Browse Items (1097 total)

NTU Centre for Contemporary Art Singapore; Tomás Saraceno, Arachnid Orchestra. Jam Sessions, 23 October – 20 December 2015, Installation view: Tomás Saraceno, Hybrid Musical instrument Cygnus A: built by a solitary spider Nephila kenianensis and two semi-social spiders Cyrtophora citricola (2014). Spidersilk, carbon fibre, and glass.
NTU CCA Singapore is pleased to present the pioneering and visionary work of artist Tomás Saraceno for the first time in Southeast Asia. Situated at the intersection between art, architecture and science, Saraceno’s artistic practice is an…

NTU Centre for Contemporary Art Singapore; Joan Jonas, They Come to Us without a Word, 22 January – 3 April 2016, Installation View: Bees (2015).
The NTU Centre for Contemporary Art Singapore is honoured to present They Come to Us without a Word, video and performance pioneer Joan Jonas’ first large-scale exhibition in Singapore and Southeast Asia. They Come to Us without a Word was organised…

Amar Kanwar, The Sovereign Forest, 30 July – 9 October 2016, NTU Centre for Contemporary Art Singapore, exhibition view. Courtesy NTU CCA Singapore.
Amar Kanwar has been filming the industrial interventions that have reshaped and permanently destroyed parts of Odisha’s landscape – a battleground on issues of development and displacement since the 1990s. The resulting conflicts between local…

Incomplete Urbanism: Attempts of Critical Spatial Practice, 29 October 2016 – 29 January 2017, NTU Centre for Contemporary Art Singapore, installation view.
Incomplete Urbanism: Attempts of Critical Spatial Practice is an open-ended exhibition that serves as a laboratory of ideas, exploring the indeterminacy and changeability of urban living. Borrowing its title from eminent Singaporean architect William…

Ulrike Ottinger, China. The Arts – The People: Photographs and Films from the 1980s and 1990s, 27 May – 13 August 2017, NTU Centre for Contemporary Art Singapore, installation view.
The exhibition China. The Arts – The People, Photographs and Films from the 1980s and 1990s by acclaimed filmmaker Ulrike Ottinger (b. 1942 in Constance, Germany) is the first large-scale exhibition by the award-winning filmmaker and artist in Asia.…

The Making of an Institution, 11 February – 7 May 2017, anGie seah, Talk to the Hand. NTU Centre for Contemporary Art Singapore, exhibition view.
The Making of an Institution captures different moments in the development of the NTU Centre for Contemporary Art Singapore (NTU CCA Singapore) connecting artistic projects, discursive manifestations, and the institutional apparatus in a seamless…

Apichatpong Weerasethakul, Fireworks (Archive), 2014. Ghost and Spectres – Shadows of History, 1 September – 19 November 2017, NTU Centre for Contemporary Art Singapore, installation view.
Ghosts and Spectres — Shadows of History features video installations and films by Apichatpong Weerasethakul (Thailand), Ho Tzu Nyen (Singapore), Nguyen Trinh Thi (Vietnam), and Park Chan-kyong (South Korea). The artists’ research into their own…

John Akomfrah, The Unfinished Conversation, 2012. Non-Aligned (2020), NTU Centre for Contemporary Art Singapore.
Non-Aligned in the press! Read Stephanie Bailey’s article in Ocula and Object Lessons Space‘s interview with Dr Karin Oen, the Centre’s Deputy Director of Curatorial Programmes. The Unfinished Conversation (2012), John Akomfrah (United Kingdom), Two…

Trinh T. Minh-ha, A Tale of Love, 1995. Trinh T. Minh-ha. Films. (2020–21), NTU Centre for Contemporary Art Singapore.
“The making of each film transforms the way I see myself and the world. Once I start engaging in the process of making a film or in any artistic excursion, I am also embarking upon a journey whose point of arrival is unknown to me.”—Trinh T. Minh-ha…

BITL_Ep3_01.jpg
Bring it to LIFE is a curatorial project that engages with NTU CCA Singapore’s Artist Resource Platform which aims to overcome the mediated experience and create direct encounters with artistic production. Structured in four different episodes, Bring…
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