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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
The Lab
Exhibition
Curated group or solo shows that happen over a period of time, usually a few months, supported by auxiliary programmes. Examples include exhibition hall presentations, lab presentations, vitrine presentations, curated film programmes, and festivals.
Short Description
Taking Donna Haraway's quote as a starting point, Vapour Islands invites us to consider the global ecosystem as a network of entangled and interconnected life-forces, taking the earth's hydrolic cycle and consider the ways in which thin air can be transformed into a present thick with possibility.
Exhibition Mode
Research Presentation
Show Type
Individual Artist (solo show)
Thematic Presentation (group show)
Thematic Presentation
Exhibition Space
The Lab
Location
Onsite (CCA)
Offsite
Online
Onsite (CCA)
Exhibition Start Date
2019-03-07
Exhibition End Date
2019-04-07
Collaboration
No
Commissioned Work
No
Related Countries
None
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<i>Vapour Islands: to live and die well together in a thick present*</i>
Subject
The topic of the resource
The Anthropocene
Environmental Crisis
Capitalism
Coexistence
Posthumanism
Ecosystems
Description
An account of the resource
“To live and die well together in a thick present,” quotes the seminal text <i>Staying with the Trouble: Making Kin in the Cthulhucene</i> by Donna Haraway. In this text, Haraway responds to the rising sense of alarm surrounding ecological discourses on the Anthropocene and the Capitalocene. The book is a proposal to move instead towards the discursive framework of the Cthulhucene—an ecological epoch that, for Haraway, “eschews futurism” and remains resolutely with the present and all its problems; one that stays with the trouble and finds kin within it. <br /><br />To consider the global ecosystem as a network of entangled and interconnected life-forces, the ecological imminence is also an imminence of existence. It begins with disappearance—of water, of trees, of entire habitats and species—all turned to vapour and thin air. And yet thin air in a thick present takes vapour as a beginning, too: vapour cycles through time, becoming cloud, becoming rainfall, becoming water-body again. Taking the Earth’s hydrologic cycle—that is, the sequence of processes detailing the cyclical movement of water on and off the Earth’s surface—as its entry-point, <i>Vapour Islands: to live and die well together in a thick present*</i> is an archipelago of thematic “islands,” in which each island corresponds to one of the four main stages of the hydrologic cycle: evaporation, condensation, precipitation, and percolation. Interacting with books and research materials from the Centre’s Public Resource Platform while thinking through the cycle of water, this presentation moves through and between loss and regain, release and redistribution, to consider the ways in which thin air can be transformed into a present thick with possibility.
Contributor
An entity responsible for making contributions to the resource
Sophie Goltz
Soh Kay Min
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Asia
Europe
Medium
The material or physical carrier of the resource.
Video
Print
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
The Lab
Exhibition
Curated group or solo shows that happen over a period of time, usually a few months, supported by auxiliary programmes. Examples include exhibition hall presentations, lab presentations, vitrine presentations, curated film programmes, and festivals.
Short Description
What is Deep Sea Mining? addresses both knowledge of the deep sea and ocean governance, but also efforts to defend a sustained ocean literacy beyond the United Nations’ “blue economy” at a time when the deep ocean, its species, and its resources remain largely unmapped and understudied.
Exhibition Mode
Research Presentation
Show Type
Individual Artist (solo show)
Thematic Presentation (group show)
Thematic Presentation
Exhibition Space
The Lab
Location
Onsite (CCA)
Offsite
Online
Onsite (CCA)
Exhibition Start Date
2019-11-02
Exhibition End Date
2020-02-08
Collaboration
Yes
Commissioned Work
No
Related Countries
Papua New Guinea
Fiji
Tonga
New Zealand
Japan
Portugal
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<i>What is deep sea mining?</i>
Subject
The topic of the resource
Environmental Crisis
Oceans & Seas
Extractivism
Nature
Postcolonialism
Description
An account of the resource
By <b>inhabitants</b> in collaboration with <b>Margarida Mendes</b> <br /><br />Deep sea mining is a new frontier of resource extraction located on the ocean seabed. It is set to begin in the next few years, as the technology is currently under development. Mining companies are, at present, leasing areas for exploitation in national and international waters in order to assess the potential to extract minerals and metals such as manganese, cobalt, gold, copper, iron, and other rare earth elements. The main geological sites targeted are areas rich in polymetallic nodules, seamounts, and hydrothermal vents; areas typically found where tectonic plates meet. The areas to be mined could cover parts of the Mid-Atlantic Ridge and the Clarion Clipperton Zone in the Pacific Ocean in international waters, and national waters off the islands of Papua New Guinea, Fiji, Tonga, New Zealand, Japan, and the Portuguese archipelago of the Azores. Assessment of the impact on deep sea ecosystems is underway, though their cumulative effects remain difficult to comprehend given the unprecedented variety and expanse of the mining sites targeted. At the same time, local and indigenous communities living in these regions are not being adequately consulted. <br /><br />The prospects of this form of mining re-actualise a colonial, frontier mentality and are redefining extractivist economies for the twenty-first century. <i>What is Deep Sea Mining?</i> addresses both knowledge of the deep sea and ocean governance, but also efforts to defend a sustained ocean literacy beyond the United Nations’ “blue economy” at a time when the deep ocean, its species, and its resources remain largely unmapped and understudied. <br /><br />Episode 1, <i>Tools for Ocean Literacy</i>, is historical and geographical introduction to deep sea mining, playing with Charles and Ray Eames’ 1977 film Powers of Ten. <br /><br />Episode 2, <i>Deep Frontiers</i>, tells a story about knowledge of the seabed and its alien life, written by anthropologist Stefan Helmreich. <br /><br />Episode 3, <i>The Azore Case</i>, focuses on the Portuguese Azores nine island archipelago, following European Union plans to mine in the region, based on a series of interviews with marine biologists and politicians conducted in the islands. <br /><br />Episode 4, <i>A Glossary on Mining</i>, offers a brief glossary of terms that can be used to better tackle the issue of mining reserves and monopolies on land, which in turn may lead to the potential threat of deep sea mining. <br /><br />Episode 5,<i> The Papua New Guinea Case</i>, addresses the plans to mine off the coast of Papua New Guinea as well as the long activist struggle by local communities across the Pacific against deep sea mining. Episode 5 will be premiered at NTU CCA Singapore, simultaneously in the Lab space and online on social media and the websites of NTU CCA Singapore’s website, the funding and partner institution TBA21 – Academy’s website, and inhabitants-tv.
Contributor
An entity responsible for making contributions to the resource
inhabitants
Margarida Mendes
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Oceania
Asia
South America
Medium
The material or physical carrier of the resource.
Video
Multimedia Installation
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
The Lab
Exhibition
Curated group or solo shows that happen over a period of time, usually a few months, supported by auxiliary programmes. Examples include exhibition hall presentations, lab presentations, vitrine presentations, curated film programmes, and festivals.
Short Description
“Speaking nearby” to the exhibition Trinh T. Minh-ha. Films., this research presentation showcases the Wattis Institute’s year-long research season on Trinh’s multifaceted practice as a filmmaker, writer and theorist.
Exhibition Mode
Research Presentation
Show Type
Individual Artist (solo show)
Thematic Presentation (group show)
Thematic Presentation
Exhibition Space
The Lab
Location
Onsite (CCA)
Offsite
Online
Onsite (CCA)
Exhibition Start Date
2020-10-24
Exhibition End Date
2021-01-10
Collaboration
Yes
Commissioned Work
No
Related Countries
United States
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Place.Labour.Capital.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<i>Why are they so afraid of a lotus?</i>
Subject
The topic of the resource
Feminism
Identity
Politics
Description
An account of the resource
“Speaking nearby” to the exhibition <i>Trinh T. Minh-ha. Films.,</i> this research presentation showcases the Wattis Institute’s year-long research season on Trinh’s multifaceted practice as a filmmaker, writer and theorist. What does the promise of “speaking nearby” rather than “speaking about” look like today? What are the politics of hospitality? What are the problematics of “post-feminism,” and how do we challenge the West as the authoritative subject of feminist knowledge? Expanding the discursive orbit of these questions, the presentation features projects by artists <b>Hồng-Ân Trương </b>(US) and <b>Genevieve Quick</b> (US), and is accompanied by the online convening <i>Mother Always Has a Mother</i>, a result of the ongoing research collaboration between NTU CCA Singapore, Rockbund Art Museum (Shanghai), and the Wattis Institute. <br /><br />Conceived by <b>Kim Nguyen</b> (Canada/United States), Curator and Head of Programs, CCA Wattis Institute for Contemporary Arts (Wattis), San Francisco.
Contributor
An entity responsible for making contributions to the resource
Hồng-Ân Trương
Genevieve Quick
Kim Nguyen
Rockbund Art Museum
CCA Wattis Institute for Contemporary Arts
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
North America
Medium
The material or physical carrier of the resource.
Video
Installation
Print
-
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
NTU Centre for Contemporary Art Singapore; Yang Fudong: Incidental Scripts, 12 December 2014 – 1 March 2014, Installation view: Yang Fudong, About the Unknown Girl – Ma Sise (2013 - 2014), The Forgotten Bow-knot.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
NTU Centre for Contemporary Art Singapore; Yang Fudong: Incidental Scripts, 12 December 2014 – 1 March 2014, Installation view: Yang Fudong, About the Unknown Girl – Ma Sise (2013 - 2014), At Lake Kunming.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
NTU Centre for Contemporary Art Singapore; Yang Fudong: Incidental Scripts, 12 December 2014 – 1 March 2014, Installation view: Yang Fudong, About the Unknown Girl – Ma Sise (2013 - 2014), At Lake Kunming.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
NTU Centre for Contemporary Art Singapore; Yang Fudong: Incidental Scripts, 12 December 2014 – 1 March 2014, Installation view: Yang Fudong, The Fifth Night (II) Rehearsal (2010).
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
NTU Centre for Contemporary Art Singapore; Yang Fudong: Incidental Scripts, 12 December 2014 – 1 March 2014, Installation view: Yang Fudong, The Fifth Night (II) Rehearsal (2010).
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
NTU Centre for Contemporary Art Singapore; Yang Fudong: Incidental Scripts, 12 December 2014 – 1 March 2014, Installation view: Yang Fudong, The Fifth Night (II) Rehearsal (2010).
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
NTU Centre for Contemporary Art Singapore; Yang Fudong: Incidental Scripts, 12 December 2014 – 1 March 2014, Installation view: Yang Fudong, On the Double Dragon Hills (2012).
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
NTU Centre for Contemporary Art Singapore; Yang Fudong: Incidental Scripts, 12 December 2014 – 1 March 2014, Installation view: Yang Fudong, About the Unknown Girl – Ma Sise (2013 - 2014), At Lake Kunming.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
NTU Centre for Contemporary Art Singapore; Yang Fudong: Incidental Scripts, 12 December 2014 – 1 March 2014, Installation view: Yang Fudong, About the Unknown Girl – Ma Sise (2013 - 2014), The Forgotten Bow-knot.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
NTU Centre for Contemporary Art Singapore; Yang Fudong: Incidental Scripts, 12 December 2014 – 1 March 2014, Installation view: Yang Fudong, About the Unknown Girl – Ma Sise (2013 - 2014), The Forgotten Bow-knot.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
NTU Centre for Contemporary Art Singapore; Yang Fudong: Incidental Scripts, 12 December 2014 – 1 March 2014, Installation view: Yang Fudong, About the Unknown Girl – Ma Sise (2013 - 2014), At Hegang
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Exhibitions
Description
An account of the resource
NTU CCA Singapore’s exhibitions focus on contemporary artistic production that provides a critical platform for reflection and discussion.
Exhibition
Curated group or solo shows that happen over a period of time, usually a few months, supported by auxiliary programmes. Examples include exhibition hall presentations, lab presentations, vitrine presentations, curated film programmes, and festivals.
Short Description
Incidental Scripts are emblematic Yang Fudong's multi-faceted approach towards the creation of visual imageries that complicates our understanding of reality / fiction, and our experience of space / time.
Exhibition Mode
Exhibition
Show Type
Individual Artist (solo show)
Thematic Presentation (group show)
Individual Artist
Exhibition Space
Exhibition Hall
Location
Onsite (CCA)
Offsite
Online
Onsite (CCA)
Exhibition Start Date
2014-12-12
Exhibition End Date
2015-03-01
Collaboration
No
Commissioned Work
No
Related Countries
China
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Place.Labour.Capital.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<i>Yang Fudong: Incidental Scripts</i>
Subject
The topic of the resource
Theatre
Fiction
Description
An account of the resource
Yang Fudong, a leading international figure of contemporary art and one the most important artists to emerge out of China in the 1990s, staged his first major solo exhibition in Southeast Asia at the NTU Centre for Contemporary Art Singapore. The exhibition, <i>Incidental Scripts</i>, presented a selection of four works by Yang: <i>An Estranged Paradise</i> (1997-2002), <i>The Fifth Night (II) Rehearsal</i> (2010), <i>On the Double Dragon Hills</i> (2012) and <i>About the Unknown Girl – Ma Sise</i> (2013-2014). These works are emblematic of his multi-faceted approach towards the creation of visual imageries that complicates our understanding of reality / fiction, and our experience of space / time. <br /><br />The exhibition was curated by Ute Meta Bauer (NTU CCA Singapore Founding Director) with Khim Ong (Independent Curator).
Contributor
An entity responsible for making contributions to the resource
Yang Fudong
Ute Meta Bauer
Khim Ong
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Asia
Medium
The material or physical carrier of the resource.
Film
Video
Multimedia Installation
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Residencies
Description
An account of the resource
The studio-based Residencies programme is dedicated to facilitating the research of established and emerging artists. It serves as a forum for cultural and artistic exchange in Southeast Asia.
Residency
A research residency programme bringing together local and international artists, curators, and researchers. Metadata description should include research focus of residents, while individual bios will be housed within each contributor's record.
Short Description
In her videos, services, concoctions and drawings, Ana Prvacki uses a gently pedagogical and comedic approach in an attempt to reconcile etiquette and erotics.
Cycle
Cycle 1 (2014 – 2015)
Location
Onsite (CCA)
Offsite
Online
Onsite (CCA)
Collaboration
No
Commissioned Work
No
Related Countries
United States
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Place.Labour.Capital.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<span>Ana Prvački</span>
Description
An account of the resource
In her videos, services, concoctions and drawings, Ana Prvacki uses a gently pedagogical and comedic approach in an attempt to reconcile etiquette and erotics. Prvacki’s practice also centres around the human negotiation involved in endeavours such as hospitality, team efforts through music or questioning our normative cultural codes around ways of being in and navigating a contemporary life.
Date
A point or period of time associated with an event in the lifecycle of the resource
6 July – 28 August 2014
Contributor
An entity responsible for making contributions to the resource
Ana Prvački
Ana Prvacki
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Southeast Asia
Medium
The material or physical carrier of the resource.
Performance
Video
Drawing
Subject
The topic of the resource
Performance
Body
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Residencies
Description
An account of the resource
The studio-based Residencies programme is dedicated to facilitating the research of established and emerging artists. It serves as a forum for cultural and artistic exchange in Southeast Asia.
Residency
A research residency programme bringing together local and international artists, curators, and researchers. Metadata description should include research focus of residents, while individual bios will be housed within each contributor's record.
Short Description
The videos, installations, and performances of Yuichiro Tamura (b. 1977, Japan) articulate multi-layered narratives which delve into the memory and history of localities and weave together unconnected events.
Location
Onsite (CCA)
Offsite
Online
Online
Collaboration
No
Commissioned Work
No
Related Countries
Japan
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Climates. Habitats. Environments.
Cycle
Cycle 7 (2020 – 2021)
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<span>Yuichiro Tamura</span>
Description
An account of the resource
<span>The residency of Yuichiro Tamura was scheduled for July – September 2020, but the COVID-19 pandemic outbreak rendered international travel impossible. In order to continue to support artistic research and foster collaborations beyond borders, the NTU CCA Residencies Programme initiated <a href="https://ntuccasingapore.omeka.net/admin/items/show/2924"><em>Residencies Rewired</em></a>, a project that trailblazes new pathways to collaboration. The videos, installations, and performances of Yuichiro Tamura (b. 1977, Japan) articulate multi-layered narratives which delve into the memory and history of localities and weave together unconnected events. By merging fact and fiction, his works investigate the contemporary significance of past events. Recent group shows include Readings from Below, Times Art Center Berlin, Germany; Yokohama Triennale 2020, Japan and Participation Mystique, Ming Contemporary Art Museum, Shanghai, China (all 2020), and 7th Asian Art Biennial, Taichung, Taiwan (2019), amongst others. He was a finalist for the Asia Pacific Breweries Foundation Signature Art Prize in 2018 and the Nissan Art Award in 2017.</span>
Contributor
An entity responsible for making contributions to the resource
Yuichiro Tamura
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Asia
Date
A point or period of time associated with an event in the lifecycle of the resource
1 December 2020 – 28 February 2021
Medium
The material or physical carrier of the resource.
Video
Installation
Subject
The topic of the resource
Fiction
History
Identity
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34a616b9a1d9afa200ae033c4c647ef4
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Residencies
Description
An account of the resource
The studio-based Residencies programme is dedicated to facilitating the research of established and emerging artists. It serves as a forum for cultural and artistic exchange in Southeast Asia.
Residency
A research residency programme bringing together local and international artists, curators, and researchers. Metadata description should include research focus of residents, while individual bios will be housed within each contributor's record.
Short Description
Intrigued by the fundamental elements of mutual respect and equal status that underlie practices of hospitality, Alecia Neo seeks to experiment with “acts of radical hospitality” to push forward a critical engagement with the culture of our time.
Cycle
Cycle 6 (2019 – 2020)
Location
Onsite (CCA)
Offsite
Online
Onsite (CCA)
Collaboration
No
Commissioned Work
No
Related Countries
Singapore
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Climates. Habitats. Environments.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Alecia Neo
Description
An account of the resource
Intrigued by the fundamental elements of mutual respect and equal status that underlie practices of hospitality, Alecia Neo seeks to experiment with “acts of radical hospitality” to push forward a critical engagement with the culture of our time. Today, hospitality is mostly associated with the tourism industry and private etiquette but it can also be understood as a political practice whereby a community negotiates its identity and its relationship with “the others.” Engaging with diverse rituals of hospitality practiced in the region, the artist aims to understand how communities draw boundaries and connect with outsiders. During the residency, she will reach out to several individuals and groups and she will invite them to perform acts of sharing and exchange as a form of empowerment. Through observing and experimenting with these rituals, Neo aims to gain a better understanding of h ow hospitality may serve as a resource to establish forms of connectedness across different communities
Date
A point or period of time associated with an event in the lifecycle of the resource
1 October 2019 – 28 April 2020
Contributor
An entity responsible for making contributions to the resource
Alecia Neo
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Southeast Asia
Medium
The material or physical carrier of the resource.
Photography
Video
Subject
The topic of the resource
Ritual
Ecosystems
-
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fc351273bc09ace9d357064ea941051a
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Residencies
Description
An account of the resource
The studio-based Residencies programme is dedicated to facilitating the research of established and emerging artists. It serves as a forum for cultural and artistic exchange in Southeast Asia.
Residency
A research residency programme bringing together local and international artists, curators, and researchers. Metadata description should include research focus of residents, while individual bios will be housed within each contributor's record.
Short Description
With a focus on the moving image and film, Andrea Lissoni seeks to discover alternative modes of presentation for these media in large-scale exhibitions and festivals.
Cycle
Cycle 6 (2019 – 2020)
Location
Onsite (CCA)
Offsite
Online
Onsite (CCA)
Collaboration
No
Commissioned Work
No
Related Countries
Italy
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Climates. Habitats. Environments.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Andrea Lissoni
Description
An account of the resource
With a focus on the moving image and film, Andrea Lissoni seeks to discover alternative modes of presentation for these media in large-scale exhibitions and festivals. During his residency, he will meet and connect with local artists, curators, and institutions in Singapore, and will also present a lecture titled <i>Ambitious Lovers. Artists’ Films and Moving Images are Modern Classics, Still</i>. discussing strategies for displaying time-based media in contemporary art.
Date
A point or period of time associated with an event in the lifecycle of the resource
9 December – 16 December 2019
Contributor
An entity responsible for making contributions to the resource
Andrea Lissoni
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Southeast Asia
Medium
The material or physical carrier of the resource.
Film
Video
Subject
The topic of the resource
Artistic Research
Ways of Seeing
-
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a6ef25a6a05c567ae49448cc685a8406
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Residencies
Description
An account of the resource
The studio-based Residencies programme is dedicated to facilitating the research of established and emerging artists. It serves as a forum for cultural and artistic exchange in Southeast Asia.
Residency
A research residency programme bringing together local and international artists, curators, and researchers. Metadata description should include research focus of residents, while individual bios will be housed within each contributor's record.
Short Description
During the residency, Barbara London will connect with local artists and institutions in Singapore.
Cycle
Cycle 4 (2017 – 2018)
Location
Onsite (CCA)
Offsite
Online
Onsite (CCA)
Collaboration
No
Commissioned Work
No
Related Countries
United States
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Climates. Habitats. Environments.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Barbara London
Description
An account of the resource
During the residency, Barbara London will connect with local artists and institutions in Singapore. Reflecting on her experiences at MoMA where she founded the video exhibition and collection programmes, London will deliver a public lecture that will touch upon the museums’ support of the medium from its early formative years to the present. She will also conduct a two-day professional short course titled <i>Time-Based Media in Collections</i>.
Date
A point or period of time associated with an event in the lifecycle of the resource
13 March – 27 March 2018
Contributor
An entity responsible for making contributions to the resource
Barbara London
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Southeast Asia
North America
Medium
The material or physical carrier of the resource.
Video
Subject
The topic of the resource
Spaces of the Curatorial
-
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056bd8e54b929e1318e45ff7f4db8dbb
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Residencies
Description
An account of the resource
The studio-based Residencies programme is dedicated to facilitating the research of established and emerging artists. It serves as a forum for cultural and artistic exchange in Southeast Asia.
Residency
A research residency programme bringing together local and international artists, curators, and researchers. Metadata description should include research focus of residents, while individual bios will be housed within each contributor's record.
Short Description
The artist aims to excavate influences and discrepancies between different colonial legacies and forms of resistance.
Cycle
Cycle 6 (2019 – 2020)
Location
Onsite (CCA)
Offsite
Online
Onsite (CCA)
Collaboration
No
Commissioned Work
No
Related Countries
Taiwan
China
Singapore
Malaysia
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Climates. Habitats. Environments.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Chang Wen-Hsuan
Description
An account of the resource
Intrigued by the power tensions embedded in historical narratives, during the residency Chang Wen-Hsuan will further her research on two different projects. Drawing comparisons between the conflicting relationship of the Taiwanese Communist Party, Japan, and China in Taiwan, and the Malayan Communist Party, Japan, and the United Kingdom in Singapore, the artist aims to excavate influences and discrepancies between different colonial legacies and forms of resistance. In parallel, she will also expand Writing FACTory, a roaming platform for writing and publishing that produces discourse, research, and printed matters as a space for artistic and political practice. This latter project, first launched in Taiwan in 2018, performs a critical examination of how writings are framed, shared, and circulated in today’s digital age. Chang will further develop it in the context of Singapore through library research and interviews conducted with independent local publishers, artists, and artist book fair organisers.
Date
A point or period of time associated with an event in the lifecycle of the resource
5 July – 27 September 2019
Contributor
An entity responsible for making contributions to the resource
Chang Wen-Hsuan
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Southeast Asia
Medium
The material or physical carrier of the resource.
Installation
Video
Subject
The topic of the resource
History
Politics