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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Publications
Description
An account of the resource
A recipient and producer of knowledge, NTU CCA Singapore’s publishing activities contribute to its holistic approach, expanding the connections across the Centre’s exhibitions, residencies, public programming, and academic education.
Research Publication
A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text.
Based on DMCI Text type (https://www.dublincore.org/specifications/dublin-core/dcmi-terms/#http://purl.org/dc/dcmitype/Text)
Availability
Electronic (eBook)
Print
Print
Public Resource Centre Affiliation
Artist Research Platform
Library
Video Resource Platform
None
Library
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Place.Labour.Capital.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
The Impossibility of Mapping (Urban Asia)
Subject
The topic of the resource
Topography
Urbanism
Description
An account of the resource
Emerging from an exhibition, conference, and festival that explored architect and urban theorist William S. W. Lim’s concept on “Incomplete Urbanism” and his call for “Cities for People,” this publication juxtaposes research essays, visual and textual documentation with artistic interventions and spatio-temporal maps. Organised into three chapters—“The City as Living Room,” “The City as Multiple,” and “The City as Stage,” the contributions—by architects, scholars, planners, artists, activists, and curators—constitute a diverse set of analyses. Unexpected notions of planning, building, and living in Asian cities suggest multiple paths into critical spatial practice of Asian urban space. The volume positions Lim’s thoughts, concepts, and plans for action as that of a humanist who addresses the complex topography of an ever-changing urban Asia.<br /><br />Contributors include: Laura Anderson Barbata, Jiat-Hwee Chang, Thanavi Chotpradit, Calvin Chua, Yvonne P. Doderer, Chomchon Fusinpaiboon, indieguerillas, Marc Glöde, Sacha Kagan, Lulu Lutfi Labibi, Magdalena Magiera, Laura Miotto, Marjetica Potrč, Pen Sereypagna, Shirley Surya, Sissel Tolaas, Etienne Turpin and Nashin Mahtani, John Wagner, H. Koon Wee, Woon Tien Wei, and Ari Wulu. Foreword by Nikos Papastergiadis. Afterword by William S. W. Lim.
Publisher
An entity responsible for making the resource available
World Scientific Publishing
Date
A point or period of time associated with an event in the lifecycle of the resource
2020
Contributor
An entity responsible for making contributions to the resource
Roger Nelson
World Scientific Publishing
Laura Anderson Barbata
Jiat-Hwee Chang
Thanavi Chotpradit
Calvin Chua
Chomchon Fusinpaiboon
Marc Glöde
indieguerillas
Sacha Kagan
Lulu Lutfi Labibi
Magdalena Magiera
Laura Miotto
Marjetica Potrč
Pen Sereypagna
Nashin Mahtani
John Wagner
H. Koon Wee
Ari Wulu
William S. W. Lim
Chang Jiat Hwee
Marjetica Potrc
Marc Glode
H55
Format
The file format, physical medium, or dimensions of the resource
Publication
Language
A language of the resource
English
Identifier
An unambiguous reference to the resource within a given context
978-981-121-192-8
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Asia
Access Rights
Information about who can access the resource or an indication of its security status. Access Rights may include information regarding access or restrictions based on privacy, security, or other policies.
Available for browsing onsite at NTU CCA Singapore physical archive. Contact ntuccareseach@ntu.edu.sg to make an appointment.
-
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fc3e030b97fd2c267ec3dfd368aa4145
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Publications
Description
An account of the resource
A recipient and producer of knowledge, NTU CCA Singapore’s publishing activities contribute to its holistic approach, expanding the connections across the Centre’s exhibitions, residencies, public programming, and academic education.
Research Publication
A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text.
Based on DMCI Text type (https://www.dublincore.org/specifications/dublin-core/dcmi-terms/#http://purl.org/dc/dcmitype/Text)
Availability
Electronic (eBook)
Print
Print
Public Resource Centre Affiliation
Artist Research Platform
Library
Video Resource Platform
None
Library
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Place.Labour.Capital.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Theatrical Fields: Critical Strategies in Performance, Film, and Video
Subject
The topic of the resource
Theatre
Description
An account of the resource
NTU CCA Singapore’s first publication, this reader stages conversations between theatre and visual arts, theoretical discourse and artistic practice juxtaposing artists and theoreticians who share a communal interest in theatricality as a critical strategy to address questions of ideology, gender, power relations. The reader includes writings by Antonin Artaud, Mikhail Bakhtin, Ute Meta Bauer, Bertolt Brecht, Giuliana Bruno, Jacques Derrida, Regis Durand, Josette Féral, Jean-François Lyotard, Eva Meyer, Timothy Murray, Katharina Sykora, and Marina Warner, documentation of the exhibition Theatrical Fields, Bildmuseet, Umea (2013) and NTU CCA Singapore (2014) presenting the works of Judith Barry, Marcel Dzama, Stan Douglas, Marie-Louise Ekman, Eva Meyer and Eran Schaerf, Isaac Julien, Joan Jonas, Constanze Ruhm, and Ulrike Ottinger.
Publisher
An entity responsible for making the resource available
König Books
Date
A point or period of time associated with an event in the lifecycle of the resource
2016
Contributor
An entity responsible for making contributions to the resource
König Books
Bildmuseet
Ute Meta Bauer
Anca Rujoiu
Sam de Groot
Antonin Artaud
Mikhail Bakhtin
Bertolt Brecht
Giuliana Bruno
Jacques Derrida
Regis Durand
Josette Féral
Jean-Francois Lyotard
Eva Meyer
Timothy Murray
Katharina Sykora
Marina Warner
Format
The file format, physical medium, or dimensions of the resource
Publication
Language
A language of the resource
English
Identifier
An unambiguous reference to the resource within a given context
978-981-11-0362-9
978-9-81110-362-9
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Southeast Asia
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37b6e96df7c18661c232cb2d9a2251ce
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Publications
Description
An account of the resource
A recipient and producer of knowledge, NTU CCA Singapore’s publishing activities contribute to its holistic approach, expanding the connections across the Centre’s exhibitions, residencies, public programming, and academic education.
Research Publication
A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text.
Based on DMCI Text type (https://www.dublincore.org/specifications/dublin-core/dcmi-terms/#http://purl.org/dc/dcmitype/Text)
Availability
Electronic (eBook)
Print
Print
Public Resource Centre Affiliation
Artist Research Platform
Library
Video Resource Platform
None
Library
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Place.Labour.Capital.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Tomás Saraceno: Arachnid Orchestra. Jam Sessions
Subject
The topic of the resource
Animals
Coexistence
Description
An account of the resource
Arachnid Orchestra. Jam Sessions is an inter-species encounter between arachnids and anthropos mediated by sound. This audio publishing project is conceived as a continuation and circulation of Tomás Saraceno’s eponymous exhibition at NTU Centre for Contemporary Art Singapore in 2015. Exploring the arachnids’s sophisticated mode of communication through vibrations, Saraceno developed several instruments that were able to amplify the vibrations of spiders, rendering them audible to other species. Various instruments, ranging from strings to percussion, were incorporated into the artist’s exhibition at NTU CCA Singapore, and used within a series of Jam Sessions between arachnids and musicians including Brian O’Reilly, Bani Haykal, and Joyce Koh who collaborated with philosopher Etienne Turpin. Multiple recordings, also took place, often impromptu, in Saraceno’s studio in Berlin throughout the preparations of the exhibition in Singapore. These Studio Rehearsals, Spiders Salons—improvisations between the arachnids and multidisciplinary musicians David Rothenberg and Evan Zyporin—together with the Jam Sessions came together as an album. Accessible on the online audio distribution platform, SoundCloud, the album is included in this publication. An essay by Elizabeth A. Povinelli and a manifesto authored by Brian Massumi foregrounds Saraceno’s experiment in current attempts to decentralise the human subject and address the perceptual world of non-human species. Spiders don’t speak in the way humans conceive language, yet they are neither silent nor mute. By making audible what we can not hear and fully comprehend—the spider’s vibrations—Saraceno draws attention to various modalities of expression and inter-relationality whose potentiality is yet to be valued.
Publisher
An entity responsible for making the resource available
NTU Centre for Contemporary Art
Date
A point or period of time associated with an event in the lifecycle of the resource
2017
Contributor
An entity responsible for making contributions to the resource
Select Books
The Press Room
Les Presses du Réel
Elizabeth A. Povinelli
Brian Massumi
Format
The file format, physical medium, or dimensions of the resource
Publication
Language
A language of the resource
English
Identifier
An unambiguous reference to the resource within a given context
978-981-11-3047-2
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Southeast Asia
Access Rights
Information about who can access the resource or an indication of its security status. Access Rights may include information regarding access or restrictions based on privacy, security, or other policies.
Available for browsing onsite at NTU CCA Singapore physical archive. Contact ntuccareseach@ntu.edu.sg to make an appointment.
-
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9637e8705cc08cdb9ed4dc1d95a538ba
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Publications
Description
An account of the resource
A recipient and producer of knowledge, NTU CCA Singapore’s publishing activities contribute to its holistic approach, expanding the connections across the Centre’s exhibitions, residencies, public programming, and academic education.
Research Publication
A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text.
Based on DMCI Text type (https://www.dublincore.org/specifications/dublin-core/dcmi-terms/#http://purl.org/dc/dcmitype/Text)
Short Description
World of Variation is a a visual/verbal essay addressing critical societal issues such as community versus privacy, public versus private realms, social justice and humane, sustainable developments from a global perspective.
Availability
Electronic (eBook)
Print
Print
Public Resource Centre Affiliation
Artist Research Platform
Library
Video Resource Platform
None
Library
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Climates. Habitats. Environments.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
World of Variation
Subject
The topic of the resource
Architecture
Design
Urbanism
Publisher
An entity responsible for making the resource available
NTU Centre for Contemporary Art Singapore
Weiss Publications
Date
A point or period of time associated with an event in the lifecycle of the resource
2022
Contributor
An entity responsible for making contributions to the resource
Mary Otis Stevens
Thomas McNulty
Ute Meta Bauer
Karin Oen
Pelin Tan
Beatriz Colomina
Mark Wigley
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
North America
Description
An account of the resource
<span>Published by NTU CCA Singapore and Weiss Publications, 2022 <br /></span>By Mary Otis Stevens, Thomas McNulty. <span>Edited with text by Ute Meta Bauer, Karin Oen, Pelin Tan. Afterword by Mary Otis Stevens. Essy by Beatriz Colomina and Mark Wigley.</span><br /><span>Design by Enver Hadzijaj</span><br /><span>Printed by Kopa</span><br /><span>© 2022 the editors, Mary Otis Stevens, NTU Centre for Contemporary Art Singapore and Weiss Publications</span><br /><span>ISBN: 9783948318178</span><br /><span>Distributed by D.A.P./Distributed Art Publishers</span><br /><span>Copies are available for sale at NTU CCA Singapore S$35/US$25<br /></span><em><br />World of Variation </em>is a a visual/verbal essay addressing critical societal issues such as community versus privacy, public versus private realms, social justice and humane, sustainable developments from a global perspective. To avoid datedness and the cultural biases inherent in realistic representations, the two authors, Mary Otis Stevens and Thomas F. McNulty, both MIT graduates and noted for their projects in the Modern Movement of the 1960s and 1970s, formulated an abstract visual language to convey their conceptual ideas.<span><br /></span>
<p>This new edition contains a facsimile of the original edition published in 1970 with added commentaries by Pelin Tan, sociologist and art historian, professor at Fine Arts Academy, Batman University, and senior fellow of CAD+SR; Karin G. Oen, principal research fellow at Nanyang Technological University’s School of Art, Design, and Media (NTU ADM); Ute Meta Bauer, Founding Director, NTU Centre for Contemporary Art Singapore and professor at NTU ADM; and a text by Beatriz Colomina, professor of the history of architecture at Princeton University, and Mark Wigley, professor of architecture and Dean Emeritus, Columbia University.</p>