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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
NTU Centre for Contemporary Art Singapore; Yang Fudong: Incidental Scripts, 12 December 2014 – 1 March 2014, Installation view: Yang Fudong, About the Unknown Girl – Ma Sise (2013 - 2014), The Forgotten Bow-knot.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
NTU Centre for Contemporary Art Singapore; Yang Fudong: Incidental Scripts, 12 December 2014 – 1 March 2014, Installation view: Yang Fudong, About the Unknown Girl – Ma Sise (2013 - 2014), At Lake Kunming.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
NTU Centre for Contemporary Art Singapore; Yang Fudong: Incidental Scripts, 12 December 2014 – 1 March 2014, Installation view: Yang Fudong, About the Unknown Girl – Ma Sise (2013 - 2014), At Lake Kunming.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
NTU Centre for Contemporary Art Singapore; Yang Fudong: Incidental Scripts, 12 December 2014 – 1 March 2014, Installation view: Yang Fudong, The Fifth Night (II) Rehearsal (2010).
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
NTU Centre for Contemporary Art Singapore; Yang Fudong: Incidental Scripts, 12 December 2014 – 1 March 2014, Installation view: Yang Fudong, The Fifth Night (II) Rehearsal (2010).
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
NTU Centre for Contemporary Art Singapore; Yang Fudong: Incidental Scripts, 12 December 2014 – 1 March 2014, Installation view: Yang Fudong, The Fifth Night (II) Rehearsal (2010).
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
NTU Centre for Contemporary Art Singapore; Yang Fudong: Incidental Scripts, 12 December 2014 – 1 March 2014, Installation view: Yang Fudong, On the Double Dragon Hills (2012).
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
NTU Centre for Contemporary Art Singapore; Yang Fudong: Incidental Scripts, 12 December 2014 – 1 March 2014, Installation view: Yang Fudong, About the Unknown Girl – Ma Sise (2013 - 2014), At Lake Kunming.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
NTU Centre for Contemporary Art Singapore; Yang Fudong: Incidental Scripts, 12 December 2014 – 1 March 2014, Installation view: Yang Fudong, About the Unknown Girl – Ma Sise (2013 - 2014), The Forgotten Bow-knot.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
NTU Centre for Contemporary Art Singapore; Yang Fudong: Incidental Scripts, 12 December 2014 – 1 March 2014, Installation view: Yang Fudong, About the Unknown Girl – Ma Sise (2013 - 2014), The Forgotten Bow-knot.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
NTU Centre for Contemporary Art Singapore; Yang Fudong: Incidental Scripts, 12 December 2014 – 1 March 2014, Installation view: Yang Fudong, About the Unknown Girl – Ma Sise (2013 - 2014), At Hegang
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Exhibitions
Description
An account of the resource
NTU CCA Singapore’s exhibitions focus on contemporary artistic production that provides a critical platform for reflection and discussion.
Exhibition
Curated group or solo shows that happen over a period of time, usually a few months, supported by auxiliary programmes. Examples include exhibition hall presentations, lab presentations, vitrine presentations, curated film programmes, and festivals.
Short Description
Incidental Scripts are emblematic Yang Fudong's multi-faceted approach towards the creation of visual imageries that complicates our understanding of reality / fiction, and our experience of space / time.
Exhibition Mode
Exhibition
Show Type
Individual Artist (solo show)
Thematic Presentation (group show)
Individual Artist
Exhibition Space
Exhibition Hall
Location
Onsite (CCA)
Offsite
Online
Onsite (CCA)
Exhibition Start Date
2014-12-12
Exhibition End Date
2015-03-01
Collaboration
No
Commissioned Work
No
Related Countries
China
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Place.Labour.Capital.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<i>Yang Fudong: Incidental Scripts</i>
Subject
The topic of the resource
Theatre
Fiction
Description
An account of the resource
Yang Fudong, a leading international figure of contemporary art and one the most important artists to emerge out of China in the 1990s, staged his first major solo exhibition in Southeast Asia at the NTU Centre for Contemporary Art Singapore. The exhibition, <i>Incidental Scripts</i>, presented a selection of four works by Yang: <i>An Estranged Paradise</i> (1997-2002), <i>The Fifth Night (II) Rehearsal</i> (2010), <i>On the Double Dragon Hills</i> (2012) and <i>About the Unknown Girl – Ma Sise</i> (2013-2014). These works are emblematic of his multi-faceted approach towards the creation of visual imageries that complicates our understanding of reality / fiction, and our experience of space / time. <br /><br />The exhibition was curated by Ute Meta Bauer (NTU CCA Singapore Founding Director) with Khim Ong (Independent Curator).
Contributor
An entity responsible for making contributions to the resource
Yang Fudong
Ute Meta Bauer
Khim Ong
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Asia
Medium
The material or physical carrier of the resource.
Film
Video
Multimedia Installation
-
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
NTU Centre for Contemporary Art Singapore; Tomás Saraceno, Arachnid Orchestra. Jam Sessions, 23 October – 20 December 2015, Installation view: Tomás Saraceno, Hybrid Musical instrument Cygnus A: built by a solitary spider Nephila kenianensis and two semi-social spiders Cyrtophora citricola (2014). Spidersilk, carbon fibre, and glass.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
NTU Centre for Contemporary Art Singapore; Tomás Saraceno, Arachnid Orchestra. Jam Sessions, 23 October – 20 December 2015, Installation view: Tomás Saraceno, Hybrid semi-social solitary musical instrument NGC 613: built by a pair of Cyrtophora moluccensis, one day, one Cyrtophora cirticola, three weeks and one Agelena labirintica, six weeks (2014).
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
NTU Centre for Contemporary Art Singapore; Tomás Saraceno, Arachnid Orchestra. Jam Sessions, 23 October – 20 December 2015, Installation view: Tomás Saraceno, Solitary monochord HH 46/47 (2015).
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
NTU Centre for Contemporary Art Singapore; Tomás Saraceno, Arachnid Orchestra. Jam Sessions, 23 October – 20 December 2015, Installation view: Tomás Saraceno, Social, solitary, solitary musical instrument Arp 107: built by a pair of Stegodyphus dumicola, three weeks, one Steatoda grossa, six weeks and two young Tegenaria domestica, eight weeks (2014). Spidersilk, carbon fibre, and glass.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
NTU Centre for Contemporary Art Singapore; Tomás Saraceno, Arachnid Orchestra. Jam Sessions, 23 October – 20 December 2015, Installation view: Tomás Saraceno, Hybrid Musical instrument Cygnus A: built by a solitary spider Nephila kenianensis and two semi-social spiders Cyrtophora citricola (2014). Spidersilk, carbon fibre, and glass.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
NTU Centre for Contemporary Art Singapore; Tomás Saraceno, Arachnid Orchestra. Jam Sessions, 23 October – 20 December 2015, Installation view: Tomás Saraceno, Hybrid Musical instrument Cygnus A: built by a solitary spider Nephila kenianensis and two semi-social spiders Cyrtophora citricola (2014). Spidersilk, carbon fibre, and glass.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
NTU Centre for Contemporary Art Singapore; Tomás Saraceno, Arachnid Orchestra. Jam Sessions, 23 October – 20 December 2015, Installation view: Tomás Saraceno, Solitary monochord HH 46/47 (2015).
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
NTU Centre for Contemporary Art Singapore; Tomás Saraceno, Arachnid Orchestra. Jam Sessions, 23 October – 20 December 2015, Installation view: Tomás Saraceno, Social, solitary, solitary musical instrument Arp 107: built by a pair of Stegodyphus dumicola, three weeks, one Steatoda grossa, six weeks and two young Tegenaria domestica, eight weeks (2014). Spidersilk, carbon fibre, and glass.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
NTU Centre for Contemporary Art Singapore; Tomás Saraceno, Arachnid Orchestra. Jam Sessions, 23 October – 20 December 2015, Installation view: Tomás Saraceno, Social, solitary, solitary musical instrument Arp 107: built by a pair of Stegodyphus dumicola, three weeks, one Steatoda grossa, six weeks and two young Tegenaria domestica, eight weeks (2014). Spidersilk, carbon fibre, and glass.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
NTU Centre for Contemporary Art Singapore; Tomás Saraceno, Arachnid Orchestra. Jam Sessions, 23 October – 20 December 2015, Installation view: Tomás Saraceno, Social, solitary, solitary musical instrument Arp 107: built by a pair of Stegodyphus dumicola, three weeks, one Steatoda grossa, six weeks and two young Tegenaria domestica, eight weeks (2014). Spidersilk, carbon fibre, and glass.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
NTU Centre for Contemporary Art Singapore; Tomás Saraceno, Arachnid Orchestra. Jam Sessions, 23 October – 20 December 2015, Installation view: Tomás Saraceno, Social, solitary, solitary musical instrument Arp 107: built by a pair of Stegodyphus dumicola, three weeks, one Steatoda grossa, six weeks and two young Tegenaria domestica, eight weeks (2014). Spidersilk, carbon fibre, and glass.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
NTU Centre for Contemporary Art Singapore; Tomás Saraceno, Arachnid Orchestra. Jam Sessions, 23 October – 20 December 2015, Installation view: Tomás Saraceno, Social, solitary, solitary musical instrument Arp 107: built by a pair of Stegodyphus dumicola, three weeks, one Steatoda grossa, six weeks and two young Tegenaria domestica, eight weeks (2014). Spidersilk, carbon fibre, and glass.
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Dublin Core
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Title
A name given to the resource
NTU Centre for Contemporary Art Singapore; Tomás Saraceno, Arachnid Orchestra. Jam Sessions, 23 October – 20 December 2015, Installation view: Tomás Saraceno, Social, solitary, solitary musical instrument Arp 107: built by a pair of Stegodyphus dumicola, three weeks, one Steatoda grossa, six weeks and two young Tegenaria domestica, eight weeks (2014). Spidersilk, carbon fibre, and glass.
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Dublin Core
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Title
A name given to the resource
NTU Centre for Contemporary Art Singapore; Tomás Saraceno, Arachnid Orchestra. Jam Sessions, 23 October – 20 December 2015, Installation view: Tomás Saraceno, Solitary monochord HH 46/47 (2015).
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Dublin Core
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Title
A name given to the resource
NTU Centre for Contemporary Art Singapore; Tomás Saraceno, Arachnid Orchestra. Jam Sessions, 23 October – 20 December 2015, Installation view: Tomás Saraceno, Drum-set M33, NGC 598 for a vibrational ensemble (2015). Laser vibrometer, membrane, piezo elements, amplifier. In collaboration with Dr. Roland Mühletheler.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
NTU Centre for Contemporary Art Singapore; Tomás Saraceno, Arachnid Orchestra. Jam Sessions, 23 October – 20 December 2015, Installation view: Tomás Saraceno, Social, solitary, solitary musical instrument Arp 107: built by a pair of Stegodyphus dumicola, three weeks, one Steatoda grossa, six weeks and two young Tegenaria domestica, eight weeks (2014). Spidersilk, carbon fibre, and glass.
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Dublin Core
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Title
A name given to the resource
NTU Centre for Contemporary Art Singapore; Tomás Saraceno, Arachnid Orchestra. Jam Sessions, 23 October – 20 December 2015, Installation view: Tomás Saraceno, Social, solitary, solitary musical instrument Arp 107: built by a pair of Stegodyphus dumicola, three weeks, one Steatoda grossa, six weeks and two young Tegenaria domestica, eight weeks (2014). Spidersilk, carbon fibre, and glass.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Exhibitions
Description
An account of the resource
NTU CCA Singapore’s exhibitions focus on contemporary artistic production that provides a critical platform for reflection and discussion.
Exhibition
Curated group or solo shows that happen over a period of time, usually a few months, supported by auxiliary programmes. Examples include exhibition hall presentations, lab presentations, vitrine presentations, curated film programmes, and festivals.
Short Description
Situated at the intersection between art, architecture and science, Arachnid Orchestra. Jam Sessions is a new production by Tomás Saraceno commissioned by the centre that brings his long-term research on spider webs into the realm of sound.
Exhibition Mode
Exhibition
Show Type
Individual Artist (solo show)
Thematic Presentation (group show)
Individual Artist
Exhibition Space
Exhibition Hall
Location
Onsite (CCA)
Offsite
Online
Onsite (CCA)
Exhibition Start Date
2015-10-23
Exhibition End Date
2015-12-20
Collaboration
No
Commissioned Work
No
Related Countries
Singapore
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Place.Labour.Capital.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Tomás Saraceno: <i>Arachnid Orchestra. Jam Sessions</i>
Subject
The topic of the resource
Posthumanism
Sustainability
Coexistence
Biodiversity
Ecology
Technology
Description
An account of the resource
NTU CCA Singapore is pleased to present the pioneering and visionary work of artist Tomás Saraceno for the first time in Southeast Asia. Situated at the intersection between art, architecture and science, Saraceno’s artistic practice is an articulation of a utopian vision for new forms of sustainable living and cohabitation. <br /><br /><i>Arachnid Orchestra. Jam Sessions</i> at NTU CCA Singapore is a new production by Tomás Saraceno commissioned by the centre that brings his long-term research on spider webs into the realm of sound. The artist uses spider webs as musical instruments embodying the incredible structural properties of the spider’s silk, but also the spider’s sophisticated mode of communication through vibrations. <br /><br /><i>Arachnid Orchestra. Jam Sessions</i> is a pioneering investigation by Saraceno and his studio in Berlin that involves a range of collaborators from various universities and disciplines. The exhibition space is turned into an interactive sound and visual installation, a process-driven laboratory for experimentation that pushes the boundaries of interspecies communication. <br /><br />As an extension of the exhibition, a dedicated website (www.arachnidorchestra.org) will operate as a research platform and playful hypertext of musical tuning.
Contributor
An entity responsible for making contributions to the resource
Tomás Saraceno
Ute Meta Bauer
Anca Rujoiu
Medium
The material or physical carrier of the resource.
Multimedia Installation
Sound
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Southeast Asia
Relation
A related resource
<a href="https://medium.com/illumination-curated/astonishing-secrets-of-spiders-human-wisdom-is-way-behind-d2b99ec7ab5">Astonishing Secrets of Spiders - Human Wisdom is Way Behind</a>
-
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
NTU Centre for Contemporary Art Singapore; Joan Jonas, They Come to Us without a Word, 22 January – 3 April 2016, Installation View: Bees (2015).
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Dublin Core
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Title
A name given to the resource
NTU Centre for Contemporary Art Singapore; Joan Jonas, They Come to Us without a Word, 22 January – 3 April 2016, Installation View
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
NTU Centre for Contemporary Art Singapore; Joan Jonas, They Come to Us without a Word, 22 January – 3 April 2016, Installation View
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
NTU Centre for Contemporary Art Singapore; Joan Jonas, They Come to Us without a Word, 22 January – 3 April 2016, vitrine from Bees containing two masks (plaster cloth, wire, and Japanese watercolor), two stones, instructions for bee dance (marker on paper), one photocopy, two magnifying glasses, one dead bee, and one glass bee made by Vittorio Costantini.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
NTU Centre for Contemporary Art Singapore; Joan Jonas, They Come to Us without a Word, 22 January – 3 April 2016, Installation View: Fish (2015).
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
NTU Centre for Contemporary Art Singapore; Joan Jonas, They Come to Us without a Word, 22 January – 3 April 2016, Installation View
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
NTU Centre for Contemporary Art Singapore; Joan Jonas, They Come to Us without a Word, 22 January – 3 April 2016, vitrine from Fish containing one mask (plaster cloth, wire, and Japanese watercolor), nine sea-urchin shells, one sand dollar, one dried seahorse, one drawing (pigmented- inkjet exhibition copy), three photocopies, two Japanese postcards(facsimilies), six pieces of white sea cora, and one glass sea sponge.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
NTU Centre for Contemporary Art Singapore; Joan Jonas, They Come to Us without a Word, 22 January – 3 April 2016, Installation View: Wind (2015).
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
NTU Centre for Contemporary Art Singapore; Joan Jonas, They Come to Us without a Word, 22 January – 3 April 2016, Installation View: Wind (2015).
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
NTU Centre for Contemporary Art Singapore; Joan Jonas, They Come to Us without a Word, 22 January – 3 April 2016, vitrine from Wind containing one found mas, one bird’s skull, one bird’s nest, four postcards, two photocopies, one miniature glass owl made by Virrorio Costantini, and two mirrored glass props made by Alexander Rosenberg.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
NTU Centre for Contemporary Art Singapore; Joan Jonas, They Come to Us without a Word, 22 January – 3 April 2016, Installation View: Homeroom (2015).
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
NTU Centre for Contemporary Art Singapore; Joan Jonas, They Come to Us without a Word, 22 January – 3 April 2016, Installation View
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
NTU Centre for Contemporary Art Singapore; Joan Jonas, They Come to Us without a Word, 22 January – 3 April 2016, Installation View
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
NTU Centre for Contemporary Art Singapore; Joan Jonas, They Come to Us without a Word, 22 January – 3 April 2016, Installation View
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
NTU Centre for Contemporary Art Singapore; Joan Jonas, They Come to Us without a Word, 22 January – 3 April 2016, vitrine from Homeroom containing one found mask, two glass frogs made by Vittorio Costantini, one fossil, two found black-and-white photographs, two color photographs by Joan Jonas, one photocopy, one found card, and two hand mirrors.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
NTU Centre for Contemporary Art Singapore; Joan Jonas, They Come to Us without a Word, 22 January – 3 April 2016, Installation View: Mirror (2015).
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
NTU Centre for Contemporary Art Singapore; Joan Jonas, They Come to Us without a Word, 22 January – 3 April 2016, Installation View: Mirror (2015).
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
NTU Centre for Contemporary Art Singapore; Joan Jonas, They Come to Us without a Word, 22 January – 3 April 2016, Installation View: Mirror (2015).
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
NTU Centre for Contemporary Art Singapore; Joan Jonas, They Come to Us without a Word, 22 January – 3 April 2016, Installation View
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
NTU Centre for Contemporary Art Singapore; Joan Jonas, They Come to Us without a Word, 22 January – 3 April 2016, Installation View
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
NTU Centre for Contemporary Art Singapore; Joan Jonas, They Come to Us without a Word, 22 January – 3 April 2016, Installation View
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
NTU Centre for Contemporary Art Singapore; Joan Jonas, They Come to Us without a Word, 22 January – 3 April 2016, Installation View
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
NTU Centre for Contemporary Art Singapore; Joan Jonas, They Come to Us without a Word, 22 January – 3 April 2016, Installation View
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Exhibitions
Description
An account of the resource
NTU CCA Singapore’s exhibitions focus on contemporary artistic production that provides a critical platform for reflection and discussion.
Exhibition
Curated group or solo shows that happen over a period of time, usually a few months, supported by auxiliary programmes. Examples include exhibition hall presentations, lab presentations, vitrine presentations, curated film programmes, and festivals.
Short Description
They Come to Us without a Word is a video and performance by Joan Jonas, as his first large-scale exhibition in Singapore and Southeast Asia.
Exhibition Mode
Exhibition
Show Type
Individual Artist (solo show)
Thematic Presentation (group show)
Individual Artist
Exhibition Space
Exhibition Hall
Location
Onsite (CCA)
Offsite
Online
Onsite (CCA)
Exhibition Start Date
2016-01-22
Exhibition End Date
2016-04-03
Collaboration
No
Commissioned Work
No
Related Countries
None
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Place.Labour.Capital.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Joan Jonas: <i>They Come to Us Without a Word</i>
Subject
The topic of the resource
Supernatural
Ecology
Ecosystems
Biodiversity
Coexistence
Environmental Crisis
Description
An account of the resource
The NTU Centre for Contemporary Art Singapore is honoured to present <i>They Come to Us without a Word</i>, video and performance pioneer Joan Jonas’ first large-scale exhibition in Singapore and Southeast Asia. <i>They Come to Us without a Word</i> was organised for the U.S. Pavilion of the 56th Venice Biennale by the MIT List Visual Arts Center and co-curated by Paul C. Ha, Director of the MIT List Visual Arts Center and Ute Meta Bauer, Founding Director of the NTU Centre for Contemporary Art Singapore. With this exhibition Jonas evokes the fragility of nature, using her own poetic language to address the irreversible impact of human interference on the environmental equilibrium of our planet. <br /><br /><u>Acknowledgements</u> <i>They Come to Us without a Word</i> was organised for the U.S. Pavilion of the 56th Venice Biennale by the MIT List Visual Arts Center and co-curated by Paul C. Ha, Director of the MIT List Visual Arts Center and Ute Meta Bauer, Founding Director of the NTU Centre for Contemporary Art Singapore. The exhibition was generously supported by U.S. Department of State, Cynthia and John Reed, the Helen Frankenthaler Foundation, and the Massachusetts Institute of Technology. Additional major support was provided by the Council for the Arts at MIT, Toby Devan Lewis, VIA Art Fund, Agnes Gund, Lambent Foundation. <br /><br />The exhibition in Singapore is organised by the NTU Centre for Contemporary Art Singapore, Nanyang Technological University with support by the Economic Development Board, Singapore. Additional support has also been provided by the U.S. Embassy Singapore.
Contributor
An entity responsible for making contributions to the resource
Paul C. Ha
Ute Meta Bauer
Joan Jonas
Medium
The material or physical carrier of the resource.
Film
Video
Multimedia Installation
Drawing
Mixed Media
Object
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Southeast Asia
Europe
North America
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Amar Kanwar, The Sovereign Forest, 30 July – 9 October 2016, NTU Centre for Contemporary Art Singapore, exhibition view. Courtesy NTU CCA Singapore.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Amar Kanwar, The Sovereign Forest, 30 July – 9 October 2016, NTU Centre for Contemporary Art Singapore, exhibition view. Courtesy NTU CCA Singapore.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Amar Kanwar, The Sovereign Forest, 30 July – 9 October 2016, NTU Centre for Contemporary Art Singapore, exhibition view. Courtesy NTU CCA Singapore.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Amar Kanwar, The Sovereign Forest, 30 July – 9 October 2016, NTU Centre for Contemporary Art Singapore, exhibition view. Courtesy NTU CCA Singapore.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Amar Kanwar, The Sovereign Forest, 30 July – 9 October 2016, NTU Centre for Contemporary Art Singapore, exhibition view. Courtesy NTU CCA Singapore.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Amar Kanwar, The Sovereign Forest, 30 July – 9 October 2016, NTU Centre for Contemporary Art Singapore, exhibition view. Courtesy NTU CCA Singapore.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Amar Kanwar, The Sovereign Forest, 30 July – 9 October 2016, NTU Centre for Contemporary Art Singapore, exhibition view. Courtesy NTU CCA Singapore.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Amar Kanwar, The Sovereign Forest, 30 July – 9 October 2016, NTU Centre for Contemporary Art Singapore, exhibition view. Courtesy NTU CCA Singapore.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Amar Kanwar, The Sovereign Forest, 30 July – 9 October 2016, NTU Centre for Contemporary Art Singapore, exhibition view. Courtesy NTU CCA Singapore.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Amar Kanwar, The Sovereign Forest, 30 July – 9 October 2016, NTU Centre for Contemporary Art Singapore, exhibition view. Courtesy NTU CCA Singapore.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Amar Kanwar, The Sovereign Forest, 30 July – 9 October 2016, NTU Centre for Contemporary Art Singapore, exhibition view. Courtesy NTU CCA Singapore.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Amar Kanwar, The Sovereign Forest, 30 July – 9 October 2016, NTU Centre for Contemporary Art Singapore, exhibition view. Courtesy NTU CCA Singapore.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Amar Kanwar, The Sovereign Forest, 30 July – 9 October 2016, NTU Centre for Contemporary Art Singapore, exhibition view. Courtesy NTU CCA Singapore.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Amar Kanwar, The Sovereign Forest, 30 July – 9 October 2016, NTU Centre for Contemporary Art Singapore, exhibition view. Courtesy NTU CCA Singapore.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Amar Kanwar, The Sovereign Forest, 30 July – 9 October 2016, NTU Centre for Contemporary Art Singapore, exhibition view. Courtesy NTU CCA Singapore.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Amar Kanwar, The Sovereign Forest, 30 July – 9 October 2016, NTU Centre for Contemporary Art Singapore, exhibition view. Courtesy NTU CCA Singapore.
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Dublin Core
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Title
A name given to the resource
Amar Kanwar, The Sovereign Forest, 30 July – 9 October 2016, NTU Centre for Contemporary Art Singapore, exhibition view. Courtesy NTU CCA Singapore.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Amar Kanwar, The Sovereign Forest, 30 July – 9 October 2016, NTU Centre for Contemporary Art Singapore, exhibition view. Courtesy NTU CCA Singapore.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Amar Kanwar, The Sovereign Forest, 30 July – 9 October 2016, NTU Centre for Contemporary Art Singapore, exhibition view. Courtesy NTU CCA Singapore.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Amar Kanwar, The Sovereign Forest, 30 July – 9 October 2016, NTU Centre for Contemporary Art Singapore, exhibition view. Courtesy NTU CCA Singapore.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Amar Kanwar, The Sovereign Forest, 30 July – 9 October 2016, NTU Centre for Contemporary Art Singapore, exhibition view. Courtesy NTU CCA Singapore.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Amar Kanwar, The Sovereign Forest, 30 July – 9 October 2016, NTU Centre for Contemporary Art Singapore, exhibition view. Courtesy NTU CCA Singapore.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Amar Kanwar, The Sovereign Forest, 30 July – 9 October 2016, NTU Centre for Contemporary Art Singapore, exhibition view. Courtesy NTU CCA Singapore.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Amar Kanwar, The Sovereign Forest, 30 July – 9 October 2016, NTU Centre for Contemporary Art Singapore, exhibition view. Courtesy NTU CCA Singapore.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Amar Kanwar, The Sovereign Forest, 30 July – 9 October 2016, NTU Centre for Contemporary Art Singapore, exhibition view. Courtesy NTU CCA Singapore.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Exhibitions
Description
An account of the resource
NTU CCA Singapore’s exhibitions focus on contemporary artistic production that provides a critical platform for reflection and discussion.
Exhibition
Curated group or solo shows that happen over a period of time, usually a few months, supported by auxiliary programmes. Examples include exhibition hall presentations, lab presentations, vitrine presentations, curated film programmes, and festivals.
Short Description
The Sovereign Forest initiates a creative response to the understanding of crime, politics, human rights and ecology.
Exhibition Mode
Exhibition
Show Type
Individual Artist (solo show)
Thematic Presentation (group show)
Individual Artist
Exhibition Space
Exhibition Hall
Location
Onsite (CCA)
Offsite
Online
Onsite (CCA)
Exhibition Start Date
2016-07-30
Exhibition End Date
2016-10-09
Collaboration
No
Commissioned Work
No
Related Countries
India
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Place.Labour.Capital.
Dublin Core
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Title
A name given to the resource
Amar Kanwar: <i>The Sovereign Forest </i>in collaboration with Sudhir Pattnaik/Samadrusti and Sherna Dastur
Subject
The topic of the resource
Archival Practice
Indigenous Knowledge
Geopolitics
Capitalism
Ecology
Labour
Politics
Description
An account of the resource
Amar Kanwar has been filming the industrial interventions that have reshaped and permanently destroyed parts of Odisha’s landscape – a battleground on issues of development and displacement since the 1990s. The resulting conflicts between local communities, the government, and corporations over the use of agricultural lands, forests, revers and minerals, have led to an ongoing regime of violence that is unpredictable and often invisible. A long-term commitment of Kanwar, <i>The Sovereign Forest</i> initiates a creative response to the understanding of crime, politics, human rights and ecology. The validity of poetry as evidence in a trial, the discourse on seeing, and the determination of self, all come together as a constellation of films, texts, books, photographs, objects, seeds and processes. <br /><br /><i>The Sovereign Forest</i> is produced with the support of Samadrusti, Odisha, India; Thyssen-Bornemisza Art Contemporary, Vienna, Austria; Centre Pompidou, Paris, France; Yorkshire Sculpture Park, United Kingdom; Public Press, New Delhi, India; and dOCUMENTA (13), Kassel, Germany. <br /><br />The exhibition at NTU CCA Singapore and its public programmes are curated by Ute Meta Bauer, Khim Ong, and Magdalena Magiera, in collaboration with Amar Kanwar, Sudhir Pattnaik and Sherna Dastur.<br /><br /><em>T</em><em>he Sovereign Forest<span> </span></em><span>is produced with the support of Samadrusti, Odisha, India; Thyssen-Bornemisza Art Contemporary, Vienna, Austria; Centre Pompidou, Paris, France; Yorkshire Sculpture Park, United Kingdom; Public Press, New Delhi, India; and </span><em>dOCUMENTA (13)</em><span>, Kassel, Germany.</span>
Contributor
An entity responsible for making contributions to the resource
Ute Meta Bauer
Khim Ong
Magdalena Magiera
Amar Kanwar
Sudhir Pattnaik
Sherna Dastur
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Asia
Medium
The material or physical carrier of the resource.
Multimedia Installation
Object
Sound
-
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Dublin Core
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Title
A name given to the resource
Incomplete Urbanism: Attempts of Critical Spatial Practice, 29 October 2016 – 29 January 2017, NTU Centre for Contemporary Art Singapore, installation view.
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Dublin Core
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Title
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Incomplete Urbanism: Attempts of Critical Spatial Practice, 29 October 2016 – 29 January 2017, NTU Centre for Contemporary Art Singapore, installation view.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Incomplete Urbanism: Attempts of Critical Spatial Practice, 29 October 2016 – 29 January 2017, NTU Centre for Contemporary Art Singapore, installation view.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Incomplete Urbanism: Attempts of Critical Spatial Practice, 29 October 2016 – 29 January 2017, NTU Centre for Contemporary Art Singapore, installation view.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Incomplete Urbanism: Attempts of Critical Spatial Practice, 29 October 2016 – 29 January 2017, NTU Centre for Contemporary Art Singapore, installation view.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Incomplete Urbanism: Attempts of Critical Spatial Practice, 29 October 2016 – 29 January 2017, NTU Centre for Contemporary Art Singapore, installation view.
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Dublin Core
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Title
A name given to the resource
Incomplete Urbanism: Attempts of Critical Spatial Practice, 29 October 2016 – 29 January 2017, NTU Centre for Contemporary Art Singapore, installation view.
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Dublin Core
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Title
A name given to the resource
Incomplete Urbanism: Attempts of Critical Spatial Practice, 29 October 2016 – 29 January 2017, NTU Centre for Contemporary Art Singapore, installation view.
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Dublin Core
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Title
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Incomplete Urbanism: Attempts of Critical Spatial Practice, 29 October 2016 – 29 January 2017, NTU Centre for Contemporary Art Singapore, installation view.
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Dublin Core
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Title
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Incomplete Urbanism: Attempts of Critical Spatial Practice, 29 October 2016 – 29 January 2017, NTU Centre for Contemporary Art Singapore, installation view.
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Dublin Core
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Title
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Incomplete Urbanism: Attempts of Critical Spatial Practice, 29 October 2016 – 29 January 2017, NTU Centre for Contemporary Art Singapore, installation view.
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Dublin Core
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Title
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Incomplete Urbanism: Attempts of Critical Spatial Practice, 29 October 2016 – 29 January 2017, NTU Centre for Contemporary Art Singapore, installation view.
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Dublin Core
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Title
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Incomplete Urbanism: Attempts of Critical Spatial Practice, 29 October 2016 – 29 January 2017, NTU Centre for Contemporary Art Singapore, installation view.
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Dublin Core
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Title
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Incomplete Urbanism: Attempts of Critical Spatial Practice, 29 October 2016 – 29 January 2017, NTU Centre for Contemporary Art Singapore, installation view.
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Dublin Core
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Title
A name given to the resource
Incomplete Urbanism: Attempts of Critical Spatial Practice, 29 October 2016 – 29 January 2017, NTU Centre for Contemporary Art Singapore, installation view.
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Dublin Core
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Title
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Incomplete Urbanism: Attempts of Critical Spatial Practice, 29 October 2016 – 29 January 2017, NTU Centre for Contemporary Art Singapore, installation view.
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Dublin Core
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Title
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Incomplete Urbanism: Attempts of Critical Spatial Practice, 29 October 2016 – 29 January 2017, NTU Centre for Contemporary Art Singapore, installation view.
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Dublin Core
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Title
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Incomplete Urbanism: Attempts of Critical Spatial Practice, 29 October 2016 – 29 January 2017, NTU Centre for Contemporary Art Singapore, installation view.
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Dublin Core
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Title
A name given to the resource
Incomplete Urbanism: Attempts of Critical Spatial Practice, 29 October 2016 – 29 January 2017, NTU Centre for Contemporary Art Singapore, installation view.
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Dublin Core
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Title
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Incomplete Urbanism: Attempts of Critical Spatial Practice, 29 October 2016 – 29 January 2017, NTU Centre for Contemporary Art Singapore, installation view.
Dublin Core
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Title
A name given to the resource
Exhibitions
Description
An account of the resource
NTU CCA Singapore’s exhibitions focus on contemporary artistic production that provides a critical platform for reflection and discussion.
Exhibition
Curated group or solo shows that happen over a period of time, usually a few months, supported by auxiliary programmes. Examples include exhibition hall presentations, lab presentations, vitrine presentations, curated film programmes, and festivals.
Short Description
Incomplete Urbanism: Attempts of Critical Spatial Practice is an open-ended exhibition that serves as a laboratory of ideas, exploring the indeterminacy and changeability of urban living.
Exhibition Mode
Exhibition
Show Type
Individual Artist (solo show)
Thematic Presentation (group show)
Thematic Presentation
Exhibition Space
Exhibition Hall
Location
Onsite (CCA)
Offsite
Online
Onsite (CCA)
Exhibition Start Date
2016-10-29
Exhibition End Date
2017-01-29
Collaboration
No
Commissioned Work
No
Related Countries
Singapore
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Place.Labour.Capital.
Dublin Core
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Title
A name given to the resource
<i>Incomplete Urbanism: Attempts of Critical Spatial Practice</i>
Subject
The topic of the resource
Urbanism
Capitalism
Globalisation
Public Sphere
Regionalism
Description
An account of the resource
<b><i>Incomplete Urbanism: Attempts of Critical Spatial Practice</i></b> is an open-ended exhibition that serves as a laboratory of ideas, exploring the indeterminacy and changeability of urban living. Borrowing its title from eminent Singaporean architect William S.W. Lim’s book <i>Incomplete Urbanism: A Critical Urban Strategy for Emerging Economies</i> (2012), this multifaceted project takes Lim’s practice and the initiatives of the Asian Urban Lab that he started with colleagues in 2003, as a point of departure. It presents various researches into the spatial, cultural and social aspects of city life according to the publications Lim was involved with. <br /><br />Acknowledging Lim’s contributions as a prolific urban theorist and catalyst of ideas, whose vision asks that we reconsider the traditions of Asian architecture for the “contemporary vernacular”, <i>Incomplete Urbanism</i> is a direct response to his critical ideas – a space is generated to encourage participation and agency. <br /><br />Lim’s key ideas will be explored by commissioned projects from several contributors, including <b>Dr Marc Glöde</b> (Germany/Singapore), film curator, Visiting Scholar, School of Art, Design (ADM) and Media, Nanyang Technological University (NTU), Singapore; <b>Laura Miotto </b>(Italy/Singapore), Associate Professor, NTU ADM; <b>Shirley Surya</b> (Indonesia/Hong Kong), Associate Curator for Design and Architecture, M+, Hong Kong and NTU CCA Singapore Visiting Research Fellows; <b>Dr Etienne Turpin</b> (Canada/Indonesia), Research Scientist, Urban Risk Lab, Massachusetts Institute of Technology, United States; and <b>Sissel Tolaas</b> (Norway/Germany), smell researcher and artist. <br /><br /><i>Incomplete Urbanism</i> seeks to present a dynamic space to engage urban issues, through discussions, debates, a programme on classic Singapore films, workshops and other collective efforts.
Contributor
An entity responsible for making contributions to the resource
Ute Meta Bauer
Khim Ong
Magdalena Magiera
Medium
The material or physical carrier of the resource.
Installation
Film
Print
Video
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Asia
Southeast Asia
-
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Ulrike Ottinger, China. The Arts – The People: Photographs and Films from the 1980s and 1990s, 27 May – 13 August 2017, NTU Centre for Contemporary Art Singapore, installation view.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Ulrike Ottinger, China. The Arts – The People: Photographs and Films from the 1980s and 1990s, 27 May – 13 August 2017, NTU Centre for Contemporary Art Singapore, installation view.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Ulrike Ottinger, China. The Arts – The People: Photographs and Films from the 1980s and 1990s, 27 May – 13 August 2017, NTU Centre for Contemporary Art Singapore, installation view.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Ulrike Ottinger, China. The Arts – The People: Photographs and Films from the 1980s and 1990s, 27 May – 13 August 2017, NTU Centre for Contemporary Art Singapore, installation view.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Ulrike Ottinger, China. The Arts – The People: Photographs and Films from the 1980s and 1990s, 27 May – 13 August 2017, NTU Centre for Contemporary Art Singapore, installation view.
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Dublin Core
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Title
A name given to the resource
Ulrike Ottinger, China. The Arts – The People: Photographs and Films from the 1980s and 1990s, 27 May – 13 August 2017, NTU Centre for Contemporary Art Singapore, installation view.
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Dublin Core
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Title
A name given to the resource
Ulrike Ottinger, China. The Arts – The People: Photographs and Films from the 1980s and 1990s, 27 May – 13 August 2017, NTU Centre for Contemporary Art Singapore, installation view.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Ulrike Ottinger, China. The Arts – The People: Photographs and Films from the 1980s and 1990s, 27 May – 13 August 2017, NTU Centre for Contemporary Art Singapore, installation view.
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Dublin Core
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Title
A name given to the resource
Ulrike Ottinger, China. The Arts – The People: Photographs and Films from the 1980s and 1990s, 27 May – 13 August 2017, NTU Centre for Contemporary Art Singapore, installation view.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Ulrike Ottinger, China. The Arts – The People: Photographs and Films from the 1980s and 1990s, 27 May – 13 August 2017, NTU Centre for Contemporary Art Singapore, installation view.
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Dublin Core
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Title
A name given to the resource
Ulrike Ottinger, China. The Arts – The People: Photographs and Films from the 1980s and 1990s, 27 May – 13 August 2017, NTU Centre for Contemporary Art Singapore, installation view.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Ulrike Ottinger, China. The Arts – The People: Photographs and Films from the 1980s and 1990s, 27 May – 13 August 2017, NTU Centre for Contemporary Art Singapore, installation view.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Ulrike Ottinger, China. The Arts – The People: Photographs and Films from the 1980s and 1990s, 27 May – 13 August 2017, NTU Centre for Contemporary Art Singapore, installation view.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Ulrike Ottinger, China. The Arts – The People: Photographs and Films from the 1980s and 1990s, 27 May – 13 August 2017, NTU Centre for Contemporary Art Singapore, installation view.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Ulrike Ottinger, China. The Arts – The People: Photographs and Films from the 1980s and 1990s, 27 May – 13 August 2017, NTU Centre for Contemporary Art Singapore, installation view.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Ulrike Ottinger, China. The Arts – The People: Photographs and Films from the 1980s and 1990s, 27 May – 13 August 2017, NTU Centre for Contemporary Art Singapore, installation view.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Exhibitions
Description
An account of the resource
NTU CCA Singapore’s exhibitions focus on contemporary artistic production that provides a critical platform for reflection and discussion.
Exhibition
Curated group or solo shows that happen over a period of time, usually a few months, supported by auxiliary programmes. Examples include exhibition hall presentations, lab presentations, vitrine presentations, curated film programmes, and festivals.
Short Description
China. The Arts – The People, Photographs and Films from the 1980s and 1990s focuses on Ottinger’s research and travels in China and Mongolia during the 1980s and 1990s.
Exhibition Mode
Exhibition
Show Type
Individual Artist (solo show)
Thematic Presentation (group show)
Individual Artist
Exhibition Space
Exhibition Hall
Location
Onsite (CCA)
Offsite
Online
Onsite (CCA)
Exhibition Start Date
2017-05-27
Exhibition End Date
2017-08-13
Collaboration
No
Commissioned Work
No
Related Countries
China
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Place.Labour.Capital.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<i>Ulrike Ottinger: China. The Arts – The People, Photographs and Films from the 1980s and 1990s</i>
Subject
The topic of the resource
Identity
Displacement
Regionalism
Archival Practice
Fiction
Politics
Race
Description
An account of the resource
The exhibition <i>China. The Arts – The People, Photographs and Films from the 1980s and 1990s</i> by acclaimed filmmaker Ulrike Ottinger (b. 1942 in Constance, Germany) is the first large-scale exhibition by the award-winning filmmaker and artist in Asia. The selection of works focuses on Ottinger’s research and travels in China and Mongolia during the 1980s and 1990s, comprising four films and more than one hundred photographs. The photographs, created largely in parallel with the production of her films, will be unfolded along the artist’s leitmotifs. <br /><br />Starting with <i>China. The Arts – The People</i> (1985), the exhibition leads a journey through the cultures and geographies of China, while also exploring the relationship between moving image and still life. The three acts of the documentary are presented on a three-screen installation, documenting everyday life in Beijing (February 1985), Sichuan Province (March 1985), and Yunnan Province (March 1985). While meeting the film director Ling Zifeng in one chapter, a Bamboo factory is visited in another, and in parallel the Sani people, a minority group, show their habitat, the Stone Forest. <br /><br /><i>Taiga. A Journey to Northern Mongolia</i> (1992), a documentary over eight hours long that will be presented on multiple monitors throughout the exhibition space, looks into the everyday life of nomadic peoples in Mongolia. Furthermore, on view in the cinematic space of the Centre, The Single Screen, will be <i>Exile Shanghai</i> (1997), a film telling the six life stories of German, Austrian, and Russian Jews intersecting in Shanghai after their escape from Nazi Germany, as well as <i>Johanna d’Arc of Mongolia</i> (1989), Ottinger’s only feature fiction film presenting a cast starring Badema, Lydia Billiet, Inés Sastre, and Delphine Seyrig. <br /><br />From 1962 to 1968, Ulrike Ottinger was living as an independent artist in Paris, where at the University of Paris-Sorbonne she attended lectures on ethnography and religion of Claude Lévi-Strauss, Louis Althusser, and Pierre Bourdieu. Over the decades, she has created an extensive image archive, including films, photographs of her own as well as collections of postcards, magazine illustrations, and other iconographic documents from times and places worldwide. Driven by her curiosity for people and places, the artist’s images alternate between documentary insight and theatrical extravagance, presenting encounters with everyday realities at the intersection of the contemporary, the traditional, and the ritual. <br /><br />The extraordinary filmic and photographic oeuvre from China and Mongolia of the 1980s and 1990s prove her outstanding practice and beyond. Fighting for permission to travel and film in communist China, Ottinger’s interest in Asia also broke with the Cold War stereotype of that time. Her inimitable universe of provinces and regions of China is filled with rich imagery of various provinces in China and nomadic societies in Northern Mongolia and their history, paying attention to the presence of local details and reaching far beyond its described territory. <br /><br />The exhibition is accompanied by an intensive public programme, starting with a <i>Behind the Scenes</i> discussion with the artist on her practice as photographer and filmmaker. The programmed talks and screenings will reflect on the notion of the documentary, the intersection of documentary and fiction, and the potential that artistic production can have for anthropology, cultural studies, and history. <br /><br />Initially a painter, Ottinger came to filmmaking in the early 1970s. She furthermore produced operas, several theatre plays, and radio dramas. Her films have received numerous awards and have been shown at the world’s most important film festivals, as well as appreciated in multiple retrospectives, including Rio de Janeiro International Film Festival (2013), Centre Pompidou, Paris (2010), Museo Reina Sofia, Madrid (2004), The Museum of Modern Art, New York (2000), and Cinémathèque française, Paris (1982). Her work has been featured in major international exhibitions such as Documenta (2017, 2002), Gwangju Biennale (2014), Berlin Biennale (2010, 2004), and Shanghai Biennale (2008). Recent solo shows include, among others, Johanna Breede Photokunst, Berlin (2015, 2013), Sammlung Goetz, Munich (2012), Haus der Kulturen der Welt, Berlin (2011), Neuer Berliner Kunstverein, Berlin (2011), and Witte de With Center for Contemporary Art, Rotterdam (2004). Major monographs include Ulrike Ottinger: World Images (2013), <i>Ulrike Ottinger</i> (2012), <i>Ulrike Ottinger: N.B.K. Ausstellungen Band 11</i> (2011), Floating Food (2011), and <i>Image Archive</i> (2005). In 2011, she was awarded the Hannah Höch Prize for her creative work, and in 2010 honoured with the Order of Merit of the Federal Republic of Germany. <br /><br /><i>Ulrike Ottinger: China. The Arts – The People, Photographs and Films from the 1980s and 1990s</i> is curated by Ute Meta Bauer, Founding Director, and Khim Ong, Deputy Director, Exhibitions, Residencies and Public Programmes.
Contributor
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Ulrike Ottinger
Ute Meta Bauer
Khim Ong
Coverage
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Asia
Medium
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Photography
Film
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The Making of an Institution, 11 February – 7 May 2017, anGie seah, Talk to the Hand. NTU Centre for Contemporary Art Singapore, exhibition view.
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The Making of an Institution, 11 February – 7 May 2017, Bo Wang, mixed-media map. NTU Centre for Contemporary Art Singapore, exhibition view.
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The Making of an Institution, 11 February – 7 May 2017, Ho Rui An, Hotel Singapore. NTU Centre for Contemporary Art Singapore, exhibition view.
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The Making of an Institution, 11 February – 7 May 2017, NTU Centre for Contemporary Art Singapore, exhibition view.
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The Making of an Institution, 11 February – 7 May 2017, NTU Centre for Contemporary Art Singapore, exhibition view.
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The Making of an Institution, 11 February – 7 May 2017, NTU Centre for Contemporary Art Singapore, exhibition view.
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The Making of an Institution, 11 February – 7 May 2017, NTU Centre for Contemporary Art Singapore, exhibition view.
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The Making of an Institution, 11 February – 7 May 2017, NTU Centre for Contemporary Art Singapore, exhibition view.
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The Making of an Institution, 11 February – 7 May 2017, NTU Centre for Contemporary Art Singapore, exhibition view.
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The Making of an Institution, 11 February – 7 May 2017, NTU Centre for Contemporary Art Singapore, exhibition view.
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Dublin Core
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The Making of an Institution, 11 February – 7 May 2017, NTU Centre for Contemporary Art Singapore, exhibition view.
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Dublin Core
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The Making of an Institution, 11 February – 7 May 2017, NTU Centre for Contemporary Art Singapore, exhibition view.
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The Making of an Institution, 11 February – 7 May 2017, NTU Centre for Contemporary Art Singapore, exhibition view.
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Dublin Core
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The Making of an Institution, 11 February – 7 May 2017, NTU Centre for Contemporary Art Singapore, exhibition view.
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The Making of an Institution, 11 February – 7 May 2017, NTU Centre for Contemporary Art Singapore, exhibition view.
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Dublin Core
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Title
A name given to the resource
The Making of an Institution, 11 February – 7 May 2017, NTU Centre for Contemporary Art Singapore, exhibition view.
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Dublin Core
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Title
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The Making of an Institution, 11 February – 7 May 2017, Koh Nguang How, Snippets from Singapore Art Archive Project at NTU CCA Singapore. NTU Centre for Contemporary Art Singapore, exhibition view.
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Dublin Core
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Title
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The Making of an Institution, 11 February – 7 May 2017, Heman Chong, The Library of Unread Books. Courtesy NTU Centre for Contemporary Art Singapore, exhibition view.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
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The Making of an Institution, 11 February – 7 May 2017, Heman Chong, The Library of Unread Books. Courtesy NTU Centre for Contemporary Art Singapore, exhibition view.
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Dublin Core
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Title
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The Making of an Institution, 11 February – 7 May 2017, Li Ran, It is not Complicated, A Guide Book, film still, 2016. Courtesy the artist.
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Dublin Core
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Title
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The Making of an Institution, 11 February – 7 May 2017, Mona Vătămanu & Florin Tudor,
Le monde et les choses. Courtesy NTU Centre for Contemporary Art Singapore, exhibition view.
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Dublin Core
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Title
A name given to the resource
The Making of an Institution, 11 February – 7 May 2017, SHIMURAbros, Chasing the Light, film still, 2017. Courtesy the artist.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
The Making of an Institution, 11 February – 7 May 2017, Tamara Weber, Close Readings. REBUS, inkjet digital print, 2016. Courtesy NTU CCA Singapore.
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Dublin Core
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Title
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The Making of an Institution, 11 February – 7 May 2017, Zul Mahmod, RESONANCES: READYMADE SOUND SCULPTURES, 2016. Courtesy NTU CCA Singapore.
Dublin Core
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Title
A name given to the resource
Exhibitions
Description
An account of the resource
NTU CCA Singapore’s exhibitions focus on contemporary artistic production that provides a critical platform for reflection and discussion.
Exhibition
Curated group or solo shows that happen over a period of time, usually a few months, supported by auxiliary programmes. Examples include exhibition hall presentations, lab presentations, vitrine presentations, curated film programmes, and festivals.
Short Description
The Making of an Institution creates a communal space where projects and research explorations by the Centre’s Artists-, Curators-in- Residence, and Research Fellows coexist with ongoing series of talks, screenings, performances, and workshops.
Exhibition Mode
Exhibition
Show Type
Individual Artist (solo show)
Thematic Presentation (group show)
Thematic Presentation
Exhibition Space
Exhibition Hall
Location
Onsite (CCA)
Offsite
Online
Onsite (CCA)
Exhibition Start Date
2017-02-11
Exhibition End Date
2017-05-07
Collaboration
No
Commissioned Work
No
Related Countries
Singapore
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Place.Labour.Capital.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<i>The Making Of An Institution</i>
Subject
The topic of the resource
Knowledge Production
Cultural Production
Institutional Critique
Artistic Research
Description
An account of the resource
<i>The Making of an Institution</i> captures different moments in the development of the NTU Centre for Contemporary Art Singapore (NTU CCA Singapore) connecting artistic projects, discursive manifestations, and the institutional apparatus in a seamless display. It looks back into its young past in order to shape its future. Challenging the format of an exhibition, <i>The Making of an Institution</i> creates a communal space where projects and research explorations by the Centre’s Artists-, Curators-in- Residence, and Research Fellows coexist with ongoing series of talks, screenings, performances, and workshops. The project engages the Centre’s main pillars–Exhibitions, Residencies, Research and Academic Education – bringing to a close the overarching curatorial narrative <i>Place.Labour.Capital.</i> that served as a framework for its activities since 2013. <br /><br />Established in 2013, the Centre embodies the complexity of a contemporary art institution in times of knowledge economy and global art. The role of a contemporary art institution should not be limited to the presentation of art. It feeds off and nurtures the cultural ecosystem it belongs to through a complex series of actions that often reside in the realm of the immaterial. The Centre’s inaugural programme <i>Free Jazz</i> addressed the foundational question “What can this institution be?” highlighting the skill of improvisation and free play. Three years later, different questions are to be raised: What could the role of the NTU CCA Singapore be for the years to come within a fast changing local, regional, and global cultural landscape? What are the criteria to evaluate its achievements and impact? <br /><br />In revisiting its own process of institutional building, NTU CCA Singapore appropriates the format and language of a “public report”. While a public report is conventionally employed to deliver an official written narrative, the Centre’s report unfolds in the exhibition space through the languages of the performative, the discursive, and the archival. <br /><br />“It’s amazing how far we were able to come in just three years,” said Ute Meta Bauer, Founding Director, NTU CCA Singapore. “<i>The Making of an Institution</i> is a celebration of the international community we have built, including scholars, artists, and the public. Now it is time for us to reflect and analyse our achievements before the exciting next steps ahead.” <br /><br /><i>The Making of an Institution</i> is divided into four sections borrowed from the structure of a public report: <i>Reason to Exist: The Director’s Review; Ownership, Development, and Aspirations; Artistic Research; and Communication and Mediation. The first section, Reason to Exist: The Director’s Review</i> maps out a network of institutions, like NTU CCA Singapore, that place research at the core of their identity. Each guest director will closely examine the vision, mission, and operative model of her respective organisation in a series of talks aimed at deepening our understanding of the changing role of contemporary cultural institutions. <i>Ownership, Development, and Aspirations</i> is a public panel with several members of the NTU CCA Singapore’s International Advisory Board and its stakeholders representatives that stresses the importance of feedback and exchange among peers especially in the development phase of an institution. The section dedicated to <i>Artistic Research</i> frames the material and immaterial aspects that constitute contemporary art practices. It takes over the Centre’s physical <i>Spaces of the Curatorial</i>—The Exhibition Hall, The Single Screen, The Lab, and The Vitrine—juxtaposing artworks and research projects by NTU CCA Singapore’s Artists-, Curators-in- Residence, and Research Fellows alongside various formats of public programming. Finally, Communication and Mediation explores the production of an institution’s identity through visual communication and spatial practices. Through workshops and presentations, artists, architects, and designers will discuss how they create diverse visual and spatial identities for art institutions. <br /><br />The public report will culminate into a book planned for publication in mid-2017, gathering the voices of all the artists, curators, researchers, and academics who have contributed to this first phase of the Centre. The Making of an Institution is curated by Ute Meta Bauer, Founding Director, Anna Lovecchio, Curator, Residencies, and Anca Rujoiu, Manager, Publications.
Contributor
An entity responsible for making contributions to the resource
åbäke
Hamra Abbas
Rodolfo Andaur
Diana Campbell Betancourt
Dinu Bodiciu
Kray Chen
Chris Chong Chan Fui
Heman Chong
Renée Staal
Weixin Chong
Choy Ka Fai
Ann Demeester
Rosemary Forde
Marc Glöde
Yuko Hasegawa
Bani Haykal
Bahbak Hashemi-Nezhad
Maria Hlavajova
Ho Rui An
James Jack
siren eun young jung
Christoph Knoth
Koh Nguang How
Wilfried Kuehn
Bastian von Lehsten
Li Ran
Loo Zihan
Zulkifle Mahmod
Ato Malinda
Alice Miceli
Laura Miotto
Regina Möller
Arjuna Neuman
UuDam Tran Nguyen
Nikos Papastergiadis
Jegan Vincent de Paul
Emily Pethick
Thao-Nguyen Phan
Souliya Phoumivong
Ana Prvački
Arin Rungjang
anGie seah
Jeremy Sharma
SHIMURAbros
Alec Steadman
Sanne Oorthuizen
Anocha Suwichakornpong
Erika Tan
Guo-Liang Tan
Tan Pin Pin
Philip Tinari
John Tirman
Mona Vătămanu
Florin Tudor
Bo Wang
Farah Wardani
Tamara Weber
Jason Wee
Otty Widasari
abake
Reee Staal
Marc Glode
Regina Moller
Ana Prvacki
Medium
The material or physical carrier of the resource.
Installation
Film
Print
Video
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Southeast Asia
-
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Apichatpong Weerasethakul, Fireworks (Archive), 2014. Ghost and Spectres – Shadows of History, 1 September – 19 November 2017, NTU Centre for Contemporary Art Singapore, installation view.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Apichatpong Weerasethakul, Fireworks (Archive), 2014. Ghost and Spectres – Shadows of History, 1 September – 19 November 2017, NTU Centre for Contemporary Art Singapore, installation view.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Apichatpong Weerasethakul, Fireworks (Archive), 2014. Ghost and Spectres – Shadows of History, 1 September – 19 November 2017, NTU Centre for Contemporary Art Singapore, installation view.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Apichatpong Weerasethakul, Fireworks (Archive), 2014. Ghost and Spectres – Shadows of History, 1 September – 19 November 2017, NTU Centre for Contemporary Art Singapore, installation view.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Ghost and Spectres – Shadows of History, 1 September – 19 November 2017, NTU Centre for Contemporary Art Singapore, installation view of exhibition entrance.
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Dublin Core
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Title
A name given to the resource
Ghost and Spectres – Shadows of History, 1 September – 19 November 2017, NTU Centre for Contemporary Art Singapore, installation view of exhibition entrance.
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Dublin Core
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Title
A name given to the resource
Ho Tzu Nyen, The Name, 2015. Ghost and Spectres – Shadows of History, 1 September – 19 November 2017, NTU Centre for Contemporary Art Singapore, installation view.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Ho Tzu Nyen, The Name, 2015. Ghost and Spectres – Shadows of History, 1 September – 19 November 2017, NTU Centre for Contemporary Art Singapore, installation view.
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Dublin Core
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Title
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Nguyen Trinh Thi, Letters from Panduranga, 2015. Ghost and Spectres – Shadows of History, 1 September – 19 November 2017, NTU Centre for Contemporary Art Singapore, installation view.
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Dublin Core
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Title
A name given to the resource
Nguyen Trinh Thi, Letters from Panduranga, 2015. Ghost and Spectres – Shadows of History, 1 September – 19 November 2017, NTU Centre for Contemporary Art Singapore, installation view.
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Dublin Core
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Title
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Park Chan-kyong, Citizen’s Forest, 2016. Ghost and Spectres – Shadows of History, 1 September – 19 November 2017, NTU Centre for Contemporary Art Singapore, installation view.
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Dublin Core
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Title
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Park Chan-kyong, Citizen’s Forest, 2016. Ghost and Spectres – Shadows of History, 1 September – 19 November 2017, NTU Centre for Contemporary Art Singapore, installation view.
Dublin Core
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Title
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Exhibitions
Description
An account of the resource
NTU CCA Singapore’s exhibitions focus on contemporary artistic production that provides a critical platform for reflection and discussion.
Exhibition
Curated group or solo shows that happen over a period of time, usually a few months, supported by auxiliary programmes. Examples include exhibition hall presentations, lab presentations, vitrine presentations, curated film programmes, and festivals.
Short Description
Ghosts and Spectres — Shadows of History brings to light clouded histories at times not officially recounted but those that remain a lingering presence in collective memories through local mythologies, ghostly figures, and traditions.
Exhibition Mode
Exhibition
Show Type
Individual Artist (solo show)
Thematic Presentation (group show)
Thematic Presentation
Exhibition Space
Exhibition Hall
Location
Onsite (CCA)
Offsite
Online
Onsite (CCA)
Exhibition Start Date
2017-09-01
Exhibition End Date
2017-11-19
Collaboration
No
Commissioned Work
No
Related Countries
Singapore
Vietnam
South Korea
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Place.Labour.Capital.
Dublin Core
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Title
A name given to the resource
<i>Ghosts and Spectres – Shadows of History</i>
Subject
The topic of the resource
Archival Practice
Fiction
Supernatural
Mythology
Politics
Description
An account of the resource
<i>Ghosts and Spectres — Shadows of History</i> features video installations and films by <b>Apichatpong Weerasethakul</b> (Thailand), <b>Ho Tzu Nyen</b> (Singapore), <b>Nguyen Trinh Thi</b> (Vietnam), and <b>Park Chan-kyong</b> (South Korea). The artists’ research into their own cultural and historical backgrounds gain shape through allegories that re-evaluate the social and political reforms in Post-War and Cold-War Asia. The cinematic works in the exhibition combine fact and fiction. They not only allude to rarely discussed subject-matters but also raise crucial questions about power and authority, construction of narratives, repression of identities, and collective trauma. <br /><br />Embedded in the vernacular, ghosts, myths, and rituals present systems of knowledge that enable the expression of unknown worlds. <i>Ghosts and Spectres — Shadows of History</i> brings to light clouded histories at times not officially recounted but those that remain a lingering presence in collective memories through local mythologies, ghostly figures, and traditions. The works create their own language and systems of reference, reflecting current efforts of exposing written historical accounts and contemporary situations that subvert mainstream narratives. <br /><br />In parallel, The Lab, NTU CCA Singapore’s platform for research in-progress, will be featuring projects by <b>siren eun young jung</b> (South Korea) and <b>Choy Ka Fai</b> (Singapore/Germany), both recent NTU CCA Singapore artists-in-residence. While jung focuses on <i>Yeoseong Gukgeuk</i>, a vanishing form of traditional Korean theatre featuring only female performers, Choy brings up his long-time research into <i>Butoh</i> dance, also called “dance of darkness,” and looks at its evolution and influence through one of the <i>Butoh</i> founders, Tatsumi Hijikata. <br /><br />Ghosts and Spectres—Shadows of History is curated by <b>Ute Meta Bauer</b>, Founding Director, NTU CCA Singapore, and Professor, School of Art, Design and Media, NTU, and <b>Khim Ong</b>, Deputy Director, Curatorial Programmes.
Contributor
An entity responsible for making contributions to the resource
Apichatpong Weerasethakul
Ho Tzu Nyen
Nguyen Trinh Thi
Park Chan-kyong
siren eun young jung
Choy Ka Fai
Ute Meta Bauer
Khim Ong
Medium
The material or physical carrier of the resource.
Video
Multimedia Installation
Film
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Southeast Asia
Asia
-
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Dublin Core
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Title
A name given to the resource
Armin Linke, OCEANS. Dialogues between ocean floor and water column, 2017, four-channel installation.The Oceanic, 2017, NTU Centre for Contemporary Art Singapore.
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Dublin Core
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Title
A name given to the resource
Armin Linke, OCEANS. Dialogues between ocean floor and water column, 2017, four-channel installation.The Oceanic, 2017, NTU Centre for Contemporary Art Singapore.
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Dublin Core
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Title
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The Oceanic, 9 December 2017 – 6 March 2018, NTU Centre for Contemporary Art Singapore, installation view. Courtesy NTU CCA Singapore.
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Dublin Core
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Title
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The Oceanic, 9 December 2017 – 6 March 2018, NTU Centre for Contemporary Art Singapore, installation view. Courtesy NTU CCA Singapore.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
The Oceanic, 9 December 2017 – 6 March 2018, NTU Centre for Contemporary Art Singapore, installation view. Courtesy NTU CCA Singapore.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
The Oceanic, 9 December 2017 – 6 March 2018, NTU Centre for Contemporary Art Singapore, installation view. Courtesy NTU CCA Singapore.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
The Oceanic, 9 December 2017 – 6 March 2018, NTU Centre for Contemporary Art Singapore, installation view. Courtesy NTU CCA Singapore.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
The Oceanic, 9 December 2017 – 6 March 2018, NTU Centre for Contemporary Art Singapore, installation view. Courtesy NTU CCA Singapore.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
The Oceanic, 9 December 2017 – 6 March 2018, NTU Centre for Contemporary Art Singapore, installation view.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
The Oceanic, 9 December 2017 – 6 March 2018, NTU Centre for Contemporary Art Singapore, installation view. Courtesy NTU CCA Singapore.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
The Oceanic, 9 December 2017 – 6 March 2018, NTU Centre for Contemporary Art Singapore, installation view. Courtesy NTU CCA Singapore.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
The Oceanic, 9 December 2017 – 6 March 2018, NTU Centre for Contemporary Art Singapore, installation view. Courtesy NTU CCA Singapore.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Jegan Vincent de Paul, Research materials from expedition/South Pacific, 2017, printed materials. The Oceanic, 2017, NTU Centre for Contemporary Art Singapore. Courtesy NTU CCA Singapore.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Jegan Vincent de Paul, Research materials from expedition/South Pacific, 2017, printed materials. The Oceanic, 2017, NTU Centre for Contemporary Art Singapore. Courtesy NTU CCA Singapore.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
The Oceanic, 9 December 2017 – 6 March 2018, NTU Centre for Contemporary Art Singapore, installation view. Courtesy NTU CCA Singapore.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
The Oceanic, 9 December 2017 – 6 March 2018, NTU Centre for Contemporary Art Singapore, installation view of “Talanoa room” in The Lab. Courtesy NTU CCA Singapore.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
The Oceanic, 9 December 2017 – 6 March 2018, NTU Centre for Contemporary Art Singapore, installation view of “Talanoa room” in The Lab. Courtesy NTU CCA Singapore.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
The Oceanic, 9 December 2017 – 6 March 2018, NTU Centre for Contemporary Art Singapore, installation view of “Talanoa room” in The Lab. Courtesy NTU CCA Singapore.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Laura Anderson Barbata, Queen, 2017, Bird Fish Prince, 2017, costumes; Newell Harry, (Untitled) Anagrams and Objects for RU & RU, 2015, tapa cloth. The Oceanic, 2017¬, NTU Centre for Contemporary Art Singapore. Courtesy NTU CCA Singapore.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Nabil Ahmed and INTERPRT, Unfolded Pacific Ring, 2016–ongoing; Lisa Rave, Europium, 2014. The Oceanic, 2017¬, NTU Centre for Contemporary Art Singapore.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Nabil Ahmed and INTERPRT, Unfolded Pacific Ring, 2016–ongoing; Lisa Rave, Europium, 2014. The Oceanic, 2017¬, NTU Centre for Contemporary Art Singapore.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Newell Harry, (Untitled) Nimoa and Me: Kiriwina Notes, 2015–16. The Oceanic, 2017¬, NTU Centre for Contemporary Art Singapore.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Tue Greenfort, Tamoya Ohboya, 2017, aquarium, live jellyfish, projection.The Oceanic, 2017, NTU Centre for Contemporary Art Singapore.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Tue Greenfort, Tamoya Ohboya, 2017, aquarium, live jellyfish, projection.The Oceanic, 2017, NTU Centre for Contemporary Art Singapore.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Tue Greenfort, Tamoya Ohboya, 2017, aquarium, live jellyfish, projection.The Oceanic, 2017, NTU Centre for Contemporary Art Singapore.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Exhibitions
Description
An account of the resource
NTU CCA Singapore’s exhibitions focus on contemporary artistic production that provides a critical platform for reflection and discussion.
Exhibition
Curated group or solo shows that happen over a period of time, usually a few months, supported by auxiliary programmes. Examples include exhibition hall presentations, lab presentations, vitrine presentations, curated film programmes, and festivals.
Short Description
The Oceanic is an exhibition focusing on large-scale human interventions in oceanic ecospheres in the long cultural histories of Pacific Ocean archipelagos and their current conditions.
Exhibition Mode
Exhibition
Show Type
Individual Artist (solo show)
Thematic Presentation (group show)
Thematic Presentation
Exhibition Space
Exhibition Hall
Location
Onsite (CCA)
Offsite
Online
Onsite (CCA)
Exhibition Start Date
2017-12-09
Exhibition End Date
2018-03-06
Collaboration
Yes
Commissioned Work
No
Related Countries
Papua New Guinea
French Polynesia
Fiji
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Climates. Habitats. Environments.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<i>The Oceanic</i>
Subject
The topic of the resource
Oceans & Seas
Ecology
The Anthropocene
Politics
Geopolitics
Archipelagic State
Description
An account of the resource
NTU Centre for Contemporary Art Singapore is pleased to present <i>The Oceanic</i>, an exhibition focusing on large-scale human interventions in oceanic ecospheres with contributions by 12 artists, filmmakers, composers, and researchers who engage with both the long cultural histories of Pacific Ocean archipelagos and their current conditions. As part of Thyssen-Bornemisza Art Contemporary–Academy’s (TBA21–Academy) The Current, an ongoing research initiative into pressing environmental, economic, and socio-political concerns, NTU CCA Singapore’s Founding Director <b>Professor Ute Meta Bauer</b> was invited to lead the project’s first cycle of expeditions from 2015–17. The featured contributors in <i>The Oceanic</i> are The Current Fellows who joined the expeditions on TBA21–Academy’s vessel <i>Dardanella</i> to Papua New Guinea (2015), French Polynesia (2016), and Fiji (2017). <br /><br />The expedition to Papua New Guinea, with <b>Laura Anderson Barbata</b> (Mexico/United States), <b>Tue Greenfort</b> (Denmark/Germany), <b>Newell Harry</b> (Australia), and Jegan Vincent de Paul (Sri Lanka/Canada), took as a starting point the concept of the Kula Ring, a ceremonial exchange system practiced in the Trobriand Islands. The second excursion, to French Polynesia, titled Tuamotus, the Tahitian name for distant islands, included <b>Nabil Ahmed</b> (Bangladesh/United Kingdom), <b>Atif Akin</b> (Turkey/United States), <b>PerMagnus Lindborg</b> (Sweden/Singapore), and <b>Filipa Ramos</b> (Portugal/United Kingdom). The atolls Mururoa and Fangataufa were the sites for 193 nuclear tests between 1966 and 1996, despite being declared a biosphere reserve by UNESCO in 1977. Coinciding with the 50th anniversary of the first atomic weapons test on Mururoa, then considered a French colony in Polynesia, this expedition discussed the still neglected long-term impact of nuclear experiments in the Pacific on the populations and the environment. On the third and last expedition of this cycle, the Fijian practice of the <i>Tabu/Tapu</i>, where a community chief demarcates something as “sacred,” or “forbidden,” continued the enquiry on the Polynesian <i>Rahui</i>—a traditional rule system that in recent times became significant for marine conservation and resource management. This journey to the Fijian Lau Islands was joined by The Current Fellows <b>Guigone Camus</b> (France), <b>Lisa Rave</b> (United Kingdom/Germany), and <b>Kristy H. A. Kang</b> (United States/Singapore). Participating in all three expeditions was <b>Armin Linke</b> (Italy/Germany), who not only documented these journeys with his camera, but also questioned the role of image production in such unique yet loaded encounters. <br /><br />Stemming from this cycle of expeditions, the exhibition addresses various ecological urgencies affecting the ocean and its littorals as a habitat for humans, fauna, and flora, as well as particular aspects of sea governance. Questions addressed in the show include: Who are the regulators of global oceans? Why should communities who only contribute one per cent of the global carbon footprint be among the first ones to be fatally affected by the rise of sea levels caused by global warming? Is the economic benefit of land- and seabed mining evenly shared with the impacted communities? What are the long-term effects of such industries? Who owns the ocean? <br /><br />The interest in exposing the technology behind the human infrastructures is present in Armin Linke’s video installation <i>OCEANS – Dialogues between ocean floor and water column</i> (2017) while Tue Greenfort explores complex ecosystems and scientific production practices, challenging human understanding of and relationship with nature and culture. <br /><br />Inspired by the materials used for gift exchanges such as the <i>Kula Ring</i>, Newell Harry documents this practice in his black-and-white photo series <i>(Untitled) Nimoa and Me: Kiriwina Notes</i> (2015–16), and also creates <i>(Untitled) Anagrams and Objects for RU & RU</i> (2015) with text on tapa, a cloth made from softened bark. Likewise incorporating items by artisans from Milne Bay Province, Laura Anderson Barbata produced striking costumes for the performative piece <i>Ocean Calling</i> (2017), created as part of TBA21–Academy’s intervention on World Ocean Day 2017 at the plaza in front of the United Nations Headquarters in New York. <br /><br />Addressing the exploitation of finite resources, Nabil Ahmed collaborates with other researchers to call for an <i>Inter-Pacific Ring Tribunal</i> (INTERPRT) (2016–ongoing), a long-term investigation into environmental justice in the Pacific region. Lisa Rave’s film <i>Europium</i> (2014) investigates this rare eponymous mineral that has become one of the allures of deep-sea mining—the new gold rush spreading across the global oceans. In <i>Europium</i>, Rave also draws the often-invisible connections between colonialism, ecology, and currencies. <br /><br />The exhibition will also include a sound component by PerMagnus Lindborg who recorded the land and underwater soundscapes of the Tuamotus in French Polynesia, as well as a film programme selected by Filipa Ramos and other The Current Fellows. Jegan Vincent de Paul will expand his research on socio-economic networks into the Pacific region. In The Lab, the Centre’s project space, anthropologist Guigone Camus will display documentation from the Fiji expedition, as well as diverse materials from her extensive research in Kiribati, while Kristy H. A. Kang will reflect on her experience in Fiji through an iterative installation and research process that will explore vernacular forms of mapping cultural memory and spatial narrative. <br /><br /><i>The Oceanic</i> marks the start of NTU CCA Singapore’s new overarching research topic Climates.Habitats.Environments., which will inform and connect the Centre’s various activities—ranging from research to residencies and exhibitions—for the next three years. This is the third exhibition by the Centre, following Allan Sekula’s <i>Fish Story, to be continued</i> (2015) and Charles Lim Yi Yong’s <i>SEA STATE</i> (2016), to feature long-term, critical enquiries by artists about the radical changes for communities whose livelihoods are inseparable from the sea, the precarious labour at sea, and the irreversible impact of technologically driven human interventions on one of the Earth’s most precious resources, the oceans. <br /><br />This opportunity has led to a Memorandum of Understanding between TBA21 and the Nanyang Technological University in developing academic and scientific relationships. <br /><br />From 25 – 27 January 2018, on the occasion of the exhibition and coinciding with Singapore Art Week 2018, <i>The Current Convening #3</i>, conceived by Professor Bauer, <b>Markus Reymann</b>, Director of TBA21–Academy, and <b>Stefanie Hessler</b>, Curator of TBA21–Academy, will take place at the Centre, featuring conversations, roundtables, workshops, performances, and screenings. The event will focus on modalities of exchange and shared responsibilities, while addressing the rights of nature and cultures.
Contributor
An entity responsible for making contributions to the resource
Laura Anderson Barbata
Tue Greenfort
Newell Harry
Jegan Vincent de Paul
Nabil Ahmed
Atif Akin
PerMagnus Lindborg
Filipa Ramos
Guigone Camus
Lisa Rave
Kristy H. A. Kang
Armin Linke
Ute Meta Bauer
Markus Reymann
Stefanie Hessler
Medium
The material or physical carrier of the resource.
Video
Multimedia Installation
Object
Photography
Print
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Oceania
Asia
-
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Tarek Atoui, The Ground: From the Land to the Sea, 24 March – 24 June 2018, NTU Centre for Contemporary Art Singapore, installation view. Courtesy NTU CCA Singapore.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Tarek Atoui, The Ground: From the Land to the Sea, 24 March – 24 June 2018, NTU Centre for Contemporary Art Singapore, installation view. Courtesy NTU CCA Singapore.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Tarek Atoui, The Ground: From the Land to the Sea, 24 March – 24 June 2018, NTU Centre for Contemporary Art Singapore, installation view. Courtesy NTU CCA Singapore.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Tarek Atoui, The Ground: From the Land to the Sea, 24 March – 24 June 2018, NTU Centre for Contemporary Art Singapore, installation view. Courtesy NTU CCA Singapore.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Tarek Atoui, The Ground: From the Land to the Sea, 24 March – 24 June 2018, NTU Centre for Contemporary Art Singapore, installation view. Courtesy NTU CCA Singapore.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Tarek Atoui, The Ground: From the Land to the Sea, 24 March – 24 June 2018, NTU Centre for Contemporary Art Singapore, installation view. Courtesy NTU CCA Singapore.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
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Tarek Atoui, The Ground: From the Land to the Sea, 24 March – 24 June 2018, NTU Centre for Contemporary Art Singapore, foyer view. Courtesy NTU CCA Singapore.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
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Tarek Atoui, The Ground: From the Land to the Sea, 24 March – 24 June 2018, NTU Centre for Contemporary Art Singapore, installation view. Courtesy NTU CCA Singapore.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Tarek Atoui, The Ground: From the Land to the Sea, 24 March – 24 June 2018, NTU Centre for Contemporary Art Singapore, installation view. Courtesy NTU CCA Singapore.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
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Tarek Atoui, The Ground: From the Land to the Sea, 24 March – 24 June 2018, NTU Centre for Contemporary Art Singapore, installation view. Courtesy NTU CCA Singapore.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Tarek Atoui, The Ground: From the Land to the Sea, 24 March – 24 June 2018, NTU Centre for Contemporary Art Singapore, installation view. Courtesy NTU CCA Singapore.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Tarek Atoui, The Ground: From the Land to the Sea, 24 March – 24 June 2018, NTU Centre for Contemporary Art Singapore, installation view. Courtesy NTU CCA Singapore.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Tarek Atoui, The Ground: From the Land to the Sea, 24 March – 24 June 2018, NTU Centre for Contemporary Art Singapore, opening Performance by artist Tarek Atoui. Courtesy NTU CCA Singapore.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Tarek Atoui, The Ground: From the Land to the Sea, 24 March – 24 June 2018, NTU Centre for Contemporary Art Singapore, opening Performance by artist Tarek Atoui. Courtesy NTU CCA Singapore.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Tarek Atoui, The Ground: From the Land to the Sea, 24 March – 24 June 2018, NTU Centre for Contemporary Art Singapore, opening Performance by artist Tarek Atoui. Courtesy NTU CCA Singapore.
https://d1y502jg6fpugt.cloudfront.net/57163/archive/files/fdc315f7c6575cd194c8da68e5513267.jpg?Expires=1712793600&Signature=L4TLQUdTx%7EORGTFLBQaWwFPUz0VApeITMIfM-pfV1dlZ%7Ejt9aD7aFGmDPpUIY3ivsRijaQpg%7Eol8ttLhJIoM1FIGTaKvuwZyIzjpFOc4KP9jHj1GLaNyi2bLiTfejfZ6kl%7E0okyDfKVE97lHDmImbSab8vvd%7EsGtSkT7DDVPC2k8Ds2%7ETU0x%7EOIwVQv3IlnqIrVlc8CufqOn7YW8OolngVkNT%7E4YjF8xQL2xsB0BThsNGNwpZjl6ZdmDfetTJ8C6lLnTTy3sVL3Xgesf1hzGJ459KvR%7EXd941QVjSl5itvJkXs01izjgIBpZhXWXnzCCbq9w8mZesDrDHrQOD35Z2A__&Key-Pair-Id=K6UGZS9ZTDSZM
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Tarek Atoui, The Ground: From the Land to the Sea, 24 March – 24 June 2018, NTU Centre for Contemporary Art Singapore, opening Performance by artist Tarek Atoui. Courtesy NTU CCA Singapore.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Tarek Atoui, The Ground: From the Land to the Sea, 24 March – 24 June 2018, NTU Centre for Contemporary Art Singapore, opening Performance by artist Tarek Atoui. Courtesy NTU CCA Singapore.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Tarek Atoui, The Ground: From the Land to the Sea, 24 March – 24 June 2018, NTU Centre for Contemporary Art Singapore, opening Performance by artist Tarek Atoui. Courtesy NTU CCA Singapore.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Tarek Atoui, The Ground: From the Land to the Sea, 24 March – 24 June 2018, NTU Centre for Contemporary Art Singapore, opening Performance by artist Tarek Atoui. Courtesy NTU CCA Singapore.
https://d1y502jg6fpugt.cloudfront.net/57163/archive/files/82ec3d22260f9ec5f0536001bc621ddf.jpg?Expires=1712793600&Signature=VNbQcfkN6uk7yzoIoJmjjB6GVigtLmBjF77%7EZaB5c%7EWi1XFnaQ%7EohY6uSwZsUrlHa2Ne2hdrcqWNiJReTZlbCkP7O0E5gQ17ZQtVUbribwa37yD1Yhcqrwi00Wycdaui4v83U0tqMq1bylfu7u0wBQVJhfxx7eJC1aCh1nWrebx3I9IxmGjCymgKuuQsgd3pFAlOOBGMSHDMdYrdWqCbKglISyHgIGHshCbY9Yq0%7EBKjP9fS-D-LwjVyoWb6GYIlrk-kLWxoRJWd9Ve7NXFu7RkK4mY5P70bM4cFjTVpxz2%7EmVEVo0kGfKQaEg5KWf2sffu0OjjqkJ8LNHioB8aPig__&Key-Pair-Id=K6UGZS9ZTDSZM
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Tarek Atoui, The Ground: From the Land to the Sea, 24 March – 24 June 2018, NTU Centre for Contemporary Art Singapore, opening Performance by artist Tarek Atoui. Courtesy NTU CCA Singapore.
https://d1y502jg6fpugt.cloudfront.net/57163/archive/files/4e6a1eae89e79d6ae70c466261d0d2b6.jpg?Expires=1712793600&Signature=p2UUE479kAYlrV%7EvJD5Z1gJBypuSSH8nfV6n%7EPQpDc1N5Hbu%7EwTkSWVQeq5hKLP2lXJnFqxUQ61eGYezG0M940yU40sZS9uL3p1TUl7N5xHnsuU%7E5zwX7oGfMABYlntsLVk97DFmi8fo4WKArdnRsvSHRPsecZsJWosFJYD8cNug9oCTw%7EztTEKfAvoMvXTxDHU-3ySdsdX5b1XShydsoWHVfsBTVjJAx7uDLfuFkRMHzkS8Gp51789lbtCGbsr-Hj-R9rlQBOfr%7EhXR96PJuNMGTQAojnCbZu1KLPdhAFOuhIO1RI%7ECJUzHGFBPPUtnUgBTPWE1gvF6kjsQa%7EBRYA__&Key-Pair-Id=K6UGZS9ZTDSZM
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Tarek Atoui, The Ground: From the Land to the Sea, 24 March – 24 June 2018, NTU Centre for Contemporary Art Singapore, outdoor view. Courtesy NTU CCA Singapore.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Exhibitions
Description
An account of the resource
NTU CCA Singapore’s exhibitions focus on contemporary artistic production that provides a critical platform for reflection and discussion.
Exhibition
Curated group or solo shows that happen over a period of time, usually a few months, supported by auxiliary programmes. Examples include exhibition hall presentations, lab presentations, vitrine presentations, curated film programmes, and festivals.
Short Description
The Ground: From the Land to the Sea comprises two layers of auditory experiences that interact with each other, conceived as a composition that unfolds in space with its unique sound library and instruments.
Exhibition Mode
Exhibition
Show Type
Individual Artist (solo show)
Thematic Presentation (group show)
Individual Artist
Exhibition Space
Exhibition Hall
Location
Onsite (CCA)
Offsite
Online
Onsite (CCA)
Exhibition Start Date
2018-03-24
Exhibition End Date
2018-06-24
Collaboration
No
Commissioned Work
No
Related Countries
Singapore
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Climates. Habitats. Environments.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<i>Tarek Atoui The Ground: From the Land to the Sea</i>
Subject
The topic of the resource
Performance
Body
Materiality
Nature
Description
An account of the resource
NTU Centre for Contemporary Art Singapore (NTU CCA Singapore) is pleased to present the first solo exhibition in Southeast Asia by sound artist and composer <b>Tarek Atoui</b>, conceived as a composition that unfolds in space with its unique sound library and instruments. It is the first large-scale exhibition that Atoui has created through interweaving objects, instruments, and recordings, some borrowed from pre-existing projects, others newly collected and produced. <br /><br /><i>The Ground: From the Land to the Sea</i> comprises two layers of auditory experiences that interact with each other as well as with the spatial and sonic qualities of NTU CCA Singapore’s exhibition hall, merging them into a single composition. Enveloping the main exhibition space are a set of speakers that play the sounds of underwater environments as well as human and industrial activities in the harbours of Athens and Abu Dhabi, recorded for the project <i>I/E</i> (2015–ongoing). Building upon the sound collection, Atoui has, as part of this presentation in Singapore, recorded at local harbours and waterfronts, together with composer and sound artist <b>Éric La Casa</b>. <br /><br />The recording process in Singapore took Atoui and La Casa to a range of waterfront sites and islands including the Jurong Fishery Port, Pulau Sebarok (an oil storage facility and refuelling port off the Southern coastline), on an oil tanker, and along the Singapore shores. During these trips, the duo picked out acoustic features of these environs, both underwater and on land, and captured them in their diverse forms—as vibrations, audible noise, and inaudible audio waves, etc.— using devices such as a recorder, a hydrophone, contact microphones, and selfmade omnidirectional microphones. Drawing reference to the emergence of acoustic ecology, which attempts to understand and analyse characteristics of sonic environments such as geological formations, organisms, and human interactions, Atoui’s auditory library is an artistic interpretation of the ecology of our times. Set within a “white cube,” the audience is transposed into an immersive audio-visual topography, becoming part of the installation. <br /><br />Most of the instruments shown are part of <i>The Ground</i> project, the result of the artist’s five-year-long investigation of natural cycles in the Pearl River Delta, first presented at Mirrored Gardens, a project space in Guangzhou, China, in 2017. Also presented are instruments created for previous projects, such as <i>The Reverse Collection</i> (2014–16) and <i>WITHIN</i> (2012–13). This ensemble of unusual instruments is enriched with new additions, including a set of porcelain and ceramic discs, on which traditional Arabic rhythms are engraved, and a customised record player that rotates at irregular speeds, never reading a disc the same way twice. <br /><br />At the core of Atoui’s practice lies an ongoing process of inviting composers, musicians, and artists to collaborate on his pieces in search of new ideas, gestures, and experiences. For the current exhibition, Atoui will engage with local and international musicians who will be invited to appropriate his composition and intervene in the exhibition space. He will work with acclaimed sound artists and musicians <b>Vivian Wang</b> and <b>Yuen Chee Wai</b>, as well as music curator <b>Mark Wong</b>, who in turn will invite other musicians and sound artists to inhabit the installation throughout the course of the exhibition. <br /><br />The exhibition is curated by <b>Ute Meta Bauer</b>, Founding Director, NTU CCA Singapore, and Professor, School of Art, Design and Media, Nanyang Technological University, and <b>Khim Ong</b>, Deputy Director, Curatorial Programmes, NTU CCA Singapore. Supported by Institut français, with the additional support of the Embassy of France in Singapore and Institut français Singapour. <br /><br /><b>Tarek Atoui</b> has invited local and international musicians to engage with his exhibition and appropriate the installation for given periods of time. He worked with acclaimed sound artists and musicians <b>Vivian Wang</b> and <b>Yuen Chee Wai</b>, as well as music curator <b>Mark Wong</b>, who each will host three other musicians and sound artists. The guests will inhabit the exhibition and freely experiment with Atoui’s instruments throughout the course of the exhibition. <br /><br />Schedule for upcoming Guest Musicians in the Exhibition Hall: <br /><br /><b>Vivian Wang</b> (Singapore): 26 – 30 March <br /><b>Yuen Chee Wai</b> (Singapore): 31 March – 3 April <br /><b>Darren Ng</b> (Singapore): 7 – 10 April <br /><b>Uriel Barthélémi</b> (France): 13 – 17 April <br /><b>Tini Aliman</b> (Singapore): 28 April – 1 May <br /><b>Wu Junhan</b> (Singapore): 2 – 5 May <br /><b>The Analog Girl</b> (Singapore): 10 – 13 May <br /><b>Cheryl Ong</b> (Singapore): 19 – 22 May <br /><b>Zai Tang</b> (Singapore): 31 May – 3 June <br /><b>Bani Haykal</b> (Singapore): 4 – 7 June <br /><b>Dharma</b> (Singapore): 13 – 16 June <br /><b>Sudarshan Chandra Kumar</b> (Malaysia): 19 – 22 June
Contributor
An entity responsible for making contributions to the resource
Tarek Atoui
Yuen Chee Wai
Mark Wong
Vivian Wang
Darren Ng
Uriel Barthélémi
Tini Aliman
Wu Junhan
The Analog Girl
Cheryl Ong
Zai Tang
Bani Haykal
Dharma
Sudarshan Chandra Kumar
Ute Meta Bauer
Khim Ong
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Asia
Southeast Asia
Medium
The material or physical carrier of the resource.
Multimedia Installation
Installation
Sound
Object