Browse Items (328 total)

An excerpt from 'The Once and Future' by Yeo Siew Hua – an expanded cinema work with a score performed live by members of the Berlin Philharmonic Orchestra which will premiere at the Singapore International Festival of Arts in June 2022. The work was…

13 Feb 2016, Sat 1:00pm - 4:00pm The Single Screen, Block 43 Malan Road Selected works are chosen and discussed by artist and filmmaker Park Chan-kyong which engage with topics of the spiritual aspects of nature. This workshop and screening is part…

9 Jun 2015, 7.30pm - 9pm Tony Godfrey, NTU CCA Singapore Visiting Research Fellow, has written extensively about South-East Asia art in the last six years, however he does not see himself as a South-East Asian specialist. Noting the strong focus on…

13 Jan 2017, Fri 08:00 PM - 09:30 PM Moving beyond the idea of a “Smart City”, the Singapore government has recently spearheaded the “Smart Nation” initiative that aims to create a data-driven network that can enhance citizens’ lives and foster…

28 Oct 2017, Sat On the occasion of the exhibition Ghost and Spectres – Shadows of History curated by Professor Ute Meta Bauer and Khim Ong, and the 4th anniversary of NTU CCA Singapore 10.00 – 10.10am Welcome address by Ute Meta Bauer, Founding…

18 Feb 2015, Wed 7:30pm - 9:00pm Visiting Research Fellow and British art historian Tony Godfrey will read from Tuesday in the Tropics, his illustrated weekly letter which he emails to curators and friends. These letters sometimes reflective,…

27 Oct 2015, Tue 7:30pm - 9:00pm Frustrated by how challenging it was to get reviews on art from Southeast Asia published in art magazines in Europe or the United States, Tony Godfrey started to write an illustrated weekly letter. Titled Tuesday in…

Trinh T. Minh-ha. Films. Video Tour (Full)

Trailer of Culture City.Culture Scape.
Shortlisted for Best Non-Fiction Title category, Singapore Book Awards 2022

Judy Freya Sibayan looks back on 45 years of artmaking, with the first 20 years as the basis of her work of Institutional Critique. Taking the subject position of the “ex-centric” (the inside-outsider), she parodies the institution of art. It is here…
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