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Dublin Core
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Title
A name given to the resource
Exhibitions
Description
An account of the resource
NTU CCA Singapore’s exhibitions focus on contemporary artistic production that provides a critical platform for reflection and discussion.
Exhibition
Curated group or solo shows that happen over a period of time, usually a few months, supported by auxiliary programmes. Examples include exhibition hall presentations, lab presentations, vitrine presentations, curated film programmes, and festivals.
Short Description
NTU Centre for Contemporary Art Singapore presents the second-cycle exhibition of SEA AiR – Studio Residencies for Southeast Asian Artists in the European Union (SEA AiR), a programme developed by NTU CCA Singapore and funded by the European Union. Titled Passages, this exhibition features new works by artists Priyageetha Dia (Singapore), Ngoc Nau (Vietnam) and Saroot Supasuthivech (Thailand), inspired by their three-month-long residencies in Europe.
Exhibition Mode
Exhibition
Show Type
Individual Artist (solo show)
Thematic Presentation (group show)
Thematic Presentation
Exhibition Space
Block 38
Location
Onsite (CCA)
Offsite
Online
Onsite (CCA)
Exhibition Start Date
28 November 2023
Exhibition End Date
28 January 2024
Collaboration
Yes
Commissioned Work
Yes
Related Countries
Singapore
Vietnam
Thailand
Germany
The Netherlands
Lithuania
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Passages
Subject
The topic of the resource
Decolonialism
Postcolonialism
Technology
Identity
Supernatural
Description
An account of the resource
<p><strong>NTU Centre for Contemporary Art Singapore</strong> presents the second-cycle exhibition of <strong>SEA AiR – Studio Residencies for Southeast Asian Artists in the European Union (SEA AiR)</strong>, a programme developed by NTU CCA Singapore and funded by the European Union. Titled <strong><em>Passages</em></strong>, this exhibition features new works by artists <strong>Priyageetha Dia</strong> (Singapore), <strong>Ngoc Nau</strong> (Vietnam) and <strong>Saroot Supasuthivech</strong> (Thailand), inspired by their three-month-long residencies in Europe. </p>
<p>As part of the SEA AiR programme, Dia had undertaken her residency at <strong>Jan van Eyck Academie</strong> (Netherlands), Nau at <strong>Rupert</strong> (Lithuania) and Supasuthivech at<strong> Künstlerhaus Bethanien</strong><span> </span>(Germany) through the summer. Bringing back their experiences from diverse contexts in the EU to Singapore for this exhibition,<span> </span><em>Passages</em><span> </span>speaks of the artists’ journeys across geographical and cultural boundaries from one continent to another; the cultural exchanges that take place during this time; and the continuous development of ideas as they return to their home countries to create new works for the exhibition.<br /><br /><em><span>Employing new media technologies to aid their storytelling, each artist creates speculative narratives that traverse time and space, shifting between the past and present. While distinct in their artistic research and practices, their works evoke memories and explore meanings in liminal spaces, reverberating in their journey from one passage to the next.</span><br /><br /></em><strong>Priyageetha Dia’s</strong><span> </span>research interest lies in the plantations of Southeast Asia and their colonial histories, including those of migrant labour and structures of production and power. She explores gaps in historical records that are not only text-based, but also non-textual ones such as photographs, artefacts and oral interviews. Her four-channel sound installation<span> </span><strong><em>Sap Sonic</em></strong><span> </span>is a sonification of images from the photo album of the Sumatra Caoutchouc Company, a rubber planting company, from the archives of Rijksmuseum, Amsterdam. Beyond their visual representations, the images bear witness to the power dynamics between the coloniser and its labourers as well as the hierarchy between nature and machine. Reframing this landscape from a visual to a sonic one,<span> </span><em>Sap Sonic<span> </span></em>serves as an aural gateway to the plantations as it delves into the lived yet unspoken lives of those who work on and inhabit the plantations, both human and nonhuman. Accompanying the work,<span> </span><em>Sap Script</em><span> </span>is a text installation in white latex paint, referencing rubber sap, on a black, obsidian-like background. Its typeface echoes the slender and linear structure of rubber trees, distorted to resemble the waveform of sound waves. Through the intangible, unseen nature of sound, Sap Sonic probes aspects of the visual world; expanding the agentive possibilities of the uncounted and the underheard.<br /><br /><span>Upon her arrival in Vilnius, Lithuania, for her residency, </span><strong>Ngoc Nau</strong><span> was drawn to Soviet-era architectural elements in the city, such as the Soviet brutalist architecture of the Vilnius Palace of Concerts and Sports. She also became intrigued with the iconic image of a Lenin statue being removed, with its legs severed, from the city centre square in 1991. This imagery became a point of departure for her exploration into multifaceted aspects of post-Soviet realities in her own country. Portraying contemporary life amidst the remnants of socialist architecture and monuments using 3D animation and visual effects, Nau’s video installation, </span><strong><em>Virtual Reverie: Echoes of a Forgotten Utopia</em></strong><span>, demonstrates the transformative power of technology in reshaping our perceptions of reality. Central to the work is a constructed representation of the Vietnam-Soviet Friendship Palace of Culture and Labour in Hanoi, Vietnam, that serves as a stage for five hip-hop dancers embarking on a symbolic journey. As they interact with elements drawn from historical references in Vietnam and Lithuania, the dancers bridge the gap between historical artifacts and contemporary experiences. Echoing the ebb and flow of ideologies, their passage brings about new meanings when past memories evolve in the face of shifting landscapes.<br /><br /><strong>Saroot Supasuthivech’s</strong> multimedia installation,<strong><em> Spirit-forward in G Major</em></strong>, charts the transformative journey experienced by Thai expatriates in Germany, told through a metaphoric cycle of life, death and rebirth. The work’s narrative unfolds in four parts. “New Beginnings” uses therapeutic dialogues to depict the initial migrant experience. “A Surreal Interlude”, based on interviews conducted with Thai monks and nuns in Berlin, transports viewers into a realm of magic and mortality inspired by Grimm’s fairy tales. The third segment focuses on a Thai music score <em>Sai Samon</em>, the oldest documented. Finally, “A Glimpse Beyond” dives into a poetic meditation on death and the afterlife, told from the viewpoint of the deceased. This poignant culmination is an exploration into a liminal reality between the familiar and the surreal, encapsulating the interplay of tradition, adaptation and preservation within an evolving cultural landscape.</span></p>
<div class="wp-block-image">
<p><em>Passages </em>will be held through Singapore Art Week 2024, with a public programme taking place on 20 January 2024. Details of the public programme can be found<span> </span>here. </p>
<p>SEA AiR – Studio Residencies for Southeast Asian Artists in the European Union<em> </em>is made possible thanks to a generous grant of the European Union. </p>
</div>
<p><strong><span>Dates</span><br />Opening reception: </strong><br />28 November 2023, 5–8pm<br />Refreshments will be served</p>
<p><strong>Public programme:</strong><br />20 January 2023, 4-5.30pm</p>
<p><strong>Opening Hours</strong>:<br />1 December 2023 – 14 January 2024: Friday – Sunday, 1–7pm<br />Closed on 24, 25, 31 December 2023 and 1 January 2024<br /><br />Singapore Art Week<br />19 – 28 January 2024: Monday – Sunday, 1–7pm<br />Late nights on 20 and 27 January 2024: Saturday, 1–9pm</p>
<p><strong><span>Location:</span></strong><br />NTU CCA Singapore Residencies Studios<br />Block 38 Malan Road<br />Gillman Barracks<br />Singapore 109441</p>
Date
A point or period of time associated with an event in the lifecycle of the resource
28 November 2023 - 28 January 2024
Contributor
An entity responsible for making contributions to the resource
Priyageetha Dia
Ngoc Nau
Nguyen Hong Ngoc
Saroot Supasuthivech
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Southeast Asia
Europe
Medium
The material or physical carrier of the resource.
Mixed Media
Multimedia Installation
Video
Sound
-
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c1c8442cdbb7fab9c92372ac9d8b7a8b
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Sap Sonic
Date
A point or period of time associated with an event in the lifecycle of the resource
2023
Contributor
An entity responsible for making contributions to the resource
Priyageetha Dia
Description
An account of the resource
SCREENSHOT OF PRIYAGEETHA DIA’S WORK ON AN ARCHIVAL IMAGE FROM THE SUMATRA CAOUTCHOUC COMPANY PHOTO ALBUM (RIJKSMUSEUM, AMSTERDAM). THE IMAGE IS FURTHER PROCESSED BY MAKING DIRECT ‘GRAFFITI’ EDITS, WHICH MANIPULATES HOW THE SOUND NOTES ARE READ BETWEEN THE BRIGHT AND DARK AREAS OF THE IMAGE.
Creator
An entity primarily responsible for making the resource
Priyageetha Dia
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Residencies
Description
An account of the resource
The studio-based Residencies programme is dedicated to facilitating the research of established and emerging artists. It serves as a forum for cultural and artistic exchange in Southeast Asia.
Residency
A research residency programme bringing together local and international artists, curators, and researchers. Metadata description should include research focus of residents, while individual bios will be housed within each contributor's record.
Short Description
During her residency at Jan Van Eyck Academie, the artist is interested in delving deeper into the emergence and expansion of agro-industrial plantation projects, the dispossession and displacement of lands and communities in Southeast Asia, and their relation to The Netherlands through archival research.
Cycle
SEA AiR Cycle 2 (2023 - 2024)
Location
Onsite (CCA)
Offsite
Online
Offsite
Collaboration
Yes
Commissioned Work
Yes
Related Countries
Singapore
The Netherlands
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Priyageetha Dia
Subject
The topic of the resource
Migration
Labour
Capitalism
Description
An account of the resource
<div class="type-subtitle highlight-yellow"><b>17 April - 14 July 2023<br />Artist-in-Residence at Jan van Eyck Academie (Maastricht)</b></div>
<div class="type-subtitle">
<p><em>“To be given this opportunity to further my research and artistic practice at Jan van Eyck Academie is an incredible one. Being part of the SEA AiR residency in the EU will allow me to explore the potential for a deeper and broader comprehension beyond the Southeast Asian landscape and into the corners and crossings that ties its relation to the Netherlands. To be able to witness, engage in and respond to an interdisciplinary environment with the possibility to gather with other peers and cultural workers, access resources and facilities, and share knowledge is what I am really looking forward to.”<br /><br /></em>Priyageetha Dia is an arts practitioner who experiments with time-based media, 3D animation and game engine software. Her practice addresses the transnational migration of ethnic communities and the intersections of the colonial production with land, labour and capital in Southeast Asia through speculative methods and counter-narratives. She has been invited to participate in several exhibitions including the Kochi-Muziris Biennale, India (2022); Attention Seeker, La Trobe Art Institute, Bendigo, Australia (2022); An Exercise of Meaning in a Glitch Season, National Gallery Singapore (2020); 2219: Futures Imagined, ArtScience Museum Singapore (2019). She was a recipient of the IMPART Art Award in 2019.</p>
<p>The migratory movements of her ancestral lineage from Southern India to Malaysia, and later to Singapore, sparked Priyageetha’s deep-seated engagement in South Asian diasporic histories, the labour relations that underlie plantation agriculture in Malaya and the vast terrain of colonial narratives. Interweaving these research threads in her multimedia practice, her works figure alternative histories that empower subaltern forms of existence. </p>
<p>During her residency at Jan Van Eyck Academie, the artist is interested in delving deeper into the emergence and expansion of agro-industrial plantation projects, the dispossession and displacement of lands and communities in Southeast Asia, and their relation to The Netherlands through archival research. Moreover, the residency will provide her with a supportive environment to articulate critical viewpoints and counter-narratives through her ongoing and self-led experiments with computer-generated imagery (CGI), animation technologies and game engine software while also allowing her to gain an understanding of issues related to contemporary transnational interactions within Southeast Asia and Europe.</p>
<p><em> </em></p>
</div>
Date
A point or period of time associated with an event in the lifecycle of the resource
17 April - 14 July 2023
Contributor
An entity responsible for making contributions to the resource
Priyageetha Dia
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Southeast Asia
Europe
Medium
The material or physical carrier of the resource.
Mixed Media
Video
Installation
-
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d4cdfd1c207fd2d679b7e1a845137eef
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
VIRTUAL REVERIE: ECHOES OF A FORGOTTEN UTOPIA
Date
A point or period of time associated with an event in the lifecycle of the resource
2023
Contributor
An entity responsible for making contributions to the resource
Ngoc Nau
Nguyen Hong Ngoc
Creator
An entity primarily responsible for making the resource
Ngoc Nau
Nguyen Hong Ngoc
Format
The file format, physical medium, or dimensions of the resource
Video still
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Residencies
Description
An account of the resource
The studio-based Residencies programme is dedicated to facilitating the research of established and emerging artists. It serves as a forum for cultural and artistic exchange in Southeast Asia.
Residency
A research residency programme bringing together local and international artists, curators, and researchers. Metadata description should include research focus of residents, while individual bios will be housed within each contributor's record.
Cycle
SEA AiR Cycle 2 (2023 - 2024)
Location
Onsite (CCA)
Offsite
Online
Offsite
Collaboration
Yes
Commissioned Work
Yes
Related Countries
Vietnam
Lithuania
Short Description
During the residency, Ngoc Nau intends to research the impact of urbanisation and modernisation on contemporary living conditions, collective memories, traditional practices, and the natural landscape.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Ngoc Nau
Nguyen Hong Ngoc
Subject
The topic of the resource
Urbanism
Technology
Modernity
Description
An account of the resource
<div class="type-subtitle highlight-yellow"><b>12 April - 30 June 2023<br />Artist-in-Residence at Rupert (Vilnius)<br /></b><em><br />“I feel very grateful and proud to have been selected for the second edition of the SEA AiR programme and I am very excited about my upcoming residency in Vilnius. It will allow me to connect further with European culture and artists and to find new inspirations and materials to feed my research and thinking. I am very curious to see which bridges I will be able to establish between Northern Europe and Southeast Asia to foster my creative process. I look forward to engage in this opportunity and produce an innovative artwork for the exhibition in Singapore later this year.”</em><b><br /></b></div>
<div class="type-subtitle">
<p>The multimedia practice of Ngoc Nau encompasses photography, holograms, and Augmented Reality (AR) and she is currently working with 3D software and other open source technologies to create new possibilities for video installation. In Nau’s work, different materials and techniques attempt to capture the subtle ways in which new media shape and dictate our views of reality. Blending traditional culture and spiritual beliefs with modern technologies and lifestyles, her work often responds to Vietnam’s accelerated urban development. She has participated in several exhibitions across Asia, including the Thailand Biennale, Korat (2021) and the Singapore Biennale (2019) among others. She also participated in documenta 15, Kassel, Germany (2022) with Sa Sa Art Projects.</p>
<p>During the residency, Ngoc Nau intends to research the impact of urbanisation and modernisation on contemporary living conditions, collective memories, traditional practices, and the natural landscape. Situating herself within the creative community of Rupert will allow her to explore Lithuanian cultural landscape and to access a new trove of materials, including oral traditions, historical archives, and ritual ceremonies. Through encounters will the local community, she intends to unearth the traditional values and ancient practices that have been lost to industrial and technological advancements in order to come to a better understanding of how different communities configure their values and identities within the fast-changing landscape of today. Nau is particularly interested in the gaps created by modern development in the intergenerational transmission of knowledge and she plans to experiment with new media technologies to imagine modes of being that reconcile the past and the future.</p>
</div>
Date
A point or period of time associated with an event in the lifecycle of the resource
12 April - 30 June 2023
Contributor
An entity responsible for making contributions to the resource
Ngoc Nau
Nguyen Hong Ngoc
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Southeast Asia
Europe
Medium
The material or physical carrier of the resource.
Mixed Media
Video
Photography
-
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Spirit-Forward in C Major
Creator
An entity primarily responsible for making the resource
Saroot Supasuthivech
Date
A point or period of time associated with an event in the lifecycle of the resource
2023
Contributor
An entity responsible for making contributions to the resource
Saroot Supasuthivech
Format
The file format, physical medium, or dimensions of the resource
Video still
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Spirit-Forward in G Major
Creator
An entity primarily responsible for making the resource
Saroot Supasuthivech
Date
A point or period of time associated with an event in the lifecycle of the resource
2023
Contributor
An entity responsible for making contributions to the resource
Saroot Supasuthivech
Format
The file format, physical medium, or dimensions of the resource
Video still
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Residencies
Description
An account of the resource
The studio-based Residencies programme is dedicated to facilitating the research of established and emerging artists. It serves as a forum for cultural and artistic exchange in Southeast Asia.
Residency
A research residency programme bringing together local and international artists, curators, and researchers. Metadata description should include research focus of residents, while individual bios will be housed within each contributor's record.
Short Description
For his residency at Künstlerhaus Bethanien, Saroot Supasuthivech will research the encounters of cultures, faiths and rituals among immigrant communities and local inhabitants.
Cycle
SEA AiR Cycle 2 (2023 - 2024)
Location
Onsite (CCA)
Offsite
Online
Offsite
Collaboration
Yes
Commissioned Work
Yes
Related Countries
Thailand
Germany
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Saroot Supasuthivech
Subject
The topic of the resource
Ritual
Migration
Supernatural
Description
An account of the resource
<strong>17 March - 12 June 2023</strong><br /><strong>Artist-in-Residence at Künstlerhaus Bethanien (Berlin)</strong><br /><br /><em><em> “I am honoured to have been chosen for the SEA AiR programme and I am grateful to be part of the residency programme at Künstlerhaus Bethanien in Berlin. I am excited to explore different cultures and perspectives by researching and interviewing local people. During my stay in Berlin, I hope to learn more about the lives of Thai immigrants, their stories and beliefs, as well as to gain a deeper understanding of the cultural diversity, local histories and storytelling practices in Germany. I hope to contribute something meaningful through my artwork.”<br /></em></em>
<p>Drawing from oral histories and unwritten memories, the works of Saroot Supasuthivech unearth the multiplicity of narratives embedded in specific locations. His installations often combine moving image and sound to conjure the affective aura of a site and bring forth its intangible socio-historical stratifications. Using photogrammetry techniques, he turns 2D images into 3D models as a way of to blur the lines between the real and the mythical. His latest video installation, River Kwai: This Memorial Service Was Held in the Memory of the Deceased (2022), was featured in the Discoveries Section at Art Basel Hong Kong 2022.</p>
<p>For his residency at Künstlerhaus Bethanien, Saroot Supasuthivech will research the encounters of cultures, faiths and rituals among immigrant communities and local inhabitants. He is especially interested in the spiritual beliefs and ceremonial traditions by which humans ritualise the moment of death. With a focus on the historical impact of immigration on funerary practices across different regional and religious contexts, the artist will survey specific burial sites and rituals in Germany and Thailand looking at how foreign communities enact their funerary traditions abroad.</p>
<p>Major sites of interest for his research are the Protestant Cemetery in Bangkok and the Kurpark (Spa Park) in Bad Homburg, the only town outside of Thailand that features two Sala Thai (open pavilions). The Sala were gifted to the city of Bad Homburg by King Chulalongkorn of Siam (1853 to 1910) as a token of gratitude after the monarch’s illness was healed in the spa town in 1907. From the materials gathered through field trips, interviews and archival research, the artist plans to develop a video installation that will convey the mystical structures of those sites as well as the spiritual intersections engendered by global migrations.</p>
Date
A point or period of time associated with an event in the lifecycle of the resource
17 March - 12 June 2023
Contributor
An entity responsible for making contributions to the resource
Saroot Supasuthivech
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Southeast Asia
Europe
Medium
The material or physical carrier of the resource.
Multimedia Installation
Video
Sound
-
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Residencies
Description
An account of the resource
The studio-based Residencies programme is dedicated to facilitating the research of established and emerging artists. It serves as a forum for cultural and artistic exchange in Southeast Asia.
Residency
A research residency programme bringing together local and international artists, curators, and researchers. Metadata description should include research focus of residents, while individual bios will be housed within each contributor's record.
Short Description
Building upon his long-standing engagement with performative storytelling, Shahmen Suku will spend his residency researching Failures, Deaths, and the ceremonies that surround them in his family histories.
Cycle
Cycle 10 (2023 - 2024)
Location
Onsite (CCA)
Offsite
Online
Onsite (CCA)
Collaboration
No
Commissioned Work
No
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Shahmen Suku
Subject
The topic of the resource
Cultural Heritage
Ritual
Artistic Research
Description
An account of the resource
Building upon his long-standing engagement with performative storytelling, Shahmen Suku will spend his residency researching Failures, Deaths, and the ceremonies that surround them in his family histories. Building upon his long-standing engagement with performative storytelling, Shahmen Suku will spend his residency researching Failures, Deaths, and the ceremonies that surround them in his family histories. Having previously explored different aspects of the rich Tamil cultural traditions of his maternal lineage via the alter ego Radha, the artist now intends to let go of his persona and directly confront the conflicting and multipolar narratives of his family history which include economic struggles, heated arguments, health issues, and prolonged disagreements. The artist’s in-depth journey into the complex and fraught interpersonal relations that have shaped his emotional upbringing will entail the collection of oral histories from family members, fieldtrips to temples and cemeteries, and archival research into his family’s records, recipes, photographs, and films.
Date
A point or period of time associated with an event in the lifecycle of the resource
4 September 2023 - 31 January 2024
Contributor
An entity responsible for making contributions to the resource
Shahmen Suku
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Southeast Asia
Medium
The material or physical carrier of the resource.
Video
Multimedia Installation
Performance
-
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Residencies
Description
An account of the resource
The studio-based Residencies programme is dedicated to facilitating the research of established and emerging artists. It serves as a forum for cultural and artistic exchange in Southeast Asia.
Residency
A research residency programme bringing together local and international artists, curators, and researchers. Metadata description should include research focus of residents, while individual bios will be housed within each contributor's record.
Short Description
As part of his interest in trauma and the potential of ritual healing through performance, during the residency Irfan Kasban intends to work on a long-term research project tentatively titled Port of Reciprocity, with a special focus on “Acoustic Sculptures and Communal Activations for the Burn-out Artist”.
Cycle
Cycle 10 (2023 - 2024)
Location
Onsite (CCA)
Offsite
Online
Onsite (CCA)
Collaboration
No
Commissioned Work
No
Related Countries
Singapore
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Irfan Kasban
Subject
The topic of the resource
Artistic Research
Displacement
Identity
Description
An account of the resource
As part of his interest in trauma and the potential of ritual healing through performance, during the residency Irfan Kasban intends to work on a long-term research project tentatively titled Port of Reciprocity, with a special focus on “Acoustic Sculptures and Communal Activations for the Burn-out Artist”. As part of his interest in trauma and the potential of ritual healing through performance, during the residency Irfan Kasban intends to work on a long-term research project tentatively titled Port of Reciprocity, with a special focus on “Acoustic Sculptures and Communal Activations for the Burn-out Artist”. Reacting to the tightly-knit architecture of Singapore’s public housing estates where the boundaries of individual and communal life are strictly compartmentalised and sound spillages are regarded as nuisances, the artist aims to unpack the socially-accepted notions that define noise pollution in the country. Irfan will experiment with building acoustic sculptures inspired by organic shapes that will augment the human voice without electronic intervention and enhance conscious listening through communal activations. Oscillating between different sonic dimensions, the human voice will be cast as a mode of disruption and forging connections. Throughout the residency, the artist also intends to conduct interviews and group discussions with fellow artists and creatives as a way of better understanding the causes of burnout and formulating strategies against it.
Date
A point or period of time associated with an event in the lifecycle of the resource
4 September 2023 - 31 January 2024
Contributor
An entity responsible for making contributions to the resource
Irfan Kasban
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Southeast Asia
Medium
The material or physical carrier of the resource.
Mixed Media
Multimedia Installation
Sound
Video
Performance
-
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094ce14b7d0dd758b0caa536c711128e
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Residencies
Description
An account of the resource
The studio-based Residencies programme is dedicated to facilitating the research of established and emerging artists. It serves as a forum for cultural and artistic exchange in Southeast Asia.
Residency
A research residency programme bringing together local and international artists, curators, and researchers. Metadata description should include research focus of residents, while individual bios will be housed within each contributor's record.
Short Description
Building upon his ongoing research into the tropes and evolving definitions of Malayness, Zulkhairi Zulkiflee plans to unpack the implications of the word “world” as it is commonly employed in Singaporean-Malay, tracing the complex socio-political implications that linger in the mixture of desires and tensions oriented towards global belonging.
Cycle
Cycle 10 (2023 - 2024)
Location
Onsite (CCA)
Offsite
Online
Onsite (CCA)
Collaboration
No
Commissioned Work
No
Related Countries
Singapore
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Zulkhairi Zulkiflee
Subject
The topic of the resource
Race
Identity
Decolonialism
Description
An account of the resource
Building upon his ongoing research into the tropes and evolving definitions of Malayness, Zulkhairi Zulkiflee plans to unpack the implications of the word “world” as it is commonly employed in Singaporean-Malay, tracing the complex socio-political implications that linger in the mixture of desires and tensions oriented towards global belonging. In the Singaporean-Malay slang, “world” is used to signal boastful aspirations towards a social status higher than one’s own, often conveyed through self-aggrandising story-telling. Utilising this as an alternative framework to the postcolonial notion of “worlding”, whereby one’s conceptualisation of the world is devised through colonial attachments, the artist will spend his residency investigating the multitude of meanings behind the word’s usages as a way of unravelling sociolinguistic constructs and processes of identity formation. This research will ultimately result in lens-based explorations that engage with “world” through conceptual propositions and visual arrangements comprising archival photos and sociohistorical accounts.
Date
A point or period of time associated with an event in the lifecycle of the resource
3 April - 31 August 2023
Contributor
An entity responsible for making contributions to the resource
Zulkhairi Zulkiflee
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Southeast Asia
Medium
The material or physical carrier of the resource.
Video
Photography
Installation
Mixed Media
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Videos
Video
A series of visual representations imparting an impression of motion when shown in succession. Examples include animations, movies, television programs, videos, zoetropes, or visual output from a simulation.
Based on DMCI MovingImage type (https://www.dublincore.org/specifications/dublin-core/dcmi-terms/#http://purl.org/dc/dcmitype/MovingImage)
Short Description
NTU CCA Ideas Fest 2020 –Ideas City Singapore –Solidarity with Nature (Guest-curated by IdeasCity)
Video
Embedded video or link to video hosted outside of Omeka
<a href="https://vimeo.com/402056937">https://vimeo.com/402056937</a>
Video ID
Platform ID number for video hosted online (e.g., Vimeo)
402056937
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
NTU CCA Ideas Fest 2020 –Ideas City Singapore –Solidarity with Nature (Guest-curated by IdeasCity)
Description
An account of the resource
NTU CCA Ideas Fest 2020 –Ideas City Singapore –Solidarity with Nature (Guest-curated by IdeasCity)
Date
A point or period of time associated with an event in the lifecycle of the resource
15 - 22 February 2020
Contributor
An entity responsible for making contributions to the resource
Heman Chong
Subject
The topic of the resource
Archival Practice
Institutional Critique
Knowledge Production
Format
The file format, physical medium, or dimensions of the resource
Video
Language
A language of the resource
English
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Southeast Asia
Medium
The material or physical carrier of the resource.
Video
-
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3310e0370d252545e59b6a9ec7fa40f6
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Residencies
Description
An account of the resource
The studio-based Residencies programme is dedicated to facilitating the research of established and emerging artists. It serves as a forum for cultural and artistic exchange in Southeast Asia.
Residency
A research residency programme bringing together local and international artists, curators, and researchers. Metadata description should include research focus of residents, while individual bios will be housed within each contributor's record.
Short Description
The videos, installations, and performances of Yuichiro Tamura (b. 1977, Japan) articulate multi-layered narratives which delve into the memory and history of localities and weave together unconnected events.
Location
Onsite (CCA)
Offsite
Online
Online
Collaboration
No
Commissioned Work
No
Related Countries
Japan
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Climates. Habitats. Environments.
Cycle
Cycle 7 (2020 – 2021)
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<span>Yuichiro Tamura</span>
Description
An account of the resource
<span>The residency of Yuichiro Tamura was scheduled for July – September 2020, but the COVID-19 pandemic outbreak rendered international travel impossible. In order to continue to support artistic research and foster collaborations beyond borders, the NTU CCA Residencies Programme initiated <a href="https://ntuccasingapore.omeka.net/admin/items/show/2924"><em>Residencies Rewired</em></a>, a project that trailblazes new pathways to collaboration. The videos, installations, and performances of Yuichiro Tamura (b. 1977, Japan) articulate multi-layered narratives which delve into the memory and history of localities and weave together unconnected events. By merging fact and fiction, his works investigate the contemporary significance of past events. Recent group shows include Readings from Below, Times Art Center Berlin, Germany; Yokohama Triennale 2020, Japan and Participation Mystique, Ming Contemporary Art Museum, Shanghai, China (all 2020), and 7th Asian Art Biennial, Taichung, Taiwan (2019), amongst others. He was a finalist for the Asia Pacific Breweries Foundation Signature Art Prize in 2018 and the Nissan Art Award in 2017.</span>
Contributor
An entity responsible for making contributions to the resource
Yuichiro Tamura
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Asia
Date
A point or period of time associated with an event in the lifecycle of the resource
1 December 2020 – 28 February 2021
Medium
The material or physical carrier of the resource.
Video
Installation
Subject
The topic of the resource
Fiction
History
Identity
-
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b89fd09281d9c54d3f42fd9d16fa3d55
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Residencies
Description
An account of the resource
The studio-based Residencies programme is dedicated to facilitating the research of established and emerging artists. It serves as a forum for cultural and artistic exchange in Southeast Asia.
Residency
A research residency programme bringing together local and international artists, curators, and researchers. Metadata description should include research focus of residents, while individual bios will be housed within each contributor's record.
Short Description
During his residency, Xu Tan will continue to work and expand on investigations and interviews with disparate voices and inhabitants around the Pearl River Delta in Guangdong province, China on their views on urbanisation in China.
Cycle
Cycle 3 (2016 – 2017)
Location
Onsite (CCA)
Offsite
Online
Onsite (CCA)
Collaboration
No
Commissioned Work
No
Related Countries
China
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Xu Tan
Description
An account of the resource
During his residency, Xu Tan will continue to work and expand on his project <i>Keywords Lab: Socio-botany</i>. First initiated in 2012, the work consisted of investigations and interviews with disparate voices and inhabitants around the Pearl River Delta in Guangdong province, China on their views on urbanisation in China. <br /><br />By bringing <i>Keywords Lab: Socio-botany</i> into the context of Singapore, Xu hopes to understand Singapore’s view on the complexities that govern our relationship with the natural and built environments that we live in. Proposed points of entry are through local discussions on the history of plants, criteria in urban construction and development, citizen participation in public tree planting programmes and lastly, conditions of food production.
Date
A point or period of time associated with an event in the lifecycle of the resource
20 June – 1 August 2016
Contributor
An entity responsible for making contributions to the resource
Xu Tan
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Asia
Medium
The material or physical carrier of the resource.
Video
Subject
The topic of the resource
Identity
History
Politics