2
10
1219
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6288afe8afc9fedda454f4d986b3ba31
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Contributors
Contributor
An individual, collective, or corporate entity.
First Name
Carla
Surname or Business Name
Bianpoen
Years Affiliated
Year range (starting year/ending year) affiliated with NTU CCA Singapore, or leave blank if not applicable.
For date range with year only: YYYY/YYYY, e.g., 2014/2015
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2015
Affiliation
Company, organization, or institution name
Indonesia Pavilion, Voyage – Trokomod, 56th Venice Biennale
Birthplace
Indonesia
Occupation
Professional title or identity
Independent Writer & Journalist and Advisor & Curatorial Team Member
Biographical Text
Long-form biography for the Contributor (no character count). A short-form biography (no more than 240 characters) should be added to the Contributor's Description
Carla Bianpoen is a freelance writer and journalist of contemporary art. She studied in Amsterdam, The Netherlands and Muenster, Germany. During her time in Europe she engaged with fellow students from Indonesia who pursued nationalist ideals. Carla Bianpoen became the World Bank Indonesia office’s first focal point for Women in Development. At her retirement in 1998 she joined women activists and has been a founding member of the National Commission on Violence against Women, after which she went on to focus on contemporary art. She was the senior editor of <i>C-Arts</i> magazine and has been a juror for the Bandung Contemporary Art Awards since 2009. Carla Bianpoen was the artistic director and co-curator of the Indonesian Pavilion at the 55th Venice Biennale in 2013. As a writer, she contributes to various Indonesian and international publications and has reviewed, art exhibitions by numerous Indonesian artists in the past two decades, as well as international art events including the Venice Biennale, Prague Biennale, Lyon Biennale, Manifesta and documenta. Carla Bianpoen co-authored the seminal book <i>Indonesian Women Artists: The Curtain Opens</i>, and authored the IndoArtNow commissioned book (unpublished) on emerging Indonesian artists.
Country of Practice
At least one country of practice should be listed for each Contributor, up to three countries of practice.
Indonesia
Public Resource Centre Affiliation
Artist Research Platform
Library
Video Resource Platform
None
None
Contributor Type
Speaker
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Place.Labour.Capital.
Dublin Core
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Title
A name given to the resource
Carla Bianpoen
Subject
The topic of the resource
Geopolitics
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Southeast Asia
Contributor
An entity responsible for making contributions to the resource
Carla Bianpoen
-
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94d52cf43e376317026b33358cd7d020
Dublin Core
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Title
A name given to the resource
Contributors
Contributor
An individual, collective, or corporate entity.
First Name
Doryun
Surname or Business Name
Chong
Years Affiliated
Year range (starting year/ending year) affiliated with NTU CCA Singapore, or leave blank if not applicable.
For date range with year only: YYYY/YYYY, e.g., 2014/2015
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2015-
Affiliation
Company, organization, or institution name
M+, Hong Kong
Birthplace
South Korea
Occupation
Professional title or identity
Chief Curator
Biographical Text
Long-form biography for the Contributor (no character count). A short-form biography (no more than 240 characters) should be added to the Contributor's Description
Doryun Chong is the inaugural Chief Curator at M+, Hong Kong since September 2013. He oversees all curatorial activities, including exhibitions and symposia, acquisitions for the collection, as well as learning and interpretation programs. Previously Chong was associate curator of Painting and Sculpture at MoMA, where he organised contemporary exhibitions and acquired works for the museum’s collection. At MoMA, he organised <i>Bruce Nauman: Days</i> (2010) and <i>Projects 94: Henrik Olesen</i> (2011), and <i>Tokyo 1955–1970: A New Avant-Garde</i> (2012). Prior to his appointment at MoMA in 2009, Chong was a curator in the Visual Arts department at the Walker Art Center in Minneapolis. He has also curated or coordinated exhibitions at venues including REDCAT, Los Angeles; the 2006 Busan Biennale, and the Korean Pavilion at the 2001 Venice Biennale. Chong co-edited <i>From Postwar to Postmodern, Art in Japan, 1945–1989: Primary Documents</i> (2013), the first anthology in English of critical documents in the histories of postwar Japanese art, design, and architecture. His writings have appeared in numerous art journals, museum and biennale publications. Doryun Chong is the recipient of the first ICI Gerrit Lansing Independent Vision Award in 2010 and he has served on numerous prize juries, including recently the 2015 Hugo Boss Prize, Absolut Art Award, and Contemporary Chinese Art Award.
Country of Practice
At least one country of practice should be listed for each Contributor, up to three countries of practice.
South Korea
Hong Kong
Public Resource Centre Affiliation
Artist Research Platform
Library
Video Resource Platform
None
None
Contributor Type
Speaker
International Advisory Board
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Place.Labour.Capital.
Climates. Habitats. Environments.
Dublin Core
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Title
A name given to the resource
Doryun Chong
Subject
The topic of the resource
Curatorial Practice
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Asia
Contributor
An entity responsible for making contributions to the resource
Doryun Chong
-
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def4b91783979f7a58c2d0704bed73fe
Dublin Core
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Title
A name given to the resource
Contributors
Contributor
An individual, collective, or corporate entity.
First Name
Heri
Surname or Business Name
Dono
Years Affiliated
Year range (starting year/ending year) affiliated with NTU CCA Singapore, or leave blank if not applicable.
For date range with year only: YYYY/YYYY, e.g., 2014/2015
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2015
Affiliation
Company, organization, or institution name
Indonesia Pavilion, Voyage – Trokomod, 56th Venice Biennale
Birthplace
Indonesia
Occupation
Professional title or identity
Artist
Biographical Text
Long-form biography for the Contributor (no character count). A short-form biography (no more than 240 characters) should be added to the Contributor's Description
Heri Dono is one of Indonesia’s most internationally renowned artists. Since graduating in the late 1980s his international profile has increased through a series of exhibitions and residencies around the world. Heri Dono is perhaps best known through his installations which are heavily influenced by, and the result of experimenting with, the most popular Javanese folk theater: wayang. Wayang performances combine a number of artistic and extra-artistic elements––visual arts, singing, music, storytelling, mythological promotion of a philosophy of life, social criticisms, and humour. Dono combines these elements to form multimedia performances, which often use the physical space of the performance as well as interactions with the audience, in the process revitalising the traditional art so profoundly rooted in Indonesia. References to wayang are also integral to Heri Dono’s paintings: from out of wild deformations and free fantasies emerge characters from the traditional wayang stories, which are mixed together with his profound knowledge of children’s cartoons, animation films, and comics. The resulting canvases are populated by astonishing characters and strange juxtapositions, the fantastic and absurd joined by the everyday to create new and vibrant stories in which he inserts his own critical remarks on socio-political issues both in Indonesia and abroad.
Country of Practice
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Indonesia
Public Resource Centre Affiliation
Artist Research Platform
Library
Video Resource Platform
None
None
Contributor Type
Speaker
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Place.Labour.Capital.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Heri Dono
Subject
The topic of the resource
Geopolitics
Theatre
Cultural Heritage
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Southeast Asia
Contributor
An entity responsible for making contributions to the resource
Heri Dono
-
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d6bdf1ea19366dd54237df53d3b08a49
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Contributors
Contributor
An individual, collective, or corporate entity.
First Name
Natasha
Surname or Business Name
Ginwala
Years Affiliated
Year range (starting year/ending year) affiliated with NTU CCA Singapore, or leave blank if not applicable.
For date range with year only: YYYY/YYYY, e.g., 2014/2015
For date range with year and month: YYYY-MM/YYYY-MM, e.g., 2014-07/2015-06
2015
Birthplace
India
Occupation
Professional title or identity
Independent Curator and Writer
Biographical Text
Long-form biography for the Contributor (no character count). A short-form biography (no more than 240 characters) should be added to the Contributor's Description
Natasha Ginwala is an independent curator, researcher, and writer. She was a member of the artistic team at the 8th Berlin Biennale for Contemporary Art (2014). Her recent work includes <i>Metabolic States: Becoming Image at Artists’ Cinema</i>, Kochi-Muziris Biennale 2014, the multi-part curatorial project <i>Landings</i> (with Vivian Ziherl) presented at Witte de With Center for Contemporary Art, David Roberts Art Foundation, NGBK (as part of the Tagore, Pedagogy and Contemporary Visual Cultures Network), Stedelijk Museum Amsterdam, and other partner organisations, 2013–ongoing, as well as <i>The Museum of Rhythm</i> at Taipei Biennial 2012 (with Anselm Franke). Ginwala regularly contributes to several publications and periodicals.
Country of Practice
At least one country of practice should be listed for each Contributor, up to three countries of practice.
India
Public Resource Centre Affiliation
Artist Research Platform
Library
Video Resource Platform
None
None
Contributor Type
Speaker
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Place.Labour.Capital.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
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Natasha Ginwala
Subject
The topic of the resource
Geopolitics
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Asia
Contributor
An entity responsible for making contributions to the resource
Natasha Ginwala
-
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b750bf2493275e48b6cc528ab729c6ef
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Contributors
Contributor
An individual, collective, or corporate entity.
First Name
Vincent J.F.
Surname or Business Name
Huang
Years Affiliated
Year range (starting year/ending year) affiliated with NTU CCA Singapore, or leave blank if not applicable.
For date range with year only: YYYY/YYYY, e.g., 2014/2015
For date range with year and month: YYYY-MM/YYYY-MM, e.g., 2014-07/2015-06
2015
Affiliation
Company, organization, or institution name
Tuvalu Pavilion, Crossing the Tide, 56th Venice Biennale
Birthplace
Taiwan
Occupation
Professional title or identity
Artist
Biographical Text
Long-form biography for the Contributor (no character count). A short-form biography (no more than 240 characters) should be added to the Contributor's Description
Vincent J.F. Huang is a visual artist. He received his MFA from Gray's School of Art in Scotland in 2000 and worked in the department of visual communications in ShuTe University of Taiwan, as a senior art lecturer, from 2001 to 2006. Since 2010, Vincent J.F. Huang began working with Tuvalu. He represented Tuvalu as an official delegate to participate in the UNFCCC COP 18 in Doha and COP 19 in Warsaw. In the following year, Huang represented Tuvalu at the 55th Venice Biennale and took part in The Arctic Circle program. His international engagement through artistic expression eventually earned him domestic recognition as he received the Presidential Cultural Award in 2013, the most prestigious cultural award in Taiwan. Vincent J.F. Huang devotes much of his artistic efforts into environmental issues relevant to people’s everyday lives. He applies the idea of social sculpture through his dedication to bringing issues into an art campaign involving the public’s participation while aiming to raise attention to climate change. Huang’s exhibitions have extended to many parts of the world: UK, USA, Germany, Italy, China, Australia, the Middle East, South America, Tuvalu and Taiwan.
Country of Practice
At least one country of practice should be listed for each Contributor, up to three countries of practice.
Taiwan
Public Resource Centre Affiliation
Artist Research Platform
Library
Video Resource Platform
None
None
Birth Date
1970
Contributor Type
Speaker
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Place.Labour.Capital.
Dublin Core
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Title
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Vincent J.F. Huang
Subject
The topic of the resource
Geopolitics
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Asia
Contributor
An entity responsible for making contributions to the resource
Vincent J.F. Huang
-
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d295fc7804765dba586a25926ea7b510
Dublin Core
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Title
A name given to the resource
Contributors
Contributor
An individual, collective, or corporate entity.
First Name
Mariano G.
Surname or Business Name
Montelibano III
Years Affiliated
Year range (starting year/ending year) affiliated with NTU CCA Singapore, or leave blank if not applicable.
For date range with year only: YYYY/YYYY, e.g., 2014/2015
For date range with year and month: YYYY-MM/YYYY-MM, e.g., 2014-07/2015-06
2015
Affiliation
Company, organization, or institution name
The Philippine Pavilion, Tie a String Around the World, 56th Venice Biennale
Birthplace
Philippines
Occupation
Professional title or identity
Artist
Biographical Text
Long-form biography for the Contributor (no character count). A short-form biography (no more than 240 characters) should be added to the Contributor's Description
Mariano G. Montelibano III is a Visayan media artist who focuses his works on the psychology of current social, political, economic, and religious structures. In recent years, his works have been included in the exhibitions Art Paris Art Fair, Grand Palais, <i>The Philippine Contemporary: To Scale the Past and the Possible, Metropolitan Museum of Manila, the Philippines (2013); END FRAME VIDEO ART PROJECT 3, Gallery Nova, the Philippines (2011); KM1: What Remains What Disappears, Fort Santiago, Manila, the Philippines (2012); Echoes of Alliances, Alliance Francaise Foundation, Paris (2013); Move On Asia</i>, Zentrum für Kunst und Medientechnologie, Karlsruche, Germany (2012); <i>VIVA EXCON</i>, Art Center, Cebu, the Philippines (2010); <i>Beyond Protest: Philippine Social Realism</i>, Ateneo Rockwell Campus, the Philippines (2012); and <i>Modes of Impact</i>, Ateneo Art Gallery, the Philippines (2012), among others. Aside from being a video and sound installation artist, Mariano G. Montelibano III is a film and stage director, cultural worker, editor, technical specialist, and teaches in the University of St. La Salle in Bacolod City, the Philippines.
Country of Practice
At least one country of practice should be listed for each Contributor, up to three countries of practice.
Philippines
Public Resource Centre Affiliation
Artist Research Platform
Library
Video Resource Platform
None
None
Contributor Type
Speaker
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Place.Labour.Capital.
Dublin Core
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Title
A name given to the resource
Mariano G. Montelibano III
Subject
The topic of the resource
Geopolitics
Theatre
Performance
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Southeast Asia
Contributor
An entity responsible for making contributions to the resource
Mariano G. Montelibano III
-
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a7aae2911183d4a17bc8e14283c547fe
Dublin Core
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Title
A name given to the resource
Contributors
Contributor
An individual, collective, or corporate entity.
First Name
Shabbir Hussain
Surname or Business Name
Mustafa
Years Affiliated
Year range (starting year/ending year) affiliated with NTU CCA Singapore, or leave blank if not applicable.
For date range with year only: YYYY/YYYY, e.g., 2014/2015
For date range with year and month: YYYY-MM/YYYY-MM, e.g., 2014-07/2015-06
2015/2016
Affiliation
Company, organization, or institution name
National Gallery Singapore
Birthplace
Sri Lanka
Occupation
Professional title or identity
Senior Curator
Biographical Text
Long-form biography for the Contributor (no character count). A short-form biography (no more than 240 characters) should be added to the Contributor's Description
Shabbir Hussain Mustafa is Senior Curator at the National Gallery Singapore, where he researches art from Singapore and Southeast Asia, and leads the curatorial team overseeing the Singapore Gallery, a permanent exhibition space that surveys art in Singapore from the 19th century to the present. He was formerly a curator at the National University of Singapore Museum (NUS Museum), where his curatorial practice centered on the deployment of archival materials to engage different modes of thinking and writing, whilst opening the archive to the varied struggles of perception and reading. Amongst Shabbir Hussain Mustafa’s numerous exhibition projects, he was the curator of <i>Camping and Tramping through The Colonial Archive: The Museum in Malaya</i> (2011), and an initiator of a new project space at NUS Museum titled <i>Prep Room - Things That May or May Not Happen</i> (2011). Most recently, he curated <i>In Search of Raffles’ Light: an art project with Charles Lim</i> (2013). He has written extensively about curatorial methodologies and practices in Singapore, and is a member of the International Association of Art Critics (AICA).
Country of Practice
At least one country of practice should be listed for each Contributor, up to three countries of practice.
Singapore
Public Resource Centre Affiliation
Artist Research Platform
Library
Video Resource Platform
None
None
Contributor Type
Speaker
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Place.Labour.Capital.
Dublin Core
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A name given to the resource
Shabbir Hussain Mustafa
Subject
The topic of the resource
Geopolitics
Curatorial Practice
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Southeast Asia
Contributor
An entity responsible for making contributions to the resource
Shabbir Hussain Mustafa
Mustafa Shabbir Hussain
-
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2ac6eee74a65e2eaf840246d5566304e
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Contributors
Contributor
An individual, collective, or corporate entity.
First Name
Jose Tence
Surname or Business Name
Ruiz
Years Affiliated
Year range (starting year/ending year) affiliated with NTU CCA Singapore, or leave blank if not applicable.
For date range with year only: YYYY/YYYY, e.g., 2014/2015
For date range with year and month: YYYY-MM/YYYY-MM, e.g., 2014-07/2015-06
2015
Affiliation
Company, organization, or institution name
The Philippine Pavilion, Tie a String Around the World, 56th Venice Biennale
Birthplace
Philippines
Occupation
Professional title or identity
Artist
Biographical Text
Long-form biography for the Contributor (no character count). A short-form biography (no more than 240 characters) should be added to the Contributor's Description
Jose Tence Ruiz is a multi-media artist and an independent writer, consultant, and curator for institutions in the Philippines such as the Cultural Center of the Philippines, The National Commission for Culture and the Arts, The Pasig City Arts Museum, Neo-Angono Collective and The Ateneo Art Gallery. He is an alumnus of the prestigious Ateneo de Manila and University of Santo Tomas, Manila.For over 30 years, Ruiz has been involved in various multimedia and visual practices such as paintings, sculpture, design, installation, and performance, as well as media presentations, book illustration, publication design, or set. He is also well known for his political cartoons that he submitted for the editorial pages of major newspapers across the Philippines and Singapore (<i>The Manila Times, The Manila Chronicle, and Singapore Straits Times</i>, among others). In its formal aspects, Ruiz’s practice draws from different sources: Social Realism, botanical and industrial debris from both rural and urban environments of the Philippines as well as the chaos theory and the aesthetics of fractals––symmetrical geometric compositions, described by the study of mathematician Benoit Mandelbrot. Strangely poetic in its form, his work is strongly embedded in the political and social landscape of the Philippines.
Country of Practice
At least one country of practice should be listed for each Contributor, up to three countries of practice.
Philippines
Public Resource Centre Affiliation
Artist Research Platform
Library
Video Resource Platform
None
None
Contributor Type
Speaker
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Place.Labour.Capital.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Jose Tence Ruiz
Subject
The topic of the resource
Geopolitics
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Southeast Asia
Contributor
An entity responsible for making contributions to the resource
Jose Tence Ruiz
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Contributors
Contributor
An individual, collective, or corporate entity.
First Name
Carles
Surname or Business Name
Guerra
Years Affiliated
Year range (starting year/ending year) affiliated with NTU CCA Singapore, or leave blank if not applicable.
For date range with year only: YYYY/YYYY, e.g., 2014/2015
For date range with year and month: YYYY-MM/YYYY-MM, e.g., 2014-07/2015-06
2015
Affiliation
Company, organization, or institution name
Fundació Antoni Tàpies, Barcelona
Birthplace
Spain
Occupation
Professional title or identity
Director
Biographical Text
Long-form biography for the Contributor (no character count). A short-form biography (no more than 240 characters) should be added to the Contributor's Description
Carles Guerra is an artist, art critic and independent curator based in Barcelona. He was the Chief Curator at MACBA (2011-2013) and Director of La Virreina Centre de la Imatge (2009-2011). Guerra is currently an associate professor at the Universitat PompeuFabra. In 2011, he was awarded the <i>Ciutat de Barcelona Prize</i> for his contribution in the field of visual arts. He is currently the member of the editorial board at Cultura/s since 2001 where he authored numerous essays, <i>N for Negri (2000), Allan Sekula speaks with Carles Guerra (2005) and Negatives of Europe. Video Essays and Collective Pedagogies</i> (2008).
Country of Practice
At least one country of practice should be listed for each Contributor, up to three countries of practice.
Spain
Public Resource Centre Affiliation
Artist Research Platform
Library
Video Resource Platform
None
None
Contributor Type
Speaker
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Place.Labour.Capital.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Carles Guerra
Subject
The topic of the resource
Labour
Globalisation
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Europe
Contributor
An entity responsible for making contributions to the resource
Carles Guerra
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Contributors
Contributor
An individual, collective, or corporate entity.
First Name
Roger M.
Surname or Business Name
Buergel
Years Affiliated
Year range (starting year/ending year) affiliated with NTU CCA Singapore, or leave blank if not applicable.
For date range with year only: YYYY/YYYY, e.g., 2014/2015
For date range with year and month: YYYY-MM/YYYY-MM, e.g., 2014-07/2015-06
2015
Affiliation
Company, organization, or institution name
Johann Jacobs Museum, Zurich
Birthplace
Germany
Occupation
Professional title or identity
Director
Biographical Text
Long-form biography for the Contributor (no character count). A short-form biography (no more than 240 characters) should be added to the Contributor's Description
Roger Buergel is an art critic, a curator, and a member of Parasophia: Kyoto International Festival of Contemporary Culture 2015’s Professional Advisory Board. Before serving as a guest curator for the Museum of Contemporary Art Barcelona he taught art history at Luneburg University (1999–2005) and the Academy of Fine Arts in Karlsruhe (2007–09). He was appointed the artistic director of Documenta XII (Kassel, 2007) with art historian and curator Ruth Noack. Buergel also served as the artistic director of the 6th Busan Biennale (2012). In 2010, he was appointed the Founding Director of the Johann Jacobs Museum in Zurich, an exhibition space and research institution dedicated to the cultural residue of global trade routes.
Country of Practice
At least one country of practice should be listed for each Contributor, up to three countries of practice.
Germany
Public Resource Centre Affiliation
Artist Research Platform
Library
Video Resource Platform
None
None
Contributor Type
Speaker
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Place.Labour.Capital.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Roger M. Buergel
Subject
The topic of the resource
Labour
Globalisation
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Europe
Contributor
An entity responsible for making contributions to the resource
Roger M. Buergel