Unfolding over two months, Artists-in-Residence Li Ran and Gary Ross Pastrana will develop projects for The Lab, NTU CCA Singapore’s space for experimentation, which are speculations on how an image is created and deconstructed. Gary Ross Pastrana’s…
“Patterns – cloth and textiles as text in Southeast Asia – imbedding cultural interrelations and the question of identities” in times of global sameness, is Regina (Maria) Möller‘s research focus. Möller’s research in The Lab stems from her interest…
Invisible to the human eye, geological kinships flow under the oceans and lay deep into the earth’s crust. When they manifest themselves, it is often in apocalyptic forms that disrupt existing ecosystems and the course of human life. In geography,…
Featuring:Denise Yap, Apartment 2079, 2020Moses Tan, Study for Dramatic Venus, 2020Ruby Jayaseelan, STOP., 2020passthejpeg, passthetime, 2020<!DOCTYPE work> is a curatorial project that encourages people to rethink productivity in creative…
“Speaking nearby” to the exhibition Trinh T. Minh-ha. Films., this research presentation showcases the Wattis Institute’s year-long research season on Trinh’s multifaceted practice as a filmmaker, writer and theorist. What does the promise of…
Campur, Tolak, Kali, Bahagi, Sama Dengan (Add, Subtract, Multiply, Divide, Equals) is a solo project by late and cherished artist Roslisham Ismail aka Ise. In 2016 during a short trip in Germany, Ise jotted down in his notebook the title of a…
The mixed-media selection presented in The Vitrine stems from Railtrack Songmaps, a project exploring competing claims to nature and culture that resound along the former Malaysian railway tracks at Tanglin Halt. For at least five decades, birds,…
Confounding ordinary notions of legibility, the work of Sonya Lacey addresses the politics of communication by tampering with the concrete textures of language. Specifically conceived for The Vitrine, Speed Reading combines two bodies of work that…
Developed during his residency at NTU CCA Singapore, Creatif Compleks (2018) is the culmination of Michael Lee’s reflection on the function of the artist’s studio within the arts ecology of a city. The work takes the form of a diagram about a…
Interested in the “semiotic thickness” of Geylang, an area located on the east-central side of Singapore where bustling street life, covert activities, information technologies, and data mining protocols are increasingly intertwined, Luca Lum has…