4 May 2016, Wed 7:30pm - 9:00pm
The Single Screen, Block 43 Malan Road
In this talk Dr. Marc Glöde will give a first insight into his research at NTU CCA Singapore. Fuelled by his interest in questions concerning images and image politics, as well as…
8 Oct 2016, Sat 12:00pm - 8:00pm9 Oct 2016, Sun 12:00pm - 8:00pm15 Oct 2016, Sat 12:00pm - 8:00pm16 Oct 2016, Sun 12:00pm - 8:00pm
The Seminar Room, Block 43 Malan Road
In recent years, artists have begun working extensively with the moving image.…
26 Oct 2016, Wed 4:00pm - 5:30pm
The Exhibition Hall, Block 43 Malan Road
In conversations takes as its point of departure, similar to the exhibition Incomplete Urbanism, William Lim’s latest collaborative model, the Asian Urban Lab. Together with…
18 Nov 2016, Fri 07:30 PM - 09:00 PM
The Exhibition Hall, Block 43 Malan RoadThe relation between architecture, urbanism, and the moving image has been always very close. While architects used filmic images continuously to critically reflect and…
2 Dec 2016, Fri 07:30 PM - 10:00 PM16 Dec 2016, Fri 07:30 PM - 10:00 PM23 Dec 2016, Fri 07:30 PM - 10:00 PM30 Dec 2016, Fri 07:30 PM - 10:00 PM
The Single Screen, Block 43 Malan Road
Re-shaping the City of Singapore and creating its new appearance…
11 Aug 2017, Fri 07:30 PM - 09:00 PM
The Single Screen, Block 43 Malan Road
Ulrike Ottinger’s work translates a powerful research into a portrait of the world in images. These investigations, in Ottinger’s case often referred as travelogues, result…
In this talk Marc Glöde will discuss the role of the filmic medium in Siah Armajani’s artistic practice and how the artist’s experimentation with computer-based graphics in the early 1970s not only expanded his practice in relation to public space…
Guest-of-Honour: William S. W. Lim
Emerging from an exhibition, conference, and festival that explored architect and urban theorist William S. W. Lim’s concept on “Incomplete Urbanism” and his call for “Cities for People,” this publication juxtaposes…
Special attention in the accompanying film programme has been given to Trinh’s approach of the withdrawal from the usual pattern of the documentary with regard to authenticity, representation, observation, or the creation of sentiments in favor of…