Browse Items (37 total)

Thursday, 2 March 2023The Screening Room, Block 38 Malan Road, #01-067:00pm – 8:30pm Inside the Outset: Evoking a Space of Passage is a project by artist and filmmaker Rosa Barba following an invitation by Point Centre for Contemporary Art in Nicosia…

4 Aug 2017, Fri 07:30 PM - 09:00 PM The Single Screen, Block 43 Malan RoadThe documentary film Three Sisters tells the story of Ying (10 years old), Zhen (6 years old) and Fen (4 years old) who live alone and in extreme poverty in the high mountains…

2 Jun 2017, Fri 07:30 PM - 09:00 PM The Single Screen, Block 43 Malan RoadBeijing Taxi is a timely, uncensored and richly cinematic portrait of China’s ancient capital as it undergoes a profound transformation. The film takes an intimate and…

11 Oct 2022, Tue – 6 Nov 2022, Sun The Screening Room, Block 38 Malan Road, #01-06 12 pm – 7pm, every day except Monday Film starts every hour Premier Screening: Tuesday 11 October, 7:00pm-8:30pmThe screening will be followed by a conversation…

18 Nov 2017, Sat 12:00 PM - 07:30 PM19 Nov 2017, Sun 12:00 PM - 07:00 PM The Seminar Room, Block 43 Malan RoadTaking place on the closing weekend of Ghosts and Spectres – Shadows of History, the screening of selected films and videos by artists from…

Place.Labour.Capital., published by NTU Centre for Contemporary Art Singapore (NTU CCA Singapore) and Mousse Publishing, connects cultural production and artistic research to broader political and social concerns, engaging readers with contemporary…

21 Jan 2016, Thu Marina Bay Sands Expo & Convention Centre, 10 Bayfront Avenue This programme of video works curated by NTU CCA Singapore Visiting Research Fellow Marc Glöde and Visiting Associate Professor Mark Nash centres around the rapid…

Marc Glöde is an independent curator, critic, film scholar, and an Assistant Professor at School of Art, Design, and Media at Nanyang Technological University (NTU).  Research FocusResidency period: 25 February – 26 May 2016 Dr Marc Glöde's work is…

Special attention in the accompanying film programme has been given to Trinh T. Thi Min-ha’s approach of the withdrawal from the usual pattern of the documentary with regard to authenticity, representation, observation, or the creation of sentiments…

Special attention in the accompanying film programme has been given to Trinh’s approach of the withdrawal from the usual pattern of the documentary with regard to authenticity, representation, observation, or the creation of sentiments in favor of…