<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://ntuccasingapore.omeka.net/items/show/4756">
    <dcterms:title><![CDATA[Climate Crisis and Cultural Loss (2021-2024)]]></dcterms:title>
    <dcterms:subject><![CDATA[<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=49&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Activism">Activism</a>]]></dcterms:subject>
    <dcterms:subject><![CDATA[<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=49&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Archipelagic+State">Archipelagic State</a>]]></dcterms:subject>
    <dcterms:subject><![CDATA[<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=49&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Artistic+Research">Artistic Research</a>]]></dcterms:subject>
    <dcterms:subject><![CDATA[<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=49&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Climate+Crisis">Climate Crisis</a>]]></dcterms:subject>
    <dcterms:subject><![CDATA[<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=49&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Coexistence">Coexistence</a>]]></dcterms:subject>
    <dcterms:subject><![CDATA[<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=49&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Cultural+Production">Cultural Production</a>]]></dcterms:subject>
    <dcterms:subject><![CDATA[<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=49&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Ecology">Ecology</a>]]></dcterms:subject>
    <dcterms:subject><![CDATA[<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=49&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Ecosystems">Ecosystems</a>]]></dcterms:subject>
    <dcterms:subject><![CDATA[<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=49&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Geopolitics">Geopolitics</a>]]></dcterms:subject>
    <dcterms:subject><![CDATA[<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=49&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Indigenous+Knowledge">Indigenous Knowledge</a>]]></dcterms:subject>
    <dcterms:subject><![CDATA[<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=49&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Knowledge+Production">Knowledge Production</a>]]></dcterms:subject>
    <dcterms:subject><![CDATA[<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=49&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Nature">Nature</a>]]></dcterms:subject>
    <dcterms:subject><![CDATA[<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=49&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Oceans+%26+Seas">Oceans &amp; Seas</a>]]></dcterms:subject>
    <dcterms:subject><![CDATA[<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=49&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Technology">Technology</a>]]></dcterms:subject>
    <dcterms:subject><![CDATA[<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=49&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=The+Geocultural">The Geocultural</a>]]></dcterms:subject>
    <dcterms:subject><![CDATA[<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=49&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Urbanism">Urbanism</a>]]></dcterms:subject>
    <dcterms:description><![CDATA[<p><strong>MOE ACADEMIC RESEARCH FUND TIER 2[MOE-T2EP40120-0002]</strong><br /><br />This project examines how climate crisis and cultural loss interconnect. The core objective is the co-production of knowledge that can lead to a changed understanding of environmental justice, which, in turn, will suggest changes in existing legal and policy frameworks. The project hypothesises that a fundamental connection between people and their environments has been lost in contemporary urban contexts, resulting in feelings of indifference towards the climate crisis or unexplained feelings of climate anxiety.</p>
<p>It deploys a research team with transdisciplinary methods to build on emerging environmental jurisprudence in the Pacific region and produce narrative visualisations demonstrating the links between cultural loss and climate change. By combining scholarly knowledge with cultural and artistic practices, the project will develop an innovative framework for addressing the impact of accelerated climate change. Using tools from visual studies and forensic architecture, from ethnography and law, to make scientific evidence on climate change socially robust and impactful, it will also create a relay between local perspectives and knowledge generated in different academic fields. Data visualisation and audiovisual presentations of ecological and cultural loss will be instrumental to transform ecological grief and loss into catalysts for climate action. Such narrative visualisations make visible the necessity to re-establish a direct relation between human societies and the environment, especially in the rapidly-changing urban fabric of a metropolis like Singapore.</p>
<h2 class="wp-block-heading"><strong>RESEARCH OUTPUTS</strong></h2>
<p><a href="https://ntuccasingapore.omeka.net/items/show/4619"><em>Climate Crisis and Cultural Loss</em> Research Presentation</a>, 23 March–13 October 2024, TBA21-Academy Ocean Space, Venice, Italy</p>
<p><a href="https://ntuccasingapore.omeka.net/items/show/4619"><em>Climate Crisis and Cultural Loss</em> Research Presentation</a>, 12 April–24 May 2024, ADM Gallery, 81 Nanyang Drive, Singapore</p>
<p><a href="https://www.wgtn.ac.nz/law/research/publications/about-nzacl/publications/special-issues/hors-serie-volume-xxvii-2024">Special Issue: <em>Climate Crisis and Cultural Loss</em> (Vol. XXVII, 2024)</a>, Comparative Law Journal of the Pacific (CLJP), Victoria University of Wellington</p>
<h2 class="wp-block-heading"><strong>RESEARCH PUBLICATIONS:</strong></h2>
<p>Ahmed, N., Bauer, U. M., &amp; Lallemant-Moe, H. R. (2024, October). Introductions to Cultural loss and climate change. Comparative Law Journal of the Pacific, Special Issue: Climate Crisis and Cultural Loss.</p>
<p>Ahmed, N., Camus, G., Lallemant-Moe, H. R., &amp; Rave, L. (2022, November). Cultural loss and climate change – A new field of research. Comparative Law Journal of the Pacific, 28.</p>
<p>Soh, K. M. (2024, May). Monsoon equinox. Issue 13: Weather. LASALLE College of the Arts.</p>
<p>Shaleh, A. (2024, October). Linking the commons and climate change to collective actions. Comparative Law Journal of the Pacific, Special Issue: Climate Crisis and Cultural Loss.<br /><br /></p>
<p>A project of:</p>
<p>NTU Centre for Contemporary Art Singapore<br />NTU School of Art, Design and Media</p>
<p>Partner institutions:</p>
OCEAN SPACE<br />ADM Gallery<br />NTU Earth Observatory of Singapore<br /><p></p>
<p><br /><strong><br />Principal Investigator</strong><br /><strong>Ute Meta Bauer<br /></strong>Founding Director, NTU CCA Singapore; Professor, NTU ADM</p>
<p><strong>Co-Principal Investigator</strong><br /><strong>Sang-Ho Yun<br /></strong>Director, Remote Sensing Lab; Associate Professor, EEE and ASE, NTU</p>
<p><strong>Collaborators</strong><br /><strong>Nabil Ahmed</strong><br />Professor, NTNU; Founder, INTERPRT<br /><strong>Hervé Raimana Lallemant-Moe<br /></strong>Director General, Digital Economy, French Polynesia; Public Law Associate, UFP<br /><strong>Kristy H.A. Kang</strong><br />Associate Professor, ASU<br /><strong>Guigone Camus</strong><br />Research Engineer, CEA-DRF Saclay<br /><strong>Armin Linke<br /></strong>Filmmaker, Photographer, Professor, AdBK<br /><strong>Lisa Rave<br /></strong>Filmmaker, Photographer</p>
<p><strong>Research Team<br /></strong><strong>Adha Shaleh<br /></strong>Research Fellow, NTU ADM;<br /><strong>Soh Kay Min<br /></strong>Research Associate, NTU ADM<br /><strong>Ng Mei Jia</strong><br />Research Assistant, NTU ADM</p>]]></dcterms:description>
    <dcterms:date><![CDATA[1 March 2021 – 31 March 2024]]></dcterms:date>
    <dcterms:contributor><![CDATA[<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=37&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Ute+Meta+Bauer%0D%0A">Ute Meta Bauer<br />
</a>]]></dcterms:contributor>
    <dcterms:contributor><![CDATA[<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=37&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Sang-Ho+Yun%0D%0A">Sang-Ho Yun<br />
</a>]]></dcterms:contributor>
    <dcterms:contributor><![CDATA[<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=37&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Nabil+Ahmed%0D%0A">Nabil Ahmed<br />
</a>]]></dcterms:contributor>
    <dcterms:contributor><![CDATA[<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=37&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Herv%C3%A9+Raimana+Lallemant-Moe%0D%0A">Hervé Raimana Lallemant-Moe<br />
</a>]]></dcterms:contributor>
    <dcterms:contributor><![CDATA[<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=37&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Kristy+H.A.+Kang%0D%0A">Kristy H.A. Kang<br />
</a>]]></dcterms:contributor>
    <dcterms:contributor><![CDATA[<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=37&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Guigone+Camus">Guigone Camus</a>]]></dcterms:contributor>
    <dcterms:contributor><![CDATA[<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=37&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Armin+Linke%0D%0A">Armin Linke<br />
</a>]]></dcterms:contributor>
    <dcterms:contributor><![CDATA[<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=37&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Lisa+Rave%0D%0A">Lisa Rave<br />
</a>]]></dcterms:contributor>
    <dcterms:contributor><![CDATA[<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=37&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Adha+Shaleh%0D%0A">Adha Shaleh<br />
</a>]]></dcterms:contributor>
    <dcterms:contributor><![CDATA[<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=37&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Soh+Kay+Min%0D%0A">Soh Kay Min<br />
</a>]]></dcterms:contributor>
    <dcterms:contributor><![CDATA[<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=37&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Ng+Mei+Jia%0D%0A">Ng Mei Jia<br />
</a>]]></dcterms:contributor>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:coverage><![CDATA[<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=38&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Southeast+Asia">Southeast Asia</a>]]></dcterms:coverage>
</rdf:Description><rdf:Description rdf:about="https://ntuccasingapore.omeka.net/items/show/4752">
    <dcterms:title><![CDATA[Public Keynote Lectures: What is ‘Worlding’ in Biocultural Worlding?<br />
]]></dcterms:title>
    <dcterms:subject><![CDATA[<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=49&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Activism">Activism</a>]]></dcterms:subject>
    <dcterms:subject><![CDATA[<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=49&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Biodiversity">Biodiversity</a>]]></dcterms:subject>
    <dcterms:subject><![CDATA[<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=49&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Climate+Crisis">Climate Crisis</a>]]></dcterms:subject>
    <dcterms:subject><![CDATA[<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=49&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Coexistence">Coexistence</a>]]></dcterms:subject>
    <dcterms:subject><![CDATA[<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=49&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Cultural+Production">Cultural Production</a>]]></dcterms:subject>
    <dcterms:subject><![CDATA[<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=49&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Ecology">Ecology</a>]]></dcterms:subject>
    <dcterms:subject><![CDATA[<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=49&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Ecosystems">Ecosystems</a>]]></dcterms:subject>
    <dcterms:subject><![CDATA[<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=49&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Environmental+Crisis">Environmental Crisis</a>]]></dcterms:subject>
    <dcterms:subject><![CDATA[<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=49&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Materiality">Materiality</a>]]></dcterms:subject>
    <dcterms:subject><![CDATA[<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=49&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Nature">Nature</a>]]></dcterms:subject>
    <dcterms:subject><![CDATA[<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=49&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Oceans+%26+Seas">Oceans &amp; Seas</a>]]></dcterms:subject>
    <dcterms:subject><![CDATA[<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=49&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Politics">Politics</a>]]></dcterms:subject>
    <dcterms:subject><![CDATA[<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=49&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Technology">Technology</a>]]></dcterms:subject>
    <dcterms:subject><![CDATA[<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=49&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Ways+of+Seeing">Ways of Seeing</a>]]></dcterms:subject>
    <dcterms:description><![CDATA[<div class="grid-4 grid-y-gapsmall">
<div class="content-blocks">
<div class="entry-content font-bigger arrow-link arrow-link--inline text-color">
<p>The public keynote lectures are part of an academic workshop titled <em>“What is ‘Worlding’ in Biocultural Worlding?”</em> The workshop probes what “worlding” means within the context of biological and cultural diversity across different disciplines, regions, and epistemologies. The keynote lectures will further explore the processes that shape our understanding of the world through the deep interconnections between cultural and biological life. Presenting these keynotes are Dr <strong>Lisa Onaga</strong>, Senior Research Scholar at the Max Planck Institute for the History of Science, Berlin and curator and researcher Dr <strong>Margarida Mendes</strong>. Together, their lectures will illuminate how biocultural worlding unfolds across land and sea, and how attending to these entanglements opens new ways of imagining collective futures in times of environmental and epistemic loss.</p>
<p>22 September 2025<br />6:30pm – 8:00pm <br />The Hall, NTU CCA Singapore </p>
<p><a href="https://www.eventbrite.sg/e/keynote-lectures-what-is-worlding-in-biocultural-worlding-tickets-1590135190159?aff=Newsletter"><strong>Register here</strong></a></p>
<p><strong>Keynote Lectures</strong></p>
<p><em><strong>Oceanic Worldings</strong></em><strong>, Margarida Mendes</strong></p>
<p>Exploring the concept of worlding from the ocean point of view, this presentation foregrounds ecosystemic, political and ontological relations across aquatic realms. It introduces ongoing research and activism on ecoacoustics, deep sea mining, and remote sensing, proposing how different modes of ocean monitoring may contribute to plural oceanic worldings and alliances in the making.</p>
<p><em><strong>Turtle Worlds As A Way of Living</strong></em><strong>, Lisa Onaga</strong></p>
<p>From the adage “slow and steady wins the race,” symbols of longevity, to imagery of carrying a home upon one’s back, references to turtles appear in many languages and cultures around the world. Such “turtle metaphors” in language and material culture join a range of ways in which humans have regularly expressed themselves in relation to things of nature Diverse living things have long inspired human thought and action. However, propensities to regard nature as a resource can deepen a divide that casts humans apart from the natural world. Another perspective views humans as a part of a world where nature and culture are inseparable, encouraging a different way of knowing and talking about – and with – living things. From the earth known to Indigenous North Americans as Turtle Island, a directional guardian in Chinese cosmology, to ancestral gifts in the Torres Strait Islands, the reptiles we know as turtles, with their domed shells, have played a foundational role in holding together entire worlds, grounded in unique knowledge systems and protocols for correctly living a good life. In this presentation, I will reflect upon research efforts that initiated in 2016 to document the history of the Singapore Live Turtle and Tortoise Museum (LTTM), as the museum faced closure associated with state and city planning. At that time, the private museum held over 2000 objects turtle-themed objects (in the form of, but not made from, turtles), and approximately 600 individual turtles and tortoises – many of them former pets surrendered by members of the public in anticipation of the stricter regulations under the 2002 Singapore Animal and Birds Act, aligned with the Convention on International Trade in Endangered Species of Wild Fauna (CITES) treaty. The case of the LTTM and its persistence since 2001 to this day illustrates that both complementing and countering the separation of nature and culture enables the dynamic forming, maintaining, and caring of a “turtle world.” This example invites reflection on how biological and cultural practices grow entwined and embody forms of knowledge – in this case, “turtle knowledge” – and how that knowledge evolves, is practiced, shared, and passed down to the next generations.</p>
<p><em>What is ‘Worlding’ in Biocultural Worlding? </em>is supported by CLASS JOINT NTU-ANU NTU-KCL CONFERENCE, SYMPOSIUM, AND WORKSHOP SCHEME.</p>
<p>The public keynote lectures are convened by Professor <strong>Ute Meta Bauer</strong>, Acting Director, NTU Centre for Contemporary Art Singapore and Professor, School of Art, Design and Media, Nanyang Technological University.</p>
</div>
</div>
</div>]]></dcterms:description>
    <dcterms:date><![CDATA[22 September 2025]]></dcterms:date>
    <dcterms:contributor><![CDATA[<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=37&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Lisa+Onaga">Lisa Onaga</a>]]></dcterms:contributor>
    <dcterms:contributor><![CDATA[<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=37&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Margarida+Mendes">Margarida Mendes</a>]]></dcterms:contributor>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:coverage><![CDATA[<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=38&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Southeast+Asia">Southeast Asia</a>]]></dcterms:coverage>
</rdf:Description><rdf:Description rdf:about="https://ntuccasingapore.omeka.net/items/show/4746">
    <dcterms:title><![CDATA[Walking and Reading Session: Earth Ethics  ]]></dcterms:title>
    <dcterms:subject><![CDATA[<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=49&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Ecology">Ecology</a>]]></dcterms:subject>
    <dcterms:subject><![CDATA[<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=49&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Ecosystems">Ecosystems</a>]]></dcterms:subject>
    <dcterms:subject><![CDATA[<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=49&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Activism">Activism</a>]]></dcterms:subject>
    <dcterms:subject><![CDATA[<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=49&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Artistic+Research">Artistic Research</a>]]></dcterms:subject>
    <dcterms:subject><![CDATA[<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=49&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Climate+Crisis">Climate Crisis</a>]]></dcterms:subject>
    <dcterms:subject><![CDATA[<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=49&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Coexistence">Coexistence</a>]]></dcterms:subject>
    <dcterms:subject><![CDATA[<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=49&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Cultural+Production">Cultural Production</a>]]></dcterms:subject>
    <dcterms:subject><![CDATA[<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=49&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Environmental+Crisis">Environmental Crisis</a>]]></dcterms:subject>
    <dcterms:subject><![CDATA[<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=49&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Sustainability">Sustainability</a>]]></dcterms:subject>
    <dcterms:subject><![CDATA[<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=49&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Knowledge+Production">Knowledge Production</a>]]></dcterms:subject>
    <dcterms:subject><![CDATA[<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=49&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Institutional+Critique">Institutional Critique</a>]]></dcterms:subject>
    <dcterms:subject><![CDATA[<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=49&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Nature">Nature</a>]]></dcterms:subject>
    <dcterms:subject><![CDATA[<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=49&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=The+Anthropocene">The Anthropocene</a>]]></dcterms:subject>
    <dcterms:subject><![CDATA[<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=49&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Spaces+of+the+Curatorial">Spaces of the Curatorial</a>]]></dcterms:subject>
    <dcterms:description><![CDATA[<p>Join us for a walking and reading session exploring the intersection of art, ecologies, and local knowledge to reimagine relationships within Earth systems.  </p>
<p>Taking inspiration from case studies in the newly published <strong><em>Earth Ethics: Art, Institutions and Regenerative Practices</em></strong> (Monash University Publishing, 2025), co-edited by our current visiting researcher <strong>Madeleine Collie</strong>, this session explores some of the book’s strategies, offerings and ideas. Through collective reading, walking and discussion we will consider how place-based and relational approaches to art, research, and institution-making can cultivate ways of putting Earth Ethics into practice. </p>
<p><span>11 November 2025</span><br /><span>6:30 – 8:30pm</span><br /><span>The Hall, NTU CCA Singapore</span><br /><span>Free with </span><a href="https://www.eventbrite.sg/e/gathering-walking-and-reading-session-earth-ethics-tickets-1903422641359?aff=web" target="_blank" rel="noreferrer noopener">registration</a><br /><br /><em>Earth Ethics: Art, Institutions and Regenerative Practices</em> is the second in a series of readers published by Monash University Museum of Art | MUMA, edited by Madeleine Collie, Megan Cope, Charlotte Day and Melissa Ratliff.<br /><br /></p>
<p><span style="text-decoration:underline;"><b>Climate Transformation Gatherings (Nov 2024 - May 2026)</b> </span></p>
<p><b><span>About the </span></b><b><i><span>Climate Transformation </span></i></b><b><span>Gatherings</span></b><span> </span></p>
<p><span>Extended from the Climate Transformation Sustainable Societies Lecture Series, the Climate Transformation Gatherings consolidates critical concepts and ideas around various environmental themes and theories. These gatherings take various formats including open-discussion seminars, reading groups, workshops and guided tours to engage interested members of the public on various environmental issues.</span><span> </span></p>
<p><b><span>About the Team</span></b><span> </span></p>
<p><span>The Climate Transformation: Sustainable Societies Series is organised by members of the Climate Transformation Programme (CTP) Cross-Cutting Theme 1: Sustainable Societies research team, Principal Investigator Professor Ute Meta Baue, research fellow </span><b><span>Joshua Gebert, </span></b><span>research associate </span><b><span>Ng Mei Jia</span></b><span> and research assistant </span><b><span>Angela Ricasio Hoten</span></b><span>.</span></p>
<p><span>This series is supported by the Singapore Ministry of Education Academic Research Fund Tier 3 grant[MOE-MOET32022-0006] for the Climate Transformation Programme.</span><span> </span></p>]]></dcterms:description>
    <dcterms:date><![CDATA[11 November 2025]]></dcterms:date>
    <dcterms:contributor><![CDATA[<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=37&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Madeleine+Collie">Madeleine Collie</a>]]></dcterms:contributor>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:coverage><![CDATA[<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=38&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Southeast+Asia">Southeast Asia</a>]]></dcterms:coverage>
</rdf:Description><rdf:Description rdf:about="https://ntuccasingapore.omeka.net/items/show/4703">
    <dcterms:title><![CDATA[Shifting Grounds:  Human-Environment Relations in Volcanic Terrain]]></dcterms:title>
    <dcterms:subject><![CDATA[<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=49&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Coexistence">Coexistence</a>]]></dcterms:subject>
    <dcterms:subject><![CDATA[<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=49&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Cultural+Production">Cultural Production</a>]]></dcterms:subject>
    <dcterms:subject><![CDATA[<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=49&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Ecology">Ecology</a>]]></dcterms:subject>
    <dcterms:subject><![CDATA[<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=49&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Ecosystems">Ecosystems</a>]]></dcterms:subject>
    <dcterms:subject><![CDATA[<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=49&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=History">History</a>]]></dcterms:subject>
    <dcterms:subject><![CDATA[<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=49&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Mythology">Mythology</a>]]></dcterms:subject>
    <dcterms:subject><![CDATA[<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=49&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Nature">Nature</a>]]></dcterms:subject>
    <dcterms:subject><![CDATA[<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=49&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Ritual">Ritual</a>]]></dcterms:subject>
    <dcterms:subject><![CDATA[<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=49&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=The+Geocultural">The Geocultural</a>]]></dcterms:subject>
    <dcterms:description><![CDATA[<p>How do geological forces, local cosmologies, and policy frameworks converge and collide to shape life around an active volcano? This performative lecture by <strong>Ng Hui Hsien</strong>, STAR Artist-in-Residence, NTU CCA Singapore, and <strong>Yoonhee Jung</strong>, Senior Research Fellow, Department of History, NUS, delves into the complexities of human-environment relationships in and around Mount Batur in Bali, Indonesia. Drawing on research and lived experience, the presentation examines socio-economic shifts and the fraying of spiritual-ecological bonds intensified by the area’s designation as a UNESCO Global Geopark in 2012.</p>
<p>Through interwoven visual sequences, academic analysis, and textual explorations, the presenters show how artistic and scholarly perspectives diverge and intersect in interpreting this contested ground – and how Mount Batur acts as a sacred agent within local worldviews and ecologies.<br /><br /><span>Saturday, 13 December 2025</span><br /><span>3:00 – 4:30pm</span><br /><span>The Hall, NTU Centre for Contemporary Art Singapore</span><br /><span>6 Lock Road, #01-09, Gillman Barracks, 108934</span></p>]]></dcterms:description>
    <dcterms:date><![CDATA[13 December 2025]]></dcterms:date>
    <dcterms:contributor><![CDATA[<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=37&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Ng+Hui+Hsien">Ng Hui Hsien</a>]]></dcterms:contributor>
    <dcterms:contributor><![CDATA[<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=37&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Yoonhee+Jung">Yoonhee Jung</a>]]></dcterms:contributor>
    <dcterms:coverage><![CDATA[<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=38&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Southeast+Asia">Southeast Asia</a>]]></dcterms:coverage>
</rdf:Description><rdf:Description rdf:about="https://ntuccasingapore.omeka.net/items/show/4701">
    <dcterms:title><![CDATA[Ecological Witnessing: Geology as Archive, Microatolls as Record]]></dcterms:title>
    <dcterms:subject><![CDATA[<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=49&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Cultural+Heritage">Cultural Heritage</a>]]></dcterms:subject>
    <dcterms:subject><![CDATA[<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=49&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Cultural+Production">Cultural Production</a>]]></dcterms:subject>
    <dcterms:subject><![CDATA[<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=49&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Ecology">Ecology</a>]]></dcterms:subject>
    <dcterms:subject><![CDATA[<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=49&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Ecosystems">Ecosystems</a>]]></dcterms:subject>
    <dcterms:subject><![CDATA[<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=49&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Indigenous+Knowledge">Indigenous Knowledge</a>]]></dcterms:subject>
    <dcterms:subject><![CDATA[<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=49&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Mythology">Mythology</a>]]></dcterms:subject>
    <dcterms:subject><![CDATA[<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=49&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Nature">Nature</a>]]></dcterms:subject>
    <dcterms:subject><![CDATA[<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=49&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Oceans+%26+Seas">Oceans &amp; Seas</a>]]></dcterms:subject>
    <dcterms:subject><![CDATA[<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=49&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Performance">Performance</a>]]></dcterms:subject>
    <dcterms:subject><![CDATA[<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=49&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=The+Geocultural">The Geocultural</a>]]></dcterms:subject>
    <dcterms:description><![CDATA[<p>This two-part programme activates the <strong>Geology Gallery</strong> as an interdisciplinary space where artistic and scientific research converge to illuminate Singapore’s ecological timescales. Science and story-telling, data and divination are engaged as complementary frameworks of knowledge to deepen our understanding of geological and ecological processes.</p>
<p>PART 1</p>
<p><strong>Zarina Muhammad</strong>, STAR Artist-in-Residence at <strong>NTU Centre for Contemporary Art Singapore</strong>, and <strong>Aron Meltzner</strong>, Assistant Professor at <strong>NTU Asian School of the Environment </strong>and<strong> NTU Earth Observatory of Singapore</strong>, will present their research on microatolls, circular coral colonies that serve as a natural record of sea-level change. Drawing from their intersecting fieldwork at Tanjong Rimau—one of Singapore’s last remaining coastal cliffs where microatolls were recently discovered—their presentations will weave together quantitative data and ancestral narratives, and entangle scientific interpretations with memories and myths. Their combined perspectives will compose a broader reflection on how rocks, corals, and cultural stories bear witness to the dynamic relationship between land, sea, and climate across the vast expanse of deep time.</p>
<p>PART 2</p>
<p><em><strong>Amuletic Diagrams for Climate Futures</strong></em></p>
<p>Participatory workshop by Zarina Muhammad</p>
<p>This hands-on activity reenvisions the Geology Gallery as a living laboratory for dialogue and creative making. Participants will co-create a compass of warnings, memories, futures, and actions, drawing on EOS research into coral microatolls as records of sea-level change and Zarina Muhammad’s investigations into omens, divination, and ecological witnessing. The resulting collective compass will be an amuletic diagram—a tool for orientation across science and stories, deep time, and present urgencies. This temporary installation will serve as a map that guides us to relate differently to the sea, honour memory, and act collectively with care in the face of shifting climates.<br /><br /><span style="text-decoration:underline;">Register</span><br />Date: Saturday, 8 November 2025, 2:30 – 5pm</p>
<p>Location: Geology Gallery, Sentosa Nature Discovery<br />51 Imbiah Road Singapore, 099702<br />Located next to the Skyline Luge Singapore at Imbiah Lookout</p>
<p><em>Ecological Witnessing: Geology as Archive, Microatolls as Record </em>is organised in collaboration with <strong>Sentosa Development Corporation.</strong></p>
<p>The public programme is part of STAR Residencies – Cycle 1, a programme developed by NTU Centre for Contemporary Art Singapore in collaboration with NTU Earth Observatory of Singapore.</p>
<p>The programme is free for all participants. Please note that if you wish to attend both Part 1 and Part 2, a refundable deposit of $10 is required to reserve a slot (attendance to Part 1 is required to participate in Part 2).</p>
<p>The deposit will be returned upon attendance of both the presentation and the workshop. To qualify for a cancellation refund, reservation must be cancelled by 5 November, 12pm.</p>]]></dcterms:description>
    <dcterms:date><![CDATA[8 November 2025]]></dcterms:date>
    <dcterms:contributor><![CDATA[<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=37&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Zarina+Muhammad">Zarina Muhammad</a>]]></dcterms:contributor>
    <dcterms:contributor><![CDATA[<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=37&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Aron+Meltzner">Aron Meltzner</a>]]></dcterms:contributor>
    <dcterms:coverage><![CDATA[<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=38&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Southeast+Asia">Southeast Asia</a>]]></dcterms:coverage>
</rdf:Description><rdf:Description rdf:about="https://ntuccasingapore.omeka.net/items/show/4698">
    <dcterms:title><![CDATA[The Observatory]]></dcterms:title>
    <dcterms:subject><![CDATA[<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=49&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Cultural+Production">Cultural Production</a>]]></dcterms:subject>
    <dcterms:subject><![CDATA[<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=49&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Experiential">Experiential</a>]]></dcterms:subject>
    <dcterms:contributor><![CDATA[<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=37&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=The+Observatory">The Observatory</a>]]></dcterms:contributor>
</rdf:Description><rdf:Description rdf:about="https://ntuccasingapore.omeka.net/items/show/4684">
    <dcterms:title><![CDATA[György Kepes. <em>Interthinking Art + Science</em>]]></dcterms:title>
    <dcterms:subject><![CDATA[<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=49&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Artistic+Research">Artistic Research</a>]]></dcterms:subject>
    <dcterms:subject><![CDATA[<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=49&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Cultural+Production">Cultural Production</a>]]></dcterms:subject>
    <dcterms:subject><![CDATA[<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=49&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Architecture">Architecture</a>]]></dcterms:subject>
    <dcterms:subject><![CDATA[<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=49&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Design">Design</a>]]></dcterms:subject>
    <dcterms:subject><![CDATA[<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=49&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Education">Education</a>]]></dcterms:subject>
    <dcterms:subject><![CDATA[<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=49&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Institutional+Critique">Institutional Critique</a>]]></dcterms:subject>
    <dcterms:subject><![CDATA[<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=49&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Knowledge+Production">Knowledge Production</a>]]></dcterms:subject>
    <dcterms:subject><![CDATA[<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=49&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Modernity">Modernity</a>]]></dcterms:subject>
    <dcterms:subject><![CDATA[<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=49&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Public+Art">Public Art</a>]]></dcterms:subject>
    <dcterms:description><![CDATA[Screening of György Kepes. Interthinking Art + Science (Canada/Hungary, 2023), 98 minutes, followed by virtual Q&amp;A with film director and former NTU CCA Singapore Curator-in-Residence Márton Orosz.]]></dcterms:description>
    <dcterms:abstract><![CDATA[“With the scientist’s brain, the poet’s heart, and the painter’s eye”—this was the guiding principle of György Kepes, an artist, designer, and cultural catalyst who introduced the term interthinking. With this concept, he envisioned a bold new approach: uniting artists and engineers to tackle some of the world’s most pressing issues—such as ecological awareness, augmented reality, and adaptive design—long before these ideas entered the mainstream.<br />
<br />
Though still underrecognised, Kepes’s influence stretched far beyond the confines of art. From working alongside Bauhaus luminaries in Europe to shaping the cultural landscape of postwar America, he was less a solitary genius than a powerful enabler—an “active humanist” who championed the democratization of visual culture and fostered cross-cultural and interdisciplinary dialogue, from the Atlantic across Southeast Asia.<br />
<br />
Kepes’s most visionary achievement was the founding of the Center for Advanced Visual Studies (CAVS) at Massachussetts Institute of Technology (MIT) in 1967—a groundbreaking platform that united artists and scientists to collaboratively explore new ways of seeing and engaging with the civic space. His efforts to humanise technology and embed art into public consciousness came at a paradoxical moment: while MIT was being scrutinized for its ties to military research during the Vietnam War, Kepes was cultivating a counter-narrative—one that prioritised environmental ethics and civic responsibility.<br />
<br />
Márton Orosz’s documentary film offers the first comprehensive portrait of this shape-shifting modernist and intellectual force. It reveals Kepes not only as a visionary thinker and polymath but as a pioneering figure in the Art and Technology Movement whose ideas remain startlingly relevant today.<br />
<br />
György Kepes. Interthinking Art + Science<br />
(Canada/Hungary, 2023), 98 minutes <br />
Screening followed by virtual Q&amp;A with film director Márton Orosz<br />
<br />
Tuesday, 12 August 2025<br />
7.00 – 9.00pm<br />
The Hall, NTU CCA Singapore <br />
#01-09, 6 Lock Road <br />
Gillman Barracks<br />
<br />
Free with registration<br />
<br />
György Kepes (Hungary, 1906 – United States, 2001) was an art theorist, author, designer, educator, painter, and photographer. He studied painting at the School of Arts in Budapest, and, after moving to the United States in 1937, he taught design as the head of the Light and Colour Department of the New Bauhaus at Chicago, now known as the Institute of Design. In 1944, he published his seminal book, Language of Vision,exploring concepts of visual organisation and design methodology that remain deeply influential for design education. In 1967, György Kepes founded the Center for Advanced Visual Studies (CAVS) at the Massachusetts Institute of Technology (MIT) to serve as a “brainstorming laboratory” for artists and scientists to bridge the gap between art and science and address the social responsibility of design. Kepes served as CAVS’s director until his retirement in 1972, nurturing a community for close collaborations between artists and scientists, extending the fields of science and technology into art and visual expression.<br />
<br />
Dr. Márton Orosz is the Founder and Curator of the Photography and Media Arts Collection at the Museum of Fine Arts – Hungarian National Gallery, and has served as Director of the Vasarely Museum in Budapest since 2014. He has curated numerous exhibitions internationally, authored several books and scholarly articles on a wide range of art-historical topics, and lectured widely across the globe. His research interests encompass light-based media, photography, avant-garde collecting, abstract geometric and kinetic art, computer art, film, and animation. In 2023, he released his first feature-length documentary, György Kepes. Interthinking Art + Science which has been screened at several international festivals and has received multiple awards. Dr. Orosz is currently a Beinecke Senior Visiting Fellow at the Center for Advanced Study in the Visual Arts (CASVA) at the National Gallery of Art in Washington, D.C., and a Humboldt Research Fellow at ZKM | Center for Art and Media in Karlsruhe, Germany. He was Curator-in-Residence at NTU CCA Singapore from 1 to 7 February 2017.]]></dcterms:abstract>
    <dcterms:creator><![CDATA[Márton Orosz]]></dcterms:creator>
    <dcterms:date><![CDATA[2025-08-12]]></dcterms:date>
    <dcterms:contributor><![CDATA[<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=37&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=M%C3%A1rton+Orosz">Márton Orosz</a>]]></dcterms:contributor>
    <dcterms:rights><![CDATA[Directed by Márton Orosz]]></dcterms:rights>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:type><![CDATA[Film Screening]]></dcterms:type>
    <dcterms:bibliographicCitation><![CDATA[Márton Orosz, <em>György Kepes. Interthinking Art + Science</em>, 2023. Film Screening, 12 August 2025. NTU CCA Singapore.]]></dcterms:bibliographicCitation>
    <dcterms:coverage><![CDATA[<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=38&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Europe">Europe</a>]]></dcterms:coverage>
    <dcterms:coverage><![CDATA[<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=38&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=North+America">North America</a>]]></dcterms:coverage>
    <dcterms:temporal><![CDATA[1967]]></dcterms:temporal>
    <dcterms:rightsHolder><![CDATA[NTU CCA Singapore]]></dcterms:rightsHolder>
</rdf:Description><rdf:Description rdf:about="https://ntuccasingapore.omeka.net/items/show/4656">
    <dcterms:title><![CDATA[Tiziano Bonini]]></dcterms:title>
    <dcterms:subject><![CDATA[<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=49&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Cultural+Production">Cultural Production</a>]]></dcterms:subject>
    <dcterms:contributor><![CDATA[<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=37&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Tiziano+Bonini">Tiziano Bonini</a>]]></dcterms:contributor>
    <dcterms:coverage><![CDATA[<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=38&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Europe">Europe</a>]]></dcterms:coverage>
</rdf:Description><rdf:Description rdf:about="https://ntuccasingapore.omeka.net/items/show/4614">
    <dcterms:title><![CDATA[Talk: In Conversation with the artist Noor Abed]]></dcterms:title>
    <dcterms:subject><![CDATA[<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=49&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Cultural+Production">Cultural Production</a>]]></dcterms:subject>
    <dcterms:description><![CDATA[<p><strong>In conversation with the artist</strong><br /><strong>Saturday, 20 January, 11:00am – 12:30pm</strong></p>
<p>Artist Noor Abed will be in conversation with Ute Meta Bauer, Founding Director of NTU Centre for Contemporary Art Singapore and Professor at the School of Art, Design, and Media, NTU, to delve into Abed’s vision and motivation in light of winning the Han Nefkens Foundation – Fundació Antoni Tàpies Video Art Production Grant 2022, in collaboration with NTU Centre for Contemporary Art, Singapore; WIELS, Brussels; Museum of Contemporary Art and Design (MCAD), Manila and Jameel Art Centre, Dubai, engaging in transcontinental institutional collaboration and the impact it had on her work.</p>
<p>The conversation opens with a welcome address by Han Nefkens, Founder of the Han Nefkens Foundation.</p>]]></dcterms:description>
    <dcterms:date><![CDATA[20 January 2024]]></dcterms:date>
    <dcterms:contributor><![CDATA[<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=37&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Noor+Abed">Noor Abed</a>]]></dcterms:contributor>
    <dcterms:contributor><![CDATA[<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=37&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Han+Nefkens">Han Nefkens</a>]]></dcterms:contributor>
    <dcterms:contributor><![CDATA[<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=37&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Ute+Meta+Bauer">Ute Meta Bauer</a>]]></dcterms:contributor>
    <dcterms:coverage><![CDATA[<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=38&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Middle+East">Middle East</a>]]></dcterms:coverage>
</rdf:Description><rdf:Description rdf:about="https://ntuccasingapore.omeka.net/items/show/4606">
    <dcterms:title><![CDATA[Passages: SEA - AiR Studio Residencies for Southeast Asian Artists in the European Union Cycle 2 Exhibition Opening Reception]]></dcterms:title>
    <dcterms:subject><![CDATA[<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=49&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Artistic+Research">Artistic Research</a>]]></dcterms:subject>
    <dcterms:subject><![CDATA[<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=49&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Ways+of+Seeing">Ways of Seeing</a>]]></dcterms:subject>
    <dcterms:subject><![CDATA[<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=49&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Cultural+Production">Cultural Production</a>]]></dcterms:subject>
    <dcterms:description><![CDATA[<strong>Opening reception: </strong><br /><span>28 November 2023, 5–8pm<br /><br /><strong>Location:</strong><br />NTU CCA Singapore Residencies Studios<br />Block 38 Malan Road<br />Gillman Barracks<br />Singapore 109441<br /></span>]]></dcterms:description>
    <dcterms:date><![CDATA[28 November 2023]]></dcterms:date>
    <dcterms:coverage><![CDATA[<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=38&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Southeast+Asia">Southeast Asia</a>]]></dcterms:coverage>
</rdf:Description></rdf:RDF>
