Mapping memories by mobilising narratives, images, and sites has been a recurrent gesture for Boedi Widjaja in the last decade of his practice. Moving beyond cartographic representation, his approach to mapping embraces a multiplicity of angles—from phenomenological responses to archaeological dives into far-off times—through which he retraces our understanding of history and memory. During the residency, he will focus on Medang Kamulan (“Medang the origin” in Javanese), an ancestral site prominently embedded in Javanese collective memory. Believed to be located in Grobogan (Central Java), Medang Kamulan is a place of beginning, the mythical cradle of Javanese civilisation that appears in oral histories, epic literature, and countless legends. In harking back to this site of origin, the artist will speculate on how cultural kinships could be moulded by unhindered flows and unconstrained connections before the rise of colonialism and of the border politics of nation-states. This research is part of Path. (2012 – ongoing), a body of work revolving around migration, movement, and belonging that reframes our existence by recasting our relationship to the past.
1 September 2020 – 28 February 2021
Residency Item Type Metadata
Mapping memories by mobilising narratives, images, and sites has been a recurrent gesture for Boedi Widjaja in the last decade of his practice.
“Boedi Widjaja,” NTU CCA Singapore Digital Archive, accessed December 6, 2022, https://ntuccasingapore.omeka.net/items/show/1235.