1
10
14
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fc3e030b97fd2c267ec3dfd368aa4145
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Publications
Description
An account of the resource
A recipient and producer of knowledge, NTU CCA Singapore’s publishing activities contribute to its holistic approach, expanding the connections across the Centre’s exhibitions, residencies, public programming, and academic education.
Research Publication
A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text.
Based on DMCI Text type (https://www.dublincore.org/specifications/dublin-core/dcmi-terms/#http://purl.org/dc/dcmitype/Text)
Availability
Electronic (eBook)
Print
Print
Public Resource Centre Affiliation
Artist Research Platform
Library
Video Resource Platform
None
Library
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Place.Labour.Capital.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Theatrical Fields: Critical Strategies in Performance, Film, and Video
Subject
The topic of the resource
Theatre
Description
An account of the resource
NTU CCA Singapore’s first publication, this reader stages conversations between theatre and visual arts, theoretical discourse and artistic practice juxtaposing artists and theoreticians who share a communal interest in theatricality as a critical strategy to address questions of ideology, gender, power relations. The reader includes writings by Antonin Artaud, Mikhail Bakhtin, Ute Meta Bauer, Bertolt Brecht, Giuliana Bruno, Jacques Derrida, Regis Durand, Josette Féral, Jean-François Lyotard, Eva Meyer, Timothy Murray, Katharina Sykora, and Marina Warner, documentation of the exhibition Theatrical Fields, Bildmuseet, Umea (2013) and NTU CCA Singapore (2014) presenting the works of Judith Barry, Marcel Dzama, Stan Douglas, Marie-Louise Ekman, Eva Meyer and Eran Schaerf, Isaac Julien, Joan Jonas, Constanze Ruhm, and Ulrike Ottinger.
Publisher
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König Books
Date
A point or period of time associated with an event in the lifecycle of the resource
2016
Contributor
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König Books
Bildmuseet
Ute Meta Bauer
Anca Rujoiu
Sam de Groot
Antonin Artaud
Mikhail Bakhtin
Bertolt Brecht
Giuliana Bruno
Jacques Derrida
Regis Durand
Josette Féral
Jean-Francois Lyotard
Eva Meyer
Timothy Murray
Katharina Sykora
Marina Warner
Format
The file format, physical medium, or dimensions of the resource
Publication
Language
A language of the resource
English
Identifier
An unambiguous reference to the resource within a given context
978-981-11-0362-9
978-9-81110-362-9
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Southeast Asia
-
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1568d5d63e01789f674ad1955de9977d
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Publications
Description
An account of the resource
A recipient and producer of knowledge, NTU CCA Singapore’s publishing activities contribute to its holistic approach, expanding the connections across the Centre’s exhibitions, residencies, public programming, and academic education.
Research Publication
A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text.
Based on DMCI Text type (https://www.dublincore.org/specifications/dublin-core/dcmi-terms/#http://purl.org/dc/dcmitype/Text)
Availability
Electronic (eBook)
Print
Print
Public Resource Centre Affiliation
Artist Research Platform
Library
Video Resource Platform
None
Library
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Place.Labour.Capital.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
SouthEastAsia: Spaces of the Curatorial
Subject
The topic of the resource
Spaces of the Curatorial
Description
An account of the resource
This volume focuses on the practice of curating in Southeast Asia, a region experiencing a time of increased global visibility as well as nation and institution building. The political aspiration to map and shape a regional identity through historical writing and cultural planning stumbles upon a multi-layered subject difficult to grasp or define. The diversity of voices in this publication mirrors the complexity of the region itself: its various curatorial spaces, infrastructures, and political systems. The publication includes contributions by Ute Meta Bauer, Zoe Butt, Kevin Chua, Patrick D. Flores, Gridthiya Gaweewong, Tony Godfrey, Yin Ker, Eileen Legaspi-Ramirez, Seng Yu Jin, Simon Soon, Nora A. Taylor, and David Teh. The publication was launched in several places across the wider region including Singapore, Manila, Kuala Lumpur, and Hong Kong.
Publisher
An entity responsible for making the resource available
Sternberg Press
Date
A point or period of time associated with an event in the lifecycle of the resource
2016
Contributor
An entity responsible for making contributions to the resource
Sternberg Press
Brigitte Oetker
Lee Weng Choy
Association of Arts and Culture of the German Economy at the Federation of German Industries
Surface
Zoe Butt
Kevin Chua
Patrick D. Flores
Gridthiya Gaweewong
Tony Godfrey
Yin Ker
Eileen Legaspi-Ramirez
Seng Yu Jin
Simon Soon
Nora A. Taylor
David Teh
Format
The file format, physical medium, or dimensions of the resource
Publication
Language
A language of the resource
English
Identifier
An unambiguous reference to the resource within a given context
978-395-67-9260-1
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Southeast Asia
Access Rights
Information about who can access the resource or an indication of its security status. Access Rights may include information regarding access or restrictions based on privacy, security, or other policies.
Available for browsing onsite at NTU CCA Singapore physical archive. Contact ntuccareseach@ntu.edu.sg to make an appointment.
-
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4e8103a0c851c315f6dbed9da03fc422
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Publications
Description
An account of the resource
A recipient and producer of knowledge, NTU CCA Singapore’s publishing activities contribute to its holistic approach, expanding the connections across the Centre’s exhibitions, residencies, public programming, and academic education.
Research Publication
A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text.
Based on DMCI Text type (https://www.dublincore.org/specifications/dublin-core/dcmi-terms/#http://purl.org/dc/dcmitype/Text)
Availability
Electronic (eBook)
Print
Print
Public Resource Centre Affiliation
Artist Research Platform
Library
Video Resource Platform
None
Library
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Place.Labour.Capital.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
NTU CCA Singapore’s Editorial Partnership with Afterall Journal
Subject
The topic of the resource
The Geocultural
Description
An account of the resource
NTU CCA Singapore is pleased to announce that it will join the editorial team of the Afterall journal through a three-year research and publishing partnership between the Nanyang Technological University (NTU) and the University of the Arts London (UAL).<br /><br />Initiated in 1998 by Afterall, a Research Centre of the UAL and based at Central Saint Martins, Afterall journal focuses on artistic and cultural production in relation to broader theoretical, social, and political contexts from which both emerge. The journal was founded by Charles Esche (Netherlands) curator, writer, current Director of the Van Abbemuseum, Eindhoven, and Mark Lewis (Canada/United Kingdom) artist and filmmaker.<br /><br />Afterall journal is widely acknowledged for its in-depth analysis of artistic practices, contextual essays, engagement with exhibition histories and curatorial practices within various geographical constituencies. Through this publishing partnership, NTU CCA Singapore strengthens its mission to connect artistic practice with critical discourse within and beyond Southeast Asia. The Centre will actively contribute to expand Afterall journal cultural conversations and research in a fast-changing region defined by multilayered narratives, discrepant conditions of production across its vast geography, and intertwined cultural histories and experiences transversing national borders. NTU CCA Singapore is committed to support the critical work of scholars, curators, and art critics who are engaging with contemporary art in the region from within the context filling the gaps in the cultural history of the region, providing alternatives to Western-driven narratives, exploring cultural production through theoretical and political frameworks, and embracing new forms of writing.<br /><br />Professor Ute Meta Bauer (Germany/Singapore), Founding Director of NTU CCA Singapore, will serve as co-editor and the Centre’s Publications team will work closely with the editorial teams of Afterall’s journal wider family of institutional partners (academic and non-academic) including Museum van Hedendaagse Kunst Antwerpen, Belgium, The John H. Daniels Faculty of Architecture, Landscape and Design, University of Toronto and the Art Gallery of Ontario, Toronto, Canada. The editorial team will pursue research, propose ideas, and select contributions shaping the content of the journal’s upcoming issues. Such research can feed also into other of Afterall’s publications: One Work, book series, focused on single artistic works and Exhibition Histories, likewise a monograph series offering critical analysis of influential exhibitions of contemporary art.<br /><br />The journal is published twice a year, it benefits from a large distribution with a worldwide subscription management system, and bookstore distribution in Europe and North America managed by The University of Chicago Press. While access to several articles is available online, the journal unpacks and explores its content beyond the print and digital platform through symposia and screenings hosted by important academic and art institutions. As an editorial member, NTU CCA Singapore will play also an active role in various manifestations that engage with the journal’s content contributing to its production and disemination of ideas across and beyond the region.
Publisher
An entity responsible for making the resource available
University of the Arts London
Contributor
An entity responsible for making contributions to the resource
University of the Arts London
Format
The file format, physical medium, or dimensions of the resource
Publication
Language
A language of the resource
English
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Asia
Europe
North America
Access Rights
Information about who can access the resource or an indication of its security status. Access Rights may include information regarding access or restrictions based on privacy, security, or other policies.
Available for browsing onsite at NTU CCA Singapore physical archive. Contact ntuccareseach@ntu.edu.sg to make an appointment.
-
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17ae1e9f20f02b5fd4a51699aeff4901
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Publications
Description
An account of the resource
A recipient and producer of knowledge, NTU CCA Singapore’s publishing activities contribute to its holistic approach, expanding the connections across the Centre’s exhibitions, residencies, public programming, and academic education.
Research Publication
A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text.
Based on DMCI Text type (https://www.dublincore.org/specifications/dublin-core/dcmi-terms/#http://purl.org/dc/dcmitype/Text)
Availability
Electronic (eBook)
Print
Print
Public Resource Centre Affiliation
Artist Research Platform
Library
Video Resource Platform
None
Library
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Place.Labour.Capital.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Becoming Palm
Description
An account of the resource
Becoming Palm is the outcome of a conversation between two friends, artist Simryn Gill and anthropologist Michael Taussig responding to oil palm plantations and “the enormous transformations, human, and ecological, that this crop engenders” (Michael Taussig) in two remote geographical locations, Southeast Asia and South America. Blending text with photographs and archival materials, Gill reflects on the changed landscape of Malaysia, from rubber tree plantations during the British colonial period to the oil palm crops of today. Taussig provides an account of his extensive fieldwork in Colombia and the violent impact of the oil palm industry on local communities. <br /><br />Becoming Palm was launched on Saturday, 29 April 2017 in conjunction with the Singapore Art Book Fair 2017.
Publisher
An entity responsible for making the resource available
Sternberg Press
Date
A point or period of time associated with an event in the lifecycle of the resource
2017
Contributor
An entity responsible for making contributions to the resource
Simryn Gill
Michael Taussig
ruttens-wille
Format
The file format, physical medium, or dimensions of the resource
Publication
Language
A language of the resource
English
Identifier
An unambiguous reference to the resource within a given context
978-3-95679-260-1
978-981-11-3046-5
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Southeast Asia
Access Rights
Information about who can access the resource or an indication of its security status. Access Rights may include information regarding access or restrictions based on privacy, security, or other policies.
Available for browsing onsite at NTU CCA Singapore physical archive. Contact ntuccareseach@ntu.edu.sg to make an appointment.
-
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37b6e96df7c18661c232cb2d9a2251ce
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Publications
Description
An account of the resource
A recipient and producer of knowledge, NTU CCA Singapore’s publishing activities contribute to its holistic approach, expanding the connections across the Centre’s exhibitions, residencies, public programming, and academic education.
Research Publication
A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text.
Based on DMCI Text type (https://www.dublincore.org/specifications/dublin-core/dcmi-terms/#http://purl.org/dc/dcmitype/Text)
Availability
Electronic (eBook)
Print
Print
Public Resource Centre Affiliation
Artist Research Platform
Library
Video Resource Platform
None
Library
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Place.Labour.Capital.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Tomás Saraceno: Arachnid Orchestra. Jam Sessions
Subject
The topic of the resource
Animals
Coexistence
Description
An account of the resource
Arachnid Orchestra. Jam Sessions is an inter-species encounter between arachnids and anthropos mediated by sound. This audio publishing project is conceived as a continuation and circulation of Tomás Saraceno’s eponymous exhibition at NTU Centre for Contemporary Art Singapore in 2015. Exploring the arachnids’s sophisticated mode of communication through vibrations, Saraceno developed several instruments that were able to amplify the vibrations of spiders, rendering them audible to other species. Various instruments, ranging from strings to percussion, were incorporated into the artist’s exhibition at NTU CCA Singapore, and used within a series of Jam Sessions between arachnids and musicians including Brian O’Reilly, Bani Haykal, and Joyce Koh who collaborated with philosopher Etienne Turpin. Multiple recordings, also took place, often impromptu, in Saraceno’s studio in Berlin throughout the preparations of the exhibition in Singapore. These Studio Rehearsals, Spiders Salons—improvisations between the arachnids and multidisciplinary musicians David Rothenberg and Evan Zyporin—together with the Jam Sessions came together as an album. Accessible on the online audio distribution platform, SoundCloud, the album is included in this publication. An essay by Elizabeth A. Povinelli and a manifesto authored by Brian Massumi foregrounds Saraceno’s experiment in current attempts to decentralise the human subject and address the perceptual world of non-human species. Spiders don’t speak in the way humans conceive language, yet they are neither silent nor mute. By making audible what we can not hear and fully comprehend—the spider’s vibrations—Saraceno draws attention to various modalities of expression and inter-relationality whose potentiality is yet to be valued.
Publisher
An entity responsible for making the resource available
NTU Centre for Contemporary Art
Date
A point or period of time associated with an event in the lifecycle of the resource
2017
Contributor
An entity responsible for making contributions to the resource
Select Books
The Press Room
Les Presses du Réel
Elizabeth A. Povinelli
Brian Massumi
Format
The file format, physical medium, or dimensions of the resource
Publication
Language
A language of the resource
English
Identifier
An unambiguous reference to the resource within a given context
978-981-11-3047-2
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Southeast Asia
Access Rights
Information about who can access the resource or an indication of its security status. Access Rights may include information regarding access or restrictions based on privacy, security, or other policies.
Available for browsing onsite at NTU CCA Singapore physical archive. Contact ntuccareseach@ntu.edu.sg to make an appointment.
-
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5c0185625c932ad1509b621f34f0ddd4
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Publications
Description
An account of the resource
A recipient and producer of knowledge, NTU CCA Singapore’s publishing activities contribute to its holistic approach, expanding the connections across the Centre’s exhibitions, residencies, public programming, and academic education.
Research Publication
A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text.
Based on DMCI Text type (https://www.dublincore.org/specifications/dublin-core/dcmi-terms/#http://purl.org/dc/dcmitype/Text)
Availability
Electronic (eBook)
Print
Print
Public Resource Centre Affiliation
Artist Research Platform
Library
Video Resource Platform
None
Library
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Place.Labour.Capital.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Place.Labour.Capital.
Subject
The topic of the resource
Institutional Critique
Geopolitics
Urbanism
Description
An account of the resource
Place.Labour.Capital., published by NTU Centre for Contemporary Art Singapore (NTU CCA Singapore) and Mousse Publishing, connects cultural production and artistic research to broader political and social concerns, engaging readers with contemporary debates in Southeast Asia and beyond.<br /><br />The title of the book refers to the framework employed at NTU CCA Singapore in its first cycle of activities, from 2013 to March 2017, which took Singapore, the world’s second-largest trading port and the economic epicentre of Southeast Asia, as a point of departure to investigate the notion of place, the intersection between locality and the global, labour, and flows of capital.<br /><br />Unfolding across four broad sections of “The Making of an Institution,” “The Geopolitical and the Biophysical,” “Incidental Scripts,” and “Incomplete Urbanism,” this publication reads as an exhibition. Drawing connections across disciplines and merging theory with practice, Place.Labour.Capital. weaves together a constellation of different bodies of materials from essays, poetry, and fiction to artworks and documentation of the Centre’s past exhibitions.<br /><br />Richly illustrated, the publication brings together the voices of more than 80 contributors, from former Research Fellows such as Tony Godfrey (Philippines), Regina (Maria) Möller (Germany), T. K. Sabapathy (Singapore), Yvonne Spielmann (Germany), to former Artists-in-Residence including Tiffany Chung (Vietnam/United States), Amanda Heng (Singapore), Shooshie Sulaiman (Malaysia), Lee Wen (Singapore), and Yee I-Lann (Malaysia). Other contributions include those from the Centre’s exhibitions and public programmes such as artists, academics, and curators including Amar Kanwar (India), Lee Weng Choy (Malaysia), David Teh (Australia/Singapore), and June Yap (Singapore).<br /><br />This extensive publication “reminds us that institution building remains enormously significant as a means of opening up new spaces, claims, communities, dialogues, publics, and trajectories for critical artistic practice.” (Felicity D. Scott, Associate Professor Graduate School of Architecture, Planning and Preservation, Columbia University, New York)<br /><br />“Drawing together stories, voices, and thinking by leading artists and academics, Place.Labour.Capital. traces the invention of a remarkable model of an institution. The publication is an inspiration and a valuable tool to anyone trying to find ways of building releveant arts institutions for the future.” (Sally Tallant, Director, Liverpool Biennial)<br /><br />Place.Labour.Capital. takes a reflective look the art institution, and serves as a means to review the parameters of its own position in the present globalised art world and knowledge-production economies. <br /><br />The visual concept of the book was conceived by renowned Singapore design firm H55.
Publisher
An entity responsible for making the resource available
Mousse Publishing
Date
A point or period of time associated with an event in the lifecycle of the resource
2018
Contributor
An entity responsible for making contributions to the resource
Mousse Publishing
H55
Koh Nguang How
Paul Tan
Eugene Tan
T. K. Sabapathy
Khim Ong
Fareed Armaly
Jesko Fezer
Julian "Togar" Abraham
Post-Museum
Kray Chen
Vera Mey
Amanda Heng
Yan Jun
Lee Wen
Marc Glöde
Jeremy Sharma
Heman Chong
Shooshie Sulaiman
Mona Vătămanu
Florin Tudor
Hilde Van Gelder
UuDam Tran Nguyen
James Jack
Jegan Vincent de Paul
Dennis Tan
Erika Tan
Regina (Maria) Möller
Hamra Abbas
Mercedes Vicente
Bo Wang
Ho Rui An
Stefano Harney
Arjuna Neuman
Bani Haykal
Tiffany Chung
Amar Kanwar
Helena Varkkey
Nikos Papastergiadis
Saleh Husein
Sam Durant
June Yap
Roslisham "Ise" Ismail
Shubigi Rao
Guo-Liang Tan
Tamara Weber
Loo Zihan
Zac Langdon-Pole
Trinh T. Minh-ha
Jompet Kuswidananto
Otty Widasari
Yvonne Spielmann
Mark Nash
Arin Rungjang
Filipa Ramos
Yason Banal
Kenneth Dean
Yee I-Lann
Alex Mawimbi
anGie seah
Alexandra Murray-Leslie
Andrew Johnston
Zulkifle Mahmod
Newell Harry
Jason Wee
Anocha Suwichakornpong
Shirley Surya
Sissel Tolaas
Tan Pin Pin
SHIMURAbros
Etienne Turpin
Li Ran
Gary-Ross Pastrana
Yvonne P. Doderer
Matthew Mazzotta
Art Labor
Xu Tan
Weixin Chong
Pratchaya Phinthong
Marc Glode
Mona Vatamanu
Regina Moller
Format
The file format, physical medium, or dimensions of the resource
Publication
Language
A language of the resource
English
Identifier
An unambiguous reference to the resource within a given context
978-981-11-3843-0
978-88-6749-308-1
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Asia
Access Rights
Information about who can access the resource or an indication of its security status. Access Rights may include information regarding access or restrictions based on privacy, security, or other policies.
Available for browsing onsite at NTU CCA Singapore physical archive. Contact ntuccareseach@ntu.edu.sg to make an appointment.
-
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432a1cf1d1d89291d4db2056c3c50e37
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Publications
Description
An account of the resource
A recipient and producer of knowledge, NTU CCA Singapore’s publishing activities contribute to its holistic approach, expanding the connections across the Centre’s exhibitions, residencies, public programming, and academic education.
Research Publication
A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text.
Based on DMCI Text type (https://www.dublincore.org/specifications/dublin-core/dcmi-terms/#http://purl.org/dc/dcmitype/Text)
Availability
Electronic (eBook)
Print
Print
Public Resource Centre Affiliation
Artist Research Platform
Library
Video Resource Platform
None
Library
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Place.Labour.Capital.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Thảo Nguyên Phan: Voyages de Rhodes
Subject
The topic of the resource
History
Description
An account of the resource
NTU Centre for Contemporary Art Singapore is proud to present the latest publication of its Artist’s Book Series, Voyages de Rhodes by former Artist-in-Residence Thảo Nguyên Phan (Vietnam). Published and commissioned by the Centre, Voyages de Rhodes re-assembles into a book format watercolour drawings painted directly by the artist on the pages of a found publication. The artist used as her canvas a book by French Jesuit missionary Alexandre de Rhodes (1591–1660) that describes his travel experiences and observations, including in the region of present-day Vietnam, during the seventeenth century.<br /><br />Phan’s interventions in the book interweave different narratives that sit at the border between realism and fantasy. Reflecting upon the problematic agrarian reforms in post-war Vietnam that led to the redistribution of land and collective farming, Phan’s drawings depict children in the foreground as protagonists of an imagined commune where play or state of inertia become tools of defiance and escape. Juxtaposing seventeenth-century travel literature with contemporary images, Phan’s works produce a palimpsest of Vietnam’s history with layers of voices from the present and the past.<br /><br />The artist started the project Voyages de Rhodes in 2014 and the drawings were first exhibited in a solo exhibition Poetic Amnesia (2017) curated by Zoe Butt at The Factory Contemporary Arts Centre, Ho Chi Minh City, Vietnam.<br /><br />In the process of assembling the drawings back into the codex form, the project Voyages de Rhodes turned into artist’s book, whereby the book format is an artistic medium and subject of investigation. Voyages de Rhodes highlights that a book remains inherently open-ended despite its strive for completeness, and is prone to processes of erasure, ongoing interpretation, and new associations.
Publisher
An entity responsible for making the resource available
NTU Centre for Contemporary Art
Date
A point or period of time associated with an event in the lifecycle of the resource
2018
Contributor
An entity responsible for making contributions to the resource
mono.studio
Thảo Nguyên Phan
Thao Nguyen Phan
Format
The file format, physical medium, or dimensions of the resource
Publication
Language
A language of the resource
English
Identifier
An unambiguous reference to the resource within a given context
978-981-11-8676-9
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Southeast Asia
Access Rights
Information about who can access the resource or an indication of its security status. Access Rights may include information regarding access or restrictions based on privacy, security, or other policies.
Available for browsing onsite at NTU CCA Singapore physical archive. Contact ntuccareseach@ntu.edu.sg to make an appointment.
-
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4649484afdc4a3b0bdb49e1ec8eeb7bb
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Publications
Description
An account of the resource
A recipient and producer of knowledge, NTU CCA Singapore’s publishing activities contribute to its holistic approach, expanding the connections across the Centre’s exhibitions, residencies, public programming, and academic education.
Research Publication
A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text.
Based on DMCI Text type (https://www.dublincore.org/specifications/dublin-core/dcmi-terms/#http://purl.org/dc/dcmitype/Text)
Availability
Electronic (eBook)
Print
Print
Public Resource Centre Affiliation
Artist Research Platform
Library
Video Resource Platform
None
Library
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Place.Labour.Capital.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
The Impossibility of Mapping (Urban Asia)
Subject
The topic of the resource
Topography
Urbanism
Description
An account of the resource
Emerging from an exhibition, conference, and festival that explored architect and urban theorist William S. W. Lim’s concept on “Incomplete Urbanism” and his call for “Cities for People,” this publication juxtaposes research essays, visual and textual documentation with artistic interventions and spatio-temporal maps. Organised into three chapters—“The City as Living Room,” “The City as Multiple,” and “The City as Stage,” the contributions—by architects, scholars, planners, artists, activists, and curators—constitute a diverse set of analyses. Unexpected notions of planning, building, and living in Asian cities suggest multiple paths into critical spatial practice of Asian urban space. The volume positions Lim’s thoughts, concepts, and plans for action as that of a humanist who addresses the complex topography of an ever-changing urban Asia.<br /><br />Contributors include: Laura Anderson Barbata, Jiat-Hwee Chang, Thanavi Chotpradit, Calvin Chua, Yvonne P. Doderer, Chomchon Fusinpaiboon, indieguerillas, Marc Glöde, Sacha Kagan, Lulu Lutfi Labibi, Magdalena Magiera, Laura Miotto, Marjetica Potrč, Pen Sereypagna, Shirley Surya, Sissel Tolaas, Etienne Turpin and Nashin Mahtani, John Wagner, H. Koon Wee, Woon Tien Wei, and Ari Wulu. Foreword by Nikos Papastergiadis. Afterword by William S. W. Lim.
Publisher
An entity responsible for making the resource available
World Scientific Publishing
Date
A point or period of time associated with an event in the lifecycle of the resource
2020
Contributor
An entity responsible for making contributions to the resource
Roger Nelson
World Scientific Publishing
Laura Anderson Barbata
Jiat-Hwee Chang
Thanavi Chotpradit
Calvin Chua
Chomchon Fusinpaiboon
Marc Glöde
indieguerillas
Sacha Kagan
Lulu Lutfi Labibi
Magdalena Magiera
Laura Miotto
Marjetica Potrč
Pen Sereypagna
Nashin Mahtani
John Wagner
H. Koon Wee
Ari Wulu
William S. W. Lim
Chang Jiat Hwee
Marjetica Potrc
Marc Glode
H55
Format
The file format, physical medium, or dimensions of the resource
Publication
Language
A language of the resource
English
Identifier
An unambiguous reference to the resource within a given context
978-981-121-192-8
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Asia
Access Rights
Information about who can access the resource or an indication of its security status. Access Rights may include information regarding access or restrictions based on privacy, security, or other policies.
Available for browsing onsite at NTU CCA Singapore physical archive. Contact ntuccareseach@ntu.edu.sg to make an appointment.
-
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fbca5909ce55c035774331dc5825f869
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Publications
Description
An account of the resource
A recipient and producer of knowledge, NTU CCA Singapore’s publishing activities contribute to its holistic approach, expanding the connections across the Centre’s exhibitions, residencies, public programming, and academic education.
Research Publication
A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text.
Based on DMCI Text type (https://www.dublincore.org/specifications/dublin-core/dcmi-terms/#http://purl.org/dc/dcmitype/Text)
Availability
Electronic (eBook)
Print
Print
Public Resource Centre Affiliation
Artist Research Platform
Library
Video Resource Platform
None
Library
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Place.Labour.Capital.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Description
An account of the resource
<p>Special Issue for Roslisham Ismail aka Ise<br />Published by Teratak Nuromar with support from NTU CCA Singapore and A+ Works of Art, 2021<br />Edited by Nur Hanim Mohamed Khairuddin and Anca Rujoiu<br />Design by Yan<br />© 2021 Teratak Nuromar, NTU CCA Singapore, and A+ Works of Art</p>
<p>ISBN: 978-983-43887-6-8<br />S$22</p>
<p>This special issue of <em>sentAp!</em> dedicated to the late and cherished artist Roslisham Ismail aka Ise (b. Khota Bahru, 1972–2019) is published on the occasion of his solo project <em>Campur, Tolak, Kali, Bahagi, Sama Dengan</em> (Add, Subtract, Multiply, Divide, Equals). Co-founded in 2005 by curator Nur Hanim Mohammed Khairuddin and Ise,<span> </span><em>sentAp!</em> fostered for ten years writing about contemporary art in Malaysia and the region. Informed by the social nature of Ise’s artistic process, his penchant for connectivity and exchanges, this special issue embraces the dialogic form. In-depth interviews conducted by writer Tan Zi Hao with curators Ark Fongsmut, Russell Storer, and Khairuddin, a hybrid exchange by curator Anca Rujoiu with different members of ruangrupa close to the artist provide context, reflections, and intimate insights on Ise’s work. Full reproduction of the works <em>Operation Bangkok</em><span> </span>(2014) and<span> </span><em>Comic Drawings<span> </span></em>(2018–20), exhibition documentation, and a related essay capture at length the artist’s much-contemplated solo project, completed posthumously.</p>
Publisher
An entity responsible for making the resource available
Teratak Nuromar
Date
A point or period of time associated with an event in the lifecycle of the resource
2021
Contributor
An entity responsible for making contributions to the resource
NTU CCA Singapore
A+ Works of Art
Roslisham Ismail aka Ise
Ute Meta Bauer
Ark Fongsmut
Syed Omar Husain
Nur Hanim Mohamed Khairuddin
M. Hijaz Mohammad
ruangrupa
Anca Rujoiu
Russell Storer
Tan Zi Hao
Rights
Information about rights held in and over the resource
© 2021 Teratak Nuromar, NTU CCA Singapore, and A+ Works of Art
Format
The file format, physical medium, or dimensions of the resource
Publication
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Southeast Asia
Title
A name given to the resource
sentAp!
Subject
The topic of the resource
Activism
Access Rights
Information about who can access the resource or an indication of its security status. Access Rights may include information regarding access or restrictions based on privacy, security, or other policies.
Available for browsing onsite at NTU CCA Singapore physical archive. Contact ntuccareseach@ntu.edu.sg to make an appointment.
-
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2bf0e48d2caf478288273eb135e19116
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Publications
Description
An account of the resource
A recipient and producer of knowledge, NTU CCA Singapore’s publishing activities contribute to its holistic approach, expanding the connections across the Centre’s exhibitions, residencies, public programming, and academic education.
Research Publication
A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text.
Based on DMCI Text type (https://www.dublincore.org/specifications/dublin-core/dcmi-terms/#http://purl.org/dc/dcmitype/Text)
Availability
Electronic (eBook)
Print
Print
Public Resource Centre Affiliation
Artist Research Platform
Library
Video Resource Platform
None
Library
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Climates. Habitats. Environments.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Culture City. Culture Scape.
Subject
The topic of the resource
Urbanism
Public Art
Description
An account of the resource
<p class="paragraph"><span class="normaltextrun">Published by NTU CCA Singapore, 2021<b><br /></b></span><span class="normaltextrun">Edited by Ute Meta Bauer, Sophie Goltz, and Khim Ong</span><span class="eop"><br /></span><span class="normaltextrun">Design by Studio Vanessa Ban</span><span class="eop"><span lang="en-gb"><br />© 2021 by NTU Centre for Contemporary Art Singapore</span></span></p>
<p class="paragraph"><span class="normaltextrun">I</span><span class="normaltextrun">SBN: 978-981-14-4377-0</span><span class="eop"><br /></span><span class="normaltextrun">Distributed by NUS Press (Asia Pacific and the Americas)</span><span class="scxw153350797"><span lang="en-gb"> </span></span><span lang="en-gb"><br /></span><span class="normaltextrun">Copies are available for sale at NTU CCA Singapore and through NUS Press</span><span class="eop"><span lang="en-gb"><br /></span></span><span class="normaltextrun">S$28</span></p>
<p><span class="normaltextrun">Works of art presented in public spaces are increasingly viewed from the perspective of place-making, a holistic approach that engages the diverse functions of a location and its wider context. As a practice, place-making integrates urban planning, landscape architecture, and cultural management.</span></p>
<p class="paragraph"><span class="normaltextrun"><i>Culture City. Culture Scape.</i><span> </span>documents a major public art commission for a newly designed business park in Singapore, Mapletree Business City II, featuring works by international and local artists<span> </span><b>Dan Graham</b>,<span> </span><b>Tomás Saraceno</b>,<span> </span><b>Yinka Shonibare CBE</b>, and<span> </span><b>Zul Mahmod</b>, which draw upon regional histories and urban politics.</span></p>
<p class="paragraph"><span class="normaltextrun">The curators’ conversations with the artists and with<span> </span><b>Edmund Cheng</b>, Chairman of Mapletree Investments Pte Ltd, as well as reflective essays on the development process and the potential of art in public spaces, lend context on the multiple points of view that must be reconciled to create meaningful public spaces and explore the role art can play in public education and social corporate investment.</span></p>
Publisher
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NTU CCA Singapore
Date
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2021
Contributor
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Ute Meta Bauer
Edmund Cheng
Sophie Goltz
Khim Ong
Tomás Saraceno
Yinka Shonibare CBE
Dan Graham
Zul Mahmod
Tomas Saraceno
Mapletree Investments Pte Ltd
NUS Press Pte Ltd
Studio Vanessa Ban
Coverage
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Southeast Asia
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