Bruce Quek</b>, Research, Independent Archive, and <b>Kamiliah Bahdar</b>, Public Programmes, Independent Archive. Project Assistant: <b>Ho See Wah</b>, Young Professional Trainee, NTU CCA Singapore. Assistant to Lee Wen: <b>Liu Wen Chao</b>, Library, Independent Archive. <br /><br />The NTU CCA Digital Resource Platform was initiated in 2016 by <b>Ute Meta Bauer</b>, Founding Director, NTU CCA Singapore, and Professor, NTU ADM Singapore and Lee Wen, in collaboration with <b>Chương-Đài Võ</b>, Researcher, Asia Art Archive, Hong Kong. Assistant to the project: <b>Bruce Quek</b> with the support of <b>Samantha Leong Min Yu</b>, Executive, Conferences, Workshops & Archive, NTU CCA Singapore (till May 2018), <b>Corine Chan Li Ling</b>, Executive Archive, NTU CCA Singapore (May to July 2018), and <b>Pooja Paras Mehta</b> (2017), <b>Ho See Wah</b> (2018), Young Professional Trainees, NTU CCA Singapore.
Contributor
An entity responsible for making contributions to the resource
Sophie Goltz
Lee Wen
Bruce Quek
Kamiliah Bahdar
Ho See Wah
Liu Wen Chao
Ute Meta Bauer
Chương-Đài Võ
Samantha Leong Min Yu
Corine Chan Li Ling
Pooja Paras Mehta
Chuong-Dai Vo
Chuong Dai Vo
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Southeast Asia
Medium
The material or physical carrier of the resource.
Photography
Multimedia Installation
Print
Video
Sculpture
-
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
The Lab
Exhibition
Curated group or solo shows that happen over a period of time, usually a few months, supported by auxiliary programmes. Examples include exhibition hall presentations, lab presentations, vitrine presentations, curated film programmes, and festivals.
Short Description
This presentation pairs two ongoing research projects, which draw on histories of modern art in Southeast Asia with radically unlike methodologies: one is archival, the other artistic.
Exhibition Mode
Research Presentation
Show Type
Individual Artist (solo show)
Thematic Presentation (group show)
Thematic Presentation
Exhibition Space
The Lab
Location
Onsite (CCA)
Offsite
Online
Onsite (CCA)
Exhibition Start Date
2018-12-01
Exhibition End Date
2019-02-10
Collaboration
No
Commissioned Work
No
Related Countries
Laos
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Place.Labour.Capital.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<i>And in the Chapel and in the Temples</i>: research in progress by Buddhist Archive of Photography and Amy Lien and Enzo Camacho
Subject
The topic of the resource
Archival Practice
Artistic Research
Description
An account of the resource
How are aspects of Southeast Asian modern art imaginatively engaged in contemporary practices—by artists, by archivists, and by others? This presentation pairs two ongoing research projects, which draw on histories of modern art in Southeast Asia with radically unlike methodologies: one is archival, yet innovative and unconventional in nature; the other is artistic, yet includes work from archives and involves other kinds of looking. The experimental curatorial juxtaposition of the two projects explores unlikely resonances between them, suggesting unexpected connections across the region, and across times. Among these synergies are the presences of spirituality and the Cold War, and the refiguring of forms and images within differing developments of the modern. <br /><br /><b>The Buddhist Archive of Photography</b> in Luang Prabang, Laos, has gathered over 35,000 photographs either taken or collected by monks since 1890. The photographs have recently been digitised and catalogued, using innovative methodologies attentive to climatic, cultural, and religious circumstances. This Archive is, therefore, a fascinating instance of specifically 21st-century contemporary practice, as much as it is a unique collection of 19th and 20th-century modern photographs. This is the first time images from the Buddhist Archive of Photography are publicly presented in Asia, outside of Luang Prabang. The Archive has also published a series of bilingual English and Lao research volumes, which are made available in this presentation. <br /><br />When considering this vast repository of images, several tropes and questions recur. What is photography’s relationship to <i>anicca</i> (impermanence), <i>dukkha</i> (suffering), and <i>anatta</i> (non-self), the three marks of existence in Buddhist thought? What role did Buddhists and photographers play in the Southeast Asian theatre of the global Cold War? And what are the limits of architectural modernity? These questions are explored in three distinct collections of photographs selected for this presentation. The first is a series of portraits of the late Most Venerable Pha Khamchan Virachitta Maha Thera (1920–2007), co-founder of the Buddhist Archive, taken every year from the age of seven until his death. The second selection comprises photographs collected by photographer-monk Pha Khamfan Silasangvaro (1901–1987), which protest the effects of civil war in Laos from 1959 to 1975, as well as photographs taken by another photographer-monk Pha Oun Heuane Hasapanya Maha Thela (1928–1982), who chronicled rarely seen aspects of Buddhist life, such as women’s vipassana meditation retreats. The third selection of images depicts the 1950s modernising renovations of Wat Saen Soukharam temple, under the direction of the late Most Venerable Pha Khamchan. These photographs, and the publications which accompany them, reward historical, spiritual, aesthetic, and other modes of attention and analysis. <br /><br /><i>And in the Chapel and in the Temples: research in progress by Buddhist Archive of Photography and Amy Lien and Enzo Camacho</i> is conceived and organised by <b>Dr Roger Nelson</b>, an art historian and curator specialising in modern and contemporary art in Southeast Asia, and currently Postdoctoral Fellow at NTU Centre for Contemporary Art Singapore and the School of Art, Design and Media, Nanyang Technological University, Singapore. The presentation draws on Nelson’s ongoing art historical archival research in the Buddhist Archive, and his ongoing curatorial dialogue with Lien and Camacho. <br /><br />Presented as a Fringe Programme of the 6th Singapore International Photography Festival.<br /><br />Roger Nelson thanks Dr Khamvone Boulyaphonh, Hans Georg Berger, the Acuña family, Lynda Tay, the caretakers of Gillman Barracks, Drusilla Tay, Marc Glöde, Guo-Liang Tan, Patrick D. Flores, Simon Soon, and others who assisted in the development and realisation of this presentation.
Contributor
An entity responsible for making contributions to the resource
Roger Nelson
Amy Lien & Enzo Camacho
The Buddhist Archive of Photography
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Southeast Asia
Medium
The material or physical carrier of the resource.
Photography
Print
Video
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
The Lab
Exhibition
Curated group or solo shows that happen over a period of time, usually a few months, supported by auxiliary programmes. Examples include exhibition hall presentations, lab presentations, vitrine presentations, curated film programmes, and festivals.
Short Description
<!DOCTYPE work> is a curatorial project that encourages people to rethink productivity in creative practices, influenced by forced remote work situations due to the global pandemic.
Exhibition Mode
Research Presentation
Show Type
Individual Artist (solo show)
Thematic Presentation (group show)
Thematic Presentation
Exhibition Space
The Lab
Location
Onsite (CCA)
Offsite
Online
Onsite (CCA)
Exhibition Start Date
2020-08-22
Exhibition End Date
2020-10-18
Collaboration
Yes
Commissioned Work
No
Related Countries
Singapore
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Place.Labour.Capital.
Climates. Habitats. Environments.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<em><!DOCTYPE work></em> <i></i>
Subject
The topic of the resource
Ecosystems
Labour
Knowledge Production
Spaces of the Curatorial
Description
An account of the resource
Featuring:<br /><b>Denise Yap</b>, <i>Apartment 2079</i>, 2020<br /><b>Moses Tan</b>, <i>Study for Dramatic Venus</i>, 2020<br /><b>Ruby Jayaseelan</b>, <i>STOP.</i>, 2020<br /><b>passthejpeg</b>, <i>passthetime</i>, 2020<br /><br /><!DOCTYPE work> is a curatorial project that encourages people to rethink productivity in creative practices, influenced by forced remote work situations due to the global pandemic. Borrowing a programming language for the compliance of HTML standards, highlights the use of digital tools and formats for telecommuting. It also signifies the start of an experiment that is open-ended and process-based. Given the context of this current situation, it seeks to chart out the process of exhibition-making while reflecting on these questions: How are our creative practices responding to situational changes and remote working? What are the trajectories of discourse that can arise from the idea of “productivity” in the creative field? What does “productivity” mean to us? <br /><br />This project, conceived by Leon Tan, Shireen Marican, and Tian Lim, is a pilot programme of the Platform Projects Curatorial Award overseen by NTU CCA Singapore. Currently in its inaugural year, this award supports a curatorial project exploring Spaces of the Curatorial by recent graduates of NTU CCA Singapore and NTU ADM’s MA programme in Museum Studies and Curatorial Practices, as well as NTU ADM’s research-oriented MA and PhD programmes.
Contributor
An entity responsible for making contributions to the resource
Denise Yap
Moses Tan
Ruby Jayaseelan
passthejpeg
Leon Tan
Shireen Marican
Tian Lim
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Southeast Asia
Medium
The material or physical carrier of the resource.
Installation
Multimedia Installation
Sculpture
Photography
Print
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
The Vitrine
Exhibition
Curated group or solo shows that happen over a period of time, usually a few months, supported by auxiliary programmes. Examples include exhibition hall presentations, lab presentations, vitrine presentations, curated film programmes, and festivals.
Short Description
Does a landscape harbour ill-feelings towards events and circumstances that have caused it harm? What forgotten stories would a land reveal? Nguyen’s photographs suggest these environments contain a plethora of unspoken histories.
Exhibition Mode
Research Presentation
Show Type
Individual Artist (solo show)
Thematic Presentation (group show)
Individual Artist
Exhibition Space
The Vitrine
Exhibition Start Date
2019-05-28
Exhibition End Date
2019-12-01
Collaboration
No
Commissioned Work
No
Related Countries
Vietnam
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Place.Labour.Capital.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<i>Landscape Series #1</i>, 2013 by Nguyen Trinh Thi
Subject
The topic of the resource
Archival Practice
Geopolitics
Ecosystems
Environmental Crisis
Description
An account of the resource
Interested in the idea of landscapes as a quiet witness to history, artist Nguyen Trinh Thi collects and compilates hundreds of images in which anonymous persons are portrayed pointing towards seemingly empty locations within a landscape. Taken by innumerable Vietnamese press photographers, figures are always captured in the same position, gesturing towards the landscape to indicate a past event, the location of something gone or something lost or missing. We are left with no information about the people and their specific thoughts or feelings, only their repetitious sameness of pointing towards an “evidence” within the silent landscape. <br /><br />The land bearing witness to the volatile transitions in our geo-political, cultural, and social systems questions the extent of which unsustainable and environmentally-taxing practices effect the environment. Does a landscape harbour ill-feelings towards events and circumstances that have caused it harm? And if it were to break its silence, what forgotten stories would it reveal? Rather than disregarding the land, Nguyen’s photographs suggest these environments contain a plethora of unspoken histories. <br /><br />Nguyen’s works are built upon and are often generative of one another. Parallel to this presentation, two of her films, <i>Vietnam the Movie</i> (2015) and <i>Fifth Cinema</i> (2018), will be on view in The Single Screen from 28 May – 9 June and 11 – 23 June respectively. This screening is part of the Centre’s Film Screening Programme: <i>Faces of Histories</i>, 14 May – 17 July 2019.
Contributor
An entity responsible for making contributions to the resource
Ngyuen Trinh Thi
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Southeast Asia
Medium
The material or physical carrier of the resource.
Installation
Photography
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Residencies
Description
An account of the resource
The studio-based Residencies programme is dedicated to facilitating the research of established and emerging artists. It serves as a forum for cultural and artistic exchange in Southeast Asia.
Residency
A research residency programme bringing together local and international artists, curators, and researchers. Metadata description should include research focus of residents, while individual bios will be housed within each contributor's record.
Short Description
Intrigued by the fundamental elements of mutual respect and equal status that underlie practices of hospitality, Alecia Neo seeks to experiment with “acts of radical hospitality” to push forward a critical engagement with the culture of our time.
Cycle
Cycle 6 (2019 – 2020)
Location
Onsite (CCA)
Offsite
Online
Onsite (CCA)
Collaboration
No
Commissioned Work
No
Related Countries
Singapore
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Climates. Habitats. Environments.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Alecia Neo
Description
An account of the resource
Intrigued by the fundamental elements of mutual respect and equal status that underlie practices of hospitality, Alecia Neo seeks to experiment with “acts of radical hospitality” to push forward a critical engagement with the culture of our time. Today, hospitality is mostly associated with the tourism industry and private etiquette but it can also be understood as a political practice whereby a community negotiates its identity and its relationship with “the others.” Engaging with diverse rituals of hospitality practiced in the region, the artist aims to understand how communities draw boundaries and connect with outsiders. During the residency, she will reach out to several individuals and groups and she will invite them to perform acts of sharing and exchange as a form of empowerment. Through observing and experimenting with these rituals, Neo aims to gain a better understanding of h ow hospitality may serve as a resource to establish forms of connectedness across different communities
Date
A point or period of time associated with an event in the lifecycle of the resource
1 October 2019 – 28 April 2020
Contributor
An entity responsible for making contributions to the resource
Alecia Neo
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Southeast Asia
Medium
The material or physical carrier of the resource.
Photography
Video
Subject
The topic of the resource
Ritual
Ecosystems
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Residencies
Description
An account of the resource
The studio-based Residencies programme is dedicated to facilitating the research of established and emerging artists. It serves as a forum for cultural and artistic exchange in Southeast Asia.
Residency
A research residency programme bringing together local and international artists, curators, and researchers. Metadata description should include research focus of residents, while individual bios will be housed within each contributor's record.
Short Description
During her residency, Alice Miceli plans to expand her current project, In Depth (landmines) (2014-ongoing).
Cycle
Cycle 3 (2016 – 2017)
Cycle 4 (2017 – 2018)
Location
Onsite (CCA)
Offsite
Online
Onsite (CCA)
Collaboration
No
Commissioned Work
No
Related Countries
Rio de Janeiro
New York
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Climates. Habitats. Environments.
Place.Labour.Capital.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Alice Miceli
Description
An account of the resource
During her residency, Alice Miceli plans to expand her current project, <i>In Depth (landmines)</i> (2014-ongoing). So far she has conducted field research in Cambodia, Colombia, and Bosnia where she photographed several mine-contaminated areas. The artist plans to examine other sites where landmines and unexploded ordnance remain an active deadly threat. She is especially interested in the landmine situation in Angola, the most heavily mined country in the world as a result of decades of conflict and civil war. The process of gathering relevant materials and managing the complex logistics required by trips to such dangerous areas are all essential components of the work. The artist intends to use her studio to experiment with different spatial presentations of <i>In Depth (landmines)</i> and to initiate new lines of research around the subject of landscape, looking into areas affected by plagues and epidemics and exploring the possibilities involved in their photographic representation.
Date
A point or period of time associated with an event in the lifecycle of the resource
9 January – 28 February 2017
1 August – 31 August 2017
Contributor
An entity responsible for making contributions to the resource
Alice Miceli
Medium
The material or physical carrier of the resource.
Photography
Film
Subject
The topic of the resource
Nature
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Southeast Asia
South America