Ana Prvački]]> Performance]]> Body]]> Ana Prvački]]> Ana Prvacki]]> Performance]]> Video]]> Drawing]]> Southeast Asia]]> Thảo Nguyên Phan (Thao-Nguyen Phan)]]> Ways of Seeing]]> Thao Nguyen Phan]]> Thảo Nguyên Phan]]> Installation]]> Painting]]> Southeast Asia]]> Yuichiro Tamura]]> Fiction]]> History]]> Identity]]> The residency of Yuichiro Tamura was scheduled for July – September 2020, but the COVID-19 pandemic outbreak rendered international travel impossible. In order to continue to support artistic research and foster collaborations beyond borders, the NTU CCA Residencies Programme initiated Residencies Rewired, a project that trailblazes new pathways to collaboration. The videos, installations, and performances of Yuichiro Tamura (b. 1977, Japan) articulate multi-layered narratives which delve into the memory and history of localities and weave together unconnected events. By merging fact and fiction, his works investigate the contemporary significance of past events. Recent group shows include Readings from Below, Times Art Center Berlin, Germany; Yokohama Triennale 2020, Japan and Participation Mystique, Ming Contemporary Art Museum, Shanghai, China (all 2020), and 7th Asian Art Biennial, Taichung, Taiwan (2019), amongst others. He was a finalist for the Asia Pacific Breweries Foundation Signature Art Prize in 2018 and the Nissan Art Award in 2017.]]> Yuichiro Tamura
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Extractivism]]> Labour]]> hevea brasiliensis (rubber plant) seeds, brought to the region from London’s Kew Gardens in 1877. Expanding the lines of inquiry of a previous project—The Skin Labour (2016)—that examined rubber plantations in the Ecuadorian Amazon, Adrián Balseca follows the “trajectory of latex” in the Global South by investigating power relations, labour processes, and patterns of bodily movements devised for rubber harvesting in Singapore and Malaysia at a crucial moment of transition from manual to mechanical techniques. In particular, furthering his investigation of social-environmental issues and the “extractivist” dynamics that underscore capitalistic development, the artist will research designs and graphic patterns of incision employed for tapping rubber trees and the manifold implications entailed by the relocation of labour practices in different political, cultural, and environmental contexts.]]> Adrián Balseca]]> Adrián Balseca]]> Installation]]> Film]]> Southeast Asia]]> Curatorial Practice]]> ArtReview Asia gave a talk during her residency at the Singapore Art Book Fair 2014. Lin met with local artists to understand the art scene in Singapore with research facilitated by Vera Mey NTU CCA Singapore Curator, Residencies.]]> Aimee Lin]]> Curating]]> Southeast Asia]]> Ritual]]> Ecosystems]]> Alecia Neo]]> Photography]]> Video]]> Southeast Asia]]> Performance]]> The BipedShoe Project, acoustic shoe tools for performance), through the production of new knowledge via experimental research and new collaborations with local Singaporean arts practitioners, curators and academics. She will integrate her experiences while in residence into a new body of performative work around the BipedShoes, which is at the core of her ongoing research into Objectinstruments and their effects on dramaturgie in artformances (live art performances).]]> Alex Murray Leslie]]> Sound]]> Performance]]> Southeast Asia]]> Curatorial Practice]]> The Curator as Meta Artist. Modes of Curation in the Age of [Aesthetic] Uncertainty, discussing three different modes in which curatorial practice can function.]]> Alfredo Cramerotti]]> Curating]]> Southeast Asia]]> Nature]]> In Depth (landmines) (2014-ongoing). So far she has conducted field research in Cambodia, Colombia, and Bosnia where she photographed several mine-contaminated areas. The artist plans to examine other sites where landmines and unexploded ordnance remain an active deadly threat. She is especially interested in the landmine situation in Angola, the most heavily mined country in the world as a result of decades of conflict and civil war. The process of gathering relevant materials and managing the complex logistics required by trips to such dangerous areas are all essential components of the work. The artist intends to use her studio to experiment with different spatial presentations of In Depth (landmines) and to initiate new lines of research around the subject of landscape, looking into areas affected by plagues and epidemics and exploring the possibilities involved in their photographic representation.]]> Alice Miceli]]> Photography]]> Film]]> Southeast Asia]]> South America]]> Activism]]> Feminism]]> Performance]]> Amanda Heng]]> Performance]]> Southeast Asia]]>