In this continuation of Fyerool Darma’s research, the area of Telok Blangah becomes a landscape of introspection and the backdrop for a range of artistic exercises. During the residency, the artist will attempt to excavate textual archives and…
Looking at the overlooked is the core of Geraldine Kang’s projects. She intends to use her residency as an incubatory period to think about the role of waste and its management in the context of urban living, a subject matter that is often regarded…
The national archives contain numerous documents related to public assemblies (strikes, sit-ins, student protests, demonstrations, etc.), and yet collective gatherings aimed at voicing dissent have disappeared from the streets of present day…
Guo-Liang Tan’s practice revolves around how the space of painting and writing can be charged with affect and otherness. Tan is interested in how this sense of absence, pointing towards an imagined past and/or future, frames our present-ness and of…
Heman Chong will launch his new long-term project entitled The Library of Unread Books, a members-only reference library made up of donated books that are unread by their previous owners. The price for a lifetime membership to the library is the…
While in residence, Ho Rui An will continue his research into the aesthetics of “futurecraft” across the various futures and “horizon scanning” programmes run by state and private entities in Singapore and beyond. Of special interest is the practice…
The time and space of the residency are being used by Ho Tzu Nyen to map out his current and forthcoming projects for the next three years as well as their conceptual and aesthetic kinships. Other than further iterations of his growing multi-part…
Unfolding through visual, narrative, and performative acts, ila’s artist practice revolves around urgencies for repair, care, and mutual support. Amid frustrations resulting from the ever-shifting urban landscape and rising social inequalities, the…
During the 1950s, in many Eastern Bloc countries, cultural houses and clubs were created to fulfil the utopian dream of providing ‘culture for everybody’ whilst also structuring opportunities for people to participate in the collective production of…
James Jack is concerned with rejuvenating fragile links that exist in a place, developing socially engaged artworks in connection with the people and land encountered there. At NTU CCA Singapore, he will work on the project Stories of Khayalan Island…