Browse Items (37 total)

A Song of Ceylon, Laleen Jayamanne, 1985 16mm film, colour, sound, 51 min Rating: PG13 (This film contains mature content and some nudity) This film is an intense study of the body, gender and the multiple aspects of colonialism. It addresses…

15 – 28 November 2020 Heaven’s Crossroad, Kimi Takesue, 2002 Video, colour, sound, 35 min Rating: G What does it mean to “look” cross-culturally? This film follows up on this question by creating a visual journey through Vietnam. Instead of following…

Naked Spaces—Living is Round, Trinh T. Minh-ha, 1985 16mm transferred to digital file, colour, sound, 135 min Rating: PG13 (This film contains some nudity) Six West African countries (Mauritania, Mali, Burkina Faso, Togo, Benin and Senegal) stand in…

Surname Viet Given Name Nam, Trinh T. Minh-ha, 1989 16mm film transferred to digital, colour, sound, 108 min Rating: PG13 (This film contains some disturbing scenes from the archival footage of the Vietnam War) This film is Trinh’s complex deep dive…

4 May 2016, Wed 7:30pm - 9:00pm The Single Screen, Block 43 Malan Road In this talk Dr. Marc Glöde will give a first insight into his research at NTU CCA Singapore. Fuelled by his interest in questions concerning images and image politics, as well as…

11 Aug 2017, Fri 07:30 PM - 09:00 PM The Single Screen, Block 43 Malan Road Ulrike Ottinger’s work translates a powerful research into a portrait of the world in images. These investigations, in Ottinger’s case often referred as travelogues, result…

11 Aug 2017, Fri 07:30 PM - 09:00 PM Ulrike Ottinger’s work translates a powerful research into a portrait of the world in images. These investigations, in Ottinger’s case often referred as travelogues, result in films that take time to encounter. By…

Special attention in the accompanying film programme has been given to Trinh’s approach of the withdrawal from the usual pattern of the documentary with regard to authenticity, representation, observation, or the creation of sentiments in favor of…

Special attention in the accompanying film programme has been given to Trinh T. Thi Min-ha’s approach of the withdrawal from the usual pattern of the documentary with regard to authenticity, representation, observation, or the creation of sentiments…

Marc Glöde is an independent curator, critic, film scholar, and an Assistant Professor at School of Art, Design, and Media at Nanyang Technological University (NTU).  Research FocusResidency period: 25 February – 26 May 2016 Dr Marc Glöde's work is…