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The practice of Buen Calubayan (b. 1980, Philippines) interweaves politics, religion, history, and identity combining the autobiographical with the art historical in a continuous process of re-contextualization. In his works, the historical influence of Western canons on Filipino art and his own personal struggle to find validation as an artist often merge with broader reflections on the greater state of affairs of his country and the problematic writing of its socio-cultural histories. His most recent solo shows include Biowork at Ateneo Art Gallery, Quezon City, Philippines (2015) and Idiot Knows No Country, La Trobe University Visual Arts Center, Bendigo, Australia (2014). He has presented his paintings, performances, sculptures, and conceptual works in international group exhibitions at the Gwangju Museum of Art, South Korea and at Kunstvlaai: Festival of Independents, Amsterdam, Netherlands, amongst others. He received the 2013 Ateneo Art Awards for the project Spoliarium which reinterpreted an iconic painting by Filipino master Juan Luna and was awarded the 13 Artists Award by the Cultural Centre of the Philippines in 2009.
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“Buen Calubayan,” NTU CCA Singapore Digital Archive, accessed August 18, 2022, https://ntuccasingapore.omeka.net/items/show/1014.