1
10
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Dublin Core
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Title
A name given to the resource
Programmes
Programme
A non-persistent, time-based occurrence. Examples include symposia and conferences, public talks and performances, tours, workshops, open studios.
Short Description
Passage to Dreamworld is a public programme held in conjunction with Passages, an exhibition of the second cycle of SEA AiR – Studio Residencies for Southeast Asian artists in the European Union. Featuring artists Priyageetha Dia (Singapore), Ngoc Nau (Vietnam) and Saroot Supasuthivech (Thailand) and their artworks Sap Sonic, Virtual Reverie: Echoes of a Forgotten Utopia and Spirit-forward in G Major, the exhibition is a culmination of their residencies in Europe.
Programme Type
Performance
Audience
General
Location
Onsite (CCA)
Offsite
Online
Onsite (CCA)
Collaboration
No
Commissioned Work
Yes
Education
No
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Performance: A Passage to Dreamworld
Subject
The topic of the resource
Performance
Technology
Description
An account of the resource
<p><strong><em>A Passage to Dreamworld </em></strong> <br />20 January 2024, 4.00 – 5.30pm<br />Blk 38 Malan Road, Gillman Barracks<br />Singapore 109441</p>
<p>This public programme will start punctually at 4.00pm. Please arrive at least 10min before time to secure a space. Admittance will be on a first-come-first-served basis. </p>
<p><strong><em>A Passage to Dreamworld</em></strong> is a public programme held in conjunction with <strong><em>Passages</em></strong>, an exhibition of the second cycle of SEA AiR – Studio Residencies for Southeast Asian artists in the European Union. Featuring artists <strong>Priyageetha Dia</strong> (Singapore), <strong>Ngoc Nau</strong> (Vietnam) and <strong>Saroot Supasuthivech</strong> (Thailand) and their artworks <strong><em>Sap Sonic</em></strong>, <strong><em>Virtual Reverie: Echoes of a Forgotten Utopia</em></strong> and <strong><em>Spirit-forward in G Major</em></strong>, the exhibition is a culmination of their residencies in Europe.<br /><br /><em><span>As an extension of the exhibition, </span>A Passage to Dreamworld<span> takes audiences through a performative journey into a liminal realm where reality and imagination intertwine. In creating a space where creative impulses take place, fresh perceptions can be formed to give way to new possibilities. </span><br /><br /></em>Priyageetha Dia will perform a reading from her work <em>Sonified Vision</em>, which looks into the sonification of visual material, accompanied with a live-mixing of sound samples from <em>Sap Sonic</em>. Ngoc Nau presents a two-channel projection drawn from additional footage alongside <em>Virtual Reverie: Echoes of a Forgotten Utopia</em>, and a sound performance on traditional Vietnamese instruments against a mix of soundtracks by her collaborator Dustin Ngo, a Vietnamese sound producer and instrumentalist. Saroot Supasuthivech’s video <em>The Ritual of Life and Music</em> shows the process of a Thai Buddhist monk making holy water and chanting the prayer Ratana Sutta, a sacred verse addressing the contemplation of the Triple Gem: Buddha, Dharma (the teachings), and Sangha (the monastic Buddhist community); followed by a live performance of <em>Sai Samon</em>, a Thai song featured in <em>Spirit-forward in G Major</em>, on the <em>khlui</em> (a Thai flute), by Thai musician Udom Kiattivikrai. </p>
<p>In view of the public programme that is held within the exhibition spaces, <em>Passages</em> will not be on view while the programme is ongoing.<br /><br /><strong>Singapore Art Week 2024 Late Night programme: <em>SPIRIT WORLD</em></strong><span> </span><br /><span>From 7.00pm till late </span><br /><span>Blk 38 Malan Road, #01-05, Singapore 109441</span><br /><br /><span>Responding to sounds from artist Priyageetha Dia’s </span><em>Sap Sonic</em><span>, DJs DIA.HRD (the artist herself), FATIMAH, C2AC and ALEEZON will perform a live mix evolving into free play as an activation of the exhibition space.</span><br /><br /><span>19:00 DIA.HRD</span><br /><span>20:00 FATIMAH</span><br /><span>21:00 ALEEZON</span><br /><span>22:00 C2AC</span><br /><br /><span>SPIRIT WORLD is a space for everyone, regardless of race, gender, sexual orientation, or background. This includes respecting personal space and boundaries. Discriminatory behaviour will not be tolerated.</span></p>
<p></p>
Date
A point or period of time associated with an event in the lifecycle of the resource
20 January 2024
Contributor
An entity responsible for making contributions to the resource
Priyageetha Dia
Ngoc Nau
Nguyen Hong Ngoc
Saroot Supasuthivech
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Southeast Asia
Europe
Medium
The material or physical carrier of the resource.
Sound
-
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Exhibitions
Description
An account of the resource
NTU CCA Singapore’s exhibitions focus on contemporary artistic production that provides a critical platform for reflection and discussion.
Exhibition
Curated group or solo shows that happen over a period of time, usually a few months, supported by auxiliary programmes. Examples include exhibition hall presentations, lab presentations, vitrine presentations, curated film programmes, and festivals.
Short Description
NTU Centre for Contemporary Art Singapore presents the second-cycle exhibition of SEA AiR – Studio Residencies for Southeast Asian Artists in the European Union (SEA AiR), a programme developed by NTU CCA Singapore and funded by the European Union. Titled Passages, this exhibition features new works by artists Priyageetha Dia (Singapore), Ngoc Nau (Vietnam) and Saroot Supasuthivech (Thailand), inspired by their three-month-long residencies in Europe.
Exhibition Mode
Exhibition
Show Type
Individual Artist (solo show)
Thematic Presentation (group show)
Thematic Presentation
Exhibition Space
Block 38
Location
Onsite (CCA)
Offsite
Online
Onsite (CCA)
Exhibition Start Date
28 November 2023
Exhibition End Date
28 January 2024
Collaboration
Yes
Commissioned Work
Yes
Related Countries
Singapore
Vietnam
Thailand
Germany
The Netherlands
Lithuania
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Passages
Subject
The topic of the resource
Decolonialism
Postcolonialism
Technology
Identity
Supernatural
Description
An account of the resource
<p><strong>NTU Centre for Contemporary Art Singapore</strong> presents the second-cycle exhibition of <strong>SEA AiR – Studio Residencies for Southeast Asian Artists in the European Union (SEA AiR)</strong>, a programme developed by NTU CCA Singapore and funded by the European Union. Titled <strong><em>Passages</em></strong>, this exhibition features new works by artists <strong>Priyageetha Dia</strong> (Singapore), <strong>Ngoc Nau</strong> (Vietnam) and <strong>Saroot Supasuthivech</strong> (Thailand), inspired by their three-month-long residencies in Europe. </p>
<p>As part of the SEA AiR programme, Dia had undertaken her residency at <strong>Jan van Eyck Academie</strong> (Netherlands), Nau at <strong>Rupert</strong> (Lithuania) and Supasuthivech at<strong> Künstlerhaus Bethanien</strong><span> </span>(Germany) through the summer. Bringing back their experiences from diverse contexts in the EU to Singapore for this exhibition,<span> </span><em>Passages</em><span> </span>speaks of the artists’ journeys across geographical and cultural boundaries from one continent to another; the cultural exchanges that take place during this time; and the continuous development of ideas as they return to their home countries to create new works for the exhibition.<br /><br /><em><span>Employing new media technologies to aid their storytelling, each artist creates speculative narratives that traverse time and space, shifting between the past and present. While distinct in their artistic research and practices, their works evoke memories and explore meanings in liminal spaces, reverberating in their journey from one passage to the next.</span><br /><br /></em><strong>Priyageetha Dia’s</strong><span> </span>research interest lies in the plantations of Southeast Asia and their colonial histories, including those of migrant labour and structures of production and power. She explores gaps in historical records that are not only text-based, but also non-textual ones such as photographs, artefacts and oral interviews. Her four-channel sound installation<span> </span><strong><em>Sap Sonic</em></strong><span> </span>is a sonification of images from the photo album of the Sumatra Caoutchouc Company, a rubber planting company, from the archives of Rijksmuseum, Amsterdam. Beyond their visual representations, the images bear witness to the power dynamics between the coloniser and its labourers as well as the hierarchy between nature and machine. Reframing this landscape from a visual to a sonic one,<span> </span><em>Sap Sonic<span> </span></em>serves as an aural gateway to the plantations as it delves into the lived yet unspoken lives of those who work on and inhabit the plantations, both human and nonhuman. Accompanying the work,<span> </span><em>Sap Script</em><span> </span>is a text installation in white latex paint, referencing rubber sap, on a black, obsidian-like background. Its typeface echoes the slender and linear structure of rubber trees, distorted to resemble the waveform of sound waves. Through the intangible, unseen nature of sound, Sap Sonic probes aspects of the visual world; expanding the agentive possibilities of the uncounted and the underheard.<br /><br /><span>Upon her arrival in Vilnius, Lithuania, for her residency, </span><strong>Ngoc Nau</strong><span> was drawn to Soviet-era architectural elements in the city, such as the Soviet brutalist architecture of the Vilnius Palace of Concerts and Sports. She also became intrigued with the iconic image of a Lenin statue being removed, with its legs severed, from the city centre square in 1991. This imagery became a point of departure for her exploration into multifaceted aspects of post-Soviet realities in her own country. Portraying contemporary life amidst the remnants of socialist architecture and monuments using 3D animation and visual effects, Nau’s video installation, </span><strong><em>Virtual Reverie: Echoes of a Forgotten Utopia</em></strong><span>, demonstrates the transformative power of technology in reshaping our perceptions of reality. Central to the work is a constructed representation of the Vietnam-Soviet Friendship Palace of Culture and Labour in Hanoi, Vietnam, that serves as a stage for five hip-hop dancers embarking on a symbolic journey. As they interact with elements drawn from historical references in Vietnam and Lithuania, the dancers bridge the gap between historical artifacts and contemporary experiences. Echoing the ebb and flow of ideologies, their passage brings about new meanings when past memories evolve in the face of shifting landscapes.<br /><br /><strong>Saroot Supasuthivech’s</strong> multimedia installation,<strong><em> Spirit-forward in G Major</em></strong>, charts the transformative journey experienced by Thai expatriates in Germany, told through a metaphoric cycle of life, death and rebirth. The work’s narrative unfolds in four parts. “New Beginnings” uses therapeutic dialogues to depict the initial migrant experience. “A Surreal Interlude”, based on interviews conducted with Thai monks and nuns in Berlin, transports viewers into a realm of magic and mortality inspired by Grimm’s fairy tales. The third segment focuses on a Thai music score <em>Sai Samon</em>, the oldest documented. Finally, “A Glimpse Beyond” dives into a poetic meditation on death and the afterlife, told from the viewpoint of the deceased. This poignant culmination is an exploration into a liminal reality between the familiar and the surreal, encapsulating the interplay of tradition, adaptation and preservation within an evolving cultural landscape.</span></p>
<div class="wp-block-image">
<p><em>Passages </em>will be held through Singapore Art Week 2024, with a public programme taking place on 20 January 2024. Details of the public programme can be found<span> </span>here. </p>
<p>SEA AiR – Studio Residencies for Southeast Asian Artists in the European Union<em> </em>is made possible thanks to a generous grant of the European Union. </p>
</div>
<p><strong><span>Dates</span><br />Opening reception: </strong><br />28 November 2023, 5–8pm<br />Refreshments will be served</p>
<p><strong>Public programme:</strong><br />20 January 2023, 4-5.30pm</p>
<p><strong>Opening Hours</strong>:<br />1 December 2023 – 14 January 2024: Friday – Sunday, 1–7pm<br />Closed on 24, 25, 31 December 2023 and 1 January 2024<br /><br />Singapore Art Week<br />19 – 28 January 2024: Monday – Sunday, 1–7pm<br />Late nights on 20 and 27 January 2024: Saturday, 1–9pm</p>
<p><strong><span>Location:</span></strong><br />NTU CCA Singapore Residencies Studios<br />Block 38 Malan Road<br />Gillman Barracks<br />Singapore 109441</p>
Date
A point or period of time associated with an event in the lifecycle of the resource
28 November 2023 - 28 January 2024
Contributor
An entity responsible for making contributions to the resource
Priyageetha Dia
Ngoc Nau
Nguyen Hong Ngoc
Saroot Supasuthivech
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Southeast Asia
Europe
Medium
The material or physical carrier of the resource.
Mixed Media
Multimedia Installation
Video
Sound
-
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Spirit-Forward in C Major
Creator
An entity primarily responsible for making the resource
Saroot Supasuthivech
Date
A point or period of time associated with an event in the lifecycle of the resource
2023
Contributor
An entity responsible for making contributions to the resource
Saroot Supasuthivech
Format
The file format, physical medium, or dimensions of the resource
Video still
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Spirit-Forward in G Major
Creator
An entity primarily responsible for making the resource
Saroot Supasuthivech
Date
A point or period of time associated with an event in the lifecycle of the resource
2023
Contributor
An entity responsible for making contributions to the resource
Saroot Supasuthivech
Format
The file format, physical medium, or dimensions of the resource
Video still
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Residencies
Description
An account of the resource
The studio-based Residencies programme is dedicated to facilitating the research of established and emerging artists. It serves as a forum for cultural and artistic exchange in Southeast Asia.
Residency
A research residency programme bringing together local and international artists, curators, and researchers. Metadata description should include research focus of residents, while individual bios will be housed within each contributor's record.
Short Description
For his residency at Künstlerhaus Bethanien, Saroot Supasuthivech will research the encounters of cultures, faiths and rituals among immigrant communities and local inhabitants.
Cycle
SEA AiR Cycle 2 (2023 - 2024)
Location
Onsite (CCA)
Offsite
Online
Offsite
Collaboration
Yes
Commissioned Work
Yes
Related Countries
Thailand
Germany
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Saroot Supasuthivech
Subject
The topic of the resource
Ritual
Migration
Supernatural
Description
An account of the resource
<strong>17 March - 12 June 2023</strong><br /><strong>Artist-in-Residence at Künstlerhaus Bethanien (Berlin)</strong><br /><br /><em><em> “I am honoured to have been chosen for the SEA AiR programme and I am grateful to be part of the residency programme at Künstlerhaus Bethanien in Berlin. I am excited to explore different cultures and perspectives by researching and interviewing local people. During my stay in Berlin, I hope to learn more about the lives of Thai immigrants, their stories and beliefs, as well as to gain a deeper understanding of the cultural diversity, local histories and storytelling practices in Germany. I hope to contribute something meaningful through my artwork.”<br /></em></em>
<p>Drawing from oral histories and unwritten memories, the works of Saroot Supasuthivech unearth the multiplicity of narratives embedded in specific locations. His installations often combine moving image and sound to conjure the affective aura of a site and bring forth its intangible socio-historical stratifications. Using photogrammetry techniques, he turns 2D images into 3D models as a way of to blur the lines between the real and the mythical. His latest video installation, River Kwai: This Memorial Service Was Held in the Memory of the Deceased (2022), was featured in the Discoveries Section at Art Basel Hong Kong 2022.</p>
<p>For his residency at Künstlerhaus Bethanien, Saroot Supasuthivech will research the encounters of cultures, faiths and rituals among immigrant communities and local inhabitants. He is especially interested in the spiritual beliefs and ceremonial traditions by which humans ritualise the moment of death. With a focus on the historical impact of immigration on funerary practices across different regional and religious contexts, the artist will survey specific burial sites and rituals in Germany and Thailand looking at how foreign communities enact their funerary traditions abroad.</p>
<p>Major sites of interest for his research are the Protestant Cemetery in Bangkok and the Kurpark (Spa Park) in Bad Homburg, the only town outside of Thailand that features two Sala Thai (open pavilions). The Sala were gifted to the city of Bad Homburg by King Chulalongkorn of Siam (1853 to 1910) as a token of gratitude after the monarch’s illness was healed in the spa town in 1907. From the materials gathered through field trips, interviews and archival research, the artist plans to develop a video installation that will convey the mystical structures of those sites as well as the spiritual intersections engendered by global migrations.</p>
Date
A point or period of time associated with an event in the lifecycle of the resource
17 March - 12 June 2023
Contributor
An entity responsible for making contributions to the resource
Saroot Supasuthivech
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Southeast Asia
Europe
Medium
The material or physical carrier of the resource.
Multimedia Installation
Video
Sound
-
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Residencies
Description
An account of the resource
The studio-based Residencies programme is dedicated to facilitating the research of established and emerging artists. It serves as a forum for cultural and artistic exchange in Southeast Asia.
Residency
A research residency programme bringing together local and international artists, curators, and researchers. Metadata description should include research focus of residents, while individual bios will be housed within each contributor's record.
Short Description
As part of his interest in trauma and the potential of ritual healing through performance, during the residency Irfan Kasban intends to work on a long-term research project tentatively titled Port of Reciprocity, with a special focus on “Acoustic Sculptures and Communal Activations for the Burn-out Artist”.
Cycle
Cycle 10 (2023 - 2024)
Location
Onsite (CCA)
Offsite
Online
Onsite (CCA)
Collaboration
No
Commissioned Work
No
Related Countries
Singapore
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Irfan Kasban
Subject
The topic of the resource
Artistic Research
Displacement
Identity
Description
An account of the resource
As part of his interest in trauma and the potential of ritual healing through performance, during the residency Irfan Kasban intends to work on a long-term research project tentatively titled Port of Reciprocity, with a special focus on “Acoustic Sculptures and Communal Activations for the Burn-out Artist”. As part of his interest in trauma and the potential of ritual healing through performance, during the residency Irfan Kasban intends to work on a long-term research project tentatively titled Port of Reciprocity, with a special focus on “Acoustic Sculptures and Communal Activations for the Burn-out Artist”. Reacting to the tightly-knit architecture of Singapore’s public housing estates where the boundaries of individual and communal life are strictly compartmentalised and sound spillages are regarded as nuisances, the artist aims to unpack the socially-accepted notions that define noise pollution in the country. Irfan will experiment with building acoustic sculptures inspired by organic shapes that will augment the human voice without electronic intervention and enhance conscious listening through communal activations. Oscillating between different sonic dimensions, the human voice will be cast as a mode of disruption and forging connections. Throughout the residency, the artist also intends to conduct interviews and group discussions with fellow artists and creatives as a way of better understanding the causes of burnout and formulating strategies against it.
Date
A point or period of time associated with an event in the lifecycle of the resource
4 September 2023 - 31 January 2024
Contributor
An entity responsible for making contributions to the resource
Irfan Kasban
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Southeast Asia
Medium
The material or physical carrier of the resource.
Mixed Media
Multimedia Installation
Sound
Video
Performance
-
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Studio of Artist-in-Residence Yeo Siew Hua, October 2021 - March 2022, NTU CCA Singapore.
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f7fa03a54226ffbc75e24dc9c8d825b3
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Artist-in-Residence Yeo Siew Hua, October 2021 - March 2022, NTU CCA Singapore.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Artist-in-Residence Yeo Siew Hua, October 2021 - March 2022, NTU CCA Singapore.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Residencies
Description
An account of the resource
The studio-based Residencies programme is dedicated to facilitating the research of established and emerging artists. It serves as a forum for cultural and artistic exchange in Southeast Asia.
Residency
A research residency programme bringing together local and international artists, curators, and researchers. Metadata description should include research focus of residents, while individual bios will be housed within each contributor's record.
Short Description
Deepening a long-standing involvement with the migrant experience, prominently manifested in the feature film A Land Imagined (2018), Yeo Siew Hua will use the residency to address the subject with the tools of cartography and music-making.
Cycle
Cycle 8 (2021 – 2022)
Location
Onsite (CCA)
Offsite
Online
Onsite (CCA)
Collaboration
No
Commissioned Work
No
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Climates. Habitats. Environments.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Yeo Siew Hua
Subject
The topic of the resource
Diaspora
Displacement
Geopolitics
Globalisation
Identity
Labour
Migration
Description
An account of the resource
Deepening a long-standing involvement with the migrant experience, prominently manifested in the feature film A Land Imagined (2018), Yeo Siew Hua will use the residency to address the subject with the tools of cartography and music-making. Thinking in terms of borders and boundaries, either physical and symbolic, the artist intends to map out the lived experience of forced mobility and dispossession as well as its underlying power struggles and emotional trails. His research will revolve specifically on migrant songs, a cultural expression often characterized by melancholic melodies and sombre lyrics that speaks of longing, hard work, and perseverance. Conveying the experience of otherness and stirring emotions of communality, migrant songs haunts our times of unprecedented global mass migration and the contemporary debates surrounding exclusionary nationalist politics. Through participatory workshops aimed at lyric writing, music composition, and vocalisation, migrant songs will be created and disseminated in an effort to redraw boundaries of belonging.
Date
A point or period of time associated with an event in the lifecycle of the resource
4 October 2021 - 31 March 2022
Contributor
An entity responsible for making contributions to the resource
Yeo Siew Hua
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Southeast Asia
Medium
The material or physical carrier of the resource.
Film
Sound
-
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46c4aacd6037cbca354d07a4a580e1a4
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Studio of Artist-in-Residence Yuen Chee Wai, October 2021 - March 2022, NTU CCA Singapore.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Artist-in-Residence Yuen Chee Wai, October 2021 - March 2022, NTU CCA Singapore.
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aa5d9ec97ebdf5e7793fd0a4737a78ea
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Artist-in-Residence Yuen Chee Wai, October 2021 - March 2022, NTU CCA Singapore.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Residencies
Description
An account of the resource
The studio-based Residencies programme is dedicated to facilitating the research of established and emerging artists. It serves as a forum for cultural and artistic exchange in Southeast Asia.
Residency
A research residency programme bringing together local and international artists, curators, and researchers. Metadata description should include research focus of residents, while individual bios will be housed within each contributor's record.
Short Description
Drawing on his multidisciplinary sensibility in music-making, design, and curating, Yuen Chee Wai will dedicate the residency to explore the liminality between installation, situation, and performance researching possible spatial, visual, and sonic configurations of devices such as self made speakers using found objects, audio tape, and other motors and sensors.
Cycle
Cycle 8 (2021 – 2022)
Location
Onsite (CCA)
Offsite
Online
Onsite (CCA)
Collaboration
No
Commissioned Work
No
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Climates. Habitats. Environments.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Yuen Chee Wai
Subject
The topic of the resource
Performance
Nature
Description
An account of the resource
Drawing on his multidisciplinary sensibility in music-making, design, and curating, Yuen Chee Wai will dedicate the residency to explore the liminality between installation, situation, and performance researching possible spatial, visual, and sonic configurations of devices such as self made speakers using found objects, audio tape, and other motors and sensors. <span>Working towards the production of a solo album, he will gather and sample physical elements present at Gillman Barracks, using forest foliage as sound conductors and collecting field recordings to expand the vocabularies featured in his music. Along the process, the studio will be treated as a site-specific musical instrument which—through a series of recording and interfacing sessions, either individual or collaborative—will be turned into an environment for feedback and interface.</span>
Date
A point or period of time associated with an event in the lifecycle of the resource
4 October 2021 - 31 March 2022
Contributor
An entity responsible for making contributions to the resource
Yuen Chee Wai
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Southeast Asia
Medium
The material or physical carrier of the resource.
Sound
-
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<span>Tini Aliman, </span><em>Pokoknya: Intrusive Transducers</em><span>, 2021, single channel video. Courtesy of the artist. Photo by Eswandy Sarip.</span>
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Contributors
Contributor
An individual, collective, or corporate entity.
First Name
Tini
Surname or Business Name
Aliman
Years Affiliated
Year range (starting year/ending year) affiliated with NTU CCA Singapore, or leave blank if not applicable.
For date range with year only: YYYY/YYYY, e.g., 2014/2015
For date range with year and month: YYYY-MM/YYYY-MM, e.g., 2014-07/2015-06
2017/2018/2020/2021
Birthplace
Singapore
Occupation
Professional title or identity
Sound Artist
Biographical Text
Long-form biography for the Contributor (no character count). A short-form biography (no more than 240 characters) should be added to the Contributor's Description
<span>Working at the intersection of film, sound, theatre, and installation and often through collaborative projects, the sonic and spatial experiments of </span><strong>Tini Aliman</strong><span> (b. 1980, Singapore) focus on forest networks, plant consciousness, bioacoustics, and data translations via biodata sonification. Her recent projects and collaborations have been presented at </span><em>Free Jazz III: Sound. Walks.</em><span> NTU CCA Singapore (2021); </span><em>An Exercise of Meaning in a Glitch Season,</em><span> National Gallery Singapore (2020); </span><em>Sound Kite Orchestra,</em><span> Biennale Urbana, Venice, Italy and </span><em>Stories We Tell to Scare Ourselves With</em><span>, Museum of Contemporary Art Taipei, Taiwan (both 2019). </span>
Country of Practice
At least one country of practice should be listed for each Contributor, up to three countries of practice.
Singapore
Public Resource Centre Affiliation
Artist Research Platform
Library
Video Resource Platform
None
Artist Research Platform
Contributor Type
Artist-in-Residence
Artist
Performer
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Place.Labour.Capital.
Climates. Habitats. Environments.
Birth Date
1980
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Tini Aliman
Subject
The topic of the resource
Performance
Nature
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Southeast Asia
Medium
The material or physical carrier of the resource.
Sound
Contributor
An entity responsible for making contributions to the resource
Tini Aliman
-
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Residencies
Description
An account of the resource
The studio-based Residencies programme is dedicated to facilitating the research of established and emerging artists. It serves as a forum for cultural and artistic exchange in Southeast Asia.
Residency
A research residency programme bringing together local and international artists, curators, and researchers. Metadata description should include research focus of residents, while individual bios will be housed within each contributor's record.
Short Description
While in residence, Zul will explore the aural relationship between readymade sound sculptures and the architecture of space.
Cycle
Cycle 3 (2016 – 2017)
Location
Onsite (CCA)
Offsite
Online
Onsite (CCA)
Collaboration
No
Commissioned Work
No
Related Countries
Singapore
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Place.Labour.Capital.
Climates. Habitats. Environments.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Zulkifle Mahmod
Description
An account of the resource
Formally trained in sculpture, Zul Mahmod has continued to build and expand his practice over the last three years to include sculpted sound and live sound performances. Zul’s practice investigates the aural architecture of spaces in order to explore the emotional, behavioural and visceral responses of its inhabitants. While in residence, Zul will explore the aural relationship between readymade sound sculptures and the architecture of space. Sonic characteristics, forms and textures of everyday objects will be examined in order to compose an orchestra of sonic sculptures.
Date
A point or period of time associated with an event in the lifecycle of the resource
1 February – 17 June 2016
Contributor
An entity responsible for making contributions to the resource
Zul Mahmod
Zulkifle Mahmod
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Southeast Asia
Medium
The material or physical carrier of the resource.
Installation
Print
Sculpture
Sound
Subject
The topic of the resource
Architecture
Nature
Public Art
-
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Residencies
Description
An account of the resource
The studio-based Residencies programme is dedicated to facilitating the research of established and emerging artists. It serves as a forum for cultural and artistic exchange in Southeast Asia.
Residency
A research residency programme bringing together local and international artists, curators, and researchers. Metadata description should include research focus of residents, while individual bios will be housed within each contributor's record.
Short Description
During the residency, the artist is working on new sound compositions and modes of listening that forge alternative connections between humans and nonhumans. He is also experimenting with drawing to create “visual scores” in response to his soundscapes.
Cycle
Cycle 5 (2018 – 2019)
Location
Onsite (CCA)
Offsite
Online
Onsite (CCA)
Collaboration
No
Commissioned Work
No
Related Countries
Singapore
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Climates. Habitats. Environments.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Zai Tang
Description
An account of the resource
Object-orientated ontology (OOO) is a 21st-century school of thought that rejects the primacy of human existence over non-human objects, thus generating different perspectives on ecological thinking. Combining an ongoing interest in natural environments threatened by urban development with his practice of capturing sonic emanations of the non-human inhabitants of our planet, Tang aims to further his understanding of OOO and sharpen theoretical tools that challenge anthropocentric hierarchies and understanding of nature. The space of the studio provides him with the opportunity to test immersive multisensorial installations that visualize and animate field recordings taken in various natural environments in Singapore. During the residency, the artist is working on new sound compositions and modes of listening that forge alternative connections between humans and nonhumans. He is also experimenting with drawing to create “visual scores” in response to his soundscapes.
Date
A point or period of time associated with an event in the lifecycle of the resource
2 April – 28 September 2018
Contributor
An entity responsible for making contributions to the resource
Zai Tang
Medium
The material or physical carrier of the resource.
Sound
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Asia
Subject
The topic of the resource
Performance
Technology
-
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c0170f960737dab41e01ee0294ca5615
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Residencies
Description
An account of the resource
The studio-based Residencies programme is dedicated to facilitating the research of established and emerging artists. It serves as a forum for cultural and artistic exchange in Southeast Asia.
Residency
A research residency programme bringing together local and international artists, curators, and researchers. Metadata description should include research focus of residents, while individual bios will be housed within each contributor's record.
Short Description
Yan Jun will recreate his Living Room Tour project, initiated in 2011,the project was developed as a solo project and later with guests to become the Impro Committe collaboration project (2014, Beijing).
Cycle
Cycle 2 (2015 – 2016)
Location
Onsite (CCA)
Offsite
Online
Onsite (CCA)
Collaboration
No
Commissioned Work
No
Related Countries
China
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Yan Jun
Description
An account of the resource
Yan Jun will recreate his Living Room Tour project, initiated in 2011,the project was developed as a solo project and later with guests to become the <i>Impro Committe</i> collaboration project (2014, Beijing). <br /><br />The Living Room Tour project has to takes place at someone’s home, a place while he/she lives. whatever the size is, with or without speakers, has or has no electricity; at least one audience is required and the owner of the home is encouraged to invite audiences. The performers may use furniture, kitchenware or anything available. The initial idea of this project came from feeling tired about low-end speakers and wanting to create a sonic space without the expense or formalities which go with this. He says the concert is a temporary mandala, a metaphor for the world. Within this environment is a destabilisation of hierarchy and there is no difference between large and small or professional and amateur. The quality of listening is from participants’s devotion.
Date
A point or period of time associated with an event in the lifecycle of the resource
11 August – 30 October 2015
Contributor
An entity responsible for making contributions to the resource
Yan Jun
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Southeast Asia
Medium
The material or physical carrier of the resource.
Object
Sound
Subject
The topic of the resource
Performance
Body