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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Programmes
Programme
A non-persistent, time-based occurrence. Examples include symposia and conferences, public talks and performances, tours, workshops, open studios.
Short Description
Presented in an open studio accompanied with live activations, the presentation shows selected works in progress and is an encounter of how the research residency unfolds: the fostering of intellectual exchanges and lines of enquiry.
Programme Type
Talk and Lecture
Workshop
Performance
Programme Series
None
Location
Onsite (CCA)
Offsite
Online
Onsite (CCA)
Collaboration
No
Commissioned Work
No
Education
No
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Climates. Habitats. Environments.
Audience
General
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<em>Acts of Life</em>: Public Programme
Description
An account of the resource
<div class="event_single_dates text__research">25 Jan 2019, Fri - 26 Jan 2019, Sat</div>
<div class="event_single_venue">Various locations around NTU CCA</div>
<i><br />Acts of Life</i> is a collaboration of NTU CCA Singapore and MCAD Manila, commissioned by the Goethe-Institut Singapore and Goethe-Institut Manila. <br /><br />After an open call with an overwhelming response of 180 international applicants, 16 artists, writers, theorists from the region and Germany have been selected by a curatorial board to participate in a month-long residency in Manila and Singapore. Structured to encourage the heterogeneity and multiplicity of exchange through which a critical research residency is manifested, the transdisciplinary project seeks to explore the relationship between environments and humankind in times of rapid urbanisation and digitalisation. <br /><br /><i>Acts of Life</i> Public Programme is a constellation of selected artistic research outputs culminated over the period and will happen during Singapore Art Week on 25 and 26 January 2019 and in Manila in February 2019. <br /><br />Presented in an open studio accompanied with live activations, the presentation shows selected works in progress and is an encounter of how the research residency unfolds: the fostering of intellectual exchanges, lines of enquiry and the initiation of potential discourses around the intersections between art, nature, urbanity, and technology.<br /><br /><p><u>Curatorial Advisory Board</u></p>
<p><strong>Prof. Ute Meta Bauer, Founding Director, </strong>NTU CCA Singapore and Professor, School of Art, Design and Media NTU,<strong>María Jocelina Cruz, </strong>Director & Curator, MCAD Manilla, <strong>Prof. Patrick Flores, </strong>Professor, Department of Art Studies, University of Philippines and Curator, Vargas Museum Manilla, <strong>Asst. Prof. Sophie Goltz, </strong>Deputy Director, Research & Academics Programmes, NTU CCA Singapore, and Assistant Professor, School of Art, Design and Media NTU,<strong> Khim Ong, </strong>Deputy Director, Curatorial Programmes, NTU CCA Singapore.</p>
Date
A point or period of time associated with an event in the lifecycle of the resource
25 - 26 January 2019
Contributor
An entity responsible for making contributions to the resource
Ute Meta Bauer
María Jocelina Cruz
Patrick D. Flores
Sophie Goltz
Khim Ong
Maria Jocelina Cruz
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Southeast Asia
Subject
The topic of the resource
Artistic Research
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c2ac09584dae2c1b4ea2670d6a64fbd2
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Programmes
Programme
A non-persistent, time-based occurrence. Examples include symposia and conferences, public talks and performances, tours, workshops, open studios.
Short Description
Art, Urban Change, and the Public Sphere engages with art in privately owned public spaces through a Public Art Education Summit and research presentation.
Programme Type
Conference and Symposium
Audience
Graduate/Post-Graduate
Programme Series
None
Location
Onsite (CCA)
Offsite
Online
Onsite (CCA)
Education
No
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Place.Labour.Capital.
Climates. Habitats. Environments.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<em>Art, Urban Change, and the Public Sphere</em>: Public Art Education Summit
Subject
The topic of the resource
Architecture
Public Art
Urbanism
Description
An account of the resource
<p>NTU CCA Singapore is pleased to present <em>Art, Urban Change, and the Public Sphere</em>, which engages with art in privately owned public spaces through a Public Art Education Summit and research presentation. Taking as its point of departure the neighbouring <em>Culture City. Culture Scape. </em>Public Art Trail at Mapletree Business City—developed with curatorial consultation by NTU CCA Singapore—the presentation and Summit explore broader cultural and artistic developments on a civic scale situated in urban landscapes. How do political and economic changes in the public realm evoke a regional discourse on art in cities?</p>
<p>The Public Art Education Summit is the first of its kind in Singapore and part of a larger engagement of NTU CCA Singapore in professional education of public art. It focuses on cultural place-making and building communities through artistic practices. It aims to stimulate a debate between art professionals, policy makers, urban developers and other local stakeholders, on how and for whom art creates public spaces in our built environment. Any artistic or curatorial initiative in “public space” must address the question of how to construct “a public” and with it, how to encounter identity. Any difference—be it regional and local, ethnic and religious, economic and social—generates its own cohabitation of urban space and public culture to communicate with. The challenge for art in the public sphere lies in its openness to existing and yet, imagined communities of civic urbanism. Ranging from corporate cultural engagement in privately owned public spaces to urban regeneration, the invited speakers draw connections to the beginnings of community engagement in public art with its fluid methods. Furthermore, they suggest a critical look at different artistic and curatorial practices which reflect on “artists as citizens.” Or, how any space called public, first and foremost, is created by the different people inhabiting that space.</p>
<p>Guest-of-Honour:<span> </span><strong>Prof Wang Dawei</strong>, Executive Dean, College of Fine Arts, Shanghai University</p>
<p>With contributions by:<span> </span><strong>Ute Meta Bauer </strong>(Germany/Singapore),<span> </span><strong>Richard Bell </strong>(Australia),<span> </span><strong>Lewis Biggs </strong>(United Kingdom),<span> </span><strong>Antonia Carver</strong><span> </span>(United Kingdom/United Arab Emirates), <strong>Lilian Chee </strong>(Singapore),<span> </span><strong>Amanda Crabtree </strong>(United Kingdom/France), <strong>Daniel Mudie Cunningham </strong>(Australia), <strong>Catherine David </strong>(France),<span> </span><strong>Eileen Goh </strong>(Singapore),<span> </span><strong>Sophie Goltz </strong>(Germany/Singapore),<span> </span><strong>Limin Hee<span> </span></strong>(Singapore),<span> </span><strong>Kok Heng Leun </strong>(Singapore), <strong>Richard Lim </strong>(Singapore),<span> </span><strong>Hongjohn Lin<span> </span></strong>(Taiwan/Singapore),<span> </span><strong>Massamba Mbaye </strong>(Senegal),<span> </span><strong>Alecia Neo </strong>(Singapore),<span> </span><strong>Alan Oei </strong>(Singapore),<span> </span><strong>Nikos Papastergiadis </strong>(Australia),<span> </span><strong>Jasmeen Patheja </strong>(India),<span> </span><strong>Lorenzo Petrillo</strong><span> </span>(Italy/Singapore), <strong>Milenko Prvački </strong>(Ex-Yugoslavia/Singapore),<span> </span><strong>Ashley Thompson </strong>(United Kingdom),<span> </span><strong>Philip Tinari</strong><span> </span>(United States/China), <strong>Katherine Ann Leilani Tuider </strong>(United States), et al.</p>
<p>With capability-development workshops by<span> </span><strong>Amanda Crabtree </strong>(United Kingdom/France),<span> </span><strong>Daniel Mudie Cunningham </strong>(Australia),<span> </span><strong>Hongjohn Lin<span> </span></strong>(Taiwan/Singapore) and<span> </span><strong>Katherine Ann Leilani Tuider </strong>(United States).</p>
<p>Held in association with Shanghai Academy of Fine Arts, Shanghai University, and Institute for Public Arts, London. Supported by Mapletree Investments and, additionally, by Public Art Trust, an initiative of National Arts Council Singapore.<br /><br /></p>
<p><u>Programme for Public Art Education Summit</u></p>
<p><strong>Thursday, 17 October 2019, 9.00am – 7.30pm<br /></strong>Venue: The Single Screen, Block 43 Malan Road</p>
<p>8.45am Registration and Coffee</p>
<p>9.00am Opening addresses by <strong>Low Eng Teong </strong>(Singapore), Assistant Chief Executive, Sector Development, National Arts Council Singapore, <strong>Ute Meta Bauer </strong>(Germany/Singapore), Founding Director, NTU CCA Singapore and Professor, NTU ADM, and Guest-of-Honour<span> </span><strong>Wang Dawei<span> </span></strong>(China), Executive Dean, College of Fine Arts, Shanghai University followed by Introduction by<span> </span><strong>Sophie Goltz </strong>(Germany/Singapore), Deputy Director, Research & Academic Programmes, NTU CCA Singapore, and Assistant Professor, School of Art, Design and Media, NTU</p>
<p>9.45am <i>Context is Everything</i>, Presentation by<span> </span><strong>Lewis Biggs </strong>(United Kingdom) Chair, Institute for Public Art, London</p>
<p>10.15am <em>Making Art, Making Society</em>, Presentation by<span> </span><strong>Amanda Crabtree </strong>(France), Director, artconnexion</p>
<p>10.45am <em>Community-First Public Art</em>, Presentation by<span> </span><strong>Katherine Ann Leilani Tuider </strong>(United States), Executive Director and Co-founder, Honolulu Biennial Foundation</p>
<p>11.15am Coffee Break and Discussions</p>
<p>12.00pm <em>Public Art and Community Building</em><br />Roundtable Discussion with<span> </span><strong>Eileen Goh</strong><span> </span>(Singapore), Assistant Manager, Art-in-Transit at Land Transport Authority;<span> </span><strong>Richard Lim</strong><span> </span>(Singapore), Manager, Art Management, Project Development, CapitaLand; <strong>Lorenzo Petrillo</strong><span> </span>(Italy/Singapore), Director and Founder, LOPELAB, moderated by<span> </span><strong>Lilian Chee</strong><span> </span>(Singapore), Associate Professor, Department of Architecture, National University of Singapore</p>
<p>1.00pm Lunch Break</p>
<p>2.00pm <span> </span><strong>Capability-Development Workshops</strong><br /> Venue: Studios, Block 37 Malan Road</p>
<p>#Activating#Communities <em>New Patron Model for Public Art Commissioning</em>, Workshop by<span> </span><strong>Amanda Crabtree<span> </span></strong>(France), Director, artconnexion. Register at<span> </span><a href="http://tiny.cc/amandacrabtreeworkshop?fbclid=IwAR3Q93kI4t12Kp6mr_4qz528NIwqFFdnIfRvckulb8kZaBX_zDAVy64s1e4" target="_blank" rel="noreferrer noopener">tiny.cc/amandacrabtreeworkshop</a>.</p>
<p>#Building#Communities, <em>Fundraising as Community Engagement</em>, Workshop by<span> </span><strong>Katherine Ann Leilani Tuider<span> </span></strong>(United States), Executive Director and Co-founder, Honolulu Biennial Foundation. Register at<span> </span><a href="http://tiny.cc/katherinetuiderworkshop?fbclid=IwAR1G11dbsM4GNxdqeHy00qtjn9ySWKX6_kNHdd8QpSlbedHZDPZ_eF-hjjs" target="_blank" rel="noreferrer noopener">tiny.cc/katherinetuiderworkshop</a>.</p>
<p>5:30pm End of Workshop</p>
<p>On the occasion of NTU CCA’s International Advisory Board annual meeting, invited members share their knowledge and experience.</p>
<p>6.00pm Lecture by<span> </span><strong>Nikos Papastergiadis </strong>(Australia), Professor, School of Culture and Communication, University of Melbourne</p>
<p>6:30pm Lecture by<span> </span><strong>Ashley Thompson </strong>(United Kingdom), Hiram W. Woodward Chair of Southeast Asian Art, SOAS University of London</p>
<p>7:00pm Roundtable Discussion with<span> </span><strong>Antonia Carver</strong><span> </span>(United Kingdom/United Arab Emirates), Director, Jameel Arts Centre; <strong>Catherine David </strong>(France), Deputy Director, Research and Globalisation, MNAM/CCI, Centre Pompidou; <strong>Philip Tinari</strong><span> </span>(United States/China), Director, UCCA Center for Contemporary Art, moderated by<span> </span><strong>Ute Meta Bauer </strong>(Germany/Singapore), Founding Director, NTU CCA Singapore and Professor, School of Art, Design and Media, NTU</p>
<p>7:30pm Reception</p>
<p><strong> </strong></p>
<p><strong>Friday, 18 October 2019, 9.00am – 5.30pm<br /></strong>Venue: The Single Screen, Block 43 Malan Road</p>
<p>8.45am Registration and Coffee</p>
<p>9.00am Introduction by<span> </span><strong>Sophie Goltz </strong>(Germany/Singapore), Deputy Director, Research & Academic Programmes, NTU CCA Singapore, and Assistant Professor, School of Art, Design and Media, NTU</p>
<p>9.15am <em>A Railroad Switch in Time: South Eveleigh Case Study</em>, Presentation by<span> </span><strong>Daniel Mudie Cunningham </strong>(Australia), Director, Programs, Carriageworks</p>
<p>9.45am <span> </span><em>Biennials as Public Space</em>, Presentation by<span> </span><strong>Hongjohn </strong><strong>Lin </strong>(Taiwan/Singapore), Associate Professor, Taipei National University of Arts</p>
<p>10.15am <span> </span><em>Action Sheroes, Heroes, Theyroes. Resonate #NeverAskForIt</em>, Presentation by<span> </span><strong>Jasmeen Patheja </strong>(India), Founder, Blank Noise</p>
<p>10.45am <span> </span><em>Beyond Education, Beyond Community</em>, Presentation by<span> </span><strong>Milenko Prvački </strong>(Ex-Yugoslavia/Singapore), Senior Fellow, LASALLE College of the Arts, artist and founder, ART WALK Little India</p>
<p>11.15am Coffee Break and Discussions</p>
<p>12.00pm <span> </span><em>Art, Public Space, and Urban Development</em><br />Roundtable Discussion with<span> </span><strong>Kok Heng Leun</strong><span> </span>(Singapore), Artistic Director, Drama Box;<span> </span><strong>Alecia Neo</strong><span> </span>(Singapore), artist and co- founder, Brack;<span> </span><strong>Alan Oei</strong><span> </span>(Singapore), Artistic Director, The Substation, moderated by<span> </span><strong>Limin Hee</strong><span> </span>(Singapore), Director, Research, Centre for Liveable Cities</p>
<p>1.00pm Lunch Break</p>
<p>2.00pm <span> </span><strong>Capability-Development Workshops</strong><br /> Venue: Studios, Block 37 Malan Road</p>
<p>#Supporting#Communities <em>Urban Communities and their Stakeholders</em>, Workshop by<span> </span><strong>Daniel Mudie Cunningham </strong>(Australia), Director, Programs, Carriageworks.</p>
<p>#Educating#Communities <em>Biennials as Public Space</em><em>:<span> </span></em><em>Between Artistic Approaches and Public Demands</em>, Workshop by<span> </span><strong>Hongjohn </strong><strong>Lin </strong>(Taiwan/Singapore), Associate Professor, Taipei National University of Arts.</p>
<p>5:30pm End of Workshop</p>
<p> </p>
<p><strong>Saturday, 19 October 2019, 9.00am – 1.00pm<br /></strong>Venue: The Single Screen, Block 43 Malan Road</p>
<p>8.45am Registration and Coffee</p>
<p>9.00am Introduction by<span> </span><strong>Sophie Goltz </strong>(Germany/Singapore), Deputy Director, Research & Academic Programmes, NTU CCA Singapore, and Assistant Professor, School of Art, Design and Media, NTU</p>
<p>9.15am <em>Participation in Practice: Artists as Ally</em>, Presentation by<span> </span><strong>Alecia Neo<span> </span></strong>(Singapore), artist</p>
<p>9.45am <span> </span><em>The Village of the Arts of Senegal</em>, Presentation by <strong>Massamba Mbaye </strong>(Senegal), lecturer, Dakar Cheikh Anta Diop University & Virtual University of Senegal</p>
<p>10.15am <span> </span><em>Aboriginal Tent Embassy</em>, Presentation by<span> </span><strong>Richard Bell </strong>(Australia), artist</p>
<p>10.45am Coffee Break and Discussions</p>
<p>11.15am Roundtable Discussion with<span> </span><strong>Richard Bell<span> </span></strong>(Australia), artist,<span> </span><strong>Hongjohn Lin<span> </span></strong>(Taiwan/Singapore), Associate Professor, Taipei National University of Arts,<span> </span><strong>Massamba Mbaye </strong>(Senegal), lecturer, Dakar Cheikh Anta Diop University & Virtual University of Senegal, and<span> </span><strong>Alecia Neo </strong>(Singapore), artist, moderated by<span> </span><strong>Sophie Goltz<span> </span></strong>(Germany/Singapore), Deputy Director, Research & Academic Programmes, NTU CCA Singapore, and Assistant Professor, School of Art, Design and Media, NTU</p>
<p>12.00pm Closing Remarks by Lewis Biggs (United Kingdom)</p>
<p> </p>
<p>Programme as of 1 October 2019, subject to change.</p>
Contributor
An entity responsible for making contributions to the resource
Ute Meta Bauer
Richard Bell
Lewis Biggs
Antonia Carver
Lilian Chee
Amanda Crabtree
Daniel Mudie Cunningham
Catherine David
Eileen Goh
Sophie Goltz
Limin Hee
Kok Heng Leun
Richard Lim
Hongjohn Lin
Massamba Mbaye
Alecia Neo
Alan Oei
Nikos Papastergiadis
Jasmeen Patheja
Lorenzo Petrillo
Milenko Prvački
Ashley Thompson
Philip Tinari
Katherine Ann Leilani Tuider
Low Eng Teong
Wang Dawei
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Southeast Asia
-
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89fdb38b3080f91a11209aef3b65a995
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Yinka Shonibare CBE (RA), <em>Wind Sculpture I</em>, 2013, steel armature with hand painted fibreglass resin cast, Mapletree Business City II. Courtesy NTU CCA Singapore.
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7cfcc49103f91aabde73e5861325d274
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<span>Tomás Saraceno, </span><em>Stillness in Motion – 3 Airborne Self-Assemblies</em><span>, 2017, steel frame, reflective panels, steel wire, Mapletree Business City II, installation view.</span>
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71f792ecad8130e407e290a1838f5fcd
Dublin Core
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Title
A name given to the resource
<span>Zulkifle Mahmod, </span><em>Sonic Pathway</em><span>, 2017, copper pipes, 512 solenoids, microcontrollers, speakers, Mapletree Business City II, installation view.</span>
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a95c8ffe4c9417d2f0986f4434223510
Dublin Core
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Title
A name given to the resource
<span>Dan Graham, </span><em>Elliptical Pavillion</em><span>, 2017, glass and mirror pavilion at Mapletree Business City II. Courtesy NTU CCA Singapore.</span>
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Programmes
Programme
A non-persistent, time-based occurrence. Examples include symposia and conferences, public talks and performances, tours, workshops, open studios.
Short Description
Themed Culture City. Culture Scape., this public art project, commissioned by Mapletree and curated by NTU CCA Singapore comprises works by internationally renowned artists Dan Graham, Zulkifle Mahmod, Tomás Saraceno, and Yinka Shonibare.
Programme Type
Tour
Audience
General
Programme Series
None
Location
Onsite (CCA)
Offsite
Online
Offsite
Collaboration
Yes
Commissioned Work
No
Education
No
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Place.Labour.Capital.
Climates. Habitats. Environments.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<em>Culture City. Culture Scape.</em> Public Art Trail at Mapletree Business City II
Subject
The topic of the resource
Public Art
Urbanism
Description
An account of the resource
<p>Our upcoming guided tour is an excellent way to get inspired and unwind in the company of art. Enjoy a well-deserved cup of coffee and snack while we walk you through the artworks nestled in the lush compounds of Mapletree Business City II (MBC II).</p>
<p>Themed<span> </span><em>Culture City. Culture Scape.</em>, this public art project, commissioned by Mapletree and curated by NTU CCA Singapore comprises works by internationally renowned artists<span> </span><strong>Dan Graham</strong><span> </span>(United States),<span> </span><strong>Zulkifle Mahmod</strong><span> </span>(Singapore),<span> </span><strong>Tomás Saraceno</strong><span> </span>(Argentina/Germany), and<span> </span><strong>Yinka Shonibare</strong><span> </span>(Nigeria/United Kingdom). Inspired by the idea of expanded sculptural environments, the artworks explore the interplay between landscape, architecture, and the broader social and economic environments they are placed in. More than being monumental or site-specific, each work alters or permeates its local context to invite visitors to a broader, richer engagement.</p>
<p>For more information about our tours, please visit:<span> </span><a href="http://www.mapletreearts.sg/">www.mapletreearts.sg</a></p>
Contributor
An entity responsible for making contributions to the resource
Dan Graham
Zulkifle Mahmod
Tomás Saraceno
Yinka Shonibare
Mapletree Investments Pte Ltd
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Southeast Asia
Date
A point or period of time associated with an event in the lifecycle of the resource
2017–2021
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Programmes
Programme
A non-persistent, time-based occurrence. Examples include symposia and conferences, public talks and performances, tours, workshops, open studios.
Short Description
Tun Win Aung will talk about his long-lasting friendship and multiple collaborations with Phyoe Kyi
Programme Series
None
Location
Onsite (CCA)
Offsite
Online
Onsite (CCA)
Collaboration
No
Commissioned Work
No
Related Countries
Singapore
Education
No
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Climates. Habitats. Environments.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<em>On Museums Made by Artists</em>, Artist Talk by Tun Win Aung (Myanmar)
Description
An account of the resource
Tun Win Aung will talk about his long-lasting friendship and multiple collaborations with Phyoe Kyi. Since the artists first met in Yangon’s art school, they established a profound connection which unfolded through continuous conversations, intellectual exchanges, and repeated artistic partnerships. Tun Win Aung will present the collaborative projects developed in Mingun from 2003 and 2013 and The Art & Museum Project, the platform he runs together with artist Wah Nu, which originally triggered Phyoe Kyi’s <i>The Museum Project</i>. While conveying the visionary thrust of Phyoe Kyi’s work, Tun Win Aung will also highlight the challenges related to envisioning a contemporary art institution in the context of Myanmar.
Date
A point or period of time associated with an event in the lifecycle of the resource
2019-07-30
Contributor
An entity responsible for making contributions to the resource
Tun Win Aung
Phyoe Kyi
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Southeast Asia
Subject
The topic of the resource
Institutional Critique
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Programmes
Programme
A non-persistent, time-based occurrence. Examples include symposia and conferences, public talks and performances, tours, workshops, open studios.
Short Description
Questioning Museums: Art Institutions in Singapore critically examines the ways in which shifting social, political, and cultural histories are both produced and made visible through the island-state’s institutional structures.
Programme Type
Book Launch
Programme Series
None
Location
Onsite (CCA)
Offsite
Online
Onsite (CCA)
Collaboration
No
Commissioned Work
No
Related Countries
Singapore
Education
No
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Climates. Habitats. Environments.
Audience
Educators
Graduate/Post-Graduate
General
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<em>Questioning Museums: Art Institutions in Singapore</em> Book Launch and Welcome Reception
Description
An account of the resource
<i>Questioning Museums: Art Institutions</i> <em>in Singapore</em> critically examines the ways in which shifting social, political, and cultural histories are both produced and made visible through the island-state’s institutional structures, collecting strategies, and modes of exhibition making. Working together in teams, the inaugural class of students from Nanyang Technological University’s Masters of Arts in Museum Studies and Curatorial Practices (MSCP), a programme designed to prepare graduates for professional positions in the highly complex and diverse museum landscape of Southeast Asia, anchor their collective exploration through four in-depth interviews with leading figures of Singapore’s ever-evolving museum field: Kwa Chong Guan, Peter Lee, Angelita Teo, and Kennie Ting. <br /><br />Please join us for a celebratory book launch with honoured guests, a roundtable conversation with recent graduates, and a welcome reception for the incoming class of MSCP students!
Date
A point or period of time associated with an event in the lifecycle of the resource
2019-08-07
Contributor
An entity responsible for making contributions to the resource
Kwa Chong Guan
Peter Lee
Angelita Teo
Kennie Ting
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Southeast Asia
Subject
The topic of the resource
Institutional Critique
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Programmes
Programme
A non-persistent, time-based occurrence. Examples include symposia and conferences, public talks and performances, tours, workshops, open studios.
Short Description
Thai artist Arin Rungjang and Director of Curatorial, Programmes and Publications at the Singapore Art Museum, Dr June Yap, will discuss conditions in the nation’s post-colonial period of economic development and modernisation.
Programme Type
Discussion - Conversation
Programme Series
In Conversation
Location
Onsite (CCA)
Offsite
Online
Onsite (CCA)
Collaboration
No
Commissioned Work
No
Education
No
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Climates. Habitats. Environments.
Audience
General
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<em>They Beat Your Father</em>: Arin Rungjang in conversation with Dr June Yap
Description
An account of the resource
Thai artist Arin Rungjang and Director of Curatorial, Programmes and Publications at the Singapore Art Museum, Dr June Yap, will discuss conditions in the nation’s post-colonial period of economic development and modernisation. Subject to precarious economic circumstances, many sought greener pastures abroad, where they also, unfortunately, encountered forms of discrimination. Drawing upon the experiences of the artist’s father, as a Thai migrant worker in Germany, Rungjang will connect familial histories with present-day observations.
Date
A point or period of time associated with an event in the lifecycle of the resource
2019-08-02
Contributor
An entity responsible for making contributions to the resource
Arin Rungjang
June Yap
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Southeast Asia
Europe
Subject
The topic of the resource
Diaspora
Migration
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Programmes
Programme
A non-persistent, time-based occurrence. Examples include symposia and conferences, public talks and performances, tours, workshops, open studios.
Programme Type
Performance
Location
Onsite (CCA)
Offsite
Online
Online
Collaboration
No
Commissioned Work
No
Education
No
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Climates. Habitats. Environments.
Short Description
Free Jazz III. Sound. Walks. offers the curatorial proposition that collectivity and communality can be explored through art experiences that draw on the long histories of sound and walking, offering concrete ways to connect with nature, technology, and each other during times of social distancing.
Audience
General
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<i>Free Jazz III. Sound. Walks.</i>
Description
An account of the resource
<i>Free Jazz III. Sound. Walks.</i> offers the curatorial proposition that collectivity and communality can be explored through art experiences that draw on the long histories of sound and walking, offering concrete ways to connect with nature, technology, and each other during times of social distancing. Dematerialized, asynchronous, and participatory, these artworks each reflect how our current collective negotiations between physical and online realms need not be seen as binary opposites, but as opportunities for rethinking social interaction through our senses. <br /><br />We invite you bring your headphones and your walking shoes to experience the artworks of Free Jazz III. Sound. Walks. <br /><br /><i>Free Jazz III. Sound. Walks. </i>is curated by Magdalena Magiera (Germany/Singapore), NTU CCA Singapore Curator, Education and Outreach, and Dr Karin Oen (United States/Singapore), NTU CCA Singapore Deputy Director, Curatorial Programmes.
Date
A point or period of time associated with an event in the lifecycle of the resource
22 January - 28 March 2021
Contributor
An entity responsible for making contributions to the resource
Tini Aliman
Arahmaiani
Jimmy Ong
Christa Donner
Andrew S. Yang
bani haykal
Lee Weng Choy
Diana Lelonek
Denim Szram
Cheryl Ong
Ana Prvački
Joyce Bee Tuan Koh
Galina Mihaleva
Reetu Sattar
anGie seah
Vivian Wang
Magdalena Magiera
Karin Oen
Subject
The topic of the resource
Experiential
Nature
Technology
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Southeast Asia
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Programmes
Programme
A non-persistent, time-based occurrence. Examples include symposia and conferences, public talks and performances, tours, workshops, open studios.
Programme Type
Performance
Collaboration
Yes
Commissioned Work
No
Education
No
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Climates. Habitats. Environments.
Short Description
<i>Under the Skin</i> showcases the experimental practices of George Chua, Nina Djekić, and Noor Effendy Ibrahim, three artists who engage with sound, bodily movements, and performance to examine contemporary body and identity politics.
Audience
General
Location
Onsite (CCA)
Offsite
Online
Online
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<i>Under the Skin</i>
Description
An account of the resource
<i>Under the Skin</i> showcases the experimental practices of George Chua, Nina Djekić, and Noor Effendy Ibrahim, three artists who engage with sound, bodily movements, and performance to examine contemporary body and identity politics. Bringing together elements of performance, sound and visual art in response to the theme of <i>Proposals for Novel Ways of Being</i>, the artists have been commissioned to produce new work reflecting their own experiences of the sudden uncertainty and loss of normalcy during the global COVID-19 pandemic: abrupt shifts in social interaction and daily routines, confinement and physical limitations, adjustments, and reorientations to relationships. As we grapple with the uncertainties of the post-pandemic future, this radical moment of instability also calls upon us to reclaim our personal and collective consciousness, to nurture the resilience of our body and soul. How does a body compose itself and develop new vocabularies for articulation? What new sensorial and corporeal sensibilities can we locate and uncover? <br /><br />While the current conditions of our lives also expose global fragilities and social divisions, this project draws mainly from the spaces, experiences and materialities of everyday life, where the effect of the pandemic is, perhaps, most potent and surreptitious. Attempting to reconcile ideas of tenderness in violence, Noor Effendy Ibrahim continues his on-going performance research to excavate inherent and latent memories within his own body through self-inflicted physical pain. Locating marginalised bodies and their everyday lived experiences via a mythical dance troupe, George Chua meditates on vulnerability and belief, contemplating our existential struggle on what it means to be human. Engaging with translations and memories within an constructed setting, Nina Djekić invites us to consider notions of intimacy via virtual spaces and proxy bodies. <br /><br />The trio of performative works are cinematically translated into the medium of video by Singapore artist and filmmaker Russell Morton, and their videos presented online. <br /><br /><i>Under the Skin</i> is curated by artist Cheong Kah Kit for NTU CCA Singapore’s <i>Free Jazz III</i>
Date
A point or period of time associated with an event in the lifecycle of the resource
1 December 2020 - 28 March 2021
Subject
The topic of the resource
Performance
Identity
Politics
Contributor
An entity responsible for making contributions to the resource
George Chua
Nina Djekić
Nina Djekic
Noor Effendy Ibrahim
Russell Morton
Cheong Kah Kit
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Southeast Asia
Europe
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Programmes
Programme
A non-persistent, time-based occurrence. Examples include symposia and conferences, public talks and performances, tours, workshops, open studios.
Short Description
<p class="BodyA"><span lang="en-us">A private discussion moderated by Christina Leigh Geros & Etienne Turpin</span></p>
<p></p>
Programme Type
Discussion - Conversation
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Place.Labour.Capital.
Location
Onsite (CCA)
Offsite
Online
Onsite (CCA)
Collaboration
No
Commissioned Work
No
Education
No
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<p class="BodyA"><span lang="en-us">"The Multiple Must Be Made" — Closed Session by Etienne Turpin, moderated by Christina Leigh Geros</span></p>
<p></p>
Description
An account of the resource
Sun 27 Nov 2016, 09:00 am - 12.00 pm<br /><p class="BodyA"><span lang="en-us">A private discussion on the challenges facing urban labs moderated by Christina Leigh Geros & Etienne Turpin, with the aim of creating a design brief for the structure of labnet.asia.<br /><br />Part of Conference: <em>The Impossibility of Mapping (Urban Asia)</em></span></p>
<p></p>
Date
A point or period of time associated with an event in the lifecycle of the resource
2016-11-27
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Asia
Subject
The topic of the resource
Urbanism
Contributor
An entity responsible for making contributions to the resource
Etienne Turpin
Christina Leigh Geros
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Programmes
Programme
A non-persistent, time-based occurrence. Examples include symposia and conferences, public talks and performances, tours, workshops, open studios.
Short Description
Dr van Dongen will discuss the images through the lens of the changing economic, social, and cultural fabric of 1980s and 1990s China.
Programme Type
Talk and Lecture
Programme Series
Exhibition (de)Tour
Location
Onsite (CCA)
Offsite
Online
Onsite (CCA)
Collaboration
No
Commissioned Work
No
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Place.Labour.Capital.
Audience
General
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<p class="event_single_title">(de)Tour with Dr Els van Dongen (Belgium/Singapore) Assistant Professor, School of Humanities and Social Sciences, Nanyang Technological University (NTU), Singapore</p>
Description
An account of the resource
<div class="event_single_dates text__exhibitions">5 Jul 2017, Wed 07:30 PM - 09:00 PM</div>
<div class="event_single_venue">The Single Screen, Block 43 Malan Road</div>
<br />What can be glimpsed from Ulrike Ottinger’s images of China in the transitional period following the Cultural Revolution? Dr van Dongen will discuss the images through the lens of the changing economic, social, and cultural fabric of 1980s and 1990s China. Apart from reflecting on what we can gain from placing the images in their historical context, the presentation will also explore various other layers of the relation between art and history.<br /><br />A public programme of <em>Ulrike Ottinger: China. The Arts – The People: Photographs and Films from the 1980s and 1990s.</em>
Date
A point or period of time associated with an event in the lifecycle of the resource
2017-07-05
Contributor
An entity responsible for making contributions to the resource
Els van Dongen
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Asia
Audience
A class of entity for whom the resource is intended or useful.
General
Subject
The topic of the resource
Ways of Seeing
History